Florida - Color Photography

From the Series Guerreros. Photomontage on archival paper intervened by the artist with bland ink mounted on archival paper. Overall sheet size: 27.5 in. H x 78 in. W Individual shee...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Published by Aperture in 1992, this portfolio includes three gelatin-silver prints and a cover page all in a cloth-covered clamshell case. Each of the 3 prints are hand signed, dated, titled and numbered on verso. The prints are 1. Christina, Misty Dawn...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

The interlacing of what sustains In the series Trama, Eduardo Rezende turns his gaze to the hidden structures of the built environment — the elements usually concealed beneath the po...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

This is a vintage Ted Spiegel photo of a Benedictine Nun, Mount of Olives, Jerusalem. Hand signed and editioned A/P. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The red title sheet is just here for provenance and reference and is not included in this sale. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. An accomplished photojournalist with more than 50 years of experience, Ted Spiegel has covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he's made the Hudson River Valley the focus of much of his life's work. Spiegel's love of the landscape and positive attitude infuse all his images. His January 1978 assignment for National Geographic magazine was a color photo essay on the Hudson River Valley. He has produced 15 other photo essays for National Geographic magazine on a variety of subjects, and has also produced several picture books on such topics as the Hudson River Valley, Saratoga and West Point. He also did a celebrated series of photos of John F Kennedy one of which was selected for the JFK USA postal stamp. Speigel’s biography on the National Geographic website espouses his zest for his home: “He’s covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he’s made the Hudson River Valley the focus of much of his life’s work.” It also notes that he uses photography as a medium to encourage appreciation and respect for the environment’s beauty: “Spiegel’s love of the landscape and positive attitude infuse all his images, [and he] sees his landscape photography as a way to make people aware of the beauty in nature and a way to, in turn, encourage people to help protect and save the environment.” Photographers, like seeds in a rich environment, take root, grow and prosper. For Ansel Adams, the place was the West Coast -- Carmel, Calif., and Yosemite National Park. For Ted Spiegel, it is the Hudson River Valley -- Bear Mountain...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

60 H x 40 w in Edition of 9 + 2AP Archival Pigment prints Printed on Hahnemuhle fine art paper Edition of 20 + 2AP

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the tempo...

Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned, Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sea Fan. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Hand-signed on verso. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ra...

White Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

From The series Guerreros One-of-a-kind Photomontage on archival paper Unframed The root of these unique photographic works by the artist Celso Castro occurred when the artist retur...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Children in water. This one is not hand signed although the rest in the portfolio wer...

Desert Flower is a project created by Guilherme Licurgo in collaboration with the iconic Martha Graham Dance Company, using the dancers, Graham technique, and original costumes. Imag...

An endless road is pictured in a timeless landscape. As the road winds through the vast expanse of the American West, the grandeur of the surrounding landscape minimizes a solitary c...

Mat measures 20 X 26 sight measures 13 X 19.5 Mark Abrahamson is an American Postwar & Contemporary artist who was born in 1944. Mark completed a BA at Whitman College in Walla Wa...

20X 16 sheet. signed, dated and titled. Deaccessioned from the Readers Digest magazine corporate collection. MARNA CLARKE EDUCATION BA degree in mathematics, University of North Carolina, Chapel Hill Studied Photography at Hartford Art School; University of Connecticut, Storrs; and International Center of Photography, New York City GRANTS Individual Artists Grant, Connecticut Commission on the Arts (1987) COLLECTIONS Aetna Insurance Company, Hartford, CT Bibliothèque Nationale de France, Paris, France Reader’s Digest, Pleasantville, New York Sol LeWitt Collection, Chester, CT PUBLICATIONS 2014 Feature Shoot 2014 Huffington Post, Arts & Culture 2010 Our World, PhotoAlliance, San Francisco, CA (2010) West Marin Review (2008) For Kids’ Sake, Photographic Resource Center, Boston, MA (1985) The Best of Photojournalism/10, Running Press (1985) New American Nudes, Morgan & Morgan (1981) PHOTOGRAPHY-RELATED WORK Adjunct Instructor of Photography, Hartford Art School, U. of Hartford (1991, 1987-88) Regular contributor (Profile feature), Hartford Monthly magazine (1988) Regular contributor to Northeast (the Sunday magazine of The Hartford Courant) Work also appeared in Connecticut Magazine and New England Monthly (1982-85) Board of Directors, CT Art Directors Club (1984-85) Internship at Light Gallery in NYC (1980) SELECTED EXHIBITIONS Keeping the Channel Open, Annex Gallery, Gallery Route One, Point Reyes, CA (2017-18) Home exhibition at SFO Airport, one of 14 finalists (2018) Seeing Red exhibition, Gray Loft Gallery, Oakland, CA (2018) (Juried by Ann Jastrab) Annual Juried Show, Marin Society of Artists (2017) First Place Tine As We Know It, Gallery Route One, Point Reyes, CA (2015-2016). Solo exhibition. Mini Show, Bolinas Museum, Bolinas, CA (2015) Geography of Hope, Pt Reyes...

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 40 inches edition of 7 60 x 60 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Mat measures 20 X 26 sight measures 13 X 19.5 This one has no mat. Mark Abrahamson is an American Postwar & Contemporary artist who was born in 1944. Mark completed a BA at Whitman...

Born in the Highlands of Scotland in 1971, Allan Forsyth is a photographic artist whose practice bridges the boundaries between nature, abstraction, and modernism. Deeply inspired by...

Born in the Highlands of Scotland in 1971, Allan Forsyth is a photographic artist whose practice bridges the boundaries between nature, abstraction, and modernism. Deeply inspired by...

Large time lapse photographic collage on board, "Drift St. Louis and Beyond", signed, titled and dated Vera Simons 79 in five panels, overall: 19.75"h, 179.5"w, each panel can be hung separately. This one shows her Rolex...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Edition of 3 Mounted on Plexiglas Framed Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

This one depicts an aerial landscape and is titled Liftoff from Arrowhead. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and phot...

This one depicts a sports wristwatch over an aerial landscape and is titled Fields Pattern. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, ...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

The interlacing of what sustains In the series Trama, Eduardo Rezende turns his gaze to the hidden structures of the built environment — the elements usually concealed beneath the po...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...