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Item Ships From: Germany
Richard Anuszkiewicz, 6 Seritypien - Portfolio of 6 Prints, Op Art from 1965
By Richard Anuszkiewicz
Located in Hamburg, DE
Richard Anuszkiewicz (American, 1930-2020)
6 Seritypien, 1965
Medium: Screenprint on Schoellers Hammer card
Dimensions: 24 2/5 × 24 2/5 in (62 × 62 cm)
Edition of 125: Each print is ...
Category
20th Century Abstract Geometric Germany - Prints and Multiples
Materials
Screen
Georg Baselitz, Der Berg - Signed Print from 1993, Neo-Expressionism
By Georg Baselitz
Located in Hamburg, DE
Georg Baselitz (German, b. 1938)
Der Berg, 1991/93
Medium: Color offset print
Dimensions: 100x 63.5 cm
Edition size: Undisclosed (presumably 100-200)
Markings: Hand-signed and dated ...
Category
20th Century Abstract Germany - Prints and Multiples
Materials
Offset
Brice Marden, Etching for Parkett - Signed Print, Minimalism, Abstract Art
By Brice Marden
Located in Hamburg, DE
Brice Marden (American, b. 1938)
Etching for Parkett, 1986
Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7
Dimensions: 25.5 x 21 cm
Edition of 100: Hand-...
Category
20th Century Minimalist Germany - Prints and Multiples
Materials
Aquatint
Turkish Bath - lithograph from Pablo Picasso, nude bather from Suite Vollard
By Pablo Picasso
Located in Hamburg, DE
"Turkish Bath" from Pablo Picasso's Suite Vollard, signed in the plate, comes in a high-end pass-partout with gold lining and nicely framed in a handmade wood frame. Picasso created ...
Category
1990s Modern Germany - Prints and Multiples
Materials
Lithograph
Four Young Women and the Boy Cupid / - Mysterious Virtuosity -
By Francesco Bartolozzi
Located in Berlin, DE
Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Mythological Scene with Four Young Women and the Boy Cupid, 1764. Crayon engraving on laid paper after a drawing by Guercino, 22 c...
Category
1760s Realist Germany - Prints and Multiples
Materials
Paper
Thomas Struth, Juquehy (from Paradies) - Contemporary Photography, Signed Print
By Thomas Struth
Located in Hamburg, DE
Thomas Struth (German, b. 1954)
Juquehy (from Paradies), 2004
Medium: Pigmented inkjet print
Dimensions: 32.7 x 48.2 cm (12 9/10 x 19 in)
Edition size: undisclosed
Condition: Excellent
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Inkjet
Umbrellas -original Christo modern art lithograph
signed limited-edition book
By Christo
Located in Hamburg, DE
"Umbrellas" is a 1991 originally signed, limited-edition lithograph by world-famous artist Christo and Jeanne-Claude, depicting the monumental The Umbrellas Japan - USA, 1984-91 pro...
Category
Late 20th Century Land Germany - Prints and Multiples
Materials
Offset
$2,405 Sale Price
23% Off
Bailey. 80s. 101–200, Jerry Hall
J. Henri Lartigue 1983. Signed book
Print
By David Bailey
Located in Los Angeles, CA
Art Edition (No. 101–200) with the signed print Jerry Hall and Jacques Henri Lartigue, Nice, France, 1983 and the book Eighties in a clamshell box, also signed by David Bailey.
Inkje...
Category
21st Century and Contemporary Germany - Prints and Multiples
Materials
Inkjet
Trittico Forum (2011) - large format triptych photograph of iconic Roman site
By Massimo Vitali
Located in San Francisco, CA
Original large format photography capturing the iconic monumental architecture of the ancient Forum Romanum in Rome by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure
Trittico Forum (2011)
three individually framed original archival photography prints, each with diasec (acrylic glass) face mount in contemporary light grey lacquered gallery frames
76.7 in x 61.25 in (194.8cm x 156cm) / each
4,6m / 183.75" / 15' 4" installation width
limited edition of 6 + 2AP
signed, titled and dated verso
'Roman Forum' was installed at the US Embassy in Rome, Italy, as part of 2014 'Art in Embassies' exhibition curated by Virginia Shore and Claire D...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Plexiglass, Photographic Film, Photographic Paper, Wood, Archival Paper
Damien Hirst, Spin Spin Sugar
By Damien Hirst
Located in Hamburg, DE
Damien Hirst (British, b. 1965)
Spin Spin Sugar, 2002
From the portfolio: In a Spin, the Action of the World on Things, Volume II
Medium: Etching in colour on wove paper
Dimensio...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Etching
Color lithograph for Derrière le Miroir no. 203 I / - Real Imagination -
By Joan Miró
Located in Berlin, DE
Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir no. 203 I, 1973. Printed by Arte Adrien Maeght and published by Maeght Editeur, Paris, 38 cm x 56 cm....
Category
1970s Abstract Germany - Prints and Multiples
Materials
Paper
Adoration of the Magi / - The Rider of the Sun -
Located in Berlin, DE
Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”.
- Paper somewhat darkened and with slight creases, thumbtack holes in the corners
- The Rider of the Sun -
The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred.
The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme.
About the artist
In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...
Category
1910s Expressionist Germany - Prints and Multiples
Materials
Paper
Tracey Emin – This is Forever: Limited Edition Print
By Tracey Emin
Located in Hamburg, DE
Tracey Emin (British, born 1963)
This is Forever, 2024
Medium: Lithograph on wove paper
Dimensions: 80 x 68 cm (32 x 27 in)
Edition of 100: Hand-signed, numbered and dated
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Lithograph
Pablo Picasso "Le Faune 1958" Hand Signed Etching And Aquatint on Japan
By (after) Pablo Picasso
Located in Eltville am Rhein, DE
Pablo Picasso
Malaga 1881 - Mougins 1973
Le Faune, 1958
Etching and aquatint on Japon nacré paper
Hand-signed in pencil lower right
Inscribed "H.C." (Hors de Commerce) lower left
One...
Category
1950s Modern Germany - Prints and Multiples
Materials
Etching
Luxury Redefined, Richi Rich, Painting, Pop Art, Street Art
By Jay-C
Located in München, BY
Edition 5
Richi Rich keeps toilet paper in his vault.
JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us.
Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...
Category
2010s Pop Art Germany - Prints and Multiples
Materials
Mixed Media, Pigment, Archival Pigment
Joan of Austria / - The luminosity of the print -
By Gerard Edelinck
Located in Berlin, DE
Gérard Edelinck (1640 Antwerp - 1707 Paris), Joan of Austria, 1707. Copperplate engraving, 51.2 cm x 29.8 cm, inscribed below the image: "Jeanne d'Autriche Grande Duchesse de Toscane...
Category
Early 1700s Realist Germany - Prints and Multiples
Materials
Paper
Richard Prince, Untitled (Black Bra) - Signed Print, Pop Art
By Richard Prince
Located in Hamburg, DE
Richard Prince (American, b. 1949)
Untitled (Black Bra), 2024
Medium: Digital pigment print on Hahnemühle Photo Rag paper
Dimensions: 38 × 38.2 cm (15 × 15 in)
Edition of 100: Hand-s...
Category
21st Century and Contemporary Pop Art Germany - Prints and Multiples
Materials
Digital Pigment
At the pond / - The longing of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....
Category
1890s Realist Germany - Prints and Multiples
Materials
Paper
Happy Easter, Street Art, Pop Art, Bugs Bunny
By Jay-C
Located in München, BY
Edition 5
Bugs Bunny is doing a selfportrait painting
JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a dis...
Category
2010s Street Art Germany - Prints and Multiples
Materials
Mixed Media, Pigment, Archival Pigment
John Baldessari, Give me a B, give me an A… - Signed Print, 10-Part Leporello
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Give me a B, give me an A …, 2009
Medium: 10-part leporello, digital pigment print, on photo rag paper
Dimensions: 32 × 250 cm (12½ x 98½ in)
Ed...
Category
21st Century and Contemporary Pop Art Germany - Prints and Multiples
Materials
Digital Pigment
Fred Sandback, Untitled (1979.03): Signed Lithograph, Abstract Print, Minimalism
By Fred Sandback
Located in Hamburg, DE
Fred Sandback, (1943-2003)
Untitled, 1979
Medium: Lithograph on Japanese paper
Dimensions: 35.9 x 35.9 cm
Edition of 35: Hand-signed, numbered and dated in pencil
Publisher: Edition ...
Category
20th Century Abstract Germany - Prints and Multiples
Materials
Lithograph
FESEX - embossed paper work, minimalist curvilinear white artwork Jacinto Moros
By Jacinto Moros
Located in Hamburg, DE
"FESEX" is an embossed paper work by Spanish artist Jaquinto Moros. It is a contemporary curvilinear paper work with a sandy white appearance and relief effect. Edition 35, originally signed, 2017. Certificate. Comes framed in minimalist white wooden frame and museum glas.
Spanish artist Jaquinto Moros (born 1959) in Cetina, Zaragoza. He began to develop his career in New York where he lived for five years, before he moved to Madrid. He is known for his "post minimalism...
Category
2010s Abstract Geometric Germany - Prints and Multiples
Materials
Paper
Evening - The depth of the visible -
Located in Berlin, DE
Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass.
- Somewhat browned and slightly foxed.
About the artwork
The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination.
However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle.
The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs.
The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself.
The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself.
If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf.
It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it.
This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre.
About the artist
Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13.
"Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.”
- Max Clarenbach
At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...
Category
Early 1900s Realist Germany - Prints and Multiples
Materials
Etching
Jonas Wood, Bonsai - Signed Print, Contemporary Art, Still Life
By Jonas Wood
Located in Hamburg, DE
Jonas Wood (American, b. 1977)
Bonsai, 2021
Medium: 13-color screen print on rising museum board
Dimensions: 71.1 × 58.4 cm (28 × 23 in)
Edition of 200: Hand-signed and numbered
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Screen
Muhammad Ali vs. Folley, 1967 Photographic print, Dye Sublimation on Aluminum
By Neil Leifer
Located in Los Angeles, CA
Take your place ringside with the indubitable champion of boxing photography, Neil Leifer, as he pays tribute to the legendary Muhammad Ali in an ex...
Category
1960s Germany - Prints and Multiples
Materials
Color, Dye Transfer
Marino Marini, Geh durch den Spiegel: Catalogue including 3 Original Lithographs
By Marino Marini
Located in Hamburg, DE
Marino Marini (Italian, 1901-1980)
Geh durch den Spiegel 1, 1954
Catalogue including 3 lithographs on paper (loose, mounted)
38 x 26 cm
Markings: Each sheet signed in plate
Category
Mid-20th Century Modern Germany - Prints and Multiples
Materials
Lithograph
Set of 4 abstract prints, Abstrakte Bilder
By Gerhard Richter
Located in Hamburg, DE
Gerhard Richter
Abstrakte Bilder, 2024
Medium: Set of 4 hybrid prints on handmade paper
Dimensions: 39 2/5 × 27 3/5 in 100 × 70 cm
Edition of 500: Not signed, hand-numbered
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Offset
Jenny Holzer, Water Board 0000090: 2012, Signed Print, Contemporary Art
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
Water Board 0000090, 2012
Medium: Template reservage technique, on 350 g/qm wove paper
Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in)
Edition: From th...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Paper
Max Bill, Original Exhibition Poster from 1970, Abstract Screenprint, Op Art
By Max Bill
Located in Hamburg, DE
Orignal poster for Max Bill's exhibition "Grafiken aus 30 Jahren" at Galerie Design 1 in Hamburg in 1970.
Category
20th Century Abstract Germany - Prints and Multiples
Materials
Screen
"Humoresque", Lobby Card, USA 1946
Located in Cologne, DE
Original black-and-white lobby card for the film "Humoresque" (1946) featuring John Garfield and Oscar Levant. This vintage cinema memorabilia piece captures a serious moment between...
Category
1940s Modern Germany - Prints and Multiples
Materials
Color
Peter Doig, Maracas - Etching and Aquatint, Signed Print, British Art
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh)
Maracas, 2004
Medium: Etching and aquatint on wove paper
Dimensions: 53.2 x 38.1 cm (20 9/10 × 15 in)
Edition of 120 + 10 AP: Hand-signed and numb...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Etching, Aquatint
Thomas Struth, Wall Detail, James Simon Galerie, Signed Photograph, Architecture
By Thomas Struth
Located in Hamburg, DE
Thomas Struth (German, born 1954)
Wall Detail, James Simon Galerie, Berlin, 2019
Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued)
Print dimensio...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Cardboard, Inkjet
Indistinct Clear - Fluctuating ambivalence -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...
Category
1980s Abstract Germany - Prints and Multiples
Materials
Etching
"Desert Attack, aka Ice Cold in Alex", Lobby Card, USA 1958
Located in Cologne, DE
Original lobby card for the film "Desert Attack" (1958) featuring John Mills, Sylvia Syms, Anthony Quayle, and Harry Andrews. This vintage cinema memorabilia piece captures a dramati...
Category
1950s Modern Germany - Prints and Multiples
Materials
Color
"Desert Attack, aka Ice Cold in Alex", Lobby Card, USA 1958
Located in Cologne, DE
Original lobby card for the film "Desert Attack" (1958) featuring John Mills and Sylvia Syms. This vintage cinema memorabilia piece captures a tense scene between the characters port...
Category
1950s Modern Germany - Prints and Multiples
Materials
Color
"Desert Attack, aka Ice Cold in Alex", Lobby Card, USA 1958
Located in Cologne, DE
Original lobby card for the film "Desert Attack" (1958) featuring John Mills, Sylvia Syms, Anthony Quayle, and Harry Andrews. This vintage cinema memorabilia piece captures a tense s...
Category
1950s Modern Germany - Prints and Multiples
Materials
Color
John Baldessari - Man With Snake, Pop Art, Conceptual Art, Signed Print
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Man with Snake (Blue and Yellow), 1990
Medium: Lithograph in colors, on wove paper
Dimensions: 45.7 x 35.5 cm (18 x 14 in)
Edition of 170: Hand-...
Category
20th Century Contemporary Germany - Prints and Multiples
Materials
Lithograph
Andy Warhol, Für die Grünen - Screenprint from 1980, Pop Art
By Andy Warhol
Located in Hamburg, DE
Andy Warhol (1928-1987)
Andy Warhol für die Grünen, 1980
Medium: Screenprint on paper (election poster)
Dimensions: 101 x 77 cm
Edition size unknown: Not signed, not numbered
Publish...
Category
20th Century Pop Art Germany - Prints and Multiples
Materials
Screen
from "Ode à ma Mère" (Sheet 5) - Contemporary, Etching, Black, White, Spider
By Louise Bourgeois
Located in Köln, DE
Etching by Louise Bourgeois from 1995 from the portfolio "Ode à ma Mère": book with a text by Louise Bourgeois (English
French) and 9 etchings.
The present copy (sheet 5 from ...
Category
1990s Contemporary Germany - Prints and Multiples
Materials
Black and White, Etching
"Angel Heart", Lobby Card, USA 1987
Located in Cologne, DE
Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro.
The lobby cards would have been displayed inside the cinemas at the time of the film's release.
Angel Heart is a...
Category
1980s Modern Germany - Prints and Multiples
Materials
Color
Lisa Yuskavage, Night Flowers - Signed Print
By Lisa Yuskavage
Located in Hamburg, DE
Lisa Yuskavage (American, b. 1962)
Night Flowers (from Exit 99: Exit Art Portfolio), 1999
Medium: Etching and aquatint on grey wove paper
Dimensions: 56 × 68 cm (22 × 26⅞ in)
Edition...
Category
20th Century Contemporary Germany - Prints and Multiples
Materials
Etching, Aquatint
Günther Förg, Untitled (Portfolio Pi) - Signed Woodcut Print, Abstract Art
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013)
Untitled (from Portfolio Pi), 1995
Medium: Woodcut on wove paper
Dimensions: 80 x 60 cm
Edition of 98: Hand-signed and numbered
Condition: Excellent ...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Woodcut
Jean Arp, Sieben Arpaden - Portfolio of 7 Lithographs, Original Prints
By Jean Arp
Located in Hamburg, DE
Jean Arp (1886-1966)
Arpaden, 1923/1958
Medium: Set of 7 lithographs on paper
Dimensions: 38 x 26.5 cm
Edition of 180: Not signed, not numbered (as issued)
Printed from the original...
Category
20th Century Surrealist Germany - Prints and Multiples
Materials
Lithograph
Georg Baselitz, Puck
By Georg Baselitz
Located in Hamburg, DE
Georg Baselitz (German, born 1938)
Puck, 1993
Medium: Woodcut on wove paper
Dimensions: 103 x 72 cm
Edition of 300: Hand-signed and numbered
Catalogue raisonné: WVZ 1008
Condit...
Category
Late 20th Century Neo-Expressionist Germany - Prints and Multiples
Materials
Woodcut
Mel Ramos, Coca-Lola - Signed Print, Nude, Pop Art
By Mel Ramos
Located in Hamburg, DE
Mel Ramos (born 1935)
Coca-Lola No. 4, 2004
Medium: Lithograph in colors
Image dimensions: 67.5 x 44.5 cm
Sheet dimensions: 88 x 60 cm
Edition of 100: Hand signed and numbered
“Mr. ...
Category
21st Century and Contemporary Pop Art Germany - Prints and Multiples
Materials
Lithograph
David Shrigley, I’ve Heard About Freedom + Do Not Eat Him - Set of 2 Prints
By David Shrigley
Located in Hamburg, DE
David Shrigley (British, 1968)
I’ve Heard About Freedom + Do Not Eat Him, 2022
Medium: Set of two digital prints on paper
Dimensions: 70 x 50 cm (27 3/5 × 19 7/10 in)
Edition of 250:...
Category
21st Century and Contemporary Pop Art Germany - Prints and Multiples
Materials
Digital
"James Bond 007 - From Russia with love" Original Lobby Card, UK 1963
Located in Cologne, DE
Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery and Daniela Bianchi
Keywords: James Bond, 007, action, Thrill...
Category
1960s Modern Germany - Prints and Multiples
Materials
Color
‘The Mouth That Roared, 1970’, Photographic Print, Dye Sublimation on Aluminum
By Neil Leifer
Located in Los Angeles, CA
Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs.
The Mouth That Roared, Miami Beach, October 9, 1970: “It was imposs...
Category
1970s Germany - Prints and Multiples
Materials
Dye Transfer
Yoshitomo Nara and Hiroshi Sugito, Untitled (Omaha) - Signed Print, Contemporary
By Yoshitomo Nara
Located in Hamburg, DE
Yoshitomo Nara (b. 1959, Japanese) and Hiroshi Sugito (b. 1970, Japanese)
Untitled (Omaha), 2005
Medium: Lithograph on paper
Dimensions: 53.5 x 62.5 cm
Edition of 100 + 10 AP: Hand-s...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Lithograph
"Couleur Additive Perseus" by Carlos Cruz-Diez, 21st Century, Optical Art
By Carlos Cruz-Diez
Located in Köln, DE
"Couleur Additive Perseus" has a stunning appearance and an optical effect, which catches the beholder's attention from the very first time. Carlos Cruz-Diez from Venezuela was one o...
Category
2010s Op Art Germany - Prints and Multiples
Materials
Screen
Rupprecht Geiger, Zurückgehen, Weitergehen, Fortgehen - Portfolio of 20 Prints
By Rupprecht Geiger
Located in Hamburg, DE
Rupprecht Geiger (German, 1908-2009)
Zurückgehen, Weitergehen, Fortgehen, 1966
Medium: Portfolio of 20 screen prints on paper
Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...
Category
20th Century Abstract Germany - Prints and Multiples
Materials
Screen
Jenny Holzer, AKA: Portfolio of 5 Etchings, Contemporary Art, Signed Print
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
AKA, 2006
Medium: Set of five etchings, on Magnani Pescia paper (with title page, sheets loose, in original black silk-covered portfolio case)
Dimens...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Etching
James Bond Dr. No. ‘Publicity Portrait’ 1962. Limited Ed ChromaLuxe Print
Book
By TASCHEN
Located in Los Angeles, CA
When the cinematic Bond was born.
The most complete account of the making of the first James Bond film, Dr. No (1962).
“Bond, James Bond.” Since Sean Connery uttered those immortal...
Category
21st Century and Contemporary Germany - Prints and Multiples
Materials
Metal
Ellsworth Kelly – Die Welt, Signed Fine Art Print, Minimalism
By Ellsworth Kelly
Located in Hamburg, DE
Ellsworth Kelly (American, 1923-2015)
Die Welt, 2011
Medium: Offset lithograph on vellum
Dimensions: 57.2 x 40 cm (22½ x 15¾ in)
Edition of 100: Hand-signed and numbered
Publisher: D...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Offset
Ai Weiwei, Cats (Black) - Signed Print, Contemporary Art, Chinese Activist
By Ai Weiwei
Located in Hamburg, DE
Ai Weiwei (Chinese, b. 1957)
Cats (Black), 2022
Medium: Screenprint on paper
Sheet dimensions: 28 x 32.8 cm
Frame dimensions: 36.1 x 41.2 cm
Edition of 150: Hand-signed, numbered and...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Screen
Imi Knoebel, Gelbe Fahne - 1999, Abstract Art, Minimalism, Signed Print
By Imi Knoebel
Located in Hamburg, DE
Imi Knoebel (German, born 1940)
Gelbe Fahne, 1999
Medium: Screenprint on rag paper
Dimensions: 100 x 73 cm (39.25 x 28.75 in)
Edition of 99: Hand-signed and numbered
Condition: Mint
Category
Late 20th Century Abstract Germany - Prints and Multiples
Materials
Screen
Jadé Fadojutimi, A Season’s Echo - Signed Print, British Art, Abstract Art
Located in Hamburg, DE
Jadé Fadojutimi (British, b. 1993)
A Season’s Echo, 2022
Medium: Lithograph on paper
Dimensions: 65.7 × 48.1 cm (25 9/10 × 18 9/10 in)
Edition of 50 + 7AP: Hand-signed and numbered
C...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Lithograph
Sol LeWitt, Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle)
By Sol LeWitt
Located in Hamburg, DE
Sol LeWitt (American, 1928-2007)
Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle), 1970
Medium: Lithograph on wove paper
Dimensions: 44.5 × 32.1 cm (17.5 × 12.6 in)...
Category
20th Century Abstract Germany - Prints and Multiples
Materials
Lithograph
Christopher Wool, Untitled - Abstract Art, Contemporary, Signed Print
By Christopher Wool
Located in Hamburg, DE
Christopher Wool (born 1955 in Chicago)
Untitled, 2018
Medium: Archival pigment print on cotton vellum paper
Dimensions: 40 x 32 cm
Edition of 100: Hand-signed, numbered and dated
Pu...
Category
21st Century and Contemporary Abstract Germany - Prints and Multiples
Materials
Pigment
André Butzer, Untitled (Erstmal
ne Cola!) - Signed Print, Abstract Etching
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Ich will erstmal 'ne Cola!), 2011
Medium: Etching on wove paper
Dimensions: 34.7 x 25 cm
Edition of 30: Hand-signed and numbered in pencil
Co...
Category
21st Century and Contemporary Contemporary Germany - Prints and Multiples
Materials
Etching
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