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Item Ships From: Illinois
"The Chap Book " Original lithograph from “Les Maitres de L’Affiche” series
Located in Hinsdale, IL
BRADLEY, WILL
(1868 - 1962)
The Chap Book
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #34, 1898. Plate #136
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month
for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued
as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name
“Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at
the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller
format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the
latest state of the art printing techniques, not normally used in the large format posters...
Category
1890s Art Nouveau Illinois - Figurative Prints
Materials
Lithograph
"Hippodrome des Art", Maitre de l
affiche lithograph
By François Duyck
Located in Hinsdale, IL
DUYCK, EDOUARD
(1872 -1897)
CRESPIN, ADOLPH
(1859 –1944)
"Hippodrome des Art"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #6, 1894. Plate #28
Unframed Size:11 3/8 x 15 3/4”
The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"
Category
1890s Art Nouveau Illinois - Figurative Prints
Materials
Lithograph
"An Artist
s Model" from "Les Maitres de L
Affiche" series
Located in Hinsdale, IL
PRICE, JULIUS
"An Artist’s Model"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...
Category
1890s Art Nouveau Illinois - Figurative Prints
Materials
Lithograph
"Emilienne d’Alencon" from Les Maitres de l
Affiche
By (Attributed to) Jules Cheret
Located in Hinsdale, IL
CHERET, JULES
(1836 - 1932)
"Emilienne d’Alencon"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #29, 1898. Plate #113
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to...
Category
1890s Illinois - Figurative Prints
Materials
Lithograph
"Grande Brasserie Van Velsen" from "Les Maitres de L
Affiche" series
By Armand Rassenfosse
Located in Hinsdale, IL
RASSENFOSSE, ARMAND
(1862 – 1934)
"Grande Brasserie Van Velsen"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lowe...
Category
1890s Art Nouveau Illinois - Figurative Prints
Materials
Lithograph
The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
"The Million Dollar Cowboy Bar (Colour)"
Jacksonhole, Wyoming - 2025
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Illinois - Figurative Prints
Materials
Archival Pigment
Price Upon Request
Harley in the Hamptons by Award Winning Photographer David Gamble
By David Gamble
Located in Chicago, IL
Harley in the Hamptons
Dye Sublimation on Aluminum
19 x 30 inches
Edition size: 10
About the artist:
David Gamble is a multidisciplinary artist from London, now based in New Orl...
Category
21st Century and Contemporary Contemporary Illinois - Figurative Prints
Materials
Metal
Mad Men at the Bar, 1962 by Lawrence Schiller
By Lawrence Schiller
Located in Chicago, IL
Digital Chromogenic Print mounted on Dibond
48 x 60 inches
Edition size: 8
*Please inquire for additional sizes*
Lawrence Schiller is an American producer, screenwriter, and phot...
Category
1950s Contemporary Illinois - Figurative Prints
Materials
C Print
Price Upon Request





