Illinois Figurative Sculptures

Manuel Felguerez Mid Century Metal Toy Soldier This figurine measures: 5.75 wide x 5 deep x 16 inches high We take our photos in a controlled lighting studio to show as much detail...

Antique French Art Nouveau Monumental Au But' Cast Patinated Bronze Sculpture by Alfred Boucher Elevate your space with this stunning Antique Bronze Sculpture by Alfred Boucher, a ...

Antique Bronze Cherub on Pedestal Playing The Flute Sculpture Attributed to French Artist Auguste Moreau French sculptor Auguste Moreau An elegant 19...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

These granite river stones are depictions of the Lingam, symbolizing the Hindu god Shiva in Shaivism. They are considered to be emblems of generative and destructive power. While roo...

Gio Ponti Hand Sculpture by Sabattini Silver-Plated Metal made in Italy 1978 Dimensions: 13½ h × 3¾ w × 3¼ d in

A charming vintage Italian porcelain sculpture depicting a stacked grouping of onions and artichokes and resting on a tazza-form base.

Kugler's "The Powerful Hermanas: Irene" expresses his profound admiration for the human form. The nude figure stands vulnerable before us yet a cloth is draped over her eyes as she gives herself over, blindly, to an unseen force. Hermanas, meaning sister, brings power to the female form. The nude from Ancient Roman art...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

An unusual and charming antique, this 20th century Chinese charm was once used to adorn the embroidered crown of a traditional children's hat. Amulets such as this were worn on hats ...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

Paul Hart American Craft Face Sculpture 1975, Assemblage Made with Reclaimed Objects, Broom and mop heads, fence parts and wood wheels. Signed to Copper Studio...

Cenedese Murano Glass Sculpture Style of Picasso. Amazing piece of glass sculpture with the look of a Picasso piece. Excellent condition. Measures 11....

Vintage Limited Edition Tom Bennett Hand-Signed Numbered "Autumn" Bronze Nude Female Dancer Sculpture 137/250 The limited edition Tom Bennett "Autumn" bronze nude female dancer scul...

Monumental Leza McVey Surrealist "Eye in Hand" Ceramic Sculpture, 1977 Partially glazed stoneware Signature: Signed "Leza" inside the hand Dimensions: 23¾" H × 14¼" W × 7¾" D Conditi...

Richard E. Filipowski, graduate of the Chicago Institute of Design, hand-sculpted Marquette. Stylized branch composition out of delicate components...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

Meticulously carved from beechwood, this cherub pair recalls the iconic Renaissance style of the fifteenth and sixteenth centuries. Better recognized by their Italian name, putti—the singular putto refers to the Latin putus, meaning “boy” or “child”—these types of figures often recur in religious artwork as symbols of God...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

This is a Ben Shalom Bronze figure mounted on a lucite block It is an abstract sculpture that was 18 out of 100 made and was done in 1987.

Although practiced for centuries, Chinese glass-making gained prominence during the Qing-dynasty with the introduction of Peking glass. Adapting European technologies, workshops in the Imperial Palace began creating layered and intricately-carved glass pieces that mimicked the translucency of jade, semiprecious stones, and rare jewels. This Peking glass charm is sculpted as a tiny bok choy...

Antique Italian White Carrara Marble Sculpture After "Toilette De Vénus", After Louis-Simon Boizot (1743-1809) The antique Italian white Carrara marble Sculpture after "Toilette De ...

Conceptual Miniature Chair by Natasha Nicholson, Oakwood structure with rubber strands pass through multiple holes throughout. Can be displayed hung on wall or Shelf, Table, etc. Fro...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or pure...

Vintage Art Deco Mannequin In The Style of Lindsey Balkweill This Art Deco Revival Black and White Mannequin in the style of Lindsey Balkweill. **...

Pair of Six-Foot High Topiary Spiral Shaped Cedar Plants with painted wood planters. We have used these and similar Topiaries in our showrooms for decades and there are currently 2-p...

This intricate limestone stele of a standing buddha likely depicts Maitreya, the Buddha of the Future. The only Buddhist divinity revered as both a bodhisattva and a Buddha, Maitreya is prophesied to return to Earth some time in the distant future and continue the historic Buddha's teachings of the Dharma. Like the historic Shakyamuni Buddha, Maitreya is a compassionate being devoted to showing the path to enlightenment. Carved in the style of sixth century Chinese statuary...

This wooden coconut grater (khood maprow) from the early 20th century is carved in the form of a crouching boy, a variation on the typical "crouching rabbit" design. Large enough to ...

This wooden coconut grater (khood maprow) from the early 20th century is carved in the form of a crouching boy, a variation on the typical "crouching rabbit" design. Large enough to ...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

Antique French Bronze Sculpture by Charles Raphael Peyre "Batailles Des Fleurs" (Battle of the Flowers) A beautiful detailed bronze sculpture with 3 playful putti (cherubic children...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or purely decorative, such headrests were crafted from a variety of materials and were often decorated with elaborate patterns or symbolic motifs. This porcelain headrest...

Mario Dal Fabbro sculpture no. 24 Signed, 1976. Nodding head. C.6 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honours in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955) and How to Make Children's Furniture and Play Equipment...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

Curtis Jere Style Mid Century Copper Butterfly Sculpture This piece measures: 4 wide x 5 deep x 9.5 inches high and weighs 0.8 pounds Excellent ...

Driftwood sculpture selected by John Dickinson for the Historic Firehouse, San Francisco. Placed in John's bedroom on the same cases shown, (also available) Custom brass display mount...

Manuel Felguérez Mid-Century Mexican Metal Toy Soldier (1 of 7) This figurine measures: 5.5 wide x 5.75 deep x 18 inches high We take our photos in a controlled lighting studio to ...

Frank Meisler Rare Vintage Judaica Rabbi Praying Mechanical Sculpture 103/250 This sculpture measures: 4 wide x 5 deep x 9.75 high We take our photos in a controlled lighting studi...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

This wooden headdress was created by the Yoruba People of western Nigeria, and was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a fertility doll...

An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ance...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

Manuel Felguerez Mid Century Metal Toy Soldier This figurine measures: 5.25 wide x 5.25 deep x 15.25 inches high We take our photos in a controlled lighting studio to show as much ...

Curtis Jere Style Mid Century Brass Tennis Sculpture This sculpture measures: 42 wide x 5.5 deep x 30 inches high We take our photos in a controlled...

Cast in brass with a rich patina, this seated figure is a Lama, a spiritual master and teacher of the Dharma in Tibetan Buddhism. The figure likely de...

Set of five ceramic chairs sculpture by Chicago based artist Linda Kramer. Measures: Chair heights: 5.5", 7.5", 10.25", 14.5", 19.5" Born in New York City in 1937, raised in C...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

Manuel Felguérez Mid-Century Mexican Metal Toy Soldier (1 of 7) This figurine measures: 5 wide x 5 deep x 16 inches high We take our photos in a controlled lighting studio to show ...

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

Bamana tribe art is known for masks, textiles and architectural elements. This Y-shaped post supported a heavy roof timber and acted as a welcoming symbol...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

Clyde Burt figural ceramic face on attached plinth in glazed stoneware and hand painted face. Signature to underside: [CB].

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king...