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Item Ships From: Florida
Hongos y canasta. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Manzanas. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Alcachofas con Tetera. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Still Life with a Broken Egg, Antwerp. Limited edition color photograph
By Michael James O’Brien
Located in Miami Beach, FL
“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Still life with a Wooden Hanger, Antwerp. Limited edition color photo
By Michael James O’Brien
Located in Miami Beach, FL
“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Still life with a Broken Vase, n.d. Limited edition color photograph
By Michael James O’Brien
Located in Miami Beach, FL
“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Still Life with a Coral Branch and a Crystal Globe, NYC. Color photograph
By Michael James O’Brien
Located in Miami Beach, FL
“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Still Life with Grapes. Flowers and fruits. Digital Collage Color Photograph
Located in Miami Beach, FL
As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the tempo...
Category

21st Century and Contemporary Modern Florida - Still-life Photography

Materials

Color, Pigment, Archival Pigment

Alcachofas con nueces. From The Bodegones still life color photography Series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

I want you again. Color photograph of a assembled guitars body Sculpture
By Kevin Krag
Located in Miami Beach, FL
In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the not...
Category

21st Century and Contemporary Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Here I come again. Color photograph of a assembled guitars body sculpture
By Kevin Krag
Located in Miami Beach, FL
In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the notes with nails in the guitar’s fretboard and weaves color threads among them to represent the song’s flow. The guitar as an acoustic object does not exist anymore. The object is a soundless fragment of a broken instrument that — through a mnemonic image of the placement of fingers — is referencing a sound the viewer recreates in his mind. Photography helps Kevin Krag...
Category

21st Century and Contemporary Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Osadía. Limited edition color photograph of a assembled guitars body sculpture
By Kevin Krag
Located in Miami Beach, FL
Assembled guitars bodies & necks from rescued guitars (built by the artist) Creating the Ícara I was like an initiation. the work contains about 800 feathers and it has a very rock and roll feel as it reminds us of Lenny Kravitz’s love for feathers and boas. It also explores a rite of passage: leaving Buenos Aires, its music, its flavors and ultimately a remembrance, an homage to a dear Argentine singer-songwriter Gustavo Cerati...
Category

21st Century and Contemporary Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Hongos con Ajo. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Peras en almíbar de vino rojo III. From The Bodegones series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Verduras con nabo y cebollas colgante I. From The Bodegones still life series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Limones. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Back Lighting Window.
By Dora Franco
Located in Miami Beach, FL
Each image by photographer Dora Franco is accompanied by a detailed, visual description of the moment, light, and colors of the scene. Franco always observes how light touches things...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Color, Archival Pigment

Man. Limited Edition Black and White Photograph
By Ricky Cohete
Located in Miami Beach, FL
For this black-and-white photography series, he used elements such as water (emotions) to narrate a story. He worked with the color white in the fabrics to communicate clarity and re...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Black and White, Archival Pigment

Tropicarios #4. Digital Collage. Limited Edition Color Photograph
By Paloma Castello
Located in Miami Beach, FL
Paloma Castello's Tropicarios is an invitation to experience a space in which the fiction and her memories of the tropics blend together to create a personal approximation between ou...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Photographic Paper, Color, Digital, Digital Pigment

Tropicarios #1. Limited Edition Digital Color Photography
By Paloma Castello
Located in Miami Beach, FL
Paloma Castello's Tropicarios is an invitation to experience a space in which the fiction and her memories of the tropics blend together to create a personal approximation between ou...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Photographic Paper, Digital, Digital Pigment

Tropicarios #7. Digital Collage. Limited Edition Color Photograph
By Paloma Castello
Located in Miami Beach, FL
Paloma Castello's Tropicarios is an invitation to experience a space in which the fiction and her memories of the tropics blend together to create a personal approximation between ou...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Photographic Paper, Color, Digital, Digital Pigment

Tropicarios #2. Digital Collage. Limited Edition Color Photograph
By Paloma Castello
Located in Miami Beach, FL
Paloma Castello's Tropicarios is an invitation to experience a space in which the fiction and her memories of the tropics blend together to create a personal approximation between ou...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Archival Paper, Color, Digital

Vase with Foliage, Hand Tinted Photograph. Vintage Photo Print
By Russell Drisch
Located in Surfside, FL
Russell Drisch is a photographer and painter who resided in Buffalo NY during the 1970s and 80s. Originally an actor, Drisch moved to Buffalo to play two seasons at Studio Arena Theater. During this time, his interest in photography overcame his love for theater. He left acting and opened Drisch Photography studio and Gallery West. His works has been exhibited in many different cities Such as New York and Toronto. They have been published in Time Magazine Aperture, 1977. Some of the photographers in this issue: Walter Chappell, Jerome Liebling, Russell Drisch, Brewster Ghiselin. Also there is an excerpt Eikoh Hosoe's seminal book Ordeal by Roses" with some text by Yukio Mishima...
Category

20th Century American Realist Florida - Still-life Photography

Materials

Silver Gelatin

Radio Woman, The Castelloland Series. Digital Collage Color Photograph
By Paloma Castello
Located in Miami Beach, FL
Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Archival Pigment, Black and White

Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category

1990s Conceptual Florida - Still-life Photography

Materials

C Print

Pop Art Vintage Color Photograph Dye Transfer Print "Time to Save" Audrey Flack
By Audrey Flack
Located in Surfside, FL
Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...
Category

1980s Photorealist Florida - Still-life Photography

Materials

Photographic Paper, C Print, Dye Transfer

Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category

1990s Conceptual Florida - Still-life Photography

Materials

C Print

Dart Machine Oil Can Large Format Photo 24X20 Color Photograph Beach House, RI
By Peter C. Jones 1
Located in Surfside, FL
Dart machine oil can in garage. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak pro...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Fresh Dill Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Fresh Dill (Herb) Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24) ...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...
Category

1990s Conceptual Florida - Still-life Photography

Materials

C Print

Beach Through Screen, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Beach Through Screen, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category

1990s American Modern Florida - Still-life Photography

Materials

C Print

Woman in Bathrobe Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Woman in Robe, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Last Light Nasturtiums, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

A Bientot, Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
A Bientot, Flower, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Relics 2 Elaborately Constructed Vintage Color Photograph Surrealist Image
By Jane Calvin
Located in Surfside, FL
Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...
Category

1980s Surrealist Florida - Still-life Photography

Materials

C Print

Rising, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Rising, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT. Similar in feel and style to Joel Meyerowitz. Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory Photo
By Shimon Attie
Located in Surfside, FL
These are vintage prints from the 1980's. The last photo shows a gallery or museum label from an accompanying piece (there were three sequence shots in this series) but is not on thi...
Category

1980s Conceptual Florida - Still-life Photography

Materials

Silver Gelatin

Pop Art Color Photograph Dye Transfer Print Audrey Flack Rolls Royce Lady Photo
By Audrey Flack
Located in Surfside, FL
Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...
Category

1980s Photorealist Florida - Still-life Photography

Materials

Photographic Paper, C Print, Dye Transfer

Great Dahlias, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Great Dahlias, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Vintage Large Scale C Print Untitled Abstract Photograph
By Ken Matsubara
Located in Surfside, FL
The size is as indicated here. the size on sticker is off. 1948 Born in Toyama Prefecture 1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum Record of Awards 1977 Dai-ichi Bijyutsu Award at the Dai-ichi Bijyutsu Exhibition, Tokyo Metropolitan Art Museum in Tokyo 1979 Prefectural Assembly Chairman Award at Kanagawa Prefectural Art Exhibition, Kanagawa Prefectural Gallery in Kanagawa 1987 Special Honorable Prize at Ueno Royal Museum Grand Prize Exhibition, Ueno Royal Museum in Tokyo Silver Award at INF International Art Exhibition in Kobe, Japan and China 1988 Ceramic Art Award at the Contemporary Ceramic Art...
Category

1980s Conceptual Florida - Still-life Photography

Materials

C Print

After Blossfeldt #1, Vintage Silver Gelatin Signed Photograph
By Jo Ann Callis
Located in Surfside, FL
Jo Ann Callis (American, b. 1940) After Blossfeldt, 1988; Gelatin silver print; Signed, dated and numbered A/P 1; 13 5/8" x 10 7/8" Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...
Category

20th Century Surrealist Florida - Still-life Photography

Materials

Silver Gelatin

Pound of Putty, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Pound (of Putty), Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professiona...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Dragonfly, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Dragon Fly , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Basket of Lilies, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Wild Roses, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Wild Roses , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Snipes Vessel, Ceramic Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Snipes Vessel, Ceramic vase Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Sweet Williams, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Sweet Williams, Flower Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Scepter d Isle Rose Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Scepter'd Isle English Rose Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak pro...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Red Dahlia Flower Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Red Dahlia, Flower, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Sunset in the Red Room Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Sunset in the Red Room, The Tappen House, Little Compton, RI (Rhode Island) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, docum...
Category

Early 2000s American Modern Florida - Still-life Photography

Materials

C Print

Still life with Watermelon, NY
By Irving Penn
Located in Miami, FL
Phillips de Pury Collection of Alain Dominique Perrin Printed 1985, One from an edition of 21 dye transfer prints Signed Irving Penn Verso Literature: Szarkowki, Irving Penn Irving...
Category

1940s Modern Florida - Still-life Photography

Materials

Dye Transfer

Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category

1990s Conceptual Florida - Still-life Photography

Materials

C Print

Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...
Category

1990s Conceptual Florida - Still-life Photography

Materials

C Print

Large Cibachrome Color Photograph LA Woman Artist Dress, Feminist, Photo C Print
Located in Surfside, FL
A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame. Work Size: 39.5 x 29.5 in. Framed Dimensions: 43.5 X 33.5 X 2 in. Valle, Robin Joy (1953-2009) After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls. It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program. Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point, and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...
Category

1980s Contemporary Florida - Still-life Photography

Materials

C Print

Explosive Growth (Floral Photography, Flower)
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Plexiglass, Color, Archival Pigment, Digital Pigment

Fashionista
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Plexiglass, Color, Archival Pigment, Digital Pigment

Black boy on a table
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Plexiglass, Color, Archival Pigment, Digital Pigment

Milkmaid Portrait
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Plexiglass, Color, Archival Pigment, Digital Pigment

Kraftwerk - Das Model - Accutrac 4000
Located in New York City, NY
Kai Schaeffer World Records Accutrac 4000 Kraftwerk - Das Model 41 x 45 cm 16 x 18 in Edition of 10 91 x 100 cm 36 x 40 in Edition of 5 127 x 138 cm 50 x 54 in Edition of 5 Wor...
Category

2010s Pop Art Florida - Still-life Photography

Materials

Plexiglass, C Print

Fight for family
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category

2010s Contemporary Florida - Still-life Photography

Materials

Plexiglass, Color, Archival Pigment, Digital Pigment

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