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Item Ships From: Florida
Angel Baby
By George Rodrigue
Located in Pembroke Pines, FL
Artist: George Rodrigue Title: Angel Baby Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excellent...
Category

Early 2000s Pop Art Florida - Animal Prints

Materials

Screen

Angel Baby
$2,450 Sale Price
30% Off
"Tattoos" 2003 unique engraving etching with 12 plates 34x48 in
By Sergio Hernández
Located in Miami, FL
Sergio Hernández (Mexico, 1957) 'Tatuajes (Ensemble 12 plates)', 2003 engraving on paper Deponte 300 g. 33.5 x 48.5 in. (85 x 123 cm.) Edition of 1
Category

Early 2000s Contemporary Florida - Animal Prints

Materials

Etching

Jose Bedia, "Animal y Madre" (Diptych), 2019, woodcut, 46x78in
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on cotton paper 300 g. Limited edition of 30 Image size: 181 x 181 cm. (71.3 x 71.3 in.) Overall si...
Category

2010s Contemporary Florida - Animal Prints

Materials

Screen, Woodcut

Circus Lovers (Horse Dog)
By Marcel Vertès
Located in Surfside, FL
This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a trapeze artist an acrobat on the ...
Category

1940s Art Deco Florida - Animal Prints

Materials

Lithograph

Large German Junge Wilde Rainer Fetting Screenprint Serigraph Print Wolf Pop Art
Located in Surfside, FL
Rainer Fetting, (Germany, 1949-) Wolf, 1984 Screenprint serigraph in colours, on wove paper, the full sheet. Hand signed and numbered 34.5 X 49 inches Rainer Fetting (Born 1949 in Wilhelmshaven, West Germany) is a German painter and sculptor. Rainer Fetting was one of the co-founders and main protagonists of the Galerie am Moritzplatz in Berlin, founded in the late 1970s by a group of young artists (mainly painters) from the class of Karl Horst Hödicke at the former Berliner Hochschule für Bildende Künste (Berlin Art Academy, today known as Universität der Künste). This group of artists, known as the “Moritzboys” and including, among others, Salomé, Bernd Zimmer, and Helmut Middendorf, subsequently achieved international acclaim as the “Junge Wilde” or “Neue Wilde” in the early 1980s. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl...
Category

1980s Florida - Animal Prints

Materials

Screen

Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
By Salvador Dalí­
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category

1970s Surrealist Florida - Animal Prints

Materials

Color, Drypoint, Etching

Jose Bedia "Armed Animal Mother of War" 2019 framed woodcut screenprint 78x78
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on Feltmark cotton paper 300 g. over streched canvas and framed Overall size: 199 x 199 cm. (78.3 ...
Category

2010s Contemporary Florida - Animal Prints

Materials

Screen, Woodcut, Canvas

"Untitled (Parrot)" lithograph by children s book author Sandra Calder Davidson.
By Sandra Calder Davidson
Located in Boca Raton, FL
"Untitled (Parrot)" colored lithograph by children's book author and artist Sandra Calder Davidson. Artist's proof. Hand numbered AP XIV/XX in f...
Category

21st Century and Contemporary Contemporary Florida - Animal Prints

Materials

Lithograph

Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
By Saverio Manetti
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Han...
Category

1760s Old Masters Florida - Animal Prints

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving, Intaglio

Alexander Calder Circus Reproduction Lithograph after a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper reproduction after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawi...
Category

1930s American Modern Florida - Animal Prints

Materials

Lithograph

Jose Bedia Original Signed 2019 Large 46x78in Woodcut Serigraph Cuban Artist
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuban, 1959) 'Animal Armado', 2019. Woodcut and serigraph. Limited edition of 30 Overall size: 118 x 199 cm. (46.5 x 78.3 in.). Surface: Feltmark Paper 300 g. Hand-signed...
Category

2010s Contemporary Florida - Animal Prints

Materials

Screen, Woodcut, Ink

Aegiothus Linaria (Common Redpoll) /// John Gould Ornithology Bird Lithograph
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Aegiothus Linaria (Common Redpoll)" (Vol. 3, Plate 51) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 13.75" x 10.5" Condition: Faint UV stain to sheet. Remnants of mounting tape from previous framing on verso. Has been professionally stored away for decades. In excellent condition with strong colors Very rare Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The common redpoll or mealy redpoll is a species of bird in the finch family. It breeds somewhat further south than the Arctic redpoll, also in habitats with thickets or shrubs. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category

1860s Victorian Florida - Animal Prints

Materials

Watercolor, Lithograph

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category

1930s American Modern Florida - Animal Prints

Materials

Lithograph

Le Millouinan /// Ornithology Martinet Bird Animal Art Duck Natural History
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Millouinan" (Plate 1002) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signatur...
Category

1770s Old Masters Florida - Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Dog in House /// Contemporary Monoprint Animal Pet Colorful Funny Pop Art
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-) Title: "Dog in House" *Signed by May in pencil lower left Year: 2006 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited edi...
Category

Early 2000s Contemporary Florida - Animal Prints

Materials

Paint, Monoprint, Oil

Bulls Fighting /// Antique Victorian Animal Landscape Etching Landscape Horse
By James Ward
Located in Saint Augustine, FL
Artist: (after) James Ward (English, 1769-1859) Title: "Bulls Fighting" Portfolio: The Portfolio *Signed by Wise in pencil lower right. It is also signed in the plate (printed signat...
Category

1870s Victorian Florida - Animal Prints

Materials

Laid Paper, Etching, Intaglio

WATER S EDGE
By Charles Lynn Bragg
Located in Aventura, FL
Hand signed and numbered by the artist. Image radius approx 24 inches. From the main edition of 300. Artwork is in excellent condition. Certificate of Authenticity is included. All...
Category

Late 20th Century Contemporary Florida - Animal Prints

Materials

Paper, Lithograph

WATER
S EDGE
$150 Sale Price
50% Off
Het leeuwendeel (The Lion s Share) /// Old Masters Animals Landscape Dog Leopard
By Dirk Stoop
Located in Saint Augustine, FL
Artist: Dirk Stoop (Dutch, c.1615-1686) Title: "Het leeuwendeel (The Lion's Share)" Portfolio: The Fables of Aesop Year: 1665 (an earlier state of unknown states) Medium: Original Et...
Category

1660s Old Masters Florida - Animal Prints

Materials

Gesso, Laid Paper, Etching, Intaglio

"Drawing class: first day", 2007 Mexican humor original woodcut conceptual art
By Fernando Aceves Humana
Located in Miami, FL
Fernando Aceves Humana (Mexico, 1969) 'Clase de dibujo primer día', 2007 woodcut on paper 17.8 x 22.5 in. (45 x 57 cm.) Edition of 20 ID: ACE-102 Unframed
Category

Early 2000s Contemporary Florida - Animal Prints

Materials

Paper, Woodcut, Ink

Platalea Leucorodia (Spoonbill) /// Ornithology John Gould Animal Art Shorebird
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colore...
Category

1860s Victorian Florida - Animal Prints

Materials

Watercolor, Lithograph

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...
Category

1930s American Modern Florida - Animal Prints

Materials

Lithograph

Jose Bedia, "Madre de Guerra", 2019, woodcut, 46x78in
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuban, 1959) 'Mother of war', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Su...
Category

2010s Contemporary Florida - Animal Prints

Materials

Screen, Woodcut

Carousel Horse
By Peter Boettcher
Located in Surfside, FL
Peter Boettcher started his career in the late 80’s when he shot cover for the independent music-magazine "spex" as LL Cool J, Morrissey (The Smiths), Sonic Youth, Salt ´n´Pepper, an...
Category

20th Century Florida - Animal Prints

Materials

C Print

"Tumba y Raja" 2019 (see video) Signed Original Large Engraving Cuban Art Print
By Jose Bedia
Located in Miami, FL
"Tumba y Raja', is a term in Spanish that colloquially refers to an uncontrollable force that "knocks something down and rips it apart". In this case it refers to the Nkisi (magic po...
Category

2010s Contemporary Florida - Animal Prints

Materials

Engraving

Mexican signed limited edition orginal print mezzotint 17.4x13.8 in.
By Fernando Aceves Humana
Located in Miami, FL
Fernando Aceves Humana (Mexico, 1969) 'Lo que nos trajeron', 2007 mezzotint on paper 17.4 x 13.8 in. (44 x 35 cm.) Edition of 20 ID: ACE-101 Unframed
Category

Early 2000s Contemporary Florida - Animal Prints

Materials

Paper, Etching, Screen, Mezzotint

Antonio Eligio Fernández Cuban Artist Original Hand Signed silkscreen 1988
Located in Miami, FL
Antonio Eligio Fernández (Cuba, 1958) 'Tres Besos', 1988 silkscreen on paper Guarro Geler 27.6 x 20.1 in. (70 x 51 cm.) Edition of 125 ID: TON-301 Hand-signed by author
Category

1980s Contemporary Florida - Animal Prints

Materials

Paper, Engraving, Screen

"Dance With Me" 2018 Artist Proof signed original screenprint 29x21in Mexican
Located in Miami, FL
Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed
Category

2010s Contemporary Florida - Animal Prints

Materials

Screen

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category

1930s American Modern Florida - Animal Prints

Materials

Lithograph

Circus Girl with Horses Lithograph with Hand Coloring
By Marcel Vertès
Located in Surfside, FL
This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a circus girl with horses. This ca...
Category

1940s Post-Impressionist Florida - Animal Prints

Materials

Watercolor, Lithograph

Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

1770s Old Masters Florida - Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Townsend s Cormorant /// John James Audubon Ornithology Bird Art Natural History
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Townsend's Cormorant" (Plate 418, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.13" x 6.5" Image size: 4.38" x 5" Condition: Light toning to sheet. Some light foxing and small areas of discoloration. Remnants of mounting tape from previous framing on verso. The white background was recently also hand-colored. In otherwise good condition with strong colors Notes: Provenance: private collection - Nashville, TN; acquired from a gallery in Nashville, TN. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition probably painted in London in 1838, from a specimen obtained near the mouth of the Columbia River. Brandt's cormorant is a strictly marine bird of the cormorant family of seabirds that inhabits the Pacific coast of North America. It ranges, in the summer, from Alaska to the Gulf of California, but the population north of Vancouver Island migrates south during the winter. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Florida - Animal Prints

Materials

Watercolor, Lithograph

Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
By Abraham Hondius
Located in Saint Augustine, FL
Artist: Abraham Hondius (Dutch, c.1625-1691) Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)" *Signed and dated by Hondius in the plate (printed signature) lower right Year...
Category

1670s Old Masters Florida - Animal Prints

Materials

Laid Paper, Etching, Intaglio

Luis Miguel Valdes, ¨La Picada¨, 2015, Woodcut, 28.7x21.3 in
By Luis Miguel Valdes
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949) 'La picada', 2015 woodcut, block on paper Velin Arches 300 g. 28.8 x 21.3 in. (73 x 54 cm.) Edition of 13 ID: VAL-3G2015-361 Hand-signed by author ___...
Category

2010s Contemporary Florida - Animal Prints

Materials

Paper, Woodcut

Packhorse and Soldiers /// Antique British Victorian Etching Figurative Animal
By John Hamilton Mortimer
Located in Saint Augustine, FL
Artist: (after) John Hamilton Mortimer (English, 1740-1779) Title: "Packhorse and Soldier" Year: 1783 Medium: Original Etching on watermarked laid paper Limited edition: Unknown Prin...
Category

1780s Old Masters Florida - Animal Prints

Materials

Laid Paper, Etching, Intaglio

"Blue Butterflies" 2014 signed unique Bon A Tirer original engraving etching
By Sergio Hernández
Located in Miami, FL
Sergio Hernández (Mexico, 1957) 'Blue Butterflies', 2014 Engraving, etching, aquatint, sugarlift on paper 22.5 x 42 in. Series number: BAT (Bon a Tirer) Unframed ...
Category

2010s Contemporary Florida - Animal Prints

Materials

Paper, Engraving, Etching, Aquatint, Ink

Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martin...
Category

1770s Old Masters Florida - Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

1770s Old Masters Florida - Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
By François Nicolas Martinet
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...
Category

1770s Old Masters Florida - Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Bonaparte’s Flycatching-Warbler (Great Magnolia) /// Ornithology Bird Audubon
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.5" x 6.5" Image size: 7.5" x 5.63" Condition: Minor area of discoloration upper right corner. In excellent condition with strong colors Notes: Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted on August 13, 1821. The Canada warbler is a small boreal songbird of the New World warbler family. It summers in Canada and northeastern United States and winters in northern South America. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Florida - Animal Prints

Materials

Watercolor, Lithograph

Contemporary Indian Art Master Lithograph in Color Abstract Figures with Cat
By Sakti Burman
Located in Surfside, FL
Circus scene with cat, lithograph. (possibly colored with watercolor painting. I am not sure) Sakti Burman (born 1935 in Kolkata) is a contemporary Indian artist of Indian parentag...
Category

1960s Contemporary Florida - Animal Prints

Materials

Lithograph

Canada Suite Signed Serigraph Birds
By Yargo De Lucca
Located in Surfside, FL
Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen...
Category

20th Century Florida - Animal Prints

Materials

Lithograph

Canada Suite Signed Serigraph
By Yargo De Lucca
Located in Surfside, FL
Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen...
Category

20th Century Florida - Animal Prints

Materials

Lithograph

Untitled (Crane) Canada Suite
By Yargo De Lucca
Located in Surfside, FL
Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen...
Category

20th Century Florida - Animal Prints

Materials

Lithograph

Untitled, Canada Suite
By Yargo De Lucca
Located in Surfside, FL
Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen...
Category

20th Century Surrealist Florida - Animal Prints

Materials

Lithograph

Pike III
By Robert A. Birmelin
Located in Surfside, FL
A fine etching of a Pike Fish. Perfect for the angler or sport fisherman Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, an...
Category

20th Century American Realist Florida - Animal Prints

Materials

Etching

Currier Ives American Trotting Horses No. 2
By Salvador Dalí­
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Currier & Ives American Trotting Horses No. 2 MEDIUM: Lithograph + Collage SIGNED: Hand Signed PUBLISHER: Phyllis Lucas, New York EDITION NUMBER: 1...
Category

1970s Surrealist Florida - Animal Prints

Materials

Lithograph

Israeli Naive Folk Art Birdhouse Silkscreen Lithograph David Sharir Birds
By David Sharir
Located in Surfside, FL
David Sharir was born in 1938 in Tel Aviv, Israel and currently resides there. David Sharir, the son of Russian immigrants, was born in Israel. Beginning his study of art in Tel Aviv...
Category

20th Century Folk Art Florida - Animal Prints

Materials

Screen

Modernist Daniel in Lions Den Biblical Judaica Etching Israeli Artist
Located in Surfside, FL
Daniel In Lions Den. Artist proof etching. it depicts a rabbi wrapped in a tallit surrounded by lions. A very well executed work of a famous miracl...
Category

20th Century Modern Florida - Animal Prints

Materials

Etching

Goodbye Kitty
Located in Hollywood, FL
Artist: Todd Goldman Title: Goodbye Kitty Size: 30 x 37 in (76 x 94 cm) Medium: Lithograph Edition: of 350 Year: 2010 Notes: Hand Signed and Numbered by the Artist. Custom fram...
Category

2010s Pop Art Florida - Animal Prints

Materials

Lithograph

Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
By Marie Laurencin
Located in Surfside, FL
Marie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame. Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...
Category

Mid-20th Century Post-Impressionist Florida - Animal Prints

Materials

Lithograph

Post Soviet Nonconformist Avant Garde Russian Israeli Woodcut Woodblock Print
By Michail Grobman
Located in Surfside, FL
Woodcut woodblock (small possibility it is a Silkscreen Serigraph) print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an a...
Category

20th Century Modern Florida - Animal Prints

Materials

Woodcut

“Yellow Crested Parrot”
Located in Southampton, NY
Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...
Category

Late 18th Century Academic Florida - Animal Prints

Materials

Engraving

“Yellow Crested Parrot”
“Yellow Crested Parrot”
$850 Sale Price
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Mark Drew "They Say Rap s Changed" Print Dr. Dre Snoop Dog Silkscreen Print
By Mark Drew
Located in Draper, UT
Mark Drew is an acclaimed artist known for his unique fusion of music and visual art. Hailing from a background deeply rooted in the world of hip-hop and urban culture, Drew brings h...
Category

2010s Street Art Florida - Animal Prints

Materials

Screen

Zebra
By Martin Whatson
Located in Hollywood, FL
Artist: Martin Whatson Title: Zebra Size: 19 7/10 x 27 3/5 Inches (50 x 70 cm) Medium: 14 Color Screen Print on 300gsm Somerset paper Edition: of 150 Year: 2014 Notes: Hand Sig...
Category

2010s Street Art Florida - Animal Prints

Materials

Screen

Polish French Expressionist Judaica Woodcut Had Gadya from Passover Haggadah
By Arthur Kolnik
Located in Surfside, FL
Arthur Kolnik, Jewish painter and printmaker Ivano-Frankivsk (Ukraine) 1890 - Paris (France) 1972 Arthur Kolnik was born in Stanislavov, a small town in Galicia, which was then part of the Austro-Hungarian Empire. His father, who was originally from Lithuania, worked as an accountant and his mother, who was originally from Vienna, ran a shop. In 1905, he discovered Yiddish literature in Czernowitz, on the occasion of the first conference on Yiddish language, which was organized by several writers including I. L. Peretz, Cholem Aleichem, Shalom Asch, and Nomberg. In 1909, Kolnik joined the School of Fine Arts in Krakow and took classes taught by Jacek Malezcewski and Joseph Mehoffer, a portrait painter and an artist who produced stained-glass windows in Fribourg (Switzerland). He was mobilized in the Austrian army in 1914. He was wounded in 1916 and repatriated to Vienna, where he met the Judaic painter Isidor Kaufmann. In 1919, Kolnik settled in Czernowitz, which was then annexed by Romania. There, he met writer and poet Itzik Manger and storyteller Eliezer Steinberg for whom he produced several illustrations. In 1920, Kolnik left for the United States, bringing fifty paintings...
Category

20th Century Expressionist Florida - Animal Prints

Materials

Woodcut

The Snare Giclee Print with varnish layer matching print set
Located in Draper, UT
Aaron Horkey – The Snare (and matching COA Print) Gilded Age Collection 2015 Thinkspace Gallery Debut Signed & Numbered Edition of 665 Includes Certificate of Authenticity Original...
Category

2010s Florida - Animal Prints

Materials

Giclée

Stages, 2017 Signed metallic offset lithograph on glossy paper
By Faile
Located in Draper, UT
FAILE Stages, 2017 Signed metallic offset lithograph on glossy paper Created by Brooklyn-based artist duo FAILE (Patrick McNeil and Patrick Miller), Stages captures the energy of t...
Category

2010s Street Art Florida - Animal Prints

Materials

Screen

Post Soviet Nonconformist Avant Garde Russian Israeli Screen Print Lithograph
By Michail Grobman
Located in Surfside, FL
Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman an...
Category

20th Century Modern Florida - Animal Prints

Materials

Screen

Large Surrealist Photo Realist Silkscreen Lithograph Print Swan Dreams
Located in Surfside, FL
Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...
Category

1990s Surrealist Florida - Animal Prints

Materials

Lithograph, Screen

Israeli Modern Passover Lithograph Silkscreen David Sharir Holiday Art Serigraph
By David Sharir
Located in Surfside, FL
This is a mixed lithograph and serigraph silkscreen as per descriptions i read. this is not signed or numbered. it is a rare artists or printers proof print. It depicts Moses and Aaron at the top and I believe it relates to Passover and the exodus from Egypt. David Sharir was born in 1938 in Tel Aviv, Israel and currently resides there. David Sharir, the son of Russian immigrants, was born in Israel. Beginning his study of art in Tel Aviv and continuing in Florence and Rome, where he studied architecture and theater design. The brightly colored costumes and intricate stage designs he created for these productions have profoundly influenced his art. When Sharir moved to Jaffa in 1966, his hallmark style was truly developed. Studio, family, and spiritual devotion all serve as inspiration for the imagery in his work. His evolving style combines personal experience, Biblical symbolism, and fantasy. David Sharir, born 1938, Tel Aviv. Was among the first artists to settle in Old Jaffa in 1966. He depicted biblical subjects with a touch of humour and designed sets and costumes for the theatre and opera. Graphic Art in Israel Today Tel Aviv Museum, Tel Aviv 1973 Israel 1948-1958: Watercolors, Drawings, Graphics The Bezalel National Museum, Jerusalem 1958 Jean David, Yosl Bergner, Menachem Shemi, Zvi Mairovich, Ruth Schloss, Nahum Gutman, Moshe Elazar Castel...
Category

20th Century Contemporary Florida - Animal Prints

Materials

Lithograph

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