Georgia - Photography

Artist: Philippe Halsman (1906-1979) Title: The True Marilyn Medium: Gelatin silver prints Date: 1952 printed in 1981 Edition: 186/250 Size: image 12.5" x 8.75"; with frame 20.2...

An early vintage photography by British-American photographer Michael Kenna (1953-). "Scarecrow, Twyford, Oxfordshire, England". The gelatin silver print was printed in 1980. The ima...

Digital composite, hypercollage photography print on Hahnemuhle Photo Rag Baryta 40 × 40 in 101.6 × 101.6 cm Editions 3, 4, 5 of 5 + 3AP Part of a limited edition set Ysabel LeMay p...

An iconic fashion photograph by Albert Watson (Scottish, 1942-). Entitled "Leslie Winer in Yohji Yamamoto, London, 1989", this is an editioned chromogenic...

Artist: Susan Fenton (1949-2018; American) Title: Figure with Folded Paper Hat. Japan series Year of Creation: 1993 Edition: 1/10 Medium: Toned Gelatin Silver Print; hand painted with Oils Image size: 16"x16" Framed size: 20"x21". Signed and titled verso as shown. Originally purchased in Olga Dollar Gallery in San Francisco Susan Fenton is an American photographer and a faculty member of St. Joseph’s University faculty. Fenton's work has been widely exhibited in galleries and museums. The captivating Japan series was made in 1990s after her return from living in Japan. The mysterious series showing figures in geometrical hats was enhanced by oil pigments to create a classical painterly quality that could not be achieved with camera only otherwise. “Fenton’s figures – silent, composed, aloof – represent aesthetic idealism,” Inquirer art critic Edward J. Sozanski wrote, “By avoiding eye contact...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "Two friends are playing cards. One is cheating" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 14/25 in ink on the bottom of the sheet. 3 1/2 x 5" for the image size. Displayed in an original silver leaf frame. Michals created ten photographs in honor of Greek gay...

Yoshida Kimiko (Japanese, b. 1963) The Berber Bride, Morocco, early 20th century; self-portrait C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso Edition 2/10 Size: 47.25 x 47.25 in. Kimiko Yoshida...

An original photograph of the Booker T. Washington High School commencement excercizes from 1937. 20 ½ by 13 ¾ inches Good condition. In original period f...

Entitled "Rock Bottom", this triptych photographs were by American photographer David Hilliard (born 1964) in 2008. These chromogenic prints were f...

Artist: Liu Xiaofang (Chinese, b. 1980) Title: I Remember II-02, 2012 Medium: Digital pigment print mounted on Acrylic Measurement: 39.25" x 39.25" Edition: 2/8 PROVENANCE: Purchased...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

A framed vintage gelatin silver photograph print by American surrealist photographer Arthur Tress (1940-). Entitled "Making Leaves, Cold Spring, New York", the work was created in 19...

Yoshida Kimiko (Japanese, b. 1963) The Golden Bride from Fez, 2005 C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso...

Artist: Philippe Halsman (1906-1979) Title: Marilyn Flirting Medium: gelatin silver prints Date: 1952 printed in 1981 Edition: 178/250 Size: image 12.5" x 8.75"; with frame 20.25" x...

A framed C-Print by American photographer Sandy Skoglund (b. 1946) Maybe Babies. Chromogenic print, signed and inscribed Maybe Babies, Sandy Skoglun...

Gigantography depicting Venice. Measures: 89" high x 152" wide (picture only). Sepia Color.

A vintage chromogenic (C-type) photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts a wooden easel against a background of a pink wall. P...

Artist: Susan Fenton (1949-2018; American) Title: Figure with Pediment. Japan series Year of Creation: 1993 Edition: 1/10 Medium: Toned Gelatin Silver Print; hand painted with Oils Image size: 16"x16" Framed size: 20"x21". Signed and titled verso as shown. Originally purchased in Olga Dollar Gallery in San Francisco Susan Fenton is an American photographer and a faculty member of St. Joseph’s University faculty. Fenton's work has been widely exhibited in galleries and museums. The captivating Japan series was made in 1990s after her return from living in Japan. The mysterious series showing figures in geometrical hats was enhanced by oil pigments to create a classical painterly quality that could not be achieved with camera only otherwise. “Fenton’s figures – silent, composed, aloof – represent aesthetic idealism,” Inquirer art critic Edward J. Sozanski wrote, “By avoiding eye contact...

A framed black and white gelatin silver photograph by American surrealist photographer Arthur Tress (1940-). Entitled "Making Leaves", the work was created in 1978. The two intertwin...