Italy - Wall Decorations

Fine Florentine shelf dating from the mid-19th century, entirely hand-carved in solid wood and finely gilded with gold leaf. The work features very rich sculptural work, with phytomo...

Wool tapestry by Enrico Accatino. Early geometric example of Accatino resarch, the piece features a dark background with yellow, orange, blue, gray sha...

Color: Light Red Designer: Magnus Gjoen Designed by hand in Digital Art Project Miscellanea Graphic dev: Frescoes Collection: Visioni Made in: Italy Printing support: Fine Art ( fro...

Midcentury Italian orientalist wood bar cabinet in gold and black lacquer, 1950.

Bronze sculpture on wood by Filippo Stefani, 1981 Title - Ride Cast by lost wax process Circulation 23/999 Good conditions. Thank you

We kindly invite you to read the full description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. These are refined an...

Hand-painted Faenza ceramic wall shelf, made in the early 20th century Ø cm 19 Ø cm 14 h cm 21 Antique ceramic shelves are fascinating objects that combine functionality with the ...

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...

Elegant antique gilt wooden frame frieze. Perfect, it can be placed anywhere: on a mirror, on an internal door, on the frame of a particular painting. ref. nr. O/2548.

The iconic Uten.Silo, designed by Dorothee Becker in 1969 and produced by Vitra. This innovative wall storage system is made of high-quality white ABS plastic, combining modern aesth...

Large Italian painting signed and dated 1898. Oil on canvas, first canvas, artwork depicting a portrait, Milanese noblewoman, of good pictorial quality. Painting of great size and im...

Enhance your space with the exquisite Lemongrass Leaf Brunch Wall Sconce from our Hortus line in the eclectic collection. Designed by the creative Cecilia Pantaleo, crafted from iron...

Elegant pair of carved wooden shelves, finely gilded with gold leaf. The shelves feature a cornucopia shape, embellished with intertwined leaves and scrolls, lending a refined touch ...

The category antique paintings, Landscape Paintings with River, proposed here is an oil painting on canvas, 20th century.  This is an antique painting, from the 1900s 1950s era, dep...

Sunnymoon jade silvered - satin silvered The capsule here features this iconic wall sculpture lamp, developed by Sabrina to deliver unmatched elegance and style Inspired by the b...

Pair of antique golden friezes with olive branches. They are from the French Empire period and are perfect. ref. O/7147.

Vintage Bathroom Set is an original design decroative item realized in Italy at Early 20th Century. Marble and Metal. The set includes: 1 Wall Mirror, 2 Wall Lamps, 1 Toothbrush Holder, 1 Towel Holder...

Ceramic shelf from Nove di Bassano with flowers and fair, hand-painted by Gian Battista Viero and made in the 19th century. Restorations have been carried out as shown in the picture...

Lithograph by Gianni Dova, created in the 1960s. Measures: Ø cm 60 H cm 84 Gianni Dova (Rome, 8/01/1925 - Pisa, 14/10/1991) was an Italian painter. He was among the protagonists of the Spatialist Movement that grew up around the Galleria del Naviglio in Milan and he signed several posters including: - the fourth (Manifesto of Space Art...

Pochoir Umberto Brunelleschi Early 1900 Art Deco Pochoir on paper Original wood frame "Brunelleschi" signed Very good condiction

N.4 ceramic wall tiles, 1930, square form, each framed, each signed Richard Ginori S.Cristoforo Milano Giò Ponti.

This sculptural wall light in stainless steel was designed by Campana Brothers. The brass base and gilded mirrors create a kaleidoscope of golden tones and reflections. The piece can...

Print from the Collection Botanique Trees representing Swamp White Oak, enriched with green and browm colors and nuances of watercolor, to make it more realistic. Another different ...

Beautiful reproduction of putti with pressed marble powder with wooden frame. Not able to give a year of production. Good conditions. Thank you

Antique French painting from the mid-19th century. Oil on canvas, finely painted, painting horizontally arranged, of great scale and impact. This painting depicts the Aldobrandini We...

French rectangular tapestry depicting vintage cavalry from the 1990s.

This antique and charming early 20th Century scenic wallpaper by French Zuber manufacture is made up of five rolls of wall coverings hand painted with...

Refined work by a painter from the first half of the 19th century, from the landscape of the "Rinpa" school by a painter from the end of the 18th century, the Rinpa school. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa is one of the major historical schools of Japanese painting. The style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan (1663–1743). This folding screen has a very clean design that leaves plenty of room for the beautiful golden landscape. It comes flat and you can easily hang it with our hooks. Lucio Morini...

This was my favorite horse: 40 years ago. I can still see him from the window. ref. O/5149

1980s Original rare gorgeous Patrick Nagel "Silver Foiled Sunglasses" printed poster (with 5-color printing process) Signature printed. Copyright 1983 Mirage Publishing Inc. Santa Mo...

This one-of-a-kind antique Italian Empire Period folding screen is a masterpiece of early 19th-century craftsmanship, dating most likely from 1801 during the Republic of Lucca. Pain...

Large French painting dated 1899. Oil painting on canvas, first canvas, depicting a view of a country village with characters and animals of good...

Morbelli porcelain “Gioiellò Germanico Periodo Ottaviano” wall plate worked with pure gold 1983, Italy.

Rare poster designed by Enzo Mari "Ontwerp en Produktie. Voorwerpen van Angelo Mangiarotti, Enzo Mari, Bruno Munari. Produktie B. Danese" exhibition held in 1966/67 at Stedelijk muse...

This large Italian Baroque oil on canvas, dating from the late 17th century represents an exceptionally vivid battle scene with the unusual subject of a brigand ambush on a stagecoac...

Light blue decorative wall panel with white and gold reliefs, handmade in Italy by Cupioli. Elegant decorative wall panel, made entirely by hand, inspired by the iconic Wedgwood cer...

Rosenthal 11 Antique Christmas Wall Ceramic Plates Collection, 1932-1943 A beautiful and rare selection of 11 Rosenthal wall plates with Christmas decorations that are lovely to loo...

Italian painting from the first half of the 20th century. Oil painting on canvas, first canvas, depicting tavern in eighteenth-century style with characters and horses. Very pleasant...

'Pagliacci - The Clowns. A study in Ink. Signed Cagnoni and drawn in 1910/1920. One clown rests nonchalantly against a wall while the other is doing a rope trick. Ink on paper. In or...

I offer for sale a copper sculpture panel made in Italy around the middle of the 20th century through the artisanal technique of metal embossing. Purchased during the dismemberment o...

Pencil drawing depicting a two-seat biplane airplane for reconnaissance Albatros C III produced in 1916, by Riccardo Cavigioli. Measure with frame cm 53.5 x 31.4 - inches 21 x 13. ...

"La Buona Stella" Tapestry designer Ettore Sottsass prod. Interflex 1993 Screen-printing on quilted Fabric Tapestry Label manufacture sewing on the back Perfect Condiction Limited ...

"Una proposta per la lavorazione a mano della porcellana" rare poster designed by Enzo Mari for his new collection presented by Danese in 1973. Printed by Lucini.

An eclectic personality, from his early days he was active in the fields of architecture, painting, graphics and set design. He graduated in architecture from the Milan Polytechnic i...

Light sculpture Curved acrylic sheet, Lighting with light tubes "The intervention of an artist, citizen of the world, like Marco Lodola has created a climate of high cultural as well...

Italian Mid-Century Modern Anamnesi acrylic paint work on canvas by Lucio Del Pezzo, 1960s. Colored acrylic paint work on canvas entitled Anamnesi with abstract subject with multicolored geometric shapes, on a mustard-colored background, and wooden frame with friezes with a golden finish. Drawing by Lucio Del Pezzo from around 1960s. Good conditions. Measures in cm 91x3x70h If you are interested in this product or need photos or additional information, we are available to respond any question as soon and quickly as possible. Remember to check our product in the listing of this our store, where we present fantastic original vintage products...

BUTTERFLY The free dance movement For more than 22 years, Sabrina Landini pays homage to glass surfaces in her expression of silvered masterworks, the hallmark of her collection. S...

The Albero velvet tapestry features a unique technique that combines natural pigment dyeing with colored paste painting to achieve a deep, intense chromatic effect and sophisticated ...

Color: Brown Bronze Designer: Costantino Gucci Designed by hand in Digital Art Project Miscellanea Graphic dev: Pattern Collection: Racconti Dimensions: customizable Made in: Italy ...

Politipo M by Alberto Biasi is an optical variable panel. Edition of 50 created at Centro Duchamp. Label on the back by Archivio Alberto Biasi. Materials: Pvc stripes on painted w...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. A perfect combina...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

Sculpture Plate Arnaldo Pomodoro Ceramiche Rossicone, Milan Italy, 1982 Lusterware Ceramic Plate Limited Edition 30/50 Artist Sign under the base Excellent Condiction

Antique 18th-century Italian painting. Oil on canvas artwork inspired by Luca Giordano's famous masterpiece, Christ and the Adulteress, an original from the second half of the 17th c...

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

Substantially large (63" diameter), round, tinted glass in a beautiful and rare deep amber bronze hue, thermoformed into a sculptural concave form (i.e. the round surface curves inwa...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Black Oval Flower Inlay Painting and Gold Frame Handmade by Cupioli Italy. Oval wall painting, handcrafted by our artisans using the ancient Italian technique of scagliola inlay . Th...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Reinterpreting sacred Byzantine mosaics, these refined tiles from the Bisanzio Collection are made of Pietra Fenice stone and Bianco Fenice stone with honed finish, enriched with circles in polished pink marble, rectangles in polished azul macauba marble, and copper strips with a satin finish. The name Hagia translates to "holy" and celebrates ancient sophistication. Each single tile...