France - Table Lamps

Pair of Cactus ceramic table lamps made by the french contemporary artist Adeline Delesalle. Cylindrical large base on which are applied offset decorative rectangles. Artist's sig...

1930s French Art Deco Lamp in Crackled Ceramic and Brass – Geometric Red Motifs, Signed Description: This exceptional French Art Deco lamp, dating from the 1930s, is crafted from wh...

Large Pierre Guariche 'G61' table lamp for Sammode Studio. Originally designed by Pierre Guariche, this iconic luminaire is a newly produced authorize...

Pair of table or bedside big flowers lamps in brass, black and gold Murano glass. Contemporary work from a small italian design artisanal workshop, minor imperfections due to artisa...

Pair of large but short table lamps made of a base and and shade all in alabaster, shaped like mushrooms. One source of light per lamp, located in the foot, giving a gradient enlight...

A ceramic table lamp with white glaze decoration by Denis Castaing. Signed under the base. Sold with an European electrical system, 2020.

Ceramic lamp base by Marie-Lucie Trinquand. Artist signature under the base. 2025. Unique piece. H : 22 x 8.7 x 7.9 inches (ceramic only).

Pair of Travertine table lamps, the perfect addition to any luxurious interior. This pair of table lamps is a true masterpiece that exudes timeless elegance and refinement. Handcraf...

Art Deco table lamp with nickel finish and glass rods.

- Handspun and handwoven white lampshade - made of 100% Siroua wool, an endangered sheep living in a volcanic massif with very long wool fibers, located less than 100...

This French Art Deco table lamp from the 1920s features a striking wrought-iron base and an elegant alabaster shade, combining classic Art Deco design with functional beauty. Its hei...

A ceramic table lamp featuring a rich brown and beige glaze adorned with floral motifs. It is elegantly topped with a contemporary lampshade and bears the signature of André l’Helgue...

Muller Frères art deco lamp circa 1925. Wrought iron base stamped Fag. Glass paste shell signed Muller Frères Luneville. Electrified and in perfect condition. Total height: 35 cm Sh...

Fuoco Lamp by Gaetano Pesce for Meritalia, 2007. Signed and Boxed

Red Stoneware Table Lamp by Lucas Huillet Dimensions: D 38 x W 35 x H 38 cm Materials: Red stoneware and hand painted glaze. Weight: 8 kg. Lucas Huillet is an artisan designer. He ...

Elegant "Pink Pineapple" table lamp in blown and smoked Murano glass. Creation by Studio Glustin. Italy, 2025. PRICE AND DIMENSIONS FOR ONE LAMP WITHOUT SHADE

Pair of table lamps in patinated brass with bamboo decor. Pair of table lamps with bamboo-inspired legs finished in patinated brass. The metal shade emits a soft glow. Perfect for t...

A ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

Pair of table or bedside lamps in gilt metal bronze style and enamel by Nicolas Dewael for Fondica. Sign Dewael. Famous artist who have worked for the manufacture like Pierre Casenov...

A stunning handcrafted ceramic table lamp by Georges Pelletier, a celebrated French ceramicist known for his distinctive fusion of sculptural form and playful light perforations. Thi...

Muller Frères, Lunéville, “Anémones” Lamp Mushroom lamp in multi-layered glass with acid-etched and wheel-carved decoration of red and mauve magnolias in ...

Mid-Century Modern Space Age Iluminated cube sculpture table bedside or floor lamp light cinetic work Cubo di Teo designed by James Riviere during the 1970's and edited by Centro Ric...

This beautiful table lamp produced by Atelier Michel Armand in the 1970s has the visual impact of a modernist sculpture. This rare model, named F...

Art deco lamp circa 1930. Nickel-plated bronze base and alabaster shell. In perfect condition and electrified. Total height: 48 cm Shell diameter: 20 cm Weight: 3.5 kg

Old bronze Art Nouveau Guimard's lamp and Pâte de Verre.

Tall French neoclassical terracotta Baluster lamp. 19th century Great looking lamp of beautiful proportion and color. Each with a generously scaled baluster standard resting on a soc...

Pair of small table lamps, made of a brass cylinder foot topped with an opened top glass globe tinted in a tobacco colour. Ideal for a bedside use thanks to their small size and dimm...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

An elegant and timeless Art Deco lamp inspired by the renowned designer Jacques Adnet. Perfect for adding a touch of sophistication to any interior, this lamp seamlessly combines lux...

This elegant pair of Italian table lamps from the 1980s features sculptural ceramic forms distinguished by their rich, deep red glaze and beautifully ribbed silhouettes. Each lamp sh...

A very beautiful carved table lamp, Modernist, Brutalist, Folk Art, Shabby-Chic, Rustic Modern, conical body in solid wood carved with a helical movement, with its original braided r...

Glaze Stoneware Table Lamp by Lucas Huillet Dimensions: D 38 x W 35 x H 38 cm Materials: Stoneware and drops effect glaze. Weight: 8 kg. Lucas Huillet is an artisan designer. He ba...

Pair of 1960s French Neoclassical style bronze "Bougeoirs" candlestick table lamps. The candlesticks were wired for use as petite table lamps. Wired for USA, candelabra sockets.

Table lamp made circa 1960 with a boat rudder. The rudder is very old and has probably been in the water for some time. This gives the lamp a unique look, where the wood tells its ow...

Art Deco lamp circa 1925. Wrought iron base with gingko biloba decoration stamped A. Moyens (Marseille ironworker). Glass paste tulip signed Schneider. In perfect condition and elect...

French Art Deco table lamp, France, 1920. Skyscraper shape. Frosted glass shade on its chrome base. 3 lamps are available. Height: 10.6"(26.8cm) , Diameter: 4.7"(12cm). Delivered wir...

A beautiful pair of agate lamps from the 1970s. Their natural stone bases, with soft and veined tones, add a touch of timeless elegance, while the dark fabric lampshades diffuse a wa...

Large French Art Deco Table Lamp by Charles Schneider, ca. 1920 — Blown Glass Wrought Iron. This exceptional French Art Deco table lamp by renowned glassmaker Charles Schneide...

In the style of Jean Besnard Elegant 1930 Art Deco ceramic table lamp White ceramic glaze color Original perfect confition Measures: Ceramic height 15 cm Large 15 cm ...

Schneider Art Deco lamp circa 1930. Wrought iron base. Pressed molded glass shell. Molded marking (France Mold No. 1044). In perfect condition and electrified. Total height: 42 cm D...

Sculptural alabaster Art Deco period urn table lamp with neoclassical design, France, 1960s. This elegant carved alabaster neoclassical 'uplighter' urn lamp will be a nice addition p...

Mid-Century Modern Pair of table or bedside lamps in blue enameled ceramic terracotta Rimini decor, brass detail by the italian design manufacture Bitossi. In the mood of 1950s Pompe...

A table lamp, Modernist, Brutalist, Popular Art, Shabby-Chic, Rustic Modern, with a wooden knotted body topped with a large cylindrical lampshade with a collage of dried flowers (acc...

Table Lamp Murano Blue Butterflies with polished brushed brass base table lamp ornamented with deep blue murano glass butterflies with silver leaf taken under the murano glass. With...

A 1970’s Luxurious Chromed Vintage Table Lamp A very decorative chromed metal “Disc” Vintage lamp and black fabric cylindrical Lampshade Resting on a square base Circa 1970 H 103 cm...

Marcel Giraud Handmade ceramic table lamp 20th century design ceramic table lamp realised in Vallauris Circa 1950 Signed original perfect condition Ceramic height 44 cm Large ...

Majorelle Art Nouveau lamp Large lamp around 1900 foot in gilded bronze and lampshade in alabaster. Very good quality of bronze and pretty floral m...

Table Lamp Kemos with base in vintage brass finish and with shade in beige finish. Shade dimensions: L40xD30xH40cm.

A "sea snail" lamp in the style of French folk art, created in the 1950s, was often crafted using large sea shells as a central element. "Sea shell" lamps were popular during this p...

Pair of table or bedside brass box lamps with Murano glass cube marquetry. Contemporary work from a small italian artisanal design workshop in a Mid-Cen...

Adjustable table lamp designed by Jacques Adnet (1900-1984) for Baccarat. This lamp is composed of 2 independent parts: a circular metal base and a cystal ball that carries the lamp ...

Art deco lamp circa 1930 in wrought iron decorated with ginkgo Biloba leaves and glassware by Daum Nancy electrify and in perfect condition. Signed on the base L Katona Signed on the...

Pair of tall plaster table lamp with brass hardware topped with modern lampshades.

Pair of tall and elegant table lamps made in ceramic by the French artist Olivia Cognet, topped with Dedar Milano fabric lamp shades. Since moving to Los Angeles in 2016, French art...

Antique table lamp or wall sconce by William Arthur Smith Benson, England, ca.1900. Glass, bronze and brass. Very fine shade in vaseline glass. Bronze and brass fixture. Can be used...

Pair of table lamps in patinated brass and alabaster. A pair of designer table lamps finished in antique brass that emit a warm, welcoming glow. Natural alabaster ensures that each ...

A very large table or floor lamp, Art-Deco, Neo-Classical, Modernist, Bauhaus, Free Form, in thick blue enameled ceramic with very beautiful material effects, to be attributed, Franc...

Albert Thiry Realised in Vallauris Circa 1950 Signed under the base 20th mid centuryd esign white and green ceramic table lamp by Albert Thiry Original perfect condition elect...

Massive French Ceramic Lamp by Roland Zobel, 1960, era Capron, Jouve, Ruelland Lovely ceramic lamp by the french ceramist Roland Zobel. The deep green enamel is very beautiful, shin...

Bodil Marie Nielsen table lamp brutalist ceramic Denmark 1960 Signed A striking and unique false pair of ceramic lamps created by the artist Bodil Marie Nielsen. Executed in a Brut...