Georgia Vases

A Very high quality cut crystal and ormolu gilt bronze, France, by Baccarat, 19th century. Scroll handles featuring classic heads at the bottom. Dimensions: Height: 12 1/4" Diameter...

A beautiful vase by Paolo Venini for Venini from the mid 1950's. The surface of the vase is "inciso" which in English means engraved or incised, this process is done by hand on a grinding wheel...

DESCRIPTION A lidded solid brass pitcher design by Tommi Parzinger for Dorlyn Silversmiths. The pitcher is embossed on the bottom “Made by Dorlyn - Silversmiths” with the Tommi Parzinger insignia. The pitcher stands approximately 10 7/8 inches tall and the base is 3 1/8 inches in diameter. BIOGRAPHY OF DESIGNER Tommi Anton Parzinger (1903–1981) was a German interior designer; a lighting, accessories and furniture designer and an artist. Born in Munich in 1903, Parzinger was raised in an artistic family, he studied at the Kunstgewebeschule, focusing his art studies on ceramic, glass, metal and wood crafts , as well as painting. Parzinger immigrated to New York City in 1932, his first job in America was as a designer for Rena Rosenthal, designing metalware and crystel to be sold at her trend setting Madison Avenue shop. During his tenure at Rena Rosenthal Parzinger began creating furniture and accessories to accompany his celebrated work in brass and crystal. His interest in these ancillary pieces grew steadily throughout the 1930’s and in 1938 he took a position designing furniture for Charak in Boston. In 1939 he opened Parzinger Originals, designing custom furnishings for clients and commissioned custom interiors. Parzinger's designs were labeled "high-style modernism", which represented a more idiosyncratic, rarefied midcentury design style. His cosmopolitan designs involved costly, craft-intensive materials and processes using brass accents and lacquer. As his business grew, Parzinger continued his work in graphic design, fashioning packaging, fabrics and wallpapers . He also continued to design furniture, lighting, and accessories for other companies, including Reed and Barton, Lightolier, Salterini Hofstatter, and Dorlyn. In the 1940’s Donald Cameron became his partner and expanded the company with locations at 32 East 57th Street, 601 Fifth Avenue, and 441 Madison Avenue. His designs were used by famous clients such as Billy Baldwin, Marilyn Monroe, members of the DuPont family...

DESCRIPTION Six Orrefors clear glass, hand blown, Flora vases designed by Olle Alberius in the 1970’s. The vases have a unique flower frog molded into the base. Born in 1926 in Sweden, glass designer and ceramicist Olle Alberius trained in ceramics at the Stockholm College of Art, Crafts and Design from 1952–56. Over the course of his career, he worked in ceramic design at Syco and Rörstrand (1963–71), and, beginning in 1971, designed pieces for renowned Swedish glassware...

"Anna Silverton is an established ceramic artist, well known for her finely wheel-thrown porcelain. She has exhibited widely at galleries and art fairs in the UK and has had public/a...

"Anna Silverton is an established ceramic artist, well known for her finely wheel-thrown porcelain. She has exhibited widely at galleries and art fairs in the UK and has had public/a...

Patrick Rapp free-hand turns objects, and is a teacher. He lives and works in Switzerland and began is studio career in 2006. 'With my objects I try to respond to the wood through ...

"Decorative ceramics bowl made with the Naked Raku and Raku technique the bowl is wheel throwing. Three layers of terra sigillata are applied to the bowl for a shiny look. Each bowl ...

Rachel Foxwell is a contemporary artist and sculptor known for her deeply tactile and emotionally resonant work. Her practice centers around organic materials—clay, textiles, wood—wh...

Rachel Foxwell is a contemporary artist and sculptor known for her deeply tactile and emotionally resonant work. Her practice centers around organic materials—clay, textiles, wood—wh...

Rachel Foxwell is a contemporary artist and sculptor known for her deeply tactile and emotionally resonant work. Her practice centers around organic materials—clay, textiles, wood—wh...

A large Sèvres style porcelain urn raised on a bronze plinth. France, circa 1880. Measures: Height 25" x width 11". CW5129.

A very impressive French Porcelain vase ornated with applied polychromed flower clusters, with ormolu base and rim. 19th Century Measures: Height 26" x width 12" x depth 12". CW5127

Miniature 17th century blue and white mallet-shaped vase. This miniature vase was part of a hoard recovered by Captain Michael Hatcher from the wreck of a ship that sunk in the Sou...

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...