Furniture in London

Modern ceiling suspended Quadris™ rectangular mirror with an exquisite handcrafted brass frame with a bronze patina finish. Available individually or as a set, this mirror is fully ...

A new version, with a secret compartment, of our American black walnut hand-crafted nightstand tables . These are constructed from the finest American black walnut with the inner tra...

The Flute Wall Light XL is the latest addition to the Flute Wall family. Designed specifically for the US market, this enlarged version has a grander, more substantial feel to the st...

This is a superb antique early Victorian flame mahogany architectural twin pedestal sideboard, circa 1850 in date. The rectangular top having a thumb moulded edge above four drawer...

An Italian 1960s Cristal Arte oval mirror with pastel mint green mirrored frame. The mirror can be hung landscape or portrait and is in good overall condition.

Reminiscent of early modernist furniture and embracing the curved edges and rounded silhouettes found in Nature, this bottoman (an ottoman to sit your bottom on), is swathed in fores...

An intricate coffee table by Knut Hesterberg for Ronald Schmitt made in the 1970s. The frame is made out of brushed aluminium steel following an intricate organic continuous interloc...

A stylish, functional and minimalist Vintage Swedish IKEA PS 2017 Collection table or wall lamp designed by Ola Wihlborg. The design resembles a searchlight from WWII to spot enemy ...

This iconic writing desk was designed by Nanna Ditzel and produced by master cabinetmaker Søren Willadsen in Vejen, Denmark in 1955. It remains one of Ditzel's most sought after and ...

This is a fabulous antique French silver and cut crystal butter dish with domed lif off lid and stand, circa 1880 in date. The round butter dish features a domed lift-off lid decora...

Townshends. Birmingham Brassfounders. An Arts and Crafts revolving tripod magazine rack made of brass and oak with stamped makers mark.

"Wild thing, you make my heart sing." Those famous lyrics are certainly true of this covetable cushion, which unites two of our favourite wild things: our House icon, SABER the tiger...

Authentic 'Office Chair' from the administrative buildings of Chandigarh (Ref. PJ-SI-28-B). In excellent condition - joints have been restored and cane work replaced. Pierre Jeanneret (22 March 1896 - 4 December 1967) was a Swiss architect who collaborated with his cousin, Le Corbusier, designing furniture for Le Corbusier's vast modernist complex at Chandigarh. Jeanneret remained for over 15 years as the project’s chief architect and the city remains a masterpiece of the modern vision. The pair pioneered a new aesthetic that placed function and order over embellishment—Jeanneret’s work imbuing the strict geometry of modernism with lighter materials like cane and wood. Jeanneret also collaborated with other modern masters, Charlotte Perriand on experiments in aluminium and wood, and Jean Prouve developing prefabricated housing. Literature: Catalogue Raisonné du Mobilier: Jeanneret Chandigarh, 2019. Le Corbusier, Pierre Jeanneret, The Indian Adventure...

A pair of large oval convex mirrors with distressed foxed finish. Bronze patinated simple brass banded frame. Fixed hooks on reverse for hanging either portrait or landscape.

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Beautifully hand-turned and handcrafted English oak and walnut side table. The top surface has a pillowed ripple turned underside and the base a superb cushion rounded rim taper asce...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

G Plan from the Fresco range designed by VB Wilkins. A longer than usual mid-century teak sideboard.

This is an impressive large antique George V sterling silver Corinthian column table lamp bearing hallmarks for Sheffield 1910 and the makers mark of the world renowned silversmith W...

A wonderful 1970s woven green rattan three drawer console table by Vivai Del Sud with brass ring handles.

This is a wonderful antique Art Deco malachite solitaire board complete with  malachite marbles, Circa 1930 in date. Add this lovely set to your collection. Condition: In excellent...

Elegant mid-century style Vintage series 2 ceiling suspended mirror with a high quality handcrafted bronze patina brass full frame inspired by the celebrated work of Italian designer...

A large Victorian armchair or club chair newly re-upholstered in a crushed burnt umber coloured velvet. The roll back and arms with piped edges, new brass casters with studded legs. ...

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

Original antique poster - Eclat Du Jour / Brightness of Day - by the notable Czech illustrator, graphic artist and painter Alphonse Mucha (Alfons Maria Mucha; 1860-1939) from his ser...

A very large and superior quality Louis XV style Rococo surround in rare Breche Violette marble. The deeply carved jambs and frieze in typical Rococo manner with stiff acanthus and s...

This refined, slim-cut lapis lazuli slab from Afghanistan showcases an exceptionally deep, velvety blue with subtle golden pyrite flecks and faint calcite veining. Despite its slen...

This is a wonderful antique late 18th century Dutch burr walnut and marquetry bombe' bureau. It has been accomplished in burr walnut, with exquisite hand cut floral marquetry typica...

Original vintage Soviet space poster - Let's study, work, grow Let's pave the way to distant stars! / Будем учиться, трудиться, расти К звездам далеким проложим пути! - featuring gre...

A very large and striking ebonised Italian sideboard with vellum clad doors. Beautifully constructed with three lockable compartments, each with one interior shelf. Believed to...

Case comprises of delicate brass arms encased in crystal glass tubes. All joined with solid brass sphere connectors to allow for multiple configurations and size options.

England, circa 1710. An important George I secretaire bureau in finely veneered ‘mulberry wood’ attributed to Coxed & Woster, with satinwood crossbanding, rosewood mouldings and pew...

An impressive floor lamp by the creator of the 'Acapulco Look' Arturo Pani. This floor lamp in brass plated and verdigris supports three heart shaped shades on its branches making no...

Jean ROYERE (1902-1981) Two-arm Tour Eiffel wall light in black painted and gilt metal. Circa 1950. Dimensions with lampshades: H 48 x W 85 x D 31 cm Dimensions without lampshades:...

Monumental terracotta oil jar from Luberon region, SE France. Incredibly original thing, historic repairs, thick flaky glaze and even the cork stopper hole. Super robust and stab...

A distressed silver convex mirror, with bronze finish frame. Contemporary.

This is a beautiful oil on canvas painting of the view of the The Punta della Dogana by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right and verso, 'A...

Mid-century decorative platter (circa 1960s) by Albert Thiry. A large sunflower springs to mind looking at the platter. Both visually stunning and tactile at the same time, the deepl...

Our House has produced many a feat in its time and now, we've brought the dodo back to life. Atop this British-made cushion, coated in supremely soft velvet in our signature shade of...

Charming and elegant bronze Indian decorative bowl, vide-poche. The piece is entirely handcrafted with great skills and talent. Cast using very traditional techniques, the bowl is p...

A square almost cubed set of end or side tables in well configured Burr Elm. Possibly by J C Mahey or another similar designer for Roche Bobois. Tables are in good condition and ver...

A tall and slim gold gilt mirror with delicately decorated frame and ribbon tied crest. Can be either wall mounted or floor standing. The foliate and laurel leaf carving is fine and ...

This is a beautiful antique French Grand Tour dark patinated bronze and ormolu urn with ormolu liner, C1850 in date. This stunning bronze is superbly cast and has an elegant brown...

Victorian walnut armchair A Victorian walnut armchair of good proportions. Fully restored and covered in calico. Loose cover made in 'Old Flax, Ivory' by ...

Art Deco dining table by French designers Adolphe Chanaux (1887-1965) & Gilbert Pelletier. Chanaux is famed for his association with Jean-Michel Frank with whom he worked with from...

Original and unique organic shaped Ergon™ suspended mirror with a modern matte black frame. The back-illumination creates a beautiful mood light when installed in front of a wall. De...

This stunning pair of wall sconces from Andrew Kornat Designs are 100% handmade from scratch from a single sheet of hand cut thick grade sheet brass, curled by hand into a scroll sha...

This shelved side table by Guillerme et Chambron for Edition Votre Maison, dating from the 1960s, is made of waxed oak. Compact in scale, the design features a rectangular top surfac...

This is a beautiful pair of English Ballroom crystal chandeliers each with forty-one lights arranged over three tiers, and circa 1920 in da...

Antique Chinoiserie style bamboo and rattan card / mahjong table featuring beautifully hand-painted Asian herons or egrets (circa 1910). "Bamboo goes in and out of style, but it has ...

Pair of Sino-Tibetan Silver Ritual Lamp Stands Tibet / Himalayan Region, Late 19th–Early 20th Century Pair of Sino-Tibetan Silver Lamp Stands, Late 19th–Early 20th Century A finely ...

Circular push-pull door handle in brass, with hammered texture. Mid-20th century. Found in France. The handle is made up of two separate pieces with hammered texture; each trimmed w...

An early 19th Century Regency period mahogany Drum Table of attractive small proportions, ebony strung throughout, having circular top with central “money compartment” above frieze d...

A pair of French side tables in cream lacquer and brass with clear glass tops. The up rights, cross frame support in lacquer with brass accents. The tops sunken in a brass framed bo...

Handmade shell wall-mounted sculpture in silky smooth white plaster, created by artist Hannah Woodhouse in her London studio. Contemporary design insp...

Reminiscent of the lush colour and luminous cheerfulness found in Gustav Klimt's paintings of flower gardens, HOLLYHOCKS was created especially for House of Hackney by American artis...

Original French film poster for Mickey Mouse - Silly Symphony 1938. To-date this is believed to be the only known surviving example. The Silly Sympho...

This fine Roman marble head fragment, with broad nose, soft lips, and bearded chin, captures the likeness of one of the most important playwrights of...

A monumental Moorish mid-Victorian wrought iron Pergola or Decorative Garden Structure, a unique masterpiece in High Victorian Ironwork design. Ou...

Shapland and Petter This is an Arts and Crafts oak hall cupboard with a Ruskin circular jewel to the top and a hat storage shelf to the top. Twin panelled doors open to reveal hangin...