France - Sculptures

Sculpture white parrot on ring in hand painted white porcelain with brass details.

Bring a touch of whimsy to your home or office with the charming wooden bird from the Tweety series. Designed by Kateryna Sokolova, this minimalist sculpture is an attractive accent...

An exquisite abstract corten steel sculpture suitable for both indoor and outdoor settings. Crafted during the 1970s, the artist behind this piece remains unidentified, showcasing c...

Gerard Koch was born in 1926 in Germany and died in 2014 in Paris. He studied at La grande chaumière in Paris and had Zadkine as a professor. His first exhibition was in Paris in 1956. In 1976 he exhibited at the museum of modern art in Paris. This sculpture shows a bird inside a bronze circle...

Anita Tullio (Born in 1935, Paris) Polychrome terracotta, multiple signature stamp on base.

Torsade 2, 2023 by Laurent Dufour Glazed stoneware. Unique piece. Signed at the base. This piece can be put indoor and outdoor.

Russian Bronze (Yousoupov R.U ?), circa 1930. Bronze patinated, monogrammed back.  

An exquisite abstract corten steel sculpture suitable for both indoor and outdoor settings. Crafted during the 1970s, the artist behind this piece remains unidentified, showcasing captivating abstract and circular designs, reminiscent of the works of Marino Di Teana...

Pair of exquisite abstract corten steel sculptures suitable for both indoor and outdoor settings. Crafted during the 1970s, the artist behind these pieces remains unidentified, show...

An exquisite abstract corten steel sculpture suitable for both indoor and outdoor settings. Crafted during the 1970s, the artist behind this piece remains unidentified, showcasing captivating abstract and circular designs, reminiscent of the works of Marino Di Teana...

An exquisite abstract corten steel sculpture suitable for both indoor and outdoor settings. Crafted during the 1970s, the artist behind this piece remains unidentified, showcasing c...

A ceramic sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base. circa 1970.

The Violinist – Height : 97 cm (38,1 in.) ; Width : 30 cm (11,8 in.) ; Depth : 43 cm (16,9 in.) The Wait – Height : 93 cm (36,6 in.) ; Width : 36 cm (14,1 in.) ; Depth : 41 cm (16,1 in.) Beautiful pair of wrought iron sculptures representing a violinist and a man holding a rose sheltering with an umbrella under a street lamp. These sculptures are the work of Jean-Alexandre Delattre, a French sculptor born in 1935 and who died in 2022, who specialized in the production of slender wrought iron sculptures, representing sportsmen, jobs or situations. J-A Delattre has also achieved numerous sports trophies...

Wrought iron sculpture lying woman France 1970

Kapi - La Borne Original unique handmade panther ceramic sculpture signed by Kapi Realised in La Borne Circa 1940 original perfect condition height 14 cm Long 27 cm Depth 18 cm

Contemporary Marble Sculpture by Artist François Fernandez, known as SAVY, Circa 2001. Marble sculpture by the artist François Fernandez, known as Savy, signed SAVY and dated 2001. ...

Superb and large Lalique circus bear sculpture in molded crystal, France 2000s. In as new condition in its original box. Box may have very minimal traces of wear. Dimensions in cm...

A beautiful glazed stoneware rhinoceros sculpture by Valérie Courtet, made around 2010. The details are truly exquisite, and the quality of the work is exceptional. Each piece by Val...

Brown glazed stoneware sculpture by Laurent Dufour. Artist signature under the base. 2023. Unique piece. H : 28.7’ x 10.2’ x 11.8’ inches.

Glazed ceramic wall lamp with geometric relief made by the Jean Roger workshop in Paris. Available in green, yellow, blue, pink, brown, and matte white colors and in two sizes.

Art deco bronze with double patina, mercury gilding and silver. Representing 3 swallows on a pond. Signed M Buzelin and Gauthier estr Paris for the founder. In very good shape. Heig...

Sculpture king high parrot in ceramic. Hand painted ceramic.  

Liptay Mathias.Born in Kalocsa (Hongria) in 1936. Direct carving in Pyrenees marble, signed on the back, Mathias L. Biography: Came to Paris at the age of twenty, he entered the Ecole des Beaux Arts. Formed through different experiences and different materials : iron, metal , plastic. He creates transparent sculptures before tackling the woods and find finally in stone his preferred medium . Since 1972, Mathias Liptay lives and works in Carrara in Italy where , through the marble , he seeks to achieve the essence and unity of things . He is concerned with specific topics for some years, allowing to divide his creative activities in several successive periods : - "Les Eclosions" 1977-1982 - "Les Têtes" 1984...

Jolie sculpture de Guy Lartigue représentant une femme alanguie et un faune dansant. Cette sculpture reposant sur un socle en comblanchien est un projet de fontaine acheté directeme...

Coming from madagascar, this aesthetic specimen of semi-precious gemstone called labradorite has the perfect weight and dimensions to decorate a bookshelf or a desk. It weighs 1900 g...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

Bisque sculpture of Love with a bow, gilt bronze mounting, Louis XVI style, 19th century. A Louis XVI style bisque sculpture of Love with a bow and ormolu mount, 19th century. H: 5...

Superb, large and exquisitely detailed Carrara marble sculpture of a cherub riding a dolphin by Hippolyte Ferrat, France 19th century, Romantic period. Signed. In very good condition. On a veined marble base which has small signs of use. Dimensions in cm ( H x L x l ) : 38 x 55 x 25 On April 8, 1841, Hippolyte Ferrat was admitted to the École des Beaux-Arts in Paris, where he studied under James Pradier. He was awarded the Second Prix de Rome in 1850. He exhibited at the Salon from 1849 to 1870. In 1849, he designed The Fall of Icarus, which is now exhibited at the Philadelphia Museum of Art. In 1859, Hippolyte Ferrat created a statue of politician François Denis Tronchet for the Conseil d'État. In 1860, a monumental fountain by Théophile de Tournadre6 was built in the center of the Place de la Rotonde in Aix-en-Provence. Of the three statues at the top, Ferrat created the allegory of the Beaux-Arts. In 1863, he created four caryatids representing the four continents...

Sculpture black parrot in ceramic in black finish. Also available in white finish.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Monica Machado Born in Lisbonne (Portugal) in 1966. Lives in Paris, since 1981. Technique: Modified caddie, silicon glue and glass on fabric, lighting, magnifying glass, packages...

Earthenware and metal Sculpture "BIRD", one of a kind 2023 creation signed by French ceramicist Dominique Pouchain Dark patina on gray ceramic / Dimensions : H 115 cm x L 70 cm X L 5...

A ceramic sculpture signed Alistair Danhieux. Signed and dated under the base. 2013. Perfect original conditions.

Superb diorama sculpture by Serge Mansau simulating a freeze-frame on a vintage television set. On the outside of the thermoformed glass, at the cent...

Glazed ceramic wall lamp with geometric relief made by the Jean Roger workshop in Paris. Available in green, yellow, blue, pink, and matte white colors and in two sizes.

Bronze sculpture of Ratapoil after Honoré Daumier, 20th century. Bronze sculpture of Ratapoil after Honoré Daumier, 20th century. H: 34cm, W: 14cm, D: 11cm

Maurice LAMBERT (1901-1964) "Woman with a Bird." Alabaster print. Ebonized wood stepped base. Monogrammed ML. Height: 42 cm; Width: 50 cm; Depth: 20 cm Numbered : 7339

Sculpture of Emperor penguin in varnished white lacquered resin. Created by David Rousselot – Paris Two sizes available. Measures: Small model, L...

Superb crackle-glazed ceramic sculpture depicting a stylized fish, resting on a marine-inspired base. Dating from the 1930s, this piece is signed L. Fontinelle, a renowned artist kno...

Pair of Art Deco style bookends in green patinated spelter representing leaping gazelles. They rest on a black marble base. They are signed "M. LeVerrier" and are in good condition w...

A ceramic sculpture signed A.C. Perfect original conditions, circa 1986.

Magdalena Reinharez (1925 – 2012) Homage to Géricault 1992 Bronze sculpture with brown patina Signed "M. Reinharez 2/8" Foundry mark : Chapon, Paris Biography Born in Central Europe, Magdalena Reinharez arrives in France at a young age. She takes her painting class with masters such as Fernand Léger and André Lothe...

A big ceramic sculpture by Pierre Baey. Unique piece. Perfect original conditions. Circa 1990.  

Bronze sculpture of an elephant on a marble base, 20th century, signed A.Pair. H: 13cm, W: 12cm, D: 8cm

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

Large wooden sculpture of Simon the Zealot, Napoleon III period, 19th century. Sculpture in carved wood representing Simon the Zealot, with two attributes: the first, the saw, objec...

Black marble of Belgium and bronze sculpture. Carlo Nicoli Workshop, Carrara. Unique piece. Date of creation: 1985. Japanese artist. ...

Albert Leclerc (1906 – 1975) Portrait de femme Signed on the chignon : « Albert Leclerc », along the lower right edge foundry mark « Susse Fondeur Paris » Bronze, with brown p...

Robert Fachard (1921-201, France) : "Abstraction" Abstract welded and patinated bronze sculpture Unique piece Signed : "RF", monogram of the artist Circa 1970-75, France Dimens...

Michel Warren (1930-1975) Bronze test with black patina Signed and numbered : 2/8. Foundry Mark Valsuani : F. Bagneux.

Superb sculpture by Jianhua Liu for the French Daum manufacture titled "Souvenir d'Amour" (Memory of Love). Representation of a woman with its upper body missing laying on a metal plate. The glass sculpture is fused to the plate. Signed by the manufacture and artist and numbered 007/125. Comes with a plaque with the name of the manufacture, artist, sculpture and edition number. The original box is also present but has significant wear. Sculpture in very good condition, slight use to the metal plate. Dimensions in cm ( H x D ) and ( H x L x l ) : - Ensemble : 10 x 45 - Glass Paste Sculpture : 9 x 38 x 18 Secure shipping. Liu Jianhua...

A ceramic pitchet by Alexandre Foucher. Original conditions. Signed under the base, circa 1960. Unique piece.

Earthenware "Blue Toro" Sculpture , one of a kind 2025 creation signed by French ceramicist Dominique Pouchain Brown patina and shiny blue enamel on gray ceramic on both sides / Dime...

A ceramic sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Large Totem Carbon by Maxence De Bagneux Dimensions: D 30 x H 180 cm Materials: Stoneware, burnt laminated wood. Maxence de Bagneux has devoted his free time since childhood to his ...

Corrado Alberto MAZZEI (1885 -?). The Prelude. Bronze sculpture with a gilded patina representing a lion and a lioness resting on a colored wooden base. Antique lost wax mold. Signed...

Magdalena Reinharez (1925 – 2012) Mustangs Bronze sculpture with blue-green patina Signed « M. Reinharez 1/8 » Numeroted 1/8 Foundry mark : Chapon, Paris Biography Born in Central Europe, Magdalena Reinharez arrives in France at a young age. She takes her painting class with masters such as Fernand Léger and André Lothe...

A ceramic sculpture signed A.C, circa 1980. Perfect original conditions. Unique piece.

Bronze with brown patina. Signed and numbered "Jacques Tenenhaus 1996 1/8" Landowski Foundry's Mark, 1998. Provenance: Artist's Workshop.

Jacques Tenenhaus (Paris, 1947). Bronze with brown patination. Signed and numbered on the lower left «Jacques Tenenhaus 1/8». « Landowski Fondeur, 2001 » foundry. Exhibition : Ga...