London Figurative Sculptures

A highly decorAtive pair of late 19th Century bronze candlesticks with two mermen knelt on bronze tripods ornately decorated holding up the candle holders with excellent hand chased ...

A striking early 20th century Austrian bronze group of an Bedouin man standing next to his camel by the side of a palm tree on a naturalistic raised base, the saddle on the camel ope...

This charming set comprises twelve decorated figures and figural groups that one might encounter on a stroll through an 18th century town. The set includes animals, musicians, dancer...

This beautiful patinated bronze sculpture was designed by Jean-Baptiste Carpeaux, and cast by the Susse Frères foundry. The work portrays a young Neapolitan fisherboy, who sits on a naturalistic base, crouched holding a shell to his ear. The work is signed 'J. B. Carpeaux' and has Susse Frères foundry marks, and is set on a veined green marble plinth. This stunning antique French bronze sculpture presents a unique opportunity to collect one of the original models of the young Neapolitan fisherboy by Jean-Baptiste Carpeaux. The original model for this delicate antique bronze sculpture of a fisher boy...

An excellent late 19th Century patinated Art Nouveau bronze study of a naked beauty standing on a podium with a cape draped over her shoulders, raised on a marble plinth and signed ...

A very fine Mid-20th century clear and frosted glass figurative study trophy in the form of a jazz musician playing a saxophone with excellent crisp handcut detail, signed and with original sticker. ADDITIONAL INFORMATION Height: 21 cm Condition: Excellent Condition circa: 1950 Materials: Clear Glass ABOUT Cristallerie de Sèvres is born in 1750 by the initiative of Madame Pompadour. However, it was not until the reign of Charles X when the true splendor of Cristal de Sèvres occurs. This has only been possible thanks to the remarkable quality of its products, including his famous “Opalines”, crown jewel, or the wonderful pieces set in silver and gold and released in the Universal Exhibition of 1878. In just a century and a half, Cristal de Sèvres and their luxury glassware conquer the “art de la table” lovers, with its aesthetic with the times, its timeless sophistication and its famed crystal Craft...

A flower shoots outward from a tapered stem, one generous curl of iron forms an imitation of a leaf. With the Fior di Loto, Salvino Marsura reduces plant form to its purest geometry....

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A statement patinated plaster academic study of an oversized foot, cast from a classical sculpture. French, c. 1890.

Atlas bronze of excellent casting and definition standing in and unusual pose with hands on his hips and normally with a globe on his shoulders in this depiction it is Atlas alone. A...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

A tremendous early 20th century Art Deco bronze group of a strong athletic man holding the leashes of four powerful hounds as they strain to be released. The bronze exhibiting a rich green patinated surface with excellent hand finished surface detail, signed ?Kelety ?and numbered '10' Alexandre Kéléty...

"Girl and Fruit" by Franz Bergman An excellent early 20th Century cold painted bronze study of a young Arab girl sat beside her basket of fruit with excellent naturalistic colours a...

A charming early 20th Century bronze vase decorated with a dragon appearing from a lake, its body in the of the vase handle and a putto pearing round the corner with excellent colour...

An exceptional and well-studied large-scale carving of a torso in black basalt after the Roman antique. Depicted life-sized, standing in contrapposto with his weight on his left leg,...

A very fine late 19th century bronze figure of a young lad dressed in period attire holding a broken jug, with excellent rich brown patina and fabulous hand finished surface detail, signed & titled ADDITIONAL INFORMATION Height: 20 cm Condition: excellent original condition Circa: 1890 Materials: Bronze SKU: 8279 ABOUT Charles Anfrie...

An elegant mid 20th century frosted and opalescent glass figure of a naked kneeling lady with fine hand finished detail and good sky blue colour, signed Lalique France ADDITIONAL INFORMATION Height: 8 cm Condition: Excellent Condition circa: 1960 Materials: Opalescent Glass SKU: 20011 ABOUT Lalique Floreal Originally designed by René Lalique this vibrant model of a seated Art Nouveau beauty with flowers in her hair was originally produced between 1942 and 1947 and later re-issued by Marc Lalique in clear and opalescent coloured crystal glass...

A very fine mid 19th Century Animalier bronze study of an alert pheasant with its head raised and turned to the right with rich brown lightly rubbed patination and fine hand finished...

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

An excellent early 20th Century cold painted Austrian bronze study of a harem beauty standing on an oriental rug with a young boy carrying the trail of her dress with excellent colou...

Bonsai Tree by Pierre Salagnac Material: Bronze, 24K gold, brass Dimensions: H 61 x 56 x 59 cm Type: one-of-the-kind Year: 2023 Revealing the organic curves of nature in the metal block with great talent, Pierre Salagnac has made a name for himself in the world of interior design thanks to his Bonsai Trees that he has “planted” all over the world. The artist creates the trunk by sculpting the shape and texture directly into the bronze material. The 265 different models of leaves are molded, casted and chiseled one by one then finished with 24k gold. The floor part is sculpted from brass and also finished in 24k gold, before being embedded in a traditional Japanese ceramic pot...

A bronze figure of the dying Gaul after the Antique, on verde marble base, Italian, nineteenth century. Dimensions: 30.5cm (12") High, 35cm (13¾") Wide, 65cm (25½") Long, 13.5cm (5¼...

A terracotta sculpture depicting a sitting female nude, attributed to Gabriel Eugène Coquelin (1907-1996). French, c. 1930s.

An impressive mid 20th Century clear and frosted glass study of a resting eagle. The glass figure exhibits excellent hand finished surface detail, signed Lalique France ADDITIONAL I...

Antique Angel Painting, Religious Angel Painting, Antique Angel Sculpture, Antique Dummy Board, Antique Religious Painting, Antique Religious Sculpture, Gothic Antique. 19th Century Religious Dummy Board Oil Painting of Angel...

Known as the ‘Augustus of Prima Porta,’ the original bronze version of this sculpture was created c. 20 BCE. That original has been lost since antiquity but is known today from a mar...

An endearing early 20th Century Spanish patinated gilt bronze study of a young girl sitting upon a stool whilst putting on her shoe. The surface of the bronze with excellent rich ...

A very fine early 20th Century gilt bronze group of cupid riding on the back of a Centaur with execellent golden patina and very fine detail, raised on a marble base ADDITIONAL INFO...

A large bronze classical Roman figure of Mercury, after Giambologna (1529 1608), holding the caduceus & wearing his winged helmet, standing on one foot above the mask of Boreus, the ...

A very fine late 19th Century Art Nouveau bronze figure of a young girl sat upon a well feeding a small bird, exhibting excellent rich brown variegated patina and very fine hand fini...

A fine pair of Italian Grand Tour patinated bronze gladiators. One with his dagger drawn, the other about to draw his. Both in plumed helmets. Superb ...

A very large parcel-gilt bronze figural sculpture: “La Jeunesse” By Henri Michel Chapu (1833-1891) Signed Chapu, F. Barbedienne Foundeur Paris, Seal Achi...

An antique French bronze model of the Wounded Amazon by Barbedienne, mid-nineteenth century, with rich brown patina, stamped to the base.

A fabulous and very large early 20th Century silvered and gilt bronze figure of an Art Deco beauty holding a palm branch above her head, a particularly rare subject from this famous ...

Bruno Zach (Austrian, 1891-1945), bronze sculpture of a female dancer in patinated bronze on a round marble base, signed Zach in the bronze

A Gorgeous French Art Nouveau style statue in bronze showing a semi nude moon girl. The Patina is superb to the bronze as is the ornamentation to the moon. A Black marble for pedesta...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

This elegant gilt bronze (ormolu) fireplace fender was created in France in the late 19th century. The item will add splendour and beauty to a fireplace, making it the focal point of a room. The fender features a pierced rail which is decorated with a central cartouche, flanked by stylized acanthus leaves. The ends of the fender are topped by full-length, semi-nude figures. These include a beautiful young woman and a bearded male, holding a blacksmith’s hammer. The latter can be identified as Hephaestus (or Vulcan), the classical god...

Grand tour bronzes of fighting men set on Sienna marble bases of very good colour. The two warriors in full armour and looking like medieval or renaissance soldiers are in a fighting stance both carrying shields and one carrying a mace and the other a battle axe...

A fascinating large hand carved Shetani figure from the Makonde people of Tanzania. Named 'Daudi' which roughly translates to 'beloved'. The Shetani carved figures represent good spi...

"Daphne" by Ernst Fuchs Dramatic gilt and black patinated bronze study of a seductive young woman holding aloft a feathered display, raised on a domed base, signed and inscribed on the underside Euro Art - Venturi Arts 0998 from the limited edition produced by this foundry ADDITIONAL INFORMATION Height: 41 cm Condition: Excellent Original Condition Foundry Venturi Arte Circa: 1970 Materials: Bronze SKU: 8193 ABOUT Ernst Fuchs (13 February 1930 – 9 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh. At the Academy, he met Arik Brauer, Rudolf Hausner...

Expressive wall relief of abstracted human figures is dynamically sculpted in rough white clay, which shows its texture by the hand markings of the artist almost into a three-dimensi...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

These fine and large French candelabra date from the Empire period of the 19th century and beautifully contrast the different finishes of gilt ...

Girl seated' One of a kind abstract figure sculpture hand crafted and cast in bronze in the lost wax process. Size 28cmH x 7cmW x8cmD One of a kind and signed.

"Invasata" - unique piece, 2020, glazed earthenware. Andrea Salvatori (Italy, 1975) is a visual artist working in ceramics to realize ironic and wi...

A superb quality bronze sculpture of Cupid with his bow by the renowned French artist Gustave Doré, made in Paris, France, c. 1876. Entitled ‘Amour lançant une flèche’ in French, th...

Pair of figural candelabra by Elkington, Mason & Co English, circa 1860 Height 44cm, width 26cm, depth 20cm This pair of three light figural candelabra is made of silvered-bronze. The candelabra take the form of a male and female figure in exotic dress...

This rare cast bronze sculpture was designed and crafted by multidisciplinary Italian artist and designer Urano Palma (1939 – 2010). A figure of the Avant Garde, his sculptures cross...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...

A stunning and monumental pair of carved stone statues, depicting Saint Mark and Saint Luke English, circa 1820 The statues stand 2 meters tall, they were originally housed in the e...

A 1920's original Art Deco bronze figure of dancing lady holding a ball on a Rosa Verona marble base. Signed.

This fantastic and well-proportioned Mexican primitive figure depicts a man seated, covering his mouth with detailed, patterned clothing. The sculptu...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

This fine antique French sculpture depicts a moment from one of the most famous tales from Classical mythology, that of Perseus and Andromeda....

This beautiful piece consists of a patinated bronze female figure holding an urn with a glass flame, which serves as a lamp, all standing on a tall and finely decorated wooden plinth...

A pair of stone composition models of reclining putti, in Rococo style, 20th century, probably representing Summer and Autumn, modelled as opposing, each reclining on a foliate mould...

This large antique porcelain figure depicts a Jewish Rabbi with a siddur (prayer book). It is a charming piece of 19th century European porcel...

This pair of sculptures by Jean Jules Salmson, made of patinated bronze, depicts a male Arab warrior (‘Le Guerrier Arabe’) and a female water carrier (‘La Porteuse’). The male figure presents a dominant posture, his right elbow extending strongly into space. His weapons of war accompany him on his body: the hilt of his sword and handle of his pistol protrude from his sashed waist, and his long rifle...