Florida - Abstract Prints

Aquatint and etching on paper. Hand signed lower right by Roberto Matta. Hand numbered 90/100 lower left. Image size: 14.1 x 18.6 inches. Sheet size: 26 x 19.6 inches. Frame siz...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Wifredo Lam Pleni Luna Clairiere, 1974 Lithograph in pearl japan paper Ed. XXXXV of L 25 x 19 in

Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition 20...

Henri Laurens: 1885-1954. Well listed French artist with Auction records in the millions of dollars and over $8000 for a print. This rare print came in a small edition of Which I bel...

"Serie 23 no. 14-4" 1971 Serigraph in color Edition 157 of 200 30 x 30 in Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...

Bibliophile II Signed and numbered multiprocess edition, 2025 (released September 9) 22 of 656 Description: In Bibliophile II, James Jean conjures a compelling visual metaphor: the...

Josep Maria Riera i Aragó (Barcelona, 1954), is a Spanish plastic artist. He studied at the Faculty of Fine Arts in Barcelona. Throughout his career he has dedicated himself to scul...

Tapies Litografia original Work reproduced in the catalogue raisonné, image 286. Edited in 1971 TAPIES was the maximum representative of Spanish abstract art of the 20th century. ...

Screen print square, inscribed 'Vasarely' at bottom, hung diagonally, sides of the square 23 1/2 x 23 1/2 (59.5 x 59.5); as hung, 33 x 33 (84 x 84). VICTOR VASARELY (1908-1997) In...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Peintures de Feu)" Year: 1976 Medium: Original Offset-Lithograph, Exhibition Poster on light smooth wove ...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Wifredo Lam Pleni Luna Soeur de la gazelle, 1974 Lithograph in pearl japan paper Ed. XXXXV of L 25 x 19 in

Haku Maki: 1924-2000. Well, listed Japanese artist most notable for these incredible embossed woodcuts. They are titled after a series of poems. this one is titled Poem-12. It measur...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

Mario Carreño Untitled, 1993 Serigraph Ed. 64 of 115 26 x 20 in

"Untitled" lithograph on cardboard of red "Star for Children" by artist Imi Knoebel from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house f...

Roland Ayers (1932-2014). Parade, 1960 Drypoint Etching, 5.5 × 17.75 inches. Signed, titled and dated by the artist in pencil, lower margin. Small tear, left margin which exte...

Artist/Designer; Manufacturer: Claes Oldenburg (1929-2022) Marking(s); notes: signed, blind stamp; ed. 95/97; 1997 Materials: lithograph on St. Armand Special Etching paper Dimensio...

Medium: Print Signature: Hand-signed by artist in pencil and dated 2022. Certificate of authenticity Included (issued by gallery) Publisher: Original Limited Edition from PichiAvo....

TECHNICAL INFORMATION: Victor Vasarely Pixis Screenprint 17 3/8 x 14 7/8 in. Edition of 50 annotated F.V. Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Ar...

Julio Le Parc Untitled (Rainbow III) from La Longue Marche, 1974 Screenprint Ed 81 of 200 29 x 29 in

Tapies Litografia original 1974 TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the w...

Lithograph in colors on arches paper. Hand signed and numbered by Liliane Klapisch. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 ...

This is an Offset Lithograph in colors and was produced in 1972. The lithograph is hand signed by the artist, dated 72, and numbered 146/150 at lower right. It was dedicated in the j...

engraved Aguatinta. Arches paper 63x90, Arches filigree. Ed. Galerie Lelong. Paris. 50 ejs numbered 1/50 and 15 HC ejs numbered 1/15 catalogue raisonné image 801, 1981 ANTONI TAPI...

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500 ej 384/1500

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 Chine colle, engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Mel Bochner (American, 1940-2025) Color lithograph (color line photo-engraving on off-white wove paper) Hand signed and numbered in graphite pencil This is a PP (Printers Proof) outs...

TECHNICAL INFORMATION: Victor Vasarely Teke c. 1970 Screenprint 34 1/2 x 30 1/2 in. Edition of 250 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. C...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Artist/Designer; Manufacturer: Alexander Liberman (Ukrainian/American, 1912-1999) Marking(s); notes: signed; ed. 27/34; 1976 Materials: paper Dimensions (H, W, D): 23.5"h, 15"w; 26.2...

Midi - Plate 3 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 26 x 20 inches Signed, dated and numbered in ink, edition of 150 ...

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

Rafael Soriano Untitled, 1993 Lithograph Ed PA 33 x 26 in

Carlos Cruz Diez Untitled, 2006 Lithograph Ed. 161 / 200 28 x 28 in

Silkscreen in colors on paper, from the Official Arts Portfolio of the XXIV Olympiad, held in Seoul, Korea in 1988. Hand signed lower right by Kazuo Shiraga. Hand numbered lower le...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. Edition 61/100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Frame size ap...

Gertrud Goldschmidt (Gego) Untitled, 1974 Lithograph in colors on BFK Rives wove paper Registered with the Gego Foundation (FG-3647) 56 x 50 cm Signed, dated, and numbered in crayon....

"Untitled" geometric abstract multi-color serigraph and collage by artist Max Bill from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitalized with cancer. Hand-numbered 66/100 in lower left corner. Hand-signed bill...

Red- original litograph abstract limited edition painting Original graphic work by CASAMADA. edition P.A. 1/5 Signed and numbered in pencil. framed RÀFOLS CASAMADA, Albert (Barcelo...

Wifredo Lam (19123) Pleni Luna Lithograph in pearl japan paper 1974 25 x 19 in

Alvar (b.1935). Still Life with Watermelon, ca. 1970. Lithograph on paper, image measures 16 x 24.5; 24.5 x 29 inches framed. Signed and numbered in pencil by artist, lower margin. E...

Paul Klee A Garden for Orpheus, ca. 1950s Lithograph on Arches paper, sheet measuring 19.75 x 25.5 inches. Unframed. Minor acidification of paper where old matting covered paper...

Artist/Designer; Manufacturer: Peter Max (American, b. 1937) Marking(s); notes: signed, blind stamp; ed. 76/165; 1980 Materials: serigraph Dimensions (H, W, D): 21.5"h, 26.75"w (work...

Artist/Designer; Manufacturer: Yaacov Agam (Israeli, b. 1928) Marking(s); notes: signed; ed. 11/100 and 40/100 Materials: screenprint on paper Dimensions (H, W, D): 26.5"h, 28"w each...

Le Troisième Oeil (The Third Eye) Lithograph on Arches paper Hand signed and numbered 1981 Dimensions: 21.5 X 30 inches Marcel Marceau (French: born Marcel Mangel; 1923 – 2007) was ...

Alexander Calder (American, 1898-1976) Spider's Nest, 1975 Signed: Calder (Lower, Right) Lithograph in Colors on Wove Paper Sheet Size: 29 1/2" × 43" Numbered: XIX/L in Roman Numeral...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/ 1500

Work of the Spanish artist SALVADOR DALI. edition of 195 copies + several E.A. ej 149/195 certificate DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dalí d...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

S.O.C. #2 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Tai...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Serigraph on paper from Jalons portfolio. Hand signed and numbered by the artist. Image size 25.75 x 24.5 inches. Sheet size 33.25 x 29.75 inches. From the main edition of 250. Add...

Artist/Designer: Takashi Murakami (Japanese, b. 1962) Marking(s); notes: signed; ed. 67/300; 2003 Materials: lithograph Dimensions: 27″h, 27″w; 33″h, 33″w frame Additional Informatio...

Alex Katz (b. 1927) Coleman Pond III (Bauer 446) Heliorelief woodcut on tosa washi hanga natural paper Signed and numbered “Pres 1/6” in the lower margin. Printed by Tom Pruitt, G...

Artist/Designer; Manufacturer: Mel Bochner (American, 1940-2025) Marking(s); notes: signed; ed. 15/100; 1990 Materials: screenprint on heavy wove paper Dimensions (H, W, D): 48"h, 48...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 219/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Victor Vasarely “Oltar-Zoeld” 1985/86 Silkscreen on paper Edition 57 of 295 42 x 68 in Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely a...

This one is untitled and depicts a portrait of a young woman in yellow, red and blue with a Maryan like quality to it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...