Italy - Paintings

We are pleased to present this early 20th-century oil on canvas painting. This splendid portrait of a young woman is signed lower right in red: G. Maldarelli and dated 1917, likely b...

Antique 18th-century Italian painting. Oil on canvas depicting a sacred art subject, the Marriage of the Virgin with Saints and Angels, with good pictorial quality. The painting unfo...

We present this splendid oil painting on canvas of the English school, 19th century. The painting has a signature on the lower left but the artist has not been identified and the pai...

We are pleased to present this captivating religious painting of the Italian school, painted in oil on canvas in the 18th century. This wonderful painting depicting the Madonna in pr...

Antique Italian painting from the first half of the 17th century. Oil artwork on canvas depicting an allegorical subject, Game of cherubs, of excellent pictorial quality. Painting of...

A watercolor finished print, depicting three horses with jockeys running. Solid cherry wood frame, polished and beeswaxed. United States circa 1900.

Flemish painting from the first half of the 17th century. Oil on canvas artwork depicting a religious subject of great charm, Saint Jerome in his study. He lived between the fourth a...

Numbered lithograph created by Emilio Dadini in the 1970s Ø cm 70 h cm 50 Emilio Tadini was an internationally renowned Italian designer, known for his versatility and ability to r...

Ancient Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This genre scene painting is divided into eighteen squares bordered by a black frame and divided into three lines. The scene depicts the story of a couple with three children through the stories of their domestic life and their rural activity; each box has a caption written in the Amharic language. In the first line: they grind; they drink; …illegible… while they spin; they bring water. In the second line: comb, cut your hair; treats your teeth; grind; they bring the wood; they bring water. In the third section: they prepare beer; they prepare bread; they cook bread; they prepare lunch; while they eat; while they drink. This canvas is painted in shades of ocher and is mounteed on a ebonized frame. Dates back to the late 1930s. The canvas show minimal tears and signs of wear but we can customize a restoration. The human figures are characterized by unrealistic proportions of the head and body and depicted in static positions. This sense of fixity and the narration in successive chapters in domestic environments make the paintings easily intelligible and suggestive. A particularly fascinating aspect of Ethiopian art...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Miniature depicting a Vanitas Memento Mori painted in pencil on paper. The frame, made of ebonized fruitwood and finished with black wax, is round with a circleinside, bordered by a ...

Pair of oil paintings on canvas depicting the Gulf of Naples. In the background, at sunset, we can glimpse architecture and the erupting Vesuvius, while in the foreground is the sea ...

Antique Italian painting from the mid-18th century. Oil on canvas artwork depicting a landscape with characters and architecture along the river, of good pictorial quality. Finely ca...

The category Antique Paintings, Antique Portraits of Women offers a portrait of a Beautiful and Thoughtful Young Girl Dressed with an elegant dress, an Oil Painting on Canvas, 1800s...

Still life artwork, oil painting on canvas, vegetable and fruit with apples, pears, nuts and celery, cauliflower, chard, leeks, onions, garlic, carrots, aubergine. Still life painting rich and colorful. It also has a beautiful and original golden frame from the 19th century. The oil on canvas painting dates back to the nineteenth Century. The antique frame and the oil painting are restored. This still life oil painting is not signed, however, this is a French painter active in the 19th century. Restored Painting Oil on Canvas Gilded Frame Ancient Painting...

Frame with dimensions 126 cm. x 95 early 20th century, Austria - Vienna. The frame structure is made of fir wood, a material chosen for its lightness and workability, while the surfa...

Antique French painting Impressionist oil painting "Landscape with flowering heather" executed by Gaston Anglade in the late 1800s.The author was born on September 29,1854 in Bordea...

Italian painting, signed and dated 1969. Oil on masonite artwork depicting a large, attractive female nude. The painting is adorned with a simple wooden frame with some minor signs o...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

Nature morte di fiori in vaso di scuola italiana del XVII secolo, coppia di due dipinti senza cornice. Olio su tela con sfondo scuro e fiori finemente definiti. Questi dipinti, natur...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Antique 19th century Austrian painting. Oil on canvas artwork depicting a female portrait, a young noblewoman in a pose of good pictorial quality. Pai...

This splendid painting depicts in detail a bright view of a mountain lake,note the fine definition of details and the valuable perspective depth that give the work a feeling of pleas...

A watercolor finished print, depicting four greyhound dogs. Solid cherry wood frame, polished and beeswaxed. United States circa 1900.

Lithograph by Gianni Dova, created in the 1960s. Measures: Ø cm 60 H cm 84 Gianni Dova (Rome, 8/01/1925 - Pisa, 14/10/1991) was an Italian painter. He was among the protagonists of the Spatialist Movement that grew up around the Galleria del Naviglio in Milan and he signed several posters including: - the fourth (Manifesto of Space Art...

17th Century, Italian Oil on Panel Painting Depicting Madonna della Purità The painting, executed in oil on a circular wooden panel and presented in an imposing carved and gilded wo...

Female sacredness is recurrent in this artist's pop-surrealist works. The splendid priestess crosses the metaphysical architecture of her palace, embodying the archaic mystery of femininity. On a panel of fine cotton pictorial canvas, the piece is complete with an American box frame in basswood. Signed and numbered limited edition...

Large French painting dated 1899. Oil painting on canvas, first canvas, depicting a view of a country village with characters and animals of good...

The category antique paintings, Landscape Paintings with River, proposed here is an oil painting on canvas, 20th century.  This is an antique painting, from the 1900s 1950s era, dep...

Antique French painting from the mid-19th century. Oil on canvas, finely painted, painting horizontally arranged, of great scale and impact. This painting depicts the Aldobrandini We...

This large Italian Baroque oil on canvas, dating from the late 17th century represents an exceptionally vivid battle scene with the unusual subject of a brigand ambush on a stagecoac...

Italian painting from the first half of the 20th century. Oil painting on canvas, first canvas, depicting tavern in eighteenth-century style with characters and horses. Very pleasant...

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...

Oil on canvas, Vase of Flowers by Francesco Caldei, known as Francesco Mantovani, Mantua 1584-Venice 1674. This is a painting created around 1600 by Francesco Caldei, known as Franc...

This was my favorite horse: 40 years ago. I can still see him from the window. ref. O/5149

Elegant Italian painting from the 18th century. Oil painting on canvas depicting a portrait of a young gentleman, of good pictorial quality. The particular hairstyle and refined clot...

Large Italian painting signed and dated 1898. Oil on canvas, first canvas, artwork depicting a portrait, Milanese noblewoman, of good pictorial quality. Painting of great size and im...

Italian Mid-Century Modern Anamnesi acrylic paint work on canvas by Lucio Del Pezzo, 1960s. Colored acrylic paint work on canvas entitled Anamnesi with abstract subject with multicolored geometric shapes, on a mustard-colored background, and wooden frame with friezes with a golden finish. Drawing by Lucio Del Pezzo from around 1960s. Good conditions. Measures in cm 91x3x70h If you are interested in this product or need photos or additional information, we are available to respond any question as soon and quickly as possible. Remember to check our product in the listing of this our store, where we present fantastic original vintage products...

Antique 18th-century Italian painting. Oil on canvas artwork inspired by Luca Giordano's famous masterpiece, Christ and the Adulteress, an original from the second half of the 17th c...

Splendid oil portrait on canvas of a gentleman in uniform, identified as Professor Moses Bosisio, mayor of Monza, who died in 1846, as reported on a plaque on the back of the paintin...

Rare extra-large (cm 59 x 85) antique watercolor from a collection of architectural details of Florence monuments painted in Italy in the mid-19th century. Black mat with gold hand ...

Oil on canvas, splendid View of Venice, unknown artist, with more recent gilded wooden frame,. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicative shipping costs in Italy: 170€ and Europe: 340€. Tags: Olio su tela, Veduta di Venezia. Óleo sobre lienzo, Vista de Venecia. Huile sur toile, Vue de Venise...

Antique 17th-century Italian painting. Oil on canvas artwork depicting Saint Francis of Assisi in meditation, of remarkable pictorial quality. The saint is depicted in a cave, next t...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

Splendid view of Venice signed M.C. and dated 1917. Oil on canvas, first canvas, painting depicting St. Mark's Square with a frontal view of the famous Basilica and the large bell to...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

The four 18th-century Neapolitan posthumously framed under-glass paintings depict biblical scenes from The Book of Jonah, specifically: 1. Jonah vomited by the Whale; 2. Elisha and t...

Flowers artwork, antique oil painting, still life with bouquet of white daisies flowers  proposed here is an oil painting on canvas of the Nineteent...

Asian Batik painting of Indian religion in wood frame, 1900-1990s Painting painted with the batik technique on fabric. The structure of the painting is divided into 5 circles, one at...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

Flowers artwork, oil painting on canvas, floral vase painting which represents yellow Daiseis, placed in two vases. In the background were painted the so-called "Pope's Medallions...

18th Century, Painting with Architectural Capriccio with figures, attributed to Isaac De Moucheron Measures: canvas cm H 108 x L 152; with frame cm H 132 x L 176 x 8 The painting i...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

Large historical painting 18th century, Italian school "Darius' mother pleading before Alexander after the battle of Issus." Oil on canvas 210 x 290 cm Painted with great strength...

Lithograph from the 1990s by Remo Brindisi, Italian painter. Measures: Ø cm 50 H cm 70. Realist painter of the twentieth century, he was born in Rome in 1918. His artisti...

A print mixed technique: the portrait of Jim, a Boston terrier dog. Signed. Solid cherry wood (Prunus Avium, Linnaeus 1755) frame, polished and beeswaxed. United States circa 1930.

The category Antique Paintings, Portraits Of Elegant Ladies offers a Large Oil Painting On Canvas Dell'800.  This is a portrait of a seated and elegantly dressed woman in a silk dre...

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

Great Italian painting from the first half of the 18th century. Oil artwork on canvas depicting a large still life with flowers of excellent pictorial quality. Painting that develops...