Florida - Paintings

Herbert Morton Stoops American (1888 - 1948) Curse of the Golden Cross Magazine illustration, 1925 Oil on canvas 40 x 30 in. Not signed Work is framed

Joseph Kardonne (1911-1985). Tarleton Landscape 1967. 9 x 12 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in...

Beautiful still life painting by Philadelphia artist, John Bekavac (?-2011). Oil on linen, Canvas measures 14 x 18 inches; 17.5 x 21.5 inches framed. Signed lower left. Excellent...

A still life of the iconic Jaws paperback on a beach weathered wooden table just waiting to be read! The book and film are etched in 20th century pop culture and in 1975 when the fil...

An original still life oil painting in the style of contemporary realism measuring 16in x 20in is painted on a 1.5in deep cradled hardwood panel. The piece has clean pine wood edges...

MAKS ART GALLERY is proud to present this striking original acrylic painting titled “Lovers” by contemporary surrealist artist Serg Graff. Rendered in vivid, interlocking forms and ...

Tempera mixed with gum arabic and alcohol on Renaissance Panel There is from frame burn and scattered surface abrasions but they are minor. Additionally, there are a 3 or 4 very fine hair line scratches not visible unless you look very closely. The work is varnished and has a reflective quality to it that makes it hard to photograph. In person the viewing experience is much better. You can see more detail in the shadow areas. The colors are rich, deep and saturated. Riggs was very particular in researching the tribal costumes...

Joseph Margulies (1896-1984). Blue Vase with Roses, ca. 1950. Gouache on paper, image measures 19 x 23 inches. Measuring 26.5 x 30.5 inches framed. Signed lower right. Double-...

This large scale original oil painting is a homage to the ancient art of tea collecting. In the misty mountains of China a lone tea farmer collects his crop, carrying the heavy load ...

An Original oil painting of the 1970 Fiat Coupe. This piece is the art of cool.. Perfect for any vintage car enthusiast or collector. An homage to the cultural aesthetic of vintage...

Luis Miguel Valdes (Cuba, 1949) "Escher está de moda" (Escher is trending), 2024 oil and acrylic on canvas 57 x 116 in.

Raccoon Watching Fish, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

fish in the sea original abstract acrylic painting Artwork by Spanish artist ISIDRO CAHUE. Acrylic on wood Perfect state The personality of the artist is reflected in different ...

Ivan Kurach (1909 – 1968) lived and studied in Italy. Well known both in Europe and in the United States, his paintings are found in famous private collections and in museums all ov...

Oropimente yellows- original. abstractacrylic painting. framed contemporary work by the mallorquin artist Toni CALDENTEY Mixed media CALDENTEY, Toni - (Portocolom, Mallorca - Spain...

Purvis Young (1943 - 2010) Saints II, 1994 Mixed Media House Paint on Laid Fabric 46.50 x 19.50 in

Ruz Black character- original abstract acrylic painting Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

" La lluita. original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY virtual framed Perfect state CALDENTEY, Toni - (Portocolom, Mallorc...

Manuel Pardo (1952-2012). Portrait, 1986. Oil on canvas, 11 x 13 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pard...

"El arquero Spanol se apresta de nuevo" The Spanish goalkeeper gets ready again, 2010 With signed certificate of autenticity. Oil on canvas signed and dated, will be frame before shi...

Maurice Brianchon (French 1899-1979) Interior scene (backstage at the theater) Watercolor and gouache on paper Signed lower right “Brianchon” Frame measures 16 X 17.5. Sight Size 8.5...

Alex Balaguer BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught in the art wor...

Jose Mitjans Pico (1904-1991). Portrait of a Young Woman Oil on canvas 20 x 16 in, 27 x 23 in (framed). Signed right margin.

42 Brothers in BN 120x60 cm original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production co...

A- original abstract acrylic painting , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Jul...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Biog...

Claudine Berechel (1925-2011) Parisian Rooftops, ca. 1955-60 Oil on canvas measuring 15 x 24 inches. Framed measurement, 20 x 29 inches. Signed lower center. Janet Fleisher Ga...

trumpet and daisies original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of h...

Colors - original abstract acrylic painting. frameD Original paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality THAR...

acrylic canvas painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk abou...

The “Plucking Daisies” offers rich ground for philosophical interpretation, particularly through a Heideggerian lens. It invites us to contemplate our own existence, our relationshi...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicula...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXX" Series: Diamond *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

Framed 41.5 x 29.5 image 35.5 x 23.5 This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are ...

Man & Woman, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Turtle, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Golden, soft blue and shades of gray resin and oil mosaic painting, created with sculptural hand tinted and cast epoxy resin cubes on wood, from American artist Erin Parish. The pai...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 11 x 15.25 inches. Unframed. Excellent condition. Signed lower right. Born in Bayou Lafourche, Louisiana i...

arquitectures original expressionist mixed media painting. RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Art...

Original work of the artist RUZ.. virtual frame Acrylic on paper Perfect state Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘p...

The work is in excellent condition and meticulously rendered in a photo-realistic style. It showcases the artist's high-level sense of design. Newsweek could hire any artist in the...

Up for sale is an original oil painting on canvas depicting a Still Life composition. Unsigned. Nicely framed. Good condition. Please see the photos, they are part of the descript...

44.-The Machine 2 100 x80 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La C...

" Informalisme " original abstract mixed media painting. virtual framed RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi Schoo...

115. original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicu...

bottles- original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state

FIESTA 2025 Artist signed lower right corner gallery wrap. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a schol...

Ellen De Meutter Paint 2, 2007 Acrylic, ink and oil on canvas 31.5 x 23.6 in (80.0 x 59.9 cm) Provenance: Secrets Lies show at her American gallery Roberts Tilton, LA in ...

Joseph Wolins 1915-1999 Wolins was born in Atlantic City, New Jersey. He studied at the National Academy of Design from 1935 to 1941 under Leon Kroll. He also studied in Europe in ...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Dimensions w/Frame: 16" x 14" Shmuel Ovadyahu was born in Ukraine to an orthodox Jewish family, when Shmuel was 7 years old the family moved to Lodz, Poland. Although Ovadyahu’s el...

Bodegon #25 Large Still Life Painting Artist signed, titled and dated. Second set of photos are in a natural day light. Chilean painter and graphic artist Juan Gomez Quiroz. His conc...

El dia que es va crema el Liceo original abstract mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School ...

This depiction of a sunrise on a Winters day is a beautifully atmospheric oil on canvas painting by the artist Johann Jungblut. ‘Winter Day’ is an original work that is circa the 19th Century. Johann Jungblut was a German painter who focused on depicting winter landscapes of rural Netherlands, Germany, and Norway. Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp...

Oil on canvas painting by Jean Calogero. Circa 1950. Signed lower right. Condition: Good. Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Provenance: Manhattan Co...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

" BARCELONA" realist original acrylic canvas. Mallorcan artistic painter. He offers us a vision of the placid and calm reality, and a uniformity of tones, gives his works a manifes...