Hudson

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

This pair of modernist low tables designed by Wolfgang Hoffmann for Howell were made circa 1938 and are in excellent almost original condition. The chrome is completely original and has almost no pitting or discoloration. The lacquer appears to be from the 1960s and we have had it polished out to maximize its shine and luster and is in good order as well. The tables retain original Howell labels to the underside. Wolfgang Hoffmann is the son of Joseph Hoffmann. Born in Vienna and trained to be working under his father's staff he married and moved for his early carrier to New York. His wife and he opened a design studio to create interior furniture and design for the modernist movement and was featured in House and Garden in 1929 with his custom furniture designs. In 1932 he was asked to contribute to the design and color scheme of the Chicago Worlds Fair as well as design the furniture and layout of the exhibits lumber industry house. Here is where he came into contact with the Howell Company...

Vintage 1950's Neoclassical style etagere with antiqued mirror shelves and "X" form crossbars to sides and top. Black metal frame and gold painted finials. Good condition.

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

This lovely pair of Campania form urns on painted and marbleized bases are from the 19th century. The urns show more wear and surface than the pedestals and both were used indoors as...

These are the unframed prices. Please inquire about the framed prices in the current edition. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition b...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

This Louis XVI console table is made from carved wood that has been gessoed then painted and gilded in several colors creating a rich play of color. The deep apron is fully covered in carved and applied wood decorative floral detailing. This is centered with a cartouche filled with flower heads and rosettes all water gilded. The table's legs are carved in a wasting reeded form with a large egg and dart baluster top section. Terminating in a nice in turned stretcher centered on a large carved wood urn...

This listing is for the unframed photograph. The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

A group of 3 copper vases by Huber.
Large (2) - 10.75"h x 5.75"w x 3.75"d
Small (1) - 9"h x 5"w x 3.25"d

The pair of panels are done in a fine gold lacquer with bone, mother of pearl & abalone shell inlays and where made in the mid 19th century. Most likely from a cabinet and retaining ...

This large vase made in China during the first three decades of the 20th century is of a lovely deep Sang De Boeuf color. Ox Blood in the English language, this opaque deep red color was first developed to perfection in the reign of Kang Hsi...

This lovely old tray made circa 1860 is inlaid with mother of pearl and tole decorated with flowers set into a lustrous lacquer surface applied to the tinware tray. The flowers are painted in a lively and realistic manner and the tray is further decorated with a meandering border of flowers and vines in gilding and colors along the edge of the dished section of the tray and then again on the broad flat area of the tray's edge. The stand in a Regency form is also decorated in similar colors and with gold. The tray has a label from the 1840s affixed to the reverse that says it was restored and most likely at that time the stand was fashioned and painted to accompany the tray. The stand folds and can be easily moved to make it a perfect movable coffee table...

An unusual subject of a dream-like woodland landscape with a distant mountain. Heavy mineral pigments on paper with brown lacquer trim and bronze hardware.

Mineral pigments on silk, mounted on a gold panel, in silk border. Signature and seal read: Yoho.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs. The rhinoceros head is an art piece made of resin; Heal says that she does not condone hunting, and collects taxidermy as homage to the animals. Taxidermy can found throughout her home, including a raven standing alert upon one of the aforementioned chairs in her living room. Patricia Heal was born in England, where she studied art and theater. After receiving her degree in photography, she moved to New York City. Currently, Heal works for leading editorial and commercial clients, and shares a studio with her husband, fellow photographer Anthony Cotsifas, and their bulldog, Moses. She has received numerous awards, including the Society of Publication Designers Award for Photography, the Communication Arts Photography Award, a Nikon/PDN Award, the IPA Lucie Fine Art Award, and a Fuji Film Promotion...

This pair of mirrors crafted in England circa 1870 have been fully restored with a completely new surface and structurally supported as the mirror plate is very thick and heavy. Made...

United States Historical Society, 1921. One of an edition of unspecified limitation. Hardcover. Good/o jacket issued. New York: United States Historical Society, 1921. Introduction by Stephen Morrell Newman. One of an edition of unspecified limitation with 24 original etchings by Robert Shaw...

A pair of hand finished cast stone fruit baskets. The lower urn section has an old painted surface while the upper fruit section has a wonderful weath...

A spectacular and chic pair of Ming Style armchairs with embossed leather seats. Made from extremely hardwood with a gorgeous weathered patina through the ebony glaze. The alligator ...

Karen Gibbings Place, 2007 Monoprint, chalk on paper, mounted on wood Measures: 19 x 17 in 48.26 × 43.18 cm Signed by artist on verso. Karen Gi...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Fabulous Long Walnut Bench with silvered bronze shoes was modeled on a true French art deco masterpiece. All of the details have been meticulously replicated. The seat is elegantly s...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

This pair of brackets done in the baroque style are Italian made circa 1940 the pair is crafted from wood and molded gesso with thick old mirror backs that have spotting and crazing ...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...

Prices for UNFRAMED. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Men, black and white, Isle of Man...

These four drawings, while small in scale but large in style and impact, are of fine quality. Two are of priest and two are of officers. The paper, a fine blue color, makes the drawi...

Hillside (1918) Pastel on grey paper 8 ½"x7 ¾" 23 ½" x 19 ½" x 1 ½" signed "Allen Tucker March 1918" lower right. Provenance: Gift from the artist to his friend Una Brage, USA/Switzerland, in the 1930s. Estate of Ms. Brage to her friend Jean Corbett Peck, daughter of architect Harvey Wiley Corbett. By descent to her daughter About this artist: Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

A strong pair of sculptures by Italian American artist Marco Celotti. Created circa 1970. This highly animated pair of characters can only bring to mind thoughts of storytelling. P...

This lovely small étagère is part of a large type of export furniture made from the sea trade between east and west cultures in the 19th centuries, circa 1870. The structure is of im...

This impressive collection of four carved wood figures are from the landlocked African country of Burkina Faso. This nation bordered by 6 other countries ...

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

Vintage lamp made from a wood wallpaper roll, originally used to hand print wall paper. USA, circa 1940. Features a textured wood surface. Lamp has been fully restored and rewired,...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Black and White, Sports, Panorama, Landmark, Los Angeles, City Lights, Nighttime, Stadium, City, baseball, stadium, stadium photography, aerial, night, black & white, b&w, photograp...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will ...

William Umbreit was born in East Orange, New Jersey, in 1935. After serving in the United States Army from 1954-56, he was honorably discharged in 1962. Umbreit received a BSA from N...

This fine and large pair of neoclassical inspired bronze candlesticks have a good presence and retain the original finish and bobeches. The design consists of pelmets and anthurium a...

A pair of white table lamps made of gesso over ceramic form. USA, circa 1970. Rewired with new sockets, brass hardware and French black sil...

This walnut carved and turned footstool was made circa 1875 in the Aesthetic Movement style. Most likely made in America the stool is of a chunky robust proportion with large turned ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

signature reads: Nishiura (opening: 4 7/8" diameter). About the artist: Nishiura Takeshi was born in Fukui prefecture in 1941, and graduated the Tokyo University Law Department in 19...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. Shipping time depends on method of shipping. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s body of work. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Late Edo (1614 - 1868) period incense storage box in stacked, double fan design. Fans have bamboo and plum design with a chrysanthemum crest. Silve...

This listing is for the unframed photograph. The gallery has brought together the works of 60 gallery artists and nearly a hundred photographs for this salon-style exhibition. Fro...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room...

A set of two cantilever top end tables--one with shelf and the other without—for a less "matched" look. Made by Edward Wormley for Dunbar. USA, circa 1950. Made of mahogany and pr...

This interesting and unusual table made in the southwest circa 1930 is constructed of Saguaro wood, a kind of slow-growing dense cactus with a distinctive outer casing that is used for decorative display. The form is an extension of the mission movement which started in California, Mexico and the southwest as a simple need to furnish through local craftsmen homes and public spaces with natural local materials The tripod base used upside down is the direct form of the cactus. A decoratively shaped piece has been added to the base as a terminus and the knotty pine top is bordered in saguaro with pine supports creating the gueridon. Made as a local distinctive form this kind of furniture is similar in nature to tramp art furniture...

Edition 2 of 25. Shipping time depends on method of shipping. ABOUT Robin Rice is an accomplished Gallerist in The West Village. Her eye manages to capture the bliss of small sing...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...