France - Sculptures

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fas...

An old cast bronze Sculpture by Jules Moigniez (1835–1894) - Hunting Spaniel 19th Century: This bronze sculpture represents a stationary hunting dog (a spaniel) and is signed "J. Moi...

This is an antique wooden netsuke made in Japan around Showa period 1950s. The signature is written on the back side 'Tomotada'. Netsuke is a miniature sculpture, originating in 17t...

Sublime oiseau de Daum et Francois-Xavier Lalanne en verre et bronze. Editée en 1978, cette pièce est signée deux fois et numérotée 56/300. C'est une véritable pièce de collection...

This lying deer sculpture is made of brass with shamanic inlays. This is a French work, circa 1970.

French Art Deco ceramic panther sculpture, 1930's. Black glaze.

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan...

Statuette "Moyenne Voilee" made in frosted glass with sepia patina by René Lalique in 1912. Engraved signature on side. Perfect original condition. Extremely rare model. height: 1...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

French Art Deco Porcelain Pigeon Candy Box by Edouard Marcel Sandoz for Haviland Limoges, 1916 A rare and exquisite French Art Deco porcelain pigeon candy box, designed by the celeb...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

This exceptional and imposing pair of hand-carved and hand-painted wooden horses embodies the rich artistic heritage of traditional Indian craftsmanship. Standing over 80 cm (31.5 in...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

A striking French Art Deco sculpture of a man by Campbell, created in France ca.1920. Crafted from spelter, marble, and onyx, this impressive piece showcases the bold, dynamic style ...

Sculpture leopard sit in hand painted ceramic.

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Crackle glaze ceramic ship sculpture by LEJAN at Orchies, France, 1920s. Wonderful green color. Width: 16.5" (42cm), Height: 19" (48.4cm), Depth: 5.5" (14...

This is an antique wooden netsuke made in Japan around Showa period 1940s. Netsuke is a miniature sculpture, originating in 17th century Japan....

Created in 2008 A unique and original work of art. Engraved brass, metal and glass slab. 32 pieces made of silver engraves brass with a dark brown finish. Sharkskin support ...

Art Deco spelter sculpture. Black-patinated panther on a marble base, signed Ouline. In perfect condition. Height: 17.5 cm Length: 45 cm Width: 11 cm Weight: 4.7 kg Alexandre Ouline...

Model supersonic concorde aircraft with structure and base in polished aluminum.

This is an antique netsuke made in Japan around Showa period 1950s. This netsuke was made by a netsuke artist. (you can find his signature on the bottom of this netsuke). Netsuke i...

Beautiful handcarved giltwood bird ornament. Made out of wood with later chalk restorations. Italy circa 1780 . Weathered, losses and old repairs. Measurements individual and includ...

Diego Giacometti style bronze statue "le chat maitre d'hotel" made in France around 1970 The Butler Cat, 1961-1964 is one of Diego Giacometti's most iconic works. He created it in ...

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

This textured glass chandelier is composed of individually cast glass petals which are mounted on a brass structure in the shape of a lilypad flower. The chandelier is composed of 24...

Claude Gaget Amazing large stoneware tree sculpture by the French artist. Original perfect conditions, signed at the base GAGET Brown and colored firi...

Foot of the God Hermes in plaster and resin, 20th century. Sculpture of the winged foot of the God Hermes in plaster and resin, 20th century. H: 25cm, W: 26,5cm, D: 11cm Contact us...

Sculpture leopard black and white left all in hand-crafted ceramic mad ein Italy.

Sculpture Leopard Dark Brown Sit all in ceramic, hand-painted piece.

Sculpture French Coq made in ceramic, hand painted piece.

Original chair in golden oak, satin finish. Flared legs, backrest and seat upholstered in a textured cream fabric by Dedar.

This striking bronze sculpture portrays a young boy in a moment of poised concentration, just before releasing his sling. The piece captures silent tension and inner focus with remar...

Large model of art deco sculpture "Danseuse aux cerceaux" pati. Subject in spelter with green patina on black marble base, signed on the base. Model by Le Faguays published by Max Le...

This is an antique wooden netsuke made in Japan around Showa period 1970s. Netsuke is a miniature sculpture, originating in 17th century Japan....

Sculpture gilded peacock handmade in precious porcelain one by one, feather by feather. Each feather is unique. Made with shiny porcelain, hand-painted ...

Sculpture Samurai Raku red and silver made in Raku ceramic which have metallic silvered sheen. Raku ceramics Samurai are distinguished by their raw appearance. The smoking techn...

Beautiful wooden statue of an 18th century baroque style Angelo. It is finely carved. Some old restorations are to be noted on the feet, and the left hand. The back wings are missing.

Bronze with brown patina of Joan of Arc, signed by Marie d'Orléans and the stamp of the foundryman Susse frères. In very good condition. The original marble proof, intended for the H...

Please inquire with your destination country for shipping costs. Large glazed ceramic sculpture by Jean-René GAUGUIN (1881-1961), son of the painter Paul Gauguin at Bing & Grøndhal (...

Superb Lalique Virgin and Child sculpture on a black lacquered wooden base, France 1970s. Beautiful crystal form which captures the subject's devotion a...

Brutalist sculpture in welded and patinated copper and brass, depicting a stylized animal. Created by the artist Jarc in the 1970s, it is in excellent condition with a beautiful patina.

Chanel Addict black & white Pill sculpture with all structure in resin in lacquered finish. On acrylic base. Limited Edition of 8 pieces, numbered and s...

Art Deco sculpture in silvered bronze signed M.Bouraine. Black marble base (Belgian surfin). In very good condition. Total height: 30 cm Width: 23.5 cm Base width: 11 cm Base depth:...

This sculpture is a wig holder, made in the 1970s in France. It is a Female Head, in a brown color.

Sculpture Horse Black with all structure in porcelain in black matte finish.

Pair of brass heron or crane birds, from the 1970's. Measurements : height 17 cm and 30,5 cm / width 9 cm and 21,5 cm / base diameter 8 cm.

Beautiful porcelain group. The very fragile porcelain coming from the evaporated lace dipped in porcelain slip is perfect. Signed White blue and Pink color.

Pair of 19th Century French Solid Brass Candlesticks – Minimalist Design – Antique Patina Description: This is a pair of solid brass candlesticks, handcrafted in France during the 1...

Sculpture leopard black and white right. All in hand-crafted ceramic made in Italy.

Sculpture Gorilla Kong all in solid bronze. Limited edition of 8 pieces, numerated 8/8. By Richard Orlinski. Exceptional piece.

Ceramic foot with geometric relief produced by the Jean Roger workshop in Paris. Available in different colors for the foot, and different fabrics for the oval lampshade...

Wonderful angel figure Italy, circa 1750. Weathered , losses Measurement includes the wooden base. Treated against woodworm. H:36cm W:19cm D:19cm

Patinated bronze sculpture representing Joan of Arc in armor, brandishing her sword Sculpture signed Contenot on the base (Henri Daniel) Joan is a young French woman of peasant...

PLAY BALL Unique and poetic work. Bird and Humans sculpture ceramic. Made by a French sculptor, painter and ceramist, Pierre KOPPE. Greige and cobalt blue color. Signed on the back...

L'ours polaire en céramique craquelée, issu de la manufacture L&V Céram, est un véritable exemple du style art déco français des années 1930. Avec son regard expressif et attendrissa...

Made in France with hand-turned, flared oak legs. Upholstered backrest and seat in a textured cream bouclette fabric (LG.FB-89).

Le Vaucour - Vallauris Figurative 20th century black ceramic sculpture signed by Le Vaucour Vallauris Orignal good condition height 26 cm Large 9 cm Depth 13 cm

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

Edouard Marcel Sandoz (1881-1971) Figure "Pierrot Musicien", ca. 1917. Hard-paste porcelain with a white glaze, and painted gold. Signed to the base, appears to be Théodore Havil...