Hudson

Handcrafted from recycled cardboard, Graypants flagship Scraplights provide warm, intimate, and functional lighting for any occasion or space. Tough and elegant, each is precision cu...

Rimpa Floral Scene with Chrysanthemum, Morning Glories and Blue Bell Flowers. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

This custom-made, four-panel room divider is finished with an American Wool plaid fabric and detailed with antique brass nail heads. Each pane...

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in 1970. Titled "Cosmic Consciousness," the original silk scre...

The vintage Victorian slipper chair, shown here, has been reupholstered in a Coraggio peacock-colored Venetian wool blend. The tufted back and tight ...

landscape oil painting on linen on homasote board, unframed 13.75 x 18.25 inches Harry Orlyk is celebrated for his ability to capture an rural country landscape with impressionistic...

This fun and unique bicycle light is the highlight of any room! With illuminated LED wheels and a bright green color, this fixture is a modern masterpiece. Hanging hardware and ca...

Signed "Corbino" lower left Inscribed on frame by artist with artist's address in Rockport, MA Titled by artist on inscription verso. Provenance: Oelschlaeger Gallery, Chicago, IL. ...

This exquisite Arcahorn oval mirror exemplifies the quality craftsmanship and luxurious finishes for which the company is known. Featuring a black lacquer frame detailed top and bot...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Pink Pleasure (Textile Inspired Abstract Wood Wall Sculpture in Pink and Yellow), made by Susan Stover in 2024 wood, oil paint, varnish, waxed linen thread 54 x 72 inches Lightweight...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...

The Art Deco-inspired "Paris" lounge chair, shown here, if from the foley&cox HOME collection of custom furniture. It is available in choice of four wood finishes—café latte...

The satinwood top with two drop leaves, the edges vaneered in mahogany edging with line and leaf inlay. The central part of the top inlaid with medallion and conch shell. The whole r...

Japanese two-tier root stand. Traditionally used for displaying flower arrangements.

The antique Swedish cabinet, shown here, maintains its original grain-painted finish and displays a beautiful well-worn patina. Two doors open ...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

The set of four French Art Deco side chairs, shown here, have been recently restored and freshly polished. Featuring rich, brown leather seat and back rests, each chair is accented w...

Designed for practical use, this antique wood and cane hamper is as functional today as it was when first made. The hamper is in very good condition given its age (1890s) and the ori...

The bold texture of this artwork engages the viewer. The textures Ottesen created are not as apparent until seem from close up. A subtle stunner. Framed this piece measures 29.25" ...

Expressionist style encaustic landscape on green mountains against a stormy grey sky "Approaching Storm" by Regina Quinn, made in 2024 oil paint and encaustic on panel 24 x 36 inches...

This tall back, neoclassic side chair is attributed to French designer Jacques Adnet circa 1945. The tight back and seat is enhanced with an appliqued decorative banding front and ba...

Handsome dresser in light walnut frame with inset leather top and six leather wrapped drawer fronts. Subtle hardware pulls in lucite with oil-rubbed bronze hexagon rings. Custom fini...

This vintage chain floor lamp was discovered during a Paris buying trip. Made in the 1950s, the vertical welded iron chain links are supported with a tri-p...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Male nude...

The vintage chrome bookcase, shown here, is certain to add beauty and purpose to any room. While the polished chrome finish does show some minor signs of age, the original smoked gl...

With raised twig fence and poultry cages (used for chicken, pheasants, etc). Wood vine on the fence, and some seasonal flowers in bloom. Delicately painted with wonderful colors and ...

Stunning black lacquered one drawer nightstand done by Paul J. Ebbits. Even with its wear and tear, its elegant piano finish is eye-catching! Sold as is. Measurements: width: 3...

Antique bronze sculptures of puppies playing. Traces of gold on both, one holding tassels in its mouth. Measurements: 3 1/2" h x 6 1/2" w x 3 3/4" d and 4 1/4" h x 5 1/2" w x 3 3/4" d

Mirrors are from circa 1825-1835 and were made in either New York or Boston. Both mirrors come with their original glass and wood backing. Sold as is, as a pair (one mirror panel has...

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Compound curves and luxurious finishes make this Juniper lounge chair one-of-a-kind. Drawing inspiration from Coco Chanel and 1930s Paris, the black lacqu...

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

Fitted with two drawers, raised on turned legs, joinedby a stretcher on later molded flat feet.

Collaged monotype still-life silhouette of a cat. David Konigsberg Black Cat, 2023 15" x 18.5" monotype, collage and oil on panel This contemporary still-li...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...

The "Yara" side tables, shown here, were designed in 1965 by Brazilian architect and designer Sergio Rodrigues. Made in solid native Brazilian hardwood, each table feature a glass t...

Vintage wooden newel post, now used as decorative pillar. Beautiful details , patina and charming wear and tear makes it a unique piece.

Pair of American side tables with mirrored tops.

Bamboo, chrysanthemums and garden stone in mineral pigments on a gold silk ground. Black lacquer trim with well patinaed bronze hardware. Signature and seals read: Seido Senshi

"New Growth" by Hudson Valley artist, Peter Hoffman, made in 2020 74 x 9 x 9 inches A Vertical Wooden sculpture created with multiple sections of painted wood segments, cut at angl...

The wood and upholstered Martine bed, shown here, is from the foley&cox HOME Collection. Drawing inspiration from a 1940s market find in France, the bed features a curved headboard and footboard...

Japanese two panel screen: Summer flowers on silver. Meiji period painting (1868 - 1912) of Summer flowers including morning glories and daisies against a garden fence. Signature and...

Japanese bronze Koro (Incense Burner) in the form of a Badger, Edo Period (circa 1800) bronze incense burner with removable top. Badger face and t...

Mineral pigments on gold silk with black lacquer trim and bronze hardware. Signature and seal read: Koha. Measurements listed are for each screen. Priced as a pair, can be sold sep...

Denmark, circa 1960. By designer Arne Jacobsen for Foil Manufacturer. Aluminum and chrome high back "Oxford" chair. Upholstered in a taupe, woven fabric.

Seal on lower right reads: I'nen. Beautiful and delicate Rimpa painting using tarashikomi (painting-in) technique of wet on wet painting. Painted in a style reminiscent of the famous...

Beautiful pair of gilt mirrors with carved bow, cornucopia and garland details. One mirror has original mirror glass and the other was replaced l...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

The Moroccan-inspired Masinissa Hand-Knotted Wool Rug is soft and dense with a subtle geometric pattern. This plush rug provides maximum comfort and takes center stage in living room...

If you are in the market for sheer luxury, consider these handmade cashmere throws by Italian designer, Claudia Barbari. The throws have been a favorit...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor, the Devil, and even the World...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Venerable pine trees supported and cared for by temple Arborists. Artist signature reads: Koka Sugibayashi. Meiji period painting (1868-1912) in mineral pigments on silk with a silk ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Price includes framing. Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

The set of six vintage orchestra chairs, shown here, were designed in 1932 by Sven Markelius and originally used in the Helsingborg Concert Hall, Sweden. Made of beech wood, the sta...