Italy - Paintings

Antico dipinto ad olio francese del secolo XVII,cornice originale dell'epoca.L'autore si ispira alle opere di Francois Boucher,dimostrando una buona capacita' esecutiva ,in questo ca...

Oil painting on canvas in Orientalist style, relined and framed in wood, made in France in the early 20th century. Measurements: 130 cm x H 114 cm x D 3 cm. Price INCLUDES the cost...

17th century, Flemish School Adoration of the Magi Oil on copper, diam. 19.5 cm Framed 35.3 x 35.3 cm Engraved on the back in seventeenth-century calligraphy "Fiamingo" Vivid wo...

Delightful painting of the Holy Family from the late 1800. Let's not forget that there were two world wars in europe, therefore we can acce...

19thC Still life with fruits Oil on canvas, 64 x 52 cm The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order on a table covered with...

Gaspar Peeter de Verbruggen the Younger (Antwerp, 1664 – 1730) and Pieter Ykens (1648 – 1695) Still Life with Fruit, Flowers, and Female Figure (Flora) Dimensions: Frame: W 143 cm x ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges"8, on the back of the painting we find a “Certificate of Authenticity”. Measures: cm 100 x 100 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984-2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

Antique Italian painting from 18th century. Framework oil on canvas depicting a portrait of a girl with a goldfinch of good pictorial quality. Framework of good size and pleasant fur...

Still life artwork, antique oil painting, Still life with fruit  proposed here is an oil painting on canvas of the Twentieth Century.  It also has an original Golden Frame. It is a composition with grape and fruit some vegetables and some tomatoes and some garlic, with a nice white ceramic vase nearby. Antique paintings on canvas, still life, Art Deco, signed DYF at the bottom right a French painter who was born in Paris but grew up in Normandy. DYF Marcel...

Beautiful piece of Italian painter. The Inspiring reason is the famous Anghari battle of Leonardo da Vinci.

We are pleased to present this early 20th-century oil on panel painting. This splendid nude of a young woman features a red signature on the back that is not perfectly legible, but i...

A fPapiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ about to stab the sleeping ...

Antique Nativity Christmas Italian oil painting on canvas, from first half 17th century. Anonymous painter (as usual at that time) and with an authe...

Refined oil painting "Portrait of a man with raincoat "executed in France in 1934,the author manages to fully capture the sensual gaze of the protagonist who seems to be watching us ...

19th century, by Giovanni Battista Salvi, known as Sassoferrato (Sassoferrato, 1609 - Rome, 1685) Praying Madonna Oil on canvas, 44 x 54 cm Framed, 88 x 60 cm Giovanni Battista S...

Giovanni Paolo Castelli, known as "Lo Spadino" (Rome 1659 – around 1730) Still Life with a Composition of Fruit Dimensions: frame cm L 76.5 x H 61 x D 6.5. Canvas cm L 55.5 x H 40 Th...

This is an antique landscape oil painting, mountain landscape painting with snow, early XXth century.  It is an antique painting, from t...

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th ...

Italian modern Abstract mixed media painting on paper and metal frame, 1972 Abstract style mixed media painting on paper. The gestural painting is characterized by rounded lines and...

The warrior women of the Scythians (behind the Greek ) mith of the Amazons ---------------- Very rare and amazing Deco painting, signed Yves, certainly 1923-1924: this painting makes...

Flowers artwork, oil painting, floral vase painting which represents peonies. Beautiful paintings of red, yellow, pink, white, peonies. It also has a golden frame realised in the 1800s. The oil on canvas painting dates back to the nineteenth Century. This floral oil painting is signed Miriam Rocher (XIX-XX) french painter. Dated picture 1896.  The antique painting and the gilded frame in pure gold leaf are restored. The painter uses colors with great skill, entering the strand of the impressionist painters who made their debut in 1874 in Pariginello photographic studio of Félix Nadar. So, we can consider this Flower Painting, Peonies Flower Art...

Flowers artwork, Art Déco, oil painting, floral vase painting which represents white and red Dahlias. It also has a golden frame realised in the 1900s. The oil on canvas paintin...

1600s Paintings of French Nobility 1600s Portraits of Nobility: Seventeenth-century Paintings Size: 18.5 x 14.6 inches French Artist Featured here are six oval paintings depicting ...

Oil painting on canvas, Colosseum. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Tags: Dipinto olio su tela , Colosseo. Óleo s...

19th Century, View of Piazza San Marco in Venice, Follower of Francesco Guardi Dimensions: frame, cm W 121.5 x H 105 x D 5.5. Canvas cm W 100 x H 81 The work, created by a Venetian ...

Nicolas Edward Gabe (Paris, 1814-1865) Blind man's bluff Oil on canvas, cm L 72 x W 58 (without frame); with frame cm H 98 x W 84 x D 8 The painting, made in oil on canvas, depicts s...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

Rare set of portraits of Napoleon with his wife Marie Louise of Austria. Hand painted and framed in ebony. ref. O/7439/2.

Orazio Orazi (1906-1979) Tempera on canvas "The bullfight at Cheval" 1949 signature and date on the front Italian painter very active abroad, recognized by the name of Orazì and m...

We are pleased to present this beautiful oil painting on canvas from the first half of the 20th century. This stunning, highly scenic painting unfolds in a long, horizontal format. T...

1681, Pair of Paintings signed Grechetto da Leone as Govaert G. VAN DER LEEUW Oil on Canvas Dimensions: cm W 91 x H 123 x D 6; canvas: cm W 72 x H 103.5 This pair of fine paintings,...

Portrait of a Young Woman in a Blue Dress, France, Late 18th Century Dimension: frame cm W 78 x H 85 x D 8; canvas cm W 54 x H 64 This refined female portrait, painted in France dur...

18th Century, Italian Pair of Paintings on Glass in Giltwood Frames This exquisite pair of paintings executed on glass is presented within finely carved and gilded wooden mirrors da...

Oil tempera on canvas "The Annunciation" Period: 17th century This beautiful canvas fits into the pure Emilia-Bolognese iconographic tradition of the seventeenth century, captiva...

Beautiful Flemish painting painted in oil on panel depicting a gentleman in elegant clothes. Within a molded and gilded wooden frame. MEASUREMENTS: overall 78x63 cm, work 63x49 cm

A painting containing an ancient anatomical drawing in pencil and ink of four views of a skull, created for the creation of anatomical tables. The antique frame, made of fir wood wit...

Emilian school, 18th century Madonna and Child Oil on panel, 45 x 24.5 cm Framed, 62 x 44 cm This Madonnai Enthroned with Child fits into the context of the 16th-century Emilian...

Questa splendida coppia di dipinti a olio "Paesaggio" si basa formalmente su un naturalismo che insegue una verosomiglianza nella rappresentazione della realta',anche attraverso un pittoricismo che abbozza la forma con una pittura veloce,carica di vibrazioni luminose e cromatiche.A livello compositivo le due tele sono in linea con un elegante gusto Jugendstil,con una composizione che predilige forme esili e sfrutta le forme vegetali per comporre prezioso intreccio decorativo.L'autrice di questa coppia di paesaggi presenta una notevole tecnica di formazione accademica,che si esplica in un'alta ricerca di resa naturalistica.L'artista mostra anche di essere un rappresentante dell'ambito Art Nouveau di inizio XX secolo ,in una composizione dal disegno complesso e che riporta anche qualche ispirazione di gusto esotico,soprattutto dall'arte giapponese...

Beautiful pastel painting "Vase with Flowers" executed by Jaak Van Den Seylbergh in the 1940s-50s.The author falls into an exquisitely academic type of production,within a conception...

Oil on canvas, (attribuito Giacinto Brandi , Roma 1621 – 19 January 1691 ) L'educazione di Bacco ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST ...

The work depicts a hearty breakfast consisting of sausages, bacon, eggs arranged on a plate. The artist uses a painting technique that enhances the texture and volume of food, with ...

The category Female Nudity Paintings, features a nude of a woman lying in a bed, 20th century, 1930s-40s. Art Deco. The work is a painting, hand-painted in the early 1900s. It carr...

French oil painting "Female Nude" from the 1930s signed Chavarot,the author succeeds in excellently depicting one of the characteristic motifs of the period,female sensuality,using a...

Late 18th century French Grisaille Painting, oil on canvas. Mythological scene with the Greek God Pan and dancing putto figures with ivory painted an...

A painting containing an ancient anatomical drawing in pencil and ink of four views of a skull with muscle bands, created for the creation of anatomical tables. The antique frame, ma...

This original and fun custom canvas was made by Italian artist E. Art from the collective CB Art. Both the collective and the artist have made custom canvas for the most influential ...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

The painting depicts a noble and imposing knight on a majestic white horse, a scene that evokes the nobility and romance of the past. The use of vivid colors and the captivating comp...

Antonio Calza (Italy, Verona, 1653-18th April 1725) "Battle between Christian and Turkish cavalry with castle" The painting depicts a bloody battle between Christian and Turkish cavalry. Characterized by dynamism, intensity of color and light, the main scene occupies the lower horizontal section of the canvas, optically interrupted by the black fumes of the shots from which emerge, on the left, the towers of a fortress. On the right, in the distance you can see the combat in progress in the countryside, beyond which you can see the pale presence of hills that create a fifth, marking the horizon. To frame the scene contributes to the left, against light and in the foreground, a portion of the wall. The painter, however, introduces a horse on the ground, of which we see only the back, a ruse to involve the observer making him become active and participate in the scene. In the foreground, lifeless bodies, wounded horses and, scattered on the ground, weapons and a drum enhance the drama of the clash. The excitement and expressive force, the intense chromatic range attentive to the conditions of light and the fine brushstrokes, decisive and dramatic, suggests the attribution to Antonio Calza, one of the most important painters of battles of the seventeenth century, excellent student and continuator of the greatest interpreter of the genre, Jacques Courtois called il Borgognone (Saint-Hyppolite 1621 - Rome 1676). Il Borgognone, although not having had a real school or direct students, places itself as a primary reference point by the Italian and foreign "battaglisti". The genre of battle painting found great success in the collections of the Italian and European nobility of the seventeenth and eighteenth centuries. The battles of the Italian Renaissance, in which the scene converged towards a precise protagonist, evolve towards a type of combat "without hero". The bloody realism of the details and the dynamic development of the narrative confuse the figure of the protagonist, when present, to give importance to the swirl of horses and armed fighters, among which, moreover, does not emerge a winner. The certain documents relating to the life and movements of Antonio Calza are scarce; it was equally difficult to reconstruct, from the critics, a catalogue of autograph works. Through paintings in private collections, in museums and paintings passed on the antiques market it has been possible to identify a copious corpus of works that can be traced back to his hand. The work of art historians, together with that of antique dealers, in conferring proper attributions in order to best outline the figure of Calza, continues but studies are still in progress. In this sense, the work of Giancarlo Sestieri should certainly be noted, who investigated the artistic production of the battaglisti and Calza, thus allowing the comparison of the numerous photographic works reported, to identify and recognize the stylistic qualities that distinguish the corpus of paintings assigned to him today. Antonio Calza was born in 1653 in Italy, in Verona and in 1664 he entered the school of Carlo Cignani in Bologna, dedicating himself to painting battles and landscapes. He then perfected in Rome, where he knew the works of the then undisputed head of the sector, Jacques Courtois called the Burgundian. In 1675 he returned to Verona and married an 88-year-old widow who, dying, left him a rich inheritance. Much appreciated by the nobility and the bourgeoisie, he received numerous commissions. Bartolomeo Dal Pozzo (Le Vite de' pittori, de gli scultori et architetti veronesi, 1718) praises "three great paintings of battles...

Author : Biagio D'Antonio Mystic Marriage of Saint Catherine of Alexandria with Saint Jerome Period : 15th century Work by Biagio d'Anto...

17th Century, Italian painting with still life with fruit, dogs and cat Measurements: With frame cm W 93 x H 75.5 x D 4; Frame cm W 82.5 x H 66.5 The...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ. In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...

Magnificent Italian painting from the first half of the 19th century. Painting oil on panel depicts a splendid Virgin Mary, of remarkable pictorial quality. The young woman is portra...

Unique 1990s Mexican Painting on Wood - A Vibrant Expression of Folk Art Infuse your space with the rich cultural heritage of Mexico through this striking 1990s painting on wood. Th...

Papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. Depicting `the Reconciliation of Venus ...

Oil painting on canvas depicting the city of Venice, made by Remo Brindisi in the 1970s Ø cm 50 h cm 59 including frame A twentieth-century verista painter, he was born in Rome in ...

This splendid oil painting on canvas, in Neo-Renaissance style, depicts a young Florentine man from the Renaissance period. Its workmanship closely rese...

Girasoli e Dalie, Natura Morta di Fiori Italiana firmata Sorgiani risalente al 1930 Circa, dipinta ad olio su cartone riportato su compensato di pioppo. Questo quadro di fiori itali...

Beautiful oil painting on canvas, made on the first canvas and framed with a contemporary rectangular frame in carved and gilded wood. The painting represents a striking image of the...