Hudson

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

This is the unframed price listed. Inquire about our framing. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...

Mineral pigments on mulberry paper with silk brocade border and black lacquer trim.

These vintage stands are almost certainly American made and are from the early 1950s-late 1960s. This form most unusual for the shape and style of the pieces are large and impressive...

Listing is for UNFRAMED print. Inquire within for framing. Edition 2 of 10 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Surfers, Surfing, Men, Women...

Hans Burkhardt regularly created pastels from life models, and this is a lovely example of that. He regularly maintained an interest in figural work throughout his long and diverse c...

This historically important, American leather clad document box, was made in Boston in the early nineteenth century. The box belonged to, Samuel Francis Smith (October 21, 1808 – Nov...

Black and White, Women, Water, Lance Clayton, outdoors, nature, hand, idaho, hot springs, b&w, woman, water Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work. Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited. Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...

Pair of small Mid-Century Asian style black lacquered occasional tables. Restored condition.

Seal on bottom reads: Koun.

Black and White, Abstract, New York, motion blur, crowd, manhattan, subway, new yorker, new yorkers, blur, high contrast, black & white, b&w, motion, vignette Listing is for UNFRAME...

Elegant faux suede Directoire style bergere with fluted and tapered legs and curved columnar arm details. Natural colored wood showing great a...

Zebra armchairs. Ex-collection: Geoffrey Beene.

Ink (Sumi) on paper. Signature and Seal read: Kishi Ganku It is backed with paper covered in gold and silver flake. Kishi Ganku (1749 or 1756-1839) was the...

Stylish, Mid-Century Danish cabinet with pair of double door compartments with interior shelves and four lower drawers with original hardware. Fully res...

This pair of objects were made around 1900 to 1910 in Italy. They are crafted from hand-molded terra cotta that has been marbleized with colored slip and fired in low heat creating a...

Black and White, American, Landscape, Sky, nevada, america, boulder, still life, landscape, photography, b&w, black & white, quiet, rural, photography, high contrast, vignette, rural...

A highly unusual and interesting Chippendale mirror. Frame is created from a single plank of mahogany. The glass is original and in exceptional condition. This is a definite one of a...

Signed on lower left, attributed to Nicolai Kuznetsove (1850-1929). From the estate of David Kleinberg. Painting: 32 x 39", with frame: 38 x 46".

Art Deco dining table with leaf. Extends to 62" long.

Peonies, irises, lillies, paperwhites, cockscombs, thistle and other various seasonal flowers in mineral pigmnets on mulberry paper. Oxblood lacquer trim with beautiful bronze mount...

Taisho (1912-1926) period painting. Mineral pigments on silk. Artist’s signature and seal reads: Tomokazu. One of a pair with 1315, sold separately.  

Hasegawa School painting in ink and gold dust accents on mulberry paper.

Mahogany table with ebony accents and inlaid brass. Top is hinged with wooden supports to elevate writing surface into standing position. Interior storage includes one drawer on the ...

Cream painted parcel gilt mirror with urn and column detail.

Mahogany Art Deco cabinet with fluted doors, peach color beveled mirror doors and marble foot, circa 1930's. Located in one of our Hudson, NY...

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Heavy in weight. Titled: THE STATE DEPARTMENT Solid slabs and sheres create this cubist style sculpture t...

While the art of letter writing might seem lost, this selection of newly framed vintage French letters is sure to serve as a permanent—and decorative—reminder.  Each letter is floate...

Japanese Two Panel Screen: Chickens in a Millet Grove, Meiji period (1868 - 1912) painting of a Japanese breed of chicken, Shamo chickens, in a millet grove. Beautifully painted and...

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Shanghai, China, with a yellow backbo...

This chair was created by Judith Leiber, most likely for a charity benefit, in 1995 . It is accented with signature pieces such as python skin and leopard printed suede used by Judit...

Beautiful all-over patina and hand carvings on the apron.

This fine chair made during the reign of Louis Philippe circa 1870 was created from mahogany, bronze and steel. Designed to be a marvel of engineering this chair was a costly and sty...

Pair of Italian Wall Brackets. Black lacquered triangular top over brass tripod base.

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Beautifully painted by Kido So (1899 - 1984). Born in Kyoto So studied painting at the Kyoto Municipal School of Painting under Yamamoto Shunkyo (1871...

These beautiful pots are used for cooking and serving food. Temples and families commission them for special occasions. The handles have beautiful ornamentation. Rods are inserted th...

This selection of baluster-stemmed Victorian brass candlesticks are all about 10" high. They represent the vast variety of design British brass casters brought to the much needed can...

Unusual pair of étagères, made circa 1845-1850 in England in a round form are masculine and formal but not fussy or over decorated. The Mahogany color is warm and light not a deep re...

Cast Bronze work by Paris based artist and sculptor Manuel Fernandez entitled “The Walker” cast in 2001. The original single work, done in 2000, has a solid cast bronze slab base as ...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This fine classical carcel lamp would originally have had a burner and glass shade but now is fitted for electricity and will require a tole or cloth shade...

This large American Victorian standing magnifying glass is encased in a carved and turned walnut frame and is adjustable to height with a wooden screw set device. Made circa 1880 the...

Antique Balinese Wooden Sculpture Vishnu Riding Dragon Serpents. Rare late 19th century Balinese Temple sculpture, wood polychrome paint, four detachabl...

This classically inspired cast iron table has an Italian specimen marble top in three colors. The iron base incorporates acanthus leaf cast...

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

Meiji period (1868 - 1912) four separate fusuma doors (sliding doors) with paintings of bamboo trees. Can be hung separately, or together as shown. Signature in the process of bein...

Artist Joseph Meert studied at the Kansas City Art Institute and later the Art Students League of New York after immigrating to the United States as a ...

Beautiful and striking woodblock print by American artist Juliette May Fraser. likely from the 1930's. This item is not framed or matted so it is easy to ship. Please advise should y...

With nandin, narcissus and chrysanthemums. Signature and seal read: Koun. Mineral pigments on mulberry paper with a silk brocade border.

Screen A: Autumn Scene with Geese in a Gentle Landscape. Lovely painting depicting geese under maple, in a gentle water landscape. Mineral pigments on paper with gold leaf clouds. ...

This temple relief was purchased from a late 19th century upstate NY garden. This lovely Buddhist carving is in an as found state taken directly from the...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Beautiful white chrysanthemums are emphasized by heavy gold on a soft floral landscape, while gold clouds create a striking and dream-like floral scene. Gold leaf and gofun with min...

This three-seat sofa or settee is made of hand-carved wood with many fine details and retains its original painted finish. Done in the Louis XV style and made in France with the time...

Rose in Blue Glass Vase Photograph of Found Objects Printed in Cyanotype 10" x 8" image on 14" x 11" paper, edition of 5 19 x 15 inches matted and framed Wire backing, ready to hang Signed on front Available in additional sizes Other available sizes: 20" x 16" image on 24" x 18" paper, edition of 5 40" x 32", edition of 5 Contemporary still life cyanotype photograph of delicate rose poised in a blue glass vase. David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Chic pair of Italian armchairs, circa 1950s. Newly restored with blonde finish. Wood frame and aubergine raw silk bottom tufted upholstery. Measures: Seat height 17" Seat depth 20".

This very interesting pair of wedding or presentation boxes formed part of the decorative collection of Mrs. John Gutfreund and resided in their home Murry House in Villanova Pa. Cra...

Painting of a perforated garden stone with red bamboo growing behind. Chinese zekku poem reads, "Returning home to my grass hut on a spring evening," by the Tang-poet Qian Qi. Screen...

This finely carved and robust Baroque urn made as a lamp standard, though now unwired, was made in Italy. The gilding is very good and shows nice wear and patina with traditional red...