Hudson - Paintings

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...

Acrylic on gessoboard

Eclipse (Contemporary Cosmic Abstract Painting on Canvas in Black and White) painted by Cinda Sparling 20 x 16 x 1.5 inches oil on canvas, unframed (no frame required) Cinda Sparlin...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Acrylic on canvas Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ab...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey that challenges our perceptions and stirs our imagination. Exploring themes of impermanence and mystery, Cohn challenges the viewer to reimagine the familiar and question the boundaries between reality and representation. Her inspirations are blending the imaginary essence of Rene Magritte’s clouds...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Abstract landscape painting. Frame included.

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

An iconic mixed media example of Richard Merkin's art. Bulldog Drummond and the Great Coca-Cola Mystery (1965) Mixed media on paper 51" x 33" 53" x 35" x 2" framed Signed "Merkin" ...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Monotype print.

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

Abstract landscape painting. Fame included.

Oil on panel

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Large photo-realist still life painting on canvas of a pink lotus flower with green leaves on a sky blue background 'Lotus Number Twenty-Five' by Frank Depietro...

Abstract landscape painting. Fame included.

Lords of the Sky (c.1950) Oil on canvas, 30" x 24" 40" x 34" x 2" framed Provenance: The Artist, his daughter About this artist: Julio De Diego crafted a formidable persona within ...

10 x 9 inches unframed 21.5 x 19.75 inches framed Liz Rundorff Smith renders visual forms that fluctuate between the stability of present-ness and the loss of clarity that is tied t...

Modern impressionist style plein air landscape painting on canvas "Field Painting, October 10, 2025" oil on canvas 12 x 12 inches Signed, verso The contemplative paintings of Thomas...

#5715 Overgrown Barn, 2019 by Harry Orlyk (Impressionistic, en plein air autumn landscape of a sunlit barn in a field) oil on linen mounted on homasote board, ready to hang as is 14.5 x 14.5 inches unframed Signed lower right corner Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a quaint country landscape in a range of warm, golden tones. Orlyk's signature use of soft yellows creates a gently luminous atmosphere. The scene is made with gestural strokes of paint that culminate onto a textured, impasto surface. The artist's signature is located in the lower right corner. The artist prefers to leave his paintings unframed. The painting can be installed with one nail, hammered behind the linen and through the homasote board. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Contemporary landscape oil painting of Catskill Mountains with Billowing White Clouds 'October Fields' by Joseph Rapp 36 x 48 inches, oil on canvas 37.75 x 49.75 x 2 inches artist ma...

Contemporary landscape oil painting of a pond and the Catskill Mountains in the distance with Billowing White Clouds 'Pond at Livingston' by Joseph Rapp 12 x 16 inches, oil on canvas...

Exhibited: 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born in San Francisco in 1927, and received both his BA (1949) and MA (1954) from University of California, Berkley. At the San Francisco Art Institute Martin studied with Clyfford Still, Mark Rothko and David Park...

From the Hammock (Abstracted Earth Tone Landscape)by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across media and painting gen...

A richly colored abstraction by Japanese artist Naohiko Inukai. This early work demonstrates the artist's fluidity and expression with paint prior to wh...

Entrance to the City (Cairo, Illinois) (Vibrant Red/Pink Oil Painting Cityscape) Made in 2024 by Berkshire based artist Margaret G. Still Oil on Canvas, 18 x 24 inches Margaret G. S...

Reflecting on queer spaces, Tolliver Shaw states: “I use scenic painting to create a matriarchal utopia and portray the integrity of female relationships. I harness my perspective as...

This mixed media collage has a geometric stylistic look of Futurism and Art Deco, created with handpainted metallic colors. ink, watercolor, origami paper, patternmaking paper, foil....

Exhibited: 1973 San Francisco Museum of Art 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born...

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Yorik (Skull and Orb Vanitas Still Life Oil Painting in Cool Colors) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATU...

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Artist Joseph Meert studied at the Kansas City Art Institute and later the Art Students League of New York after immigrating to the United States as a ...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

These artworks by Carl Holty are only sold as a pair. Each painting measures 9" x 11" and framed 18" x 20.25" x 2.5" The red and gold work is signed "Carl Holty" in the lower right. About this artists: Carl Holty was awakened to his interest in art as a child through visits to the Layton Art Gallery of Milwaukee, and began painting lessons with Friedrich Wilhelm Heine at a young age. Though born in Freiburg, Germany, in 1900, he was raised in Wisconsin and enrolled at Marquette University. Before long, Holty abandoned his pre-medical studies in order to pursue art. He spent a summer at the School of the Chicago Art Institute in Saugatuck, Michigan, and set off for New York in 1920. He then studied at the National Academy of Design under Francis Coates Jones...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

Hand-signed and dated "Freimark 1963" lower right. Signed, titled and dated "Photography / pol. 1963 / Robert Freimark" verso. Provenance: -Gift from Robert Freimark to his friend T...

New Field (Landscape with Fluffy Clouds across a Vast Field) by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across media and p...

This work of a young musician by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written la...

Artwork measures 29" x 43" and framed 30 3/4" x 44" x 2" Signed "Stanley Twardowicz" verso. Stanley Twardowicz's poured enamel and oil breakthrough works of the mid-1950's came as ...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Abstract landscape painting. Fame included.

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Collaged monotype still-life silhouette of a cat. David Konigsberg Black Cat, 2023 15" x 18.5" monotype, collage and oil on panel This contemporary still-li...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

Gorgeous example of Walter Darby Bannard's use of acrylic mediums which came out in the 1970s. It is richly colored example of his work from that period. An American abstract painter...

Signed verso with estate stamp "Estate of Elaine Wesley/1923-2007" Canvas measures 30 ¾" x 24" and framed measures 31 ¾" x 25"

Pink Pleasure (Textile Inspired Abstract Wood Wall Sculpture in Pink and Yellow), made by Susan Stover in 2024 wood, oil paint, varnish, waxed linen thread 54 x 72 inches Lightweight...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...