Florida - Paintings

This powerful original oil painting titled “Sailboat of Hope” by contemporary visionary Serg Graff captures a lone mythical vessel sailing into a glowing, spiraling sun. Heavy impast...

This is a one-of-a-kind original acrylic painting on canvas in a vibrant abstract style by contemporary artist Serg Graff, titled "Underwater Dream." The composition bursts with swir...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Charming small 19th Century oil painting on canvas of a girl in a dress in an interior scene with a parrot and a dog executed in a distinctive early American school of portraiture. R...

Up for sale is a 19th/20th-century American school Antique original oil painting on canvas depicting a portrait of a fisherman seated by a table with fishing creel and basket. No v...

Multidisciplinary painter who explores his art in multiple contexts and through various forms of expression, such as painting, printmaking, video, and photography. His work spans fro...

"The Beach Hat, series #9" by renowned artist Andre Kohn, comprised of a vibrant blue, yellow and orange palette. This original oil painting is on museum wrap canvas and measures 30"...

This striking original acrylic painting by Serg Graff, titled “Zephura” , captures the luminous power of the open sea and the symbolic voyage of human spirit. Painted in 2025, the wo...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s A...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

A lovely little Impressionist landscape of Paysage au Crépuscule (Landscape at Twilight) painted by William Samuel Horton (1856-1936). William Horton, primarily a landscape painte...

This original oil painting on canvas is a powerful example of cubist-inspired figurative art, signed by the artist Tylor in the lower left. The composition depicts two stylized figur...

Otoño original neo expressionist acrylic painting. contemporary work by the mallorquin artist Toni CALDENTEY CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notion of r...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

"Fading into Stone 3 " . Original, unique painting. oil on canvas, 30x38in. Shipped stretched ready for display “Fading into Stone 3”, suggests a continuation of the idea of trans...

Wesley Lea (1914-1981). Self-portrait, ca. 1940. Oil on canvas, 12 x 17 inches. Signed lower left center "WESLEA" as was his practice in 1930s-40's. Unframed.

This beautiful vintage oil painting on canvas, titled “At The Inn,” is by American artist Henry T. Harvey (1908–1998), a painter known for his nostalgic and detailed depictions of pa...

An accomplished American Scene painter, Clyde Singer successfully captured everyday life during his long career. A unique aspect of American life is depicted in this painting, entitl...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Bernard Segal (1907-1986). Cubist portrait, ca. 1960. Gouache and watercolor on paper, sheet measures 10 x 13.5 inches. Unsigned. Estate stamp on vers...

130 x 100 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicu...

The Wrestlers by Clyde Singer is an excellent Mid-Century painting of a popular Aschan subject. The artist George Bellows (1882-1925) was a precursor of Singer's who often depicted ...

Friedrich Wigand (Russian, 1800-1853). Portrait of a Young Man, 1841. Oil on canvas, 12.5 x 16 inches. Framed measurement: 17 x 20.5 inches. Signed an...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Here for your consideration is a very well executed and highly detailed oil on mahogany wooden panel painting by one the the leading Victorian artists of the day, Joseph Thors. Sign...

Otto Henry Schneider: 1865-1950. Well listed American artist with auction records over $22000 who is mostly associated with southern California San Diego. He studied at Art Institute...

This is an original oil painting on canvas - a seascape featuring a sailing ship in the stormy ocean depicts a dramatic and turbulent scene with the ship battling against the forces ...

20th century Jewish Chassidic Rabbi with fur hat portrait, Judaica Oil Painting

Sol Wilson (1896-1974). Provincetown Beach Landscape with Lobster Traps, ca. 1950. Oil on Masonite panel, 16 x 20 inches. Measuring 24 x 28 inches fra...

Up for sale another beautiful mystery painting. An impressionistic little gem with very accomplished broken brushstroke technique. Painting is signed and dated upper right but I cann...

"Nude in Interior - Woman on Top" - original large art by Paula Craioveanu in Contemporary Expressionist style. Original, large, unique painting, oil on canvas, 39x27in / 100x70cm . ...

Early, original oil on canvas painting by the well known American abstract expressionist artist, John Little. Signed and dated lower right, 1958. Signed and dated verso. Rose Fried...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

Artist: Dan May (American, 1955-) Title: "Lady with Bird and Cat II" *Signed by May lower left. It is also signed and dated on verso Year: 2020 Medium: ...

Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan Zee...

Signature: Signed Lower Left Medium: Oil on Board Frame: Gilt Frame with Decorative Elements and Linen Inset Brightly colored and bold illustration of an American hunting scene...

This striking original vintage oil painting on canvas captures the dramatic energy of the sea. Against a turbulent sky of layered blues and storm‑laden clouds, a majestic sailing shi...

Artist: Slonem, Hunt Title: Daisy Series: Floral Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on ...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Charles Levier (1920-2004) Oil Painting on canvas Vase of Flowers, Fleurs Hand signed lower right Dimensions: 34.75 X 20 framed, canvas is 29.5 X 14.75 Charles Levier He was born in...

This is an original oil painting on canvas, depicting a majestic sailing ship vigorously navigating through turbulent seas. The ship is shown in great detail, with all sails unfurled...

ANNA KINCAIDE "Don’t You Want to Feel Alive" Oil and Mixed Media on Canvas 48 x 48 inches Communicating emotion and narrative with limited assistance from her figure’s facial expres...

Abstract intuitive square vignettes with scenes of awakening from a dream- dreamscape is expressed in this artwork. A small multi-layered painting with grids of imaginary moody, drea...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

This is a beautiful large oil painting on canvas depicting a picturesque European coastal town with a bustling waterfront scene. The artist employs a rich, textured impasto technique...

This captivating antique oil painting on canvas is a fine example of Dutch School genre art, evoking the style of the 17th-century master Adriaen van Ostade. The composition features...

This is a unique original acrylic painting on canvas in a lively fantasy abstract style by Serg Graff, titled “Funny Octopuses.” The painting bursts with color and movement, depicti...

Affection 1989 Artist signed lower right Oil, graphite on linen canvas 38x30, framed 52x44 inches. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spen...

Serenity with Fuchsite and Amethyst stones this painting is 48 X 48. Amethyst is known for having healing properties. Nancy Seibert began her art stu...

Watercolor on paper, sheet measures 8.25 x 10.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri work...

Artist: Jack Graves III (American, 1988-) Title: "Princess" Series: Eclecticism *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2024 Medium: Origi...

This depicts Middle Eastern jewish men of Sefardic descent. At least one appears to be a Rabbi. ALBERT GOLDMAN Born in Alexandria, Egypt in 1922, Albert Goldman started drawing and ...

Michael Mazur (American, 1935-) Hand signed and titled The Lake II, 1985 Color monotype Hand signed, titled, and dated in pencil lower margin Dimensions overall: 47 x 82 in. (frame) ...

Artist: Peter Max Title: Grammy Size: 48 x 36 Inches (Framed: 51 x 39 Inches) Medium: Acrylic on Canvas Edition: Original Year: 2002 Notes: Hand Signed by the Artist. Hand S...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

The Market, (fauvist painting of NYC scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Lower East Side Tenements Pushcart Market Watercolor on paper board. Samuel G...