Florida - Color Photography

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Fabulous American landscape photography of a rural school house. from small hand signed edition of 20 Large Chromogenic print on Kodak Professional Paper The sheets are approximatel...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

SOREL COHEN (Canadian b. 1936 - ) Speak Silence- 1978 Ektacolor photograph and vinyl letter typography Verso with gallery label for Wynick/Tuck Gallery, Toronto, Ontario 41 inches x 53 inches edition of 3 The original receipt included with this item is only available in the digital form. I only have the copy of it, not the original. SOREL COHEN (Canadian b. 1936 - ) A graduate of Concordia University, Cohen has been a major figure on the Canadian photography scene for over thirty years. She has been invited as guest lecturer to many Canadian universities, and was awarded the Canada Council’s prestigious Duke and Duchess of York Prize in Photography (1988). Her master’s thesis examined feminist art in the 1970s, while her art practice, which is largely autobiographical, weaves original links conceptual art, photography, painting and film. Cohen creates works that directly reference the historical and social context of the artist, especially through depictions of gender and the body. She has participated in numerous group shows both in Canada and abroad (France, Germany, Mexico, the United Kingdom, etc.) and has had solo exhibitions in major Canadian cities from Halifax to Vancouver, as well as in New York, Marseilles, and Tempe, Arizona. ) She was included in the show She Photographs which presented thirty photographers, mostly Canadian, a few American, who explore the portrait or the self-portrait, nudes, still-life, landscape. Artists included Sarah Anne Johnson...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

Summer fun, bathing suits, swimming pools etc. Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of Photography. His photographs are in the permanent collections of the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Art Institute of Chicago and the San Francisco Museum of Modern Art. Three monographs of his work have been published: All Around the House: Photographs of American-Jewish Communal Life (Art Institute of Chicago, 1998), Along the Divide: Photographs of the Dan Ryan Expressway (Center for American Places, 2004) and Architecture of Resignation: Photographs from the Mezzogiorno (Center for American Places, 2011). Kehrer Verlag will publish his fourth monograph, Same Dream Another Time, in 2017. Wolke received his B.F.A. in Printmaking / Illustration at Washington University, St. Louis, and an M.S. in Photography at the Institute of Design, Illinois Institute of Technology, Chicago. Since 1981 he has taught photography and art at various universities. From 1992-1999 he was Coordinator of Graduate Documentary Photography at the Institute of Design (IIT). In 1999-2000 he was Head of Art and Graduate Studies at Studio Art Centers International, Florence, Italy. He is currently a Professor of Photography at Columbia College Chicago, where he also served as Chair of the Art and Design Department from 2000-05 and again from 2008-14. Wolke has received grants and awards from the National Endowment for the Arts, the Illinois Arts Council, Focus Infinity Fund and the Ruttenberg Arts Foundation. His photographs have appeared in numerous publications including Geo France, New York Times Magazine, Financial Times Magazine, Village Voice, Exposure and Architectural Record. SELECT SOLO EXHIBITIONS 2015 Mostre Marte, Salerno, Italy, “Architecture of Resignation” 2014 PrimoPiano Gallery, Naples, Italy, “Architecture of Resignation” 2014 Foundation Studio Marangoni, Florence, Italy, “re-Located” 2014 Ralph Arnold Gallery, Loyola University, Chicago, “re-Located” 2013 Spertus Institute, Chicago, “All Around the House” 2012 University of Indiana Northwest Savanna Center, “Architecture of Resignation” 2010 Sheldon Arts Galleries, St. Louis, MO, “Architecture of Resignation” 2007 California Museum of Photography, Riverside, “Architecture of Resignation” 2006 St. Xavier University SXU Gallery, Chicago, “Architecture of Resignation” 2005 Schneider Gallery, Chicago, “Architecture of Resignation” 2005 City Gallery, Chicago Department of Cultural Affairs, “Along the Divide” 2002 Foundation Studio Marangoni, Florence, Italy, “Architecture of Resignation” 2002 St. Louis Art Museum, "All Around the House" 2000 Comunita Ebraica Salle Servi, Florence , Italy, “All Around the House” 1998 Art Institute of Chicago, "All Around the House" 1995 Harvard University, Carpenter Center, Cambridge, MA, "A Jewish View" 1994 Quad City Arts Center, Rock Island, IL "Temporary Usage" 1993 Northlight Gallery, Arizona State University, Tempe, "Temporary Usage" 1992 OK Harris Gallery, New York, NY, " Photographing American Dream Cities" 1991 Mid-Town Y Photography Gallery, New York, NY, "American Dream Cities” 1988 Portland School of Art, Portland, ME, "Las Vegas Portraits" 1987 Museum of Contemporary Photography, Chicago, IL, " Vegas Portraits" 1985 Chicago Historical Society, “Dan Ryan Project” SELECT GROUP EXHIBITIONS 2016 Le Murate, Florence, Italy, “Arno Collective Imaginary” w. Massimo Vitali, Arno Minkkinen 2015 Palazzo Reale, Milan, Italy, “Henri Cartier-Bresson e gli altri. I grandi fotografi e l’Italia”, 2014 Pitzer College Art Galleries, Claremont, CA, “Racial Imaginary” 2014 Black Box Gallery, Portland, OR, “Architecture, Landscape” 2014-15 Millennium Park Foundation, Chicago, “An Anatomy in Photographs” 2012 Chicago Cultural Center, “Industry of the Ordinary: 2003–2013” 2009 David Weinberg Gallery, Chicago, “Social Landscapes” 2009 Packer Schopf Gallery, Chicago, “39 Verbs” 2009 University of St. Francis, “The Night Hope Won” 2008-09 Chicago Cultural Center, “Made In Chicago: Photographs from Bank of America Collection” 2006 David Winton Bell Gallery, Brown University, Providence, "7 Documentarians: Berenic Abbott, Walker Evans, Larry Clark, Jim Dow, Danny Lyon, Garry Winogrand, Jay Wolke" 2006 Art Institute of Chicago. “Darkroom to Digital” 2005 Fort Worth Community Arts Center, “Cattle Drive” 2001 Illinois Art Gallery, “The Land Around Us” 1998 Carol Ehlers Gallery, Chicago, "Chicago Streets" 1996 Museum of Contemporary Photography, Chicago, "In Focus" 1995 Madison Arts Center, "Photography from Wisconsin, Minnesota, Illinois" 1994 Chicago Cultural Center, "Broad Spectrum" 1991 ARC Gallery, Chicago, "National Exposure" 1989 Art Institute of Chicago, "The City Inside and Out" 1989 Chicago Historical Society, "Changing Chicago, Public Diversions" 1988 Illinois State Museum, Springfield, "Lenscapes" 1987 Everson Museum, Syracuse, NY; Nabisco Corp., NJ; Fay Gold Gallery, Atlanta, GA "American Interiors", traveling exhibit curated Lieberman/Saul Gallery, NY 1986 National Endowment for the Arts/ Midwest Arts Alliance, national traveling 1985 University of Wisconsin, Milwaukee, "New Color Photography" 1985 Society for Cont Photography, Morgan Gallery, Kansas City, MO, "Photo '85" 1984 Art...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Everts Township Homestead, Summer, 1992 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants, and ocean driftwood creating botanical instruments that seem to touch on contrasting themes o...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Everts Township Schoolhouse, Winter, Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Chromogenic print on Kodak Profe...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from th...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Ko...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

This series is inspired by a dream vision of the "Dance of the Oranges", it is a visual choreography of a message that comes to manifest itself in the movement of the men who dance. ...

Daniel Mansur Available sizes: 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6 copies overall - Archival Pigment Print Signat...

This is from a series done about the Habad Hasidic Jewish community in Chicago. This is from the holiday Lag Baomer. Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of Photography. His photographs are in the permanent collections of the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Art Institute of Chicago and the San Francisco Museum of Modern Art. Three monographs of his work have been published: All Around the House: Photographs of American-Jewish Communal Life (Art Institute of Chicago, 1998), Along the Divide: Photographs of the Dan Ryan Expressway (Center for American Places, 2004) and Architecture of Resignation: Photographs from the Mezzogiorno (Center for American Places, 2011). Kehrer Verlag will publish his fourth monograph, Same Dream Another Time, in 2017. Wolke received his B.F.A. in Printmaking / Illustration at Washington University, St. Louis, and an M.S. in Photography at the Institute of Design, Illinois Institute of Technology, Chicago. Since 1981 he has taught photography and art at various universities. From 1992-1999 he was Coordinator of Graduate Documentary Photography at the Institute of Design (IIT). In 1999-2000 he was Head of Art and Graduate Studies at Studio Art Centers International, Florence, Italy. He is currently a Professor of Photography at Columbia College Chicago, where he also served as Chair of the Art and Design Department from 2000-05 and again from 2008-14. Wolke has received grants and awards from the National Endowment for the Arts, the Illinois Arts Council, Focus Infinity Fund and the Ruttenberg Arts Foundation. His photographs have appeared in numerous publications including Geo France, New York Times Magazine, Financial Times Magazine, Village Voice, Exposure and Architectural Record. SELECT SOLO EXHIBITIONS 2015 Mostre Marte, Salerno, Italy, “Architecture of Resignation” 2014 PrimoPiano Gallery, Naples, Italy, “Architecture of Resignation” 2014 Foundation Studio Marangoni, Florence, Italy, “re-Located” 2014 Ralph Arnold Gallery, Loyola University, Chicago, “re-Located” 2013 Spertus Institute, Chicago, “All Around the House” 2012 University of Indiana Northwest Savanna Center, “Architecture of Resignation” 2010 Sheldon Arts Galleries, St. Louis, MO, “Architecture of Resignation” 2007 California Museum of Photography, Riverside, “Architecture of Resignation” 2006 St. Xavier University SXU Gallery, Chicago, “Architecture of Resignation” 2005 Schneider Gallery, Chicago, “Architecture of Resignation” 2005 City Gallery, Chicago Department of Cultural Affairs, “Along the Divide” 2002 Foundation Studio Marangoni, Florence, Italy, “Architecture of Resignation” 2002 St. Louis Art Museum, "All Around the House" 2000 Comunita Ebraica Salle Servi, Florence , Italy, “All Around the House” 1998 Art Institute of Chicago, "All Around the House" 1995 Harvard University, Carpenter Center, Cambridge, MA, "A Jewish View" 1994 Quad City Arts Center, Rock Island, IL "Temporary Usage" 1993 Northlight Gallery, Arizona State University, Tempe, "Temporary Usage" 1992 OK Harris Gallery, New York, NY, " Photographing American Dream Cities" 1991 Mid-Town Y Photography Gallery, New York, NY, "American Dream Cities” 1988 Portland School of Art, Portland, ME, "Las Vegas Portraits" 1987 Museum of Contemporary Photography, Chicago, IL, " Vegas Portraits" 1985 Chicago Historical Society, “Dan Ryan Project” SELECT GROUP EXHIBITIONS 2016 Le Murate, Florence, Italy, “Arno Collective Imaginary” w. Massimo Vitali, Arno Minkkinen 2015 Palazzo Reale, Milan, Italy, “Henri Cartier-Bresson e gli altri. I grandi fotografi e l’Italia”, 2014 Pitzer College Art Galleries, Claremont, CA, “Racial Imaginary” 2014 Black Box Gallery, Portland, OR, “Architecture, Landscape” 2014-15 Millennium Park Foundation, Chicago, “An Anatomy in Photographs” 2012 Chicago Cultural Center, “Industry of the Ordinary: 2003–2013” 2009 David Weinberg Gallery, Chicago, “Social Landscapes” 2009 Packer Schopf Gallery, Chicago, “39 Verbs” 2009 University of St. Francis, “The Night Hope Won” 2008-09 Chicago Cultural Center, “Made In Chicago: Photographs from Bank of America Collection” 2006 David Winton Bell Gallery, Brown University, Providence, "7 Documentarians: Berenic Abbott, Walker Evans, Larry Clark, Jim Dow, Danny Lyon, Garry Winogrand, Jay Wolke" 2006 Art Institute of Chicago. “Darkroom to Digital” 2005 Fort Worth Community Arts Center, “Cattle Drive” 2001 Illinois Art Gallery, “The Land Around Us” 1998 Carol Ehlers Gallery, Chicago, "Chicago Streets" 1996 Museum of Contemporary Photography, Chicago, "In Focus" 1995 Madison Arts Center, "Photography from Wisconsin, Minnesota, Illinois" 1994 Chicago Cultural Center, "Broad Spectrum" 1991 ARC Gallery, Chicago, "National Exposure" 1989 Art Institute of Chicago, "The City Inside and Out" 1989 Chicago Historical Society, "Changing Chicago, Public Diversions" 1988 Illinois State Museum, Springfield, "Lenscapes" 1987 Everson Museum, Syracuse, NY; Nabisco Corp., NJ; Fay Gold Gallery, Atlanta, GA "American Interiors", traveling exhibit curated Lieberman/Saul Gallery, NY 1986 National Endowment for the Arts/ Midwest Arts Alliance, national traveling 1985 University of Wisconsin, Milwaukee, "New Color Photography" 1985 Society for Cont Photography, Morgan Gallery, Kansas City, MO, "Photo '85" 1984 Art...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer recreated the images inspired by paintings and images from these eras, also finding inspiration from artists such as Leonardo DA Vinci, Albrecht Dürer, and others. Each image by photographer Dora Franco...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...