France - Sculptures

Sculpture Rooster Painted wood Dimensions : h58xl56xl30cm Ref : 1009 circa 1980 price 750€

Jean-Frédéric Bourdier Estremoz Marble sculpture Signed and dated France 2007 210 cm x 30 cm x 30 cm

Sculpture of an elephant in patinated bronze, 20th century. Sculpture of an elephant in patinated bronze, marble base, 20th century animal bronze. h: 21.5cm, w: 20cm, d: 8cm

Gaston SCHWEITZER (1879-1962? France): "Potato picker" Original plaster with medium "ground colour" patina Unique piece Signed with artist monogram on base Dated "6.58" (June 1958...

Colette Sauter-Emery : "Relief n°1 " Abstract composition made of assembled nails on a patinated metallic board Monogrammed '"CS" on the front lower right of the sculpture Sticker ...

Late 19th Vienna bronze representing "Locust".

Studio Bust by Charles Filleul – Mustached Man, Early 20th Century This studio bust, in plaster or terracotta, was crafted by Charles Filleul and originates directly from his worksh...

Mask Sculpture by Eglė Šimkus Unique Piece. Dimensions: D 17 x H 29 cm. Materials: Clay. My name is Eglė Šimkus, and I was born in Lithuania in 1990 to a ...

Bust of a child in terra cotta from the 20th century. Signed Gobet.   

A lovely pair of Art Deco crackled earthenware chicks in the style of Jacques Adnet, in good condition. Numbered under the base. Excellent quality.

This studio plaster from the 20th century was created by Charles Filleul. It is most likely a preparatory work for a commissioned public statue, as visible traces of hand modeling re...

Tray, footprint, original designed by Piero de Vecchi, 1935. This piece is in silver metal, not solid silver, it is signed on the back by de Vecchi 1935. Authentic piece, modernist ...

Sculpture by French Sculptor Alain Descombes born in 1942 The " Bird", circa 1980s.

Decorative vase in clay with stylized faces, handmade and signed by French ceramicists Dalo Earthenware with satin black /grey /beige enamels. One of a kind Measures: H 43 cm x L 22 ...

This medallion bears the signature of Charles Filleul. It is a piece originating from the artist’s studio, executed with a fine hand and solid technique, typical of Charles Filleul’s...

This plaster bas-relief is a workshop piece by Charles Filleul, likely a preparatory work for a larger sculpture. It is finely executed and shows quality craftsmanship. Please note ...

Coming from madagascar, this aesthetic specimen of semi-precious gemstone called labradorite has the perfect weight and dimensions to decorate a bookshelf or a desk. It weighs 1900 g...

A rare pair of bronze seals, one depicting a child with a bird and the other a child with an empty nest. These casts were made after sculptures by Jean-Baptiste Pigalle (1714-1785). ...

André BELO (1908-1976, France) :"Motherhood" (Maternité) Modernist patinated bronze sculpture showing a stylished mother and her baby playing together on a white and yellow veine...

This terracotta sculpture originates from the workshop of Charles Filleul. It features a patinated finish and is a finely crafted modeling, mounted on a wooden base. Please note som...

Porcelain group, The Music Players, 19th century. Measures: H 37 cm, D 24 cm,

Georges SAUPIQUE (1889-1961, France): "Maternity" Bronze proof with brown patina Old edition lost wax casting Signed "G. Saupique" by engraving Bears the founder's stamp "C Va...

Terracotta Sculpture – Male Mask on Black Marble Base by Charles Filleul – 20th Century This terracotta is a refined and accomplished work by Charles Filleul, dedicated “A. Lucie.” ...

Two large covered vases with foot in white Carrara marble of Greek Amphora form, carved with climbing ivy. The shape of the handles have a geometrical for...

Bronze putto cherub height 1 m 48 Signature of Perelli on the base dimension width 77 cm and 48 cm deep. Additional information: Material: bronze.

Edition : 47/50 Publisher : Denise René, Paris Catalog : [Benavides Vol. II 1893] 36.00 cm. x 36.00 cm. 14.17 in. x 14.17 in. (image) Titled, annotated and signed on the back Sl...

C.M.Rispal : "The Rooster" Black patinated bronze sculpture figuring a standing rooster art deco shaped, mounted on a 4 slices wood base adorned with an o...

François Pompon. Foundry Valsuani, edited by. Sculpture entitled “Moorhen”. Bronze with brown patina, lost wax casting. Stamp of the Foundry “cire perdeue C. Valsuani” on the terra...

"Friendly" White terracotta sculpture by famous artist Alexandre Ney 2010 Born in 1939 in Leningrad in the former Soviet Union, Alexander Ney lives and works in New York. The a...

Valérie Courtet, by. Kangaroo in chamotte and enameled stoneware. Work of a contemporary French artist. Dimensions: H 91 x W 29 x D 52 cm Reference: LS61381809P

Vincent GONZALEZ (1928-2019) Large sculpture in polychrome carved oak , circa 1960 Monogram    

Terracotta sculpture by Paul Adolphe Lebègue, Early 20th Century. Terracotta sculpture by Adolphe Lebègue (1833-1928), signed and dated 1924 with the title "Too late for soup". H: ...

Late 19th Vienna bronze couple of jockey.

Bronze an glass abstract sculpture Numbered 1/1 Foundry BBC Circa 2010

Art brut, sculpture with grimacing characters, height 80 cm. Additional information: Material: Fruit woods

Sculpture Bloomen 11 by Zanellazine Ceramics Dimensions: W 20 x H 58 cm Materials: Red clay, Brown semi-refractorie clay, White fireclay. About: Giovanna Zighetti, ceramist and set ...

Model for a monumental steel sculpture (7.50 meters long, 2 meters high), created in 1974 for the technical college in Beaune (Côte d’Or), where it is still on display. The model, a ...

Gilded bronze and patinated bronze sculpture representing "The Chariot of Bacchus". Signed on the chariot "E. PROVOST". Good condition. Dimensions Height 14.5cm Width 13cm D...

Rare sculpture by Victor Roman Signed and numbered.

Ernestine Sirine-Real (1899-1994) "Art Deco Bust of a man", plaster, circa 1930. May be her husband the painter Charles Real (1898-1979).

Bronze sculpture with bronze patina signed on the front on the edge of the base "Salvator Dali" and on the back is inscribed the name of the manufacturer...

Sculpture by René Lalique in sculpted glass Signed

1950s Africanist terracota sculpture by Riccardo Scarpa France Signed.

19th century "The desert gazelle" animal bronze P. J. Mêne inscription of the same name on the edge of the terrace.

Superbe sculpture circulaire brutaliste en bronze coulé et métal. Superbe état signée à identifier. diamètre 37 cm

Burmese Buddha. Painted wood. 19th Century. Large lack of wood on the base, front and back.

This natural red sculpture called stromatolite, is at least 300 millions years old. These fossils are unique in their kind. The laminar structures are made by the biochemical activit...

Alabaster, 19th century, woman with a flute beside the fountain, bronze flute. Measures: H 78 cm, L Basic: 30 cm x 23 cm.

Glass sculpture "Build in glass" by Perrin & Perrin, French Glass Artists, represented by Galerie Negropontes in Paris, France Measures: H 80 x L 50 cm - H 31.4 x W 19.68 inch Pièce ...

Bronze Sculpture of the XIXth Century of Louis XV Style Beautiful bronze sculpture of the XIXth century on its base in blackened wood of ...

Crumpled lead, sculpture by Paul Ackerman, Paris, France, circa 1970. Biography Paul Ackerman, Romania-France (1908-1981) Paul Ackerman is a Romanian painter, lithographer, sculpt...

Edition : /9500 It is signed and numbered in relief. This 25-piece puzzle, both complex and precise, is a three-dimensional sculpture created by Miguel Berrocal. Made of nickel-pla...

Joli buste en ciment à patine bronze de l'artiste Français Robert ROCCA. Superbe patine et très belle exécution, l'ensemble est signé sous la base et daté 1960. Parfait état

19th century animal bronze signed Robert Bousquet (1894-1917) dated 1911 representing a humped Egyptian cow called gamus Dimension length 53 cm for 31 cm high and 13.5 cm deep. Addi...

French Art Deco sculpture of lady and gazelle, 1930 A delightful original figural group depicting a young lady and a gazelle. They are both cast i...

André Longeon (1926-2010) Abstract sculpture Plaster/socle h 130 cms Base 40x40 cms Ref PM/6 1200 euros

Lisa Rosnay (1970-, France) : "tiens toi droit" - Série des Totems urbains Technique mixte / Mix materials technique : totem bois peint en fond bleu "électrique" et écritures en blanc dans un caisson scellé en plexiglass Deux attaches murales au dos servent à accrocher l'oeuvre : wood painted "totem" painted in electric blue color and white for the writtings. 2 metalic rings on the back to set the work on a wall Epoque : Novembre 2013 Dimensions : Longueur = 91.5 cm Hauteur = 25 cm Profondeur = 5 cm Bon état général, très légères usures du plexiglass : good general conditions, minor wears of age Commentaires : Pièce unique...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...