Italy - Landscape Paintings

Italian landscape with a bridge, tower, shepherd and animals. Scope of Jan Both ( Utrecht, 1618-1652), arrival in Rome and Venice in addition to his native Holland. The 17th-century...

Landscape - Vittorio Landi Italia 2014 - Oil on canvas cm. 80 x 80. In this wonderful oil on canvas the painter draws inspiration from Architectural Capricci, a pictorial genre of...

Title: PaperLandscape – Mixed Media and Collage on Canvas by Marilina Marchica (2019) Artist: Marilina Marchica (b. 1984, Italy) Title: PaperLandscape Year: 2019 Medium: Mixed media...

Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic...

Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Rachel Hiding the Idols Medium: Oil on canvas Dimensions: without frame 41 x 116 cm -...

Albero fiorito sui toni dei rosa e viola Luminoso e decorativo Spedizione inclusa !!!!

Oil on canvas, measuring 100x70 cm, painted by Cosimo Privato around 1930s. The work depicts a view of a Venetian canal with a gondolier. Cosimo Privato is an internationally renowne...

Opera onirica ,luna piena sul mare L'opera non è firmata ma è stata esposta al Museo d'arte Contemporanea di Rovereto il MART per una mostra monografica -Thayaht Futurista irregolar...

Oil on Canvas. Venetian school of the late 17th-early 18th century. Within a large classical landscape with rich vegetation and rosy atmospheres is a small handful of soldiers: some,...

Landscape - Gianluca D'Este Italia - Oil on canvas cm.70x100. This painting by G. D’Este is painted of architectural ruins, of feasts and ceremonies. In fact, this painting represent...

Pair of oils on canvas made under Follini's signature executed around 1930. The works depict a sea view with rocks in the foreground and boats near the horizon. Two works showing a s...

Oil painting realized by Svetoslav Soyanov in 2018. Excellent condition. "In this creation, I've poured my soul into blending the grounding reality with the dreamscape of surrealism....

Piccola opera con colorato tramonto e splendida cornice in legno Vladimir JOUKOV (Pocrovca, Ussuriysk, 1922-2005) A 13 anni si unisce a un equipaggio della Marina a Vladivostok. Par...

Sicilian Landscape with Aetna on the Background is an original Gouache on paper, realized by Anonymous Artist of the early 20th Century. In very go...

Seaside is a modern artwork realized by Egeo Venturi. Oil painting. Hand signed on the lower margin. Includes frame.

Giovanni Giacomo Van Lint (Rome 1723 - 1790) View of the Roman Forum Oil on canvas 53.5 x 68 cm in frame 60 x 75 cm Attribution certificate by Prof. Giancarlo Sestieri (Rome ...

Marco Marcola (Verona, 1711 - 1780) Carnival scene with masks from the commedia dell'arte with Harlequin Oil on canvas, 60 x 82 cm In frame 77 x 100 cm The canvas reflects ty...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

Venetian painter (early 20th century) - View of Venice with canal and gondolas. 70 x 50 cm unframed, 81 x 61 cm with frame. Oil on canvas, in a gilded wooden frame (minor marks and...

The style of Lino Piccoli, an Italian painter, is characterized by a personal interpretation of Cubism through the decomposition and recomposition of forms into geometric planes. Thi...

Venetian painter (early 19th century) - Venice, view of St. Mark's Basin towards the Riva degli Schiavoni. 18 x 24 cm unframed, 29 x 35 cm with frame. Oil on paper, in original gil...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Oil on canvas applied to panel by Ulderico Marotto depicting a snowy road junction in Cavaion Veronese, province of Verona. The painting is signed lower left. On the back is an inscr...

"Sogni di Grandi Nord #11" is an impactful watercolor featuring a flock of birds flying through a forest. It belongs to a series of watercolors made by Nicola Magrin during a trip t...

Venetian painter (19th century) - Padua, Porta Liviana. 37.5 x 48.5 cm unframed, 50.5 x 60 cm with frame. Oil on canvas, in a carved wooden frame (not signed). Condition report: T...

Sailboat,Sea,France,Port,Boat ,Landscape ,Britain , Atlantic Ocean, Blu , Grey . Label on the back Galleria Pirra Torino This work is more than 50 years old. To produce the necessar...

Sea, Waves,Blue,Light blue,20th,Impressionist,Water

Highland Painter (late 19th century) - Highland Cattle by the Lake. 35 x 54 cm unframed, 44.5 x 62.5 cm framed. Oil on panel, in a giltwood frame (not signed). Condition report: T...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Landscape with figures is an original oil on canvas realized in the XVIII Century by a Venetian School Master. Original oil painting on Canvas. The painting represents a beautiful...

Continental painter (19th century) - Landscape with flock at sunset. 61 x 81 cm without frame, 78 x 97 cm with frame. Antique oil painting on canvas, in a wooden frame and gilded p...

Italian painter (18th century) - Street theater. 74.5 x 62.5 cm without frame, 86 x 73.5 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (not signed). Cond...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

The work is entitled 'Scorci d'infinito black border n.7' and is part of the 'Scorci di infinito' series measuring 80 × 60 cm by the artist Artemio Ceresa. The technique is mixed med...

White,Snow ,Wood, Winter,Forest,Mountain,Russia Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dne...

Boat,sea,green Birgitte LYKKE MADSEN (Odense, Denmark, 1960) 1981-86, Educated from the Academy of Fine Arts, Odense First solo exhibition in 1983 Artist statement: “I am a painter. I am fascinated by the difference in cold and warm colors and the different atmospheres that it creates in our mind. My hereby presented oil paintings are describing people in water...

Olio su tela. Paesaggio di campagna in cui scorre un piccolo corso d'acqua, su cui navigano barchette ed è costeggiato da piccoli aggregati di abitazioni rurali. In primo piano tran...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...

W. Miller (British, late 19th century) - Woodland landscape with stream. 92 x 71 cm. Antique oil painting on canvas, without frame. - Work signed bottom left: “W. Miller." Condit...

Beautiful oil on wooden panel realized by Piero Marussig between 1928 and 1930. Very good conditions. Published in the general catalogue of the Artist...

Blue Landscape Artist: Marilina Marchica (b. 1984, Italy) Year: 2018 Medium: Mixed media (oil and pigment) on cotton Dimensions: 67 × 96 cm (26.4 × 37.8 in) With frame: 106 × 72 cm ...

Glimpse of coast with boats is an interesting original oil painting on zinc, realized in the first half of XX century by an anonymous artist. Image dimensions: 25.7x35.5 cm. The met...

English painter (late 19th century) - River landscape with boat. 41 x 61 cm without frame, 49 x 70 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (not sig...

Oil on Canvas. Genoese school of the eighteenth century. The country landscape sees a dilapidated structure stand in the center, the ruins of a building through whose gashed walls th...

Piccoa opera di Boris Lavrenko Molto luminoso ,colori verde e giallo Bella cornice

Oil on Canvas. Central European school of the 18th century. In the center of the scene, set in a richly vegetated landscape, stands a shepherd with his flock of sheep, caught in a mo...

Luminoso paesaggio della francia del nord con girasoli Bellissima corniice in legno

Giovanni Grevenbroeck, called the Solfarolo (Netherlands, c. 1650 - Milan, post 1699) Port View in Moonlight Oil on canvas 70 x 132 cm Framed 86 x 146 cm Critical apparatus: Exper...

Gino Scalatelli (Venice 1870 - Venice 1920) - Venice, view of the basin of St. Mark. 63.5 x 101.5 cm without frame, 84 x 121 cm with frame. Watercolor on paper, in a contemporary c...

Bellissima opera degli anni 50 Bellissima luce su mulino ad acqua con pescatori

Vincenzo Irolli (Naples 1860 - 1949), Little theater with puppets for children Oil painting on panel 18 x 18 cm signed lower right

Italian painter (17th century) - Baptism of Christ. 122 x 74 cm without frame, 133 x 86 cm with frame. Antique oil painting on canvas, in wooden frame (not signed). Condition repo...

95x85cm 108x94 full size cm The item is located in central London, UK. The painting will be shipped rolled, without stretcher bars. Abstract painting on canvas, blue, extra-large,...

Giovanni Domenico Gambone (1720 - 1793) Title: Pair of Capricci Medium: Oil on canvas Dimensions: without frame 85 x 112 cm - with frame 97 x 124 cm The price is intended for the couple of paintings. Expertise by Professor Giancarlo Sestieri. This pair of paintings by Giovanni Domenico Gambone (1720 – 1793) depicts an architectural capriccio with archaeological ruins and people who interact with each other. In one of the two artworks we can easily see a man on a horse...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Pasquarosa Marcelli (Anticoli Corrado 1896 - Camaiore 1973) Santa Marinella (1921- 1925) Oil painting on canvas 38 x 45 cm signed lower right. Bibliography: Pasquarosa il Colore ne...

Winter, light, snow ,white Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies ...

Artist: Marilina Marchica (b. 1984, Italy) Title: Traces of Islands Year: 2023 Medium: Mixed media and pure pigment on canvas Dimensions: 60 × 80 cm (unframed) Framing: Optional cust...