London - Sculptures

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Leap of Faith" by Henk Jan Sanderman is a mesmerizing blend of...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Cracked Bear - Pink, 2019 Fabric, plaster, and pigment Edition of 500 + AP with a holographic label verifying its edition number and authenticity. 24.76 x 20 x 20 cm In mint conditio...

Ceramic Numbered 42 from the edition of 75 16.5 × 12 × 12 cm released in collaboration with DDT comes with original shipping box from DDT David Shrigley is a British artist celebrat...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

Colourfield by EDMUND DE WAAL (b. 1964) Ten glazed porcelain vessels Largest 9.2 high x 19.9 cm in diameter (3 ⁵/₈ x 7 ⁷/₈ inches) Impressed with the ar...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Original 4/8 2018 Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life...

"Stitched Up" by Katharine Morling – Porcelain Sculpture Installation of Sewing Machine - This piece is offered as a commission. Please allow about 8-10 weeks. Delicate yet bold, Th...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Sandra Shashou Tower - Balance 5, 2024 Herend, Royal Stuart Harlequin, Wedgwood , Royal Albert and Winton Porcelain Roses, Jesmonite, White Base, Resin, 135 x 37 cm 53 1/8 x 14 5/8 in

18th Century European School St George Slaying the Dragon Wood, gilded 8 inches in height, 6 3/4 x 4 inches base This 18th century carved and gilt wood statuette depicts the moment ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Silvered bronze with marble base

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

signed 'A. CARRIER-BELLEUSE' (on base)

Sandra Shashou Gold Heart & Vintage Royal Stafford Blue Tea Cup, 2022 Gold Fine Vintage Gold Porcelain coffee cups, Royal Stuart Spencer Tea Cups, Jes- monite and Resin. Series: Gift...

An exquisite little ram sitting on a pile of woodland branches, made by the renowned Dutch artist Carolein Smit. The sculpture is made of earthenware, hand-built & formed and finishe...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

Sympathetically capturing the essence of the urban landscape in his work, Jeff says - ‘I studied HND Art & Design at the Glasgow College of Building & Printing before working as a set artist for “the Complex” theatre, Los Angeles. I then went on to study BSc “Special Effects” at Southbank University, London, which led to employment in the Art/Special Effects departments on major movie productions including the Oscar-winning “Last Samurai” and Steven Spielbergs’ Oscar-nominated “Munich”. After several years working as a fine artist in the industry, I realised a lifelong ambition, setting up my own glass studio to research and work with the diverse materials and challenging techniques involved in the creation of multi-layered glass sculpture.’

Sandra Shashou Roses Are Forever R7, 2020 Rose Posy Vintage Porcelain made by Royal Doulton, Royal Albert and Aynsley, Jesmonite, Acrylic Paint and Resin 50 x 50 x 13 cm 19 3/4 x 19 ...

Impressed with artist's seal Glazed stoneware 6 x 3 inches

Piggy Bank, 2017 Grayson Perry Painted and glazed ceramic multiple With the artist's logo on the underside Published by the Serpentine Gallery, London Within the original grey cardb...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Eroded Carrera RS, 2021 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sc...

Cast aluminium with latex paint, brass, 1989, signed, titled, dated, and numbered by incision on a brass disk in base, from the edition of 75 (there are also 25 artist’s proofs), pub...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Adele Moreau constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropri...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Frank Stella K.52 2006 Stainless steel tubing and cast aluminium 40.6 x 40.6 x 26.7 cms (16 x 16 x 10 1/2 ins) FS10201 K Series The series is based on the Italian composer Domenico...

mounted, framed and glazed Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

Working in a variety of scales and mainly to commission, Sara's work captures the spirit and form of people and animals. Many of them are inspired by mythology, nature or circus.

Leonard Wells Volk was a famous American sculptor. He went to posterity after making one of only two life masks of United States President Abraham Lincoln. I...

Unframed size - 18.5 x 12.5cm Adele Moreau constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

framed in a box frame Adele Moreau constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

framed in a box frame Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books...

SaeRi Seo Blossoming amidst adversity, 2023 porcelain, black clay oxidation 1250℃ 20 x 14 x 14 cm 7 3/4 x 5 1/2 x 5 1/2 in. SAERI SEO b. 1992, Korea The ‘Moon Jar’ is a representa...

A fine and rare early barbers pole in original polychrome paint finish. Turned in one piece. A decorative and original piece of folk art. The white was for bandages, red for blood an...

Impressed with the artist's seal Porcelain, matte yellow glaze with manganese rim 3 x 6 1/2 inches

English Delftware blue and white plate, painted with a flower and bird design Diameter: 8 3/4 inches (22.25 cm) Delftware is also known as Delft Blue, was originally a general term ...

bronze with dark brown patina 72 x 69 cm (28⅜ x 27⅛ in.) signed 'L. MIGNON'; with an indistinct foundry inscription PROVENANCE: Private collection, London

This aluminium sculpture was created by the artist Ai Wei Wei. It is numbered in black ink from the edition of 20, on an affixed label. There were also two artist’s proofs aside from...

Circle of Henri-Gaudier-Breska 1891-1915 Reclining Figure Carved marble Height 5 inches Born Henri Alphonse Séraphin Marie Gaudier near Orléans in France, Gaudier-Brzeska started using his hyphenated name in 1910 when he met the Polish writer Sophie Brzeska. They moved to London together in January 1911 and adopted their new names and the identity of brother and sister in order to make their cohabitation respectable. Gaudier-Brzeska started to establish himself as a sculptor in 1912. Initially influenced heavily by Rodin, he later assimilated more influences from the modernist movement of cubism and from examples of non-European art he saw in London’s museums. He met the sculptor Jacob Epstein in June 1912, who further encouraged him to break with classical Greek tradition. While working from 25 Winthorpe Road in 1913–14, Gaudier-Brzeska became increasingly involved in London’s avant-garde art scene. He exhibited at the London Salon in July 1913, where he met the poet and arts patron Ezra Pound. Pound described Brzeska as ‘like a well-made young wolf or some soft-moving, bright-eyed wild thing’. Gaudier-Brzeska subsequently became associated with the vorticist movement led by Wyndham Lewis, contributing two important articles to Lewis’s magazine Blast and signing his name against the vorticist manifesto. He was also a founding member of the London Group, which formed when the all-male Camden Arts Group joined with independent artists to challenge the dominance of the Royal Academy of Arts. Other founding members included Walter Sickert, Robert Bevan and Spencer Gore...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Bronze miniature statue by Tom Merryfield marked No 67/95 Tom left the stage and took up drawing and sculpting as a full-time occupation and has never looked back. He has sculpted m...

ERODED SAFARI, 2022 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sculp...

Mixed metal multiple with lightbulb, 1990, signed in black ink, dated, numbered from an edition of 91 unique works, published by Edition Mönchehaus-Museum, Goslar, Germany, height: 5...

This painted polyester sculpture is signed by the artist ‘Niki’ on the base. It is also numbered from the edition of only seven on the base. There were three artist’s proofs aside fr...

signed 'A. Rivalta' (on the base)

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

David Swan Thing, 2023 Glazed ceramic sculpture with hand-drawn face 38 × 36 × 23 cm ( 15 × 14 1/5 × 9 1/10 in ) Edition of 40 Signed, numbered and dated on the base. Sold in the or...