France - Paintings

This contemporary, expressive oil painting titled "Flowering Fields" was created by French artist Natalya Mougenot and is part of her series inspired by the scenes of the summer seas...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Oil on canvas, Framed 66 x 76 x 5 cm The Great Wall of China is well known in the world.Tens of millions of tourists from all over the world come ...

This contemporary abstract, dynamic, and expressive piece was created by French artist Natalya Mougenot and is part of her ongoing series dedicated to abstract expressionism. Natalya...

Van.I.T is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions are 150 × 150 cm (59.1 × 59.1 in)...

This contemporary landscape—an abstract expressionist painting with a touch of impressionism and Art Brut, depicting the South of France, Provence—was created by French artist Nataly...

The Scent of the River is a unique oil on canvas painting by contemporary artist Gérard Priault, dimensions are 81 × 100 cm (31.9 × 39.4 in). The artwork is signed, sold unframed an...

Georges Paul MASURE (Active 1900s/1910s) Oil on canvas 80 x 65 cm (97 x 82cm with the frame) Signed and dated lower right "G. P. Masure / 1912" Painting exhibited at the Salon des Indépendants in 1913 (2032. « Fleurs et japoneries ») Beautiful 19th century frame Georges Paul Masure was a Parisian painter in the Montparnasse area. He exhibited at the Salon des Indépendants in the years 1900/1910. Our painting is the painting he exhibited at the Salon des Indépendants in 1913 under the number 2032 and titled "Flowers and Japaneries". It represents a still life with a bunch of flowers, a magnificent basket of oranges, a pomegranate and a Japanese sculpture with a little fisherman with a red Koi carp. 2500 years ago, when the son of Confucius was born, he received as a gift from King Shoko of Ro, a fish that was first called Koi. It represents the symbol of strength, because this fish was the only one able to go up the steam of the Yellow River. Owning a koi will long remain the prerogative of the Japanese nobility. The dominant colors in the painting are orange and red. And in Japanese Shinto...

signed and dated on the back

Mid Century Modern French oil on board landscape of Beauce in France. The painting is signed and dated bottom left and presented in a plain period wood frame with light gilding. A l...

Acrylic on canvas Christiane Hess alias Chrystal is a French abstract artist born in 1951 who lives and works in Lalinde, near Bergerac in France. Her...

French Impressionist landscape, oil on canvas by Lucien Mignon a close friend and pupil of Renoir. The painting is signed and dated (1935) bottom left. Presented in carved wood, patinated and gilt Montparnasse frame. A charming view of a wooded glade in a park. Mignon has used his characteristic style, very reminiscent of his master and tutor Renoir, to create a wonderful atmospheric scene. the shade of the majestic trees, the lush green of the grass, the bright pops of red colour of the flowers and the indistinct figures walking along the path. He has created a very successful perspective that draws us in to the scene. A jewel of a painting that would grace any collection or interior. Lucien Mignon (13 September 1865 – 13 March 1944) was a French painter, illustrator, lithographer and pastellist. He was one of the first pupils and disciples of Pierre-Auguste Renoir. Born on September 13, 1865 in Château-Gontier, Lucien René Mignon attended the School of Fine Arts in Angers. He went to Paris and became a pupil of Jean-Léon Gérôme at the École des Beaux-Arts in Paris, where he was admitted in 1886. He exhibited at the Salon des artistes Français in 1889, a painting entitled Une Flânerie Sentimentale. He then exhibited with the National Society of Fine Arts (SNBA) from 1895 drawings and paintings of landscapes inspired by Angers. In 1898, at the same Salon, he exhibited three paintings, including landscapes inspired by Fontainebleau. In 1902, he divided his time between the rue du Cardinal Lemoine in Paris and Montigny-sur-Loing, which inspired the landscapes he exhibited at the SNBA, of which he was a member. In 1908, he presented La Liseuse for his last exhibition at this Salon before the First World War. He worked for the publisher Édouard Pelletan, who exhibited his work (February 1896). Around 1909, he left the 5th arrondissement of Paris and settled in Cagnes-sur-Mer, producing Provençal landscapes and motifs; he became close to Auguste Renoir, whose portrait he painted in 1913. Mignon's style is very close to that of Renoir, and his so-called "Ingresque" period. Peaches and Green Almonds, a painting exhibited in Paris at the Musée d'Orsay, dates from this period. In the 1920s, he continued to exhibit at the SNBA. He also carried out commissioned work for the Ministry of Public Works in connection with historic buildings. Works in public collections: Commentry, mairie : Les Quatre Saisons, 1925, quatre dessus de porte, huiles sur toile. Laval, musée du Vieux-Château : Le Repas du nourrisson, 1879, dessin12 ; L'Enfant endormi, 1899, aquarelle13 ; Nature morte, vers 1900, huile sur toile14 ; Travaux d'aiguille, 1913, sanguine15. Le Puy-en-Velay, hôtel de préfecture de la Haute-Loire : Nu, avant 1935, huile sur toile. Paris : Bibliothèque Nationale de France : site Richelieu : Vases, Fleurs etFruits, 1926, trois dessus de porte ; département des Monnaies, médailles et antiques...

This contemporary abstract expressionist woman’s figure was created by French artist Natalya Mougenot and forms part of her ongoing series dedicated to women, in which she explores t...

Antonio GUANSE (1926-2008) Still Life with Flowers, 1962 Oil on canvas panel Signed lower right Countersigned and dated on the back On panel, 37 x 45 cm (14.5 x 17.7 in) visible Pre...

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

"Integrity" is a contemporary, expressive figurative acrylic painting by French artist Natalya Mougenot, marking a significant and transformative chapter in her artistic journey. Thi...

Jacques II is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 65 × ...

Jean-Gabriel Domergue (1889–1962) was a distinguished French painter and engraver, celebrated above all for his portraits of elegant women ; or, perhaps more accurately, for a partic...

Paris street scene, view to Sacre Coeur, mid century oil on canvas. The painting is signed bottom right (as yet undeciphered). This captivating painting effortlessly captures the ch...

In "The Power Within", French artist Natalya Mougenot places a strong emphasis on authenticity, suggesting that true empowerment for women arises when they embrace their most genuine...

This abstract expressive floral artwork, titled "The Emergence of Spring," is part of my new small collection called "Primavera", dedicated to the vibrant and rejuvenating season of ...

Loneliness – Nijoujou Pine is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panels...

Mixed media on plywood, signed on back. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston...

Alfred Savignol (Pertuis 1877 - Nice 1959) Oil on canvas 55,5 x 42,5 cm (63 x 50 cm avec l’encadrement) = 21.9 × 16.7 in (24.8 × 19.7 in with frame) Signed lower right In this self...

Madonna and Child with Angels Attributed to Louis de Caullery (1565 -1622) for figures & Abraham Govaerts (1589 - 1626) for landscape Not signed 17th century Antwerp school, circa 16...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

This contemporary abstract-expressionist nature painting depicts a vibrant forest of towering tree trunks, immediately immersing the viewer in its dynamic composition. The style re...

A stunning and atmospheric painting by Marius Petit (1882-1960). It dates from the 1920s, the height of the art deco period. Glorious, scintillating and beautifully coloured; it is a...

Oil on canvas

Oil on canvas

Abstract landscape oil painting by French contemporary artist Sophie Dumont, Terres Ardentes (Burning Lands) captures the vibrant tension between matter, color, and equilibrium. Know...

Pierre GARCIA FONS Tribute to Cezanne : 14 Apples, 1964 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 50 cm (c. 20 x 20 inch) PROVEN...

➡️Still Life from J Robert⬅️ 🟢Jacques Robert (1921–1997) was a French writer, journalist, and screenwriter. Born on June 27, 1921, in Lyon, France, he began his career in journalis...

Original and unique artwork by Hunt Slonem. Oil on wood Green, red, yellow, purple, blue and multicolored multiple butterflies on a scored silver background 2024 Painting is framed,...

The painting is about the Florentine school and a seventeenth-century Italian school. Oil on canvas without signature After Lorenzo Lippi (1606–1665) who was a prominent Florentine...

The 1903 painting by Henri Louis Ottmann (1877-1927) which is in the Musée d'Orsay depicts vast train station with all its dynamism. Our painting, created three years earlier, shows ...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Portrait painting, antique portrait, French décor, 19th century, French art, Victorian decor, European art, antique oil painting, 19th century oil, wall art, French portrait, woman p...

Charles BULTEAU Active in the 1870s and 1880s View of the interior of the church of Saint Germain de Charonne in Paris Oil on panel 29 x 24 cm (50 x 48 cm with the frame) Very beauti...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Louis is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 50 × 100 c...

Oil on canvas Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of Ar...

SOME SURMOUNT 2024 Paris, France This charming painting on canvas visually represents the notion of being unshackled from a burden, and an ascension from a darker place. A black, e...

Prunus and Lemon-coloured is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 92 × 72 cm (36.2 × 28.4 in). The artwork is signed, sold unframe...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with oak wood stain finish. Ready to Hang. Medium : Oil painting on stretched Linen. ...

Untitled XLVI is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 280 × 200 cm (110.2 × 78.7 in). The artwork is signed, sold unframed and c...

An oil on panel idyllic landscape by Boggio. The painting is signed bottom right. An idealised lakeside landscape view of a shady glen in the style of the Barbizon school.

Godefroy de Hagemann (1820-1877) was a member of the Hanover dynasty, of German Princes. His full name was Godefroy Auguste Christian Volfgann baron de Hagemann, or Godefroy de Hagem...

This contemporary abstract expressionist interior painting with vivid colors was created by the French artist Natalya Mougenot. Liberty 0.2 is part of her newest body of work, the He...

A quiet moment captured by the artist, Leon Garraud of a woman sewing. It's an oil on board framed under glass in beautiful tones of browns and greys highlighed by the light shining...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

Acrylic on canvas Christiane Hess (Chrystral) is a French abstract artist born in 1951 who lives and works in Lalinde, near Bergerac in France. Her conversion to abstract art gives ...

About the artist Sophie Dumont is a French contemporary painter whose work reflects a deep engagement with memory, cultural heritage, and poetic abstraction. Born in Paris in 1964, s...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

Titled "Yellow Symphony", this abstract oil painting by Marcel Demagny depicts distinctive yellow color blocks emerging against various blue colors defi...

Oil on canvas Mari Uznadze is a Georgian artist born 1978 who lives and works in Tbilisi, Georgia. She was graduated from university and lived in New York for three years. Mari crea...

Elisée MACLET (1881-1962) Normandy : Small Traditional Village, c. 1920 Original oil on canvas Signed bottom right On canvas 54 x 81 cm at view (c. 21 x 32 in) Presented in a gold...

Oil on canvas by Edouard Goerg (1893-1969), France, 1958. Life is always the same. Acquired in 2017 from the personal collection of Edouard Goerg. Measurements : with frame : 62.5x53.4 cm - 24.6x21 inches, without frame : 55x46 cm - 21.7x18.1 inches, format 10F. Signed "E.Goerg" (see photo). Preserved by the painter, then by his family since his death in 1969, this painting appeared in 2017. Entitled "Always life begins again", it is a crepuscular work. Testamentary one could say, so much the statement which is made there is definitive. The fact that he kept it until his death tends to consolidate this vision. Far from the empty looks and death faces of the rebellious era of sarcastic expressionism, the terrifying and compassionate testimony of the Spanish war, and the post-WWII flower women, we are dealing here with a a form of reasonable abdication, but honest. This idea that although everything changes, nothing changes. Changed times, actors, ideas, the same comedy occupies the society. Having given up the idea of ​​changing the latter, Goerg accepts the fact that the only alternative is to stay there or get lost. But stay afloat with his values, completely independent, whatever the cost is. This work is similar to La Vie Recommence of 1935, reproduced on page 54 of Gaston Diehl's book devoted to the painter (Éditions de Clermont, 1947). On the latter, the artist depicts his vision of life, from birth to death, made of hope, fear, cruelty, resignation and fatality. 23 years later, Toujours La Vie Recommence shows us the road traveled by the painter. It is no longer a matter of denunciation, but ultimately of acceptance of reality and the difficulty of staying there yourself. The admirer of Hieronymus Bosch gives us an inspired composition. The hand of God, the only expression of physical beauty in this work, comes down from heaven to give life. Symbolically, it holds an egg that dispenses the element from which the human protagonists find their birth, and in which they move and tangle more than they impose. Beautiful allegory of society. Four characters, two women and two men evolve in this societal marigot. The man in the foreground, ruddy face, evolves with ease. His body is supple, flexible, adaptable. The woman on the left observes him with admiration. Obviously, this man is in his place and causes rapture. The right man with massive shoulders and wrapped, shows a physical maladjustment to the activity he is doing. He struggles to stay afloat, his face expresses effort, even exhaustion. But he assumes. He does with what he has, with what he is. The other woman shows him the greatest indifference. What is not the case of the demonic archangel (recurrent in the works of Bosch) with the stunted body, who leads the dance and holds this character, we understand the painter, under his control as to have fun. As this character cannot change bodies, Goerg cannot change values. He does it with. Had he not said to the critic Roger Brielle: "Independents, sensitive and just men, that's what we must strive to stay in this world in disarray". Goerg will have come to narrative expressionism to give us a balance sheet allegory of his deep self and his condition. Édouard Goerg is one of the major artists of his generation. Coming from a Champagne family, he was born in Sidney, Australia, in 1893, during a professional stay of his father. After passing through London, he arrives in Paris at the age of seven. At twenty, between 1913 and 1914, he studieds painting at the Académie Ranson with Maurice Denis and Paul Sérusier. He travels to Italy and India. Mobilized in 1914, he is sent to Artois, then to Argonne. From 1920, he exhibits at the Salon des Independants, then at the Salon d'Automne where he joins with Laboureur. At Berthe Weil, in 1924, he participates in the exhibitions of the Gromaire group, a prelude to a series of exhibitions in Paris (Berthe Weill, Bernheim Jeune), as in Brussels (Le Centaure). Goerg illustrates books including Table of the beyond by F.Boutet. In 1928, he meets Paul Guillaume who exhibits his works in Boston and the Art Institute of Chicago. He continues to show his works, satires of the bourgeois manners, at Bernheim Jeune, then at Lucie Krogh. In 1934, he travels to Belgium and Holland where he paints surrealist paintings that will be exhibited at Jeanne Castel. In 1935-1936, he meets Aragon, who opened the doors of the houses of the cultures created by the Association of Writers and Revolutionary Artists. The Spanish war and the Second World War mark it deeply. He must protect his daughter and his Jewish women...

Oil on canvas Salome Khubashvili is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. In 2013, she graduated from the Painting Group at the Tbilisi Art School,...