France - Portrait Paintings

This compelling artwork "Woman in a green dress " is a striking example of modern expressionist portraiture. Dominated by bold, purposeful brushstrokes, the painting depicts a soli...

Jean-Baptiste VALADIE (French, 1933) Girls with Ribbons in the Hairs, 1975 Oil on canvas Signed lower left Countersigned, titled and dated on the back On canvas 55 x 46 cm (c. 22 x ...

My artwork "Woman in a Red Blouse" is part of my ongoing series dedicated to celebrating the essence of women. In this painting, I aim to capture a tranquil moment where a woman is ...

Promenade Acrylic on wood 33.1 x 21.8 cm A compact yet striking cubist composition by French artist Grégoire Mathias, “Promenade” explores human figures through layered geometries and rich earth tones. “Promenade” is a refined, vertically oriented work in acrylic on wood panel by French artist Greg Mathias, a pioneer of Diachronic Cubism—an evolution of Cubism that doesn’t just fragment space, but also folds multiple moments in time into a single frame. In this composition, a solitary figure appears mid-step, portrayed through overlapping forms that subtly shift in posture and position, evoking successive instants of the same walk. Using a palette of earthy ochres, rose-beige tones, slate blues, and deep browns, Mathias blends geometric abstraction with temporal movement. The fractured background enhances the impression of both forward motion and layered time, suggesting the silent passage of moments within a single contemplative scene. Unlike traditional Analytical Cubism, which reduces forms to a still, spatial analysis, this piece embodies motion and transformation—hallmarks of the artist’s unique visual language. Compact in size but conceptually expansive, “Promenade” invites the viewer to witness the echo of steps already taken and those just about to occur. Perfect For: Interior designers sourcing vertical wall art...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

This contemporary figurative painting, titled "Love Life", depicts a woman in a dress and is created by French artist Natalya Mougenot. It is part of her “Women” series, which explor...

This vibrant and dynamic artwork "It's time for football ' captures the viewer's attention through its bold use of color and energetic lines. Dominated by hues of pink, green, blue...

French school early 18th Century Portrait of a cleric, oil on canvas 68 x 54 cm, oval Not signed which is normal for this type of artwork I recently had this painting cleaned and r...

French School 19th century Close to François Xavier FABRE (1766-1837) The Princess and The Chaperone Oil on canvas One can read on the reverse "Fabre Fecit" and the name and address of the canvas dealer shop...

Large scale French society portrait from the 1920s featuring a lady in a 'flapper' dress before a castle and it's garden by Georges Gaudy. Signed bottom left and dated, 1925. The painting is by repute of La Comtesse de Blacas, in front of her home Château d'Ussé. Ussé was the subject of a French railroad poster issued by the Chemin de Fer de Paris à Orléans in the 1920s which may have been designed by Gaudy and this may be where the commission for this painting came about. Presented in very fine custom carved wood, gilt Florentine frame. The early 1900s were the zenith of 20th century society portraiture by the likes of Philip de László...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

Jean BOUCHAUD (1891-1977) Portrait of a woman Oil on panel Signed “J Bouchaud” lower right Dimensions of the work without frame: 23.5 x 18.5 cm A native of the Loire-Atlantique reg...

Oil on canvas mounted on board, realized by Francesco Settimj in 1933. Hand signed and dated lower left. Good condition.

Oil on canvas Berg is a French painter born in 1953 who lives and works in Paris, France. Under the pseudonym "Berg," meaning mountain in Goethe's language, lies an artist as gentle...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...

Mid century oil on canvas portrait of a young girl in period dress, in fine gilt frame. Signed in full, dated 1944 and with artist's monogram. Emile Patoux (Belgian 1893-1985) studi...

Joseph-Désiré COURT (Rouen, 1797 – Paris, 1865) Woman nestled in an armchair Oil on canvas Signed and dated lower left 81 x 65 cm 1834 Exhibition: in all likelihood, number 50 of ...

This artwork "Bond" is a vibrant and dynamic abstract painting that immediately captivates the viewer with its bold use of color and form. This painting makes part of the series dedi...

Oil on cardboard realized by Francesco Settimj in 1930s. Painted on both sides, recto and verso. Good condition.

This contemporary figurative painting, "The Simple Things in Life," by French artist Nataya Mougenot, is part of her ongoing series dedicated to women. It captures a woman sitting at...

Oil on canvas 65 x 81,5 cm (83 x 98 cm with frame) = 25.6 × 32.1 in ( 25.6 × 32.1 in with frame) Signed and dated lower left Entitled lower right The painter hides behind his work, ...

This evocative artwork captures the essence of modern abstract expressionism with a rich and inviting palette. Dominated by hues of red, yellow, and green, the painting features a wo...

Provenance : Arnold S. Kirkeby (1901-1962) Donated by Arnold S. Kirkeby to the Los Angeles County Museum of Art in 1955, where it remained until its sale at Sotheby's, New York on January 10, 1991, lot 82. Christie's, London, July 7, 2010, lot 186, where it was purchased after the sale by the executors of the will of the late Edmund de Rothschild (1916-2009) for display at Exbury House The Trustees of Exbury House Literature : R. Brown, Bulletin of the Art Division, Los Angeles County Museum, VIII, 1957, pp.8-9, no. 4; S. Schaefer and P. Husco, European Paintings and Sculpture in the Los Angeles County Museum of Art (Los Angeles, 1987), p. 53 (illustrated and dated c. 1735) This sumptuous ceremonial portrait, executed around 1725-1730, depicts Monsieur Aubert, the French General Comptroller of Bridges and Roadways, as we learn from a letter on the desk beside our model. The virtuoso treatment of the fabrics, the authoritative yet confident pose, the vigorous treatment of the two hands, are representative of Largillière's talent, here at the peak of his art as portraitist. The portrait also has a rather extraordinary provenance: donated by Arnold S. Kirkeby, an American hotel magnate and real estate developer, it was exhibited during almost forty years in the collections of the Los Angeles County Museum, before being acquired in 2010 by the executors of Edmund de Rothschild's will to adorn his former home Exbury House (Hampshire), where it remained until its sale in 2022. 1. Nicolas de Largillière, a great European portraitist Nicolas de Largillière (or Largillierre), one of Europe's premier painters of portraits, history paintings, and still lifes during the late seventeenth century and the first four decades of the eighteenth, was born in Paris in 1656. He was the son of a hatmaker and merchant who moved with his family to Antwerp in 1659. As a boy of nine, he traveled for the first time to London in the company of an associate of his father. After returning to Antwerp more than a year later, his artistic gifts were recognized and his father apprenticed him to Antoni Goubau (1616-1698), a painter genre scenes and landscapes. Something of a prodigy, he was admitted to the painters' Guild of Saint Luke when he was only seventeen. In 1675 he made a second trip to London, where he was employed at Windsor Castle and worked as a restorer under the direction of Italian painter and decorator Antonio Verrio (c. 1639-1707), who brought him to the attention of King Charles II (r. 1660-1685). At this time Largillière painted several still life paintings in the manner of the Dutch and Flemish masters. Thereafter he practiced this branch of painting with consummate skill, a talent that allowed him to make brilliant use of flowers, fruit, and animals in some of his most ambitious portraits and contemporary history pictures. In 1679 Largillière settled in Paris, where he specialized in baroque portraiture in the grand manner of Peter Paul Rubens (1577-1640), Anthony van Dyck (1599-1641), and Peter Lely (1618-1680). The Flemish battle painter Adam Frans van der Meulen (1631 or 1632-1690) introduced him to Charles Le Brun (1619-1690) who, as First Painter to King Louis XIV (r. 1643-1715) and director of the Académie royale de peinture et de sculpture, was the predominant figure in France's official art establishment. Upon his acceptance as a candidate for admission to the Académie, he agreed to execute as his diploma picture a large portrait of Le Brun (completed 1686, Paris, Musée du Louvre, eight photo in the gallery) seated in his studio surrounded by the accoutrements of his art and an oil study for the ceiling of Galerie des Glaces at Versailles. In 1686, Largillière made a final trip to England, where he painted portraits of the newly crowned king, James II (r. 1685-1688) (Greenwich, National Maritime Museum) and his consort Mary of Modena...

This artwork "Red lipstick with orange dress" a vibrant, expressive portrait of a woman rendered in bold, sweeping brushstrokes. This piece makes part of the artworks dedicated to...

Albert Auguste FOURIE (1854-1937) The Naiad And The Swan Oil on Wood signed low left New golden and invory stick frame Dim wood panel : 35 X 27 ...

I enjoy working on impressionist artworks with an expressive touch. This artwork makes part of one of my favorite series dedicated to women whom I always want to represent as strong,...

Attributed to Jeanne Élisabeth CHAUDET (Paris, 1761 – Paris, 1832) Cupid holding his arrow Oil on oval canvas Not signed 33 x 26.5 cm Élisabeth Chaudet, born Gabiou in Paris on Ja...

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang Chen Danqing at Oil Paintin...

This contemporary figurative painting with a modern touch of expressionism and brut art depicts a scene of two women, one of them wearing a red dress holds a bowl of fruits. This pie...

Dogon is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 55 × 46 cm (21.7 × 18.1 in). The artwork is signed, sold unframed and comes with a ...

Portrait -closeup of a woman. Technique: oil, acrylic, spray paint, ink on old book pages on wooden frame 40x40cm / 15,7x15,7inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original s...

No. 120 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with India ink, acrylic and pastel on canvas, dimensions are 116 × 81 cm (45.7 × 31.9 in). Dime...

Jean-Baptiste SANTERRE (Magny en Véxins 1651 - Paris 1717) Portrait of a couple Oil on original oval canvas H. 115 cm; L. 90 cm (140 x 115 cm with frame) Around 1695 Jean-Baptiste S...

MORIN Charles Camille (1846 – 1919) The Girl with goats by the river Oil on canvas signed low left Old frame gilded with leaves Dim canvas : 58 X 91 cm Dim Frame : 88 X 112 cm MORI...

A young woman is an original modern artwork realized in Late 19th Century. Mixed colored oil on canvas. The artwork depicts a young woman with veil and mirror. Unreadible signatur...

Jazzu Belle âme forte Acrylique sur papier fort 2025 Daté , titré et signé par l’artiste 42 x 29,7 cms 490 euros

Léa Lafugie (1890–1972) was a painter who traveled extensively across Asia. She was renowned for her portraits. She studied at the School of Decorative Arts, followed by the École de...

Alexandre Falguière (attribué à) (1831 - 1900) Oil on canvas 135,2 x 95 cm (169 x 129 cm with frame) 53.2 × 37.4 in (66.5 × 50.8 in with frame) Without Signature

LEBAS Léonie (19th-20th) "Lady at the Flower Market in Paris" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Red and dark c...

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting and lithography and obtained a scholar...

Oil on canvas applied on cardboard realized by Francesco Settimj in 1933. Hand signed and dated lower right. Good condition except for some very inor losses on edges.

Jean François Marie Bellier (Paris 1745 – Paris 1836) Portrait of a Man Oil on oval canvas laid flat H. 45 cm; W. 55 cm Signed on the left Circa 1790 Jean François Marie Bellier occ...

René Mels (1909-1977) Portrait of a young man, signed lower right oil on canvas 73 x 60 cm Framed : 77.5 x 64.5 This impressive portrait is obviously tou...

French school circa 1870 Holy Family under an oak, after Raphaël, on gold background Oil on canvas H. 92 cm; W. 60 cm This aesthetic curiosity takes up the very famous composition b...

Portrait of a woman. Sketch, oil on plywood panel. Minor soiling. 32.5 x 41 cm

Lady with harp is a modern artwork realized by Symbolist Painter of late 19 Century. Symbolistic painting of a lady with harp standing on a rock by the sea. Mixed colored oil on ca...

French school late 18th Century Portrait of a young man oil on metal 10.2 x 7.7 cm Framed under glass : 24.4 x 21.8 cm This small portrait painting, quite original in its technique...

Oil on plywood realized in 1930s. Painted on both sides, recto and verso. Good condition.

COSSON, Jean Louis Marcel (1878 – 1956) Ballerinas and gentlemen in the Swing of the Opera Oil on canvas signed low left Framed by Gault (Paris - Fbg St Honoré) Dimensions canvas ...

Courtiers Party in the Park in 18th Century In the Taste of Nicolas Lancret (1690-1743) Oil on canvas Frame gilded with leaves Dim canvas : 73 X 59 cm Dim frame : 100 X 87 cm

Jacques Henri GUYOT (1946) Jazz Musicians Oil on Wood with modern black wood frame Size panel : 100 X 78 cm Size frame : 120 X 98 cm Certificate fr...

Attributed to Eugène Delacroix (Saint-Maurice 1798 – Paris 1863) Portrait of a Man Wearing a Frock Coat Oil on canvas, 75 x 60 cm (29 1/2 x 23 5/8 in) Signed Provenance: Private ...

Impressionist School, second half of the 19th century Portrait of Two Young Girls Oil on panel, 28 x 22 cm Provenance: Private collection, Paris This delicate portrait, executed ...

Amédée de Baumes (1820–1906) Huile sur toile, format ovale, cadre d’origine doré Ce magnifique portrait en profil illustre tout le raffinement de la peinture académique du XIXe sièc...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Acrylic on canvas Nina Urushadze is a Georgian artist born in 1983 who lives and works in Tbilisi, Georgia. She is graduated from Apollon Kutateladze at the Tbilisi State Academy of...

PS 230 Starwoman Queen Portrait of the Queen Elizabeth II with AC/DC earrings Technique: oil, acrylic, and ink on old book pages on wooden frame...