Hudson - Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

The 8" x 10" editioned print . The image sits on that paper size estimated at 6" x 9" leaving a white border to mat over when framing. Olympics , Figurative, Sepia tone, athlete

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery...

Contemporary aerial landscape photograph of blue, gray, green and teal farm fields captured from the photographer's plane over La Mancha, Spain Archival digital print, edition 5 of 2...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Price for UNFRAMED The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. black and white, photography, women, woman, portrait, feminist, aviation, aviator, fashion Southampton...

Edition of 1 of 20. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

Archival pigment print. 19.5 x 19.5 inches unframed 30.5 x 30.5 inches framed Please allow at least 2 weeks for the photograph to be printed and shipped.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 11. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the sh...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inche...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Framed still life photograph of a bright orange Poppy flower on a crisp white background “Untitled 69” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” series be...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Color still life photograph of figurative fig branches with green leaves, measuring stick, and colorful nautical rope against a white and light beige background 'Flotsam and Fig Limb...

Large panoramic landscape photograph of the Freedom Tower at night One World Trade Center #11 by James Bleecker 50 x 100 inch sheet size, edit...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Panel with Snakes, Turtles, and Dove, 2010 40 x 15.5 inches, edition of 30 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This contem...

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photo...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's pho...

image size: 8 x 10 inches Portrait of Tennessee Williams Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in penci...

Contemporary still life photograph of faint orange wall with white plaster patches archival pigment print, ed 2 of 10 22.25 x 40 inches unframed 28.75 x 46 inches in dark wood frame with non-glare glass In this series, Halliday captures the interiors of his home and studio. The photograph depicts a light orange painted wall with white plaster patches over a mantelpiece. The artist likens the patches to clouds hovering over a horizon. Light blue styrofoam resting in the foreground provides an elegant detail of color. This still life photograph is complimented with a dark wood frame with non-glare glass. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Kline Kill Road archival pigment print on watercolor paper 16 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Quimby Farm, Marlborough, NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 13 X 16 1/4 edition of 25 $1,500.00 24 x 20, edition of 25 $2500 This Black...

Washington Square Arch pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 15, $6,500 ...

Washington Square Arch pigment print on watercolor paper 18 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 ...

Side Table with Chain and Window Stay (Diptych), 2017 Upper: 16 x 20 inches framed Lower: 14 x 10.5 inches framed toned silver gelatin prints in vintage fr...

Archival digital print 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Modern still life photograph of earth toned brown and green moss Archival digital scanograph 18 x 13 inches, edition of 75 Additional sizes available This contemporary, archival di...

Archival pigment print, 10 x 10 inches on 17 x 22 inch paper ($2000) Also available in 24 x 24 inches ($3500) and 32 x 32 inches ($4500) Composed in a cool palette of jade and emerald green, beige, umber, and accents of pale blue, this photograph by artist duo Kahn & Selesnick combines the classically beautiful with the eerie. The image depicts a young man donned in period dress standing in the mud, holding the hand of a lady on a wooden chest. Baron Samedi...

archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious and otherworldly mechanism floats through the Martian landscape. It is unknown who or what is operating it. With this imagery, the artists entice an imaginative narrative where the viewer is left to conjure up their own story. About the series: "Mars: Adrift on the Hourglass Sea" is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the space-time continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of high-tech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a post-apocalyptic survivor? About the artists: The ultimate storytellers, who have been showing with Carrie Haddad Gallery for more than 20 years, are Nicholas Kahn and Richard Selesnick...

archival pigment print 24 x 24 inches unframed This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their ...

Duratran print on LED illuminated panel 17 x 15 x 2 inches overall Image size: 10 x 8 inches This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2012. Here, a seated figure clad only in a peculiar headdress poses for the camera. The figure clutches a skull to their chest, and rope is wound loosely around their ankles. Mysterious masks and other props litter the background. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame and is mounted on LED illuminated panel attached to a power cord. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

C-type archival print, edition of 25 20 x 16 inches unframed 29.5 x 25 inches in ornate wood frame with engraved gold detail This Renaissance inspired photograph was created by London based photographer Nick Simpson in 2005. It is based off of the c. 1540 painting "Venus, Cupid, Folly and Time" by Forentine painter Agnolo Bronzino...