Los Angeles - Decorative Objects

Back to the drawing board! A remarkable piece for spurring conversation at home or for capturing attention in a store display. This massive vintage trompe l'oeil pencil is made of on...

A beautiful open box hand crafted of Russian Malachite. The box is simple and can be as decorative as it is useful. A compliment to any desk or work station, bedside to store every...

Sheep Sculpture (Female) Cream Lacquer Antiqued Copper Hand Repoussé Limited Edition Contemporary Sculpture has a lacquered body and exposed copper face and feet which can patina ove...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A beautiful Sea Shell of good size mounted on stand with metal rod... the base is also a very heavy piece of metal with nice detailing. The piece is a nice addition to any side tab...

A magnificent cut crystal Box with Brass closure and hinge. The condition is very good with no chips or cracks. A compliment to any cocktail table, desk, side table or work stati...

Vintage ceramic planter box with Adam and Eve depiction engraving on front and back. In original condition with heavy signs of visible wear inc...

A superb quality and palatial pair of French 19th century lifesize cast-iron sculptures - torcheres of Native American Indians titled "L’ Indienne" designed by Jules Salmson (French, 1823-1902) and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a Native American Indian male and a female scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, raised on cylindrical cast-iron stand. Signed/cast on each pedestal: “VAL D’OSNE”. (Electrified). Paris, circa 1870-1880. Overall hHeight: 127 inches (322.6 cm) Pedestal height: 39 inches (99.1 cm) Indian man's width: 22 inches (55.9 cm) Indian man's depth: 26 3/4 inches (68 cm) Indian woman's width: 28 inches (71.1 cm) Indian woman's depth: 25 inches (63.5 cm) These fantastic and impressive pair of cast-iron sculptures, most likely representing Hiawatha and Minnehaha, were probably comissioned to Le Fonderies d'Art du Val d'Osne for export to the America's to decorate governmental buildings and parks which makes these pair a rare find and now available for a private collection. Iron sculptures were preferred over bronze for outdoor park and building decorations for their long lasting resistance to all types of weather conditions. An identical pair of sculptures, also by Val d' Osne, are currently exhibited at the National Garden of Congress in Santiago, Chile. View Pages No. 87, 88, 89. Another identical pair are also currently exhibited at The Musée de la Ville - Indian Museum "O Indio do Museo da Cidade" in Rio de Janeiro, Brazil. Another identical pair decorate the front of the Ópera Teatro Amazonas, Manaús, Brazil. A single figure of the female Indian...

A fine pair of Louis XVI style chinoiserie gilt-bronze mounted Chinese export famille rose porcelain vases. The ovoid hand painted porcelain body with dual scenes of a sword presenta...

Bamboo design low cachepot Antique copper Hand repoussé Limited edition Repousse´ is the traditional art of hand-hammering decorative relief onto sheet metal. The technique ori...

Beautiful ceramic bud vase from Spain, 1950s. Petite vessel with speckled cream glaze and brown detail. Signed on the underside. Perfect as a vase or decorative object.

A very fine French 19th-20th century Christofle & Cie Louis XV style silvered figural centerpiece with a circular scalloped cut-glass bowl attributed to Baccarat, the center-dish fla...

Pair of Vintage Hollywood Regency Style candelabra sconces. Additional information: Materials: Giltwood Color: Black Period: 1950s Place of Origin: Italy Styles: Federal, Ho...

A 3 inch Crystal Paper weight with many facets. The piece is heavy and will hold down important papers, yet it's faceted surface with many cuts allows the piece to be a decorative p...

A fine pair of French 19th-20th century Louis XV style gilt bronze and Faience porcelain three-light candelabra table lamps. The ovoid porcelain urn hand decorated in floral burgundy...

A very fine French 19th Century Napoleon III Sévres Style Porcelain and Ormolu Mounted Covered Urn, the 360 degree painted urn centered with an 18th century scene of a young Princess...

Early 20Thc Original Painted Hubley cat doorstop. This kitty is in very good condition and has wonderful original paint & patina.

19Thc Dovetailed apple tray with a collection of eight alabaster apples and sold as a total collection.Amazing early walnut dovetailed apple tray in fine condition.

Beautiful hand-painted pottery, original condition. China, 1850s.

Baluster Jar & Lid Fish Scale Design Cloisonne Amber, Brown, and Black Hand Made Limited Edition  

Amazing studio pottery vase by the well known potter Otto Heino . This vase has the rare Yellow Celadon glaze , that the formula was lost for the Chinese artists and Otto created it ...

Large bamboo and rattan basket or container with hinged lid, typical of 1960s Franco Albini and Ezio Sgrelli style. In original condition with visible wear consistent with its age a...

A simple, yet purely elegant and Architectural bud vase of solid crystal with a hole bore offset to hold a bud. The form is the look here and the simple lines make this a hit with o...

Fabulous pair of small Asian ceramic turquoise foo dogs with both male and female figures. The carving details are amazing. Great addition to your chinoiserie collection.

19thc New England Bucket With Original Lid From Maine original paint and wonderful metal handle with wooden grip. Great color and great patina.

Grand Facet Vase Raspberry Peking Glass Hand Blown Hand Carved Contemporary Limited Edition Peking glass refers to the high-quality glass art produced by the imperial and commercial workshops in Beijing during the Ching Dynasty, China 1644-1911. Since then, ‘Peking Glass’ has become synonymous with the Chinese technique of glassmaking. Robert Kuo glass...

A wonderful table mirror by P. E. Guerin. 19th C., heavy and made with fine details -the back has what looks to be a leather back? The backing is held in with small finish nails and ...

A very fine and large 19th century Chinese porcelain and French figural ormolu-mounted Chinoiserie style centerpiece. The circular ovoid bowl, maybe 18th century Jiaqing period (unve...

This exquisite Papier Mâché box, circa 1870s, has a black lacquered finish with mother of pearl inlays, gold leaf hand-painted floral motifs and embellished decoration. The Engli...

19th century lidded box made from paper-machiere.

Signed brass sea gull sculpture by Curtis Jere. C Jere’ works are made and marketed by the corporation Artisan House. Curtis Jere is a compound nom de plume of artists Curtis Freiler...

Rectangular vintage jewelry or trinket box crafted from richly colored red onyx stone, known for its deep crimson tones, intricate veining, and natural variations of amber and cream....

Impressive large vintage iron five arm candelabra from France. Thin curved arms with beautiful scroll detail on a four leg iron base. Original fini...

A Very Fine Pair of French 19th Century Louis XV Style Gilt Bronze Figural Six-Light Candelabra. The finely chased mercury gilt ormolu pair of candelabra, each depicting a standing ...

Rabbit Sculpture Brass Hand Repoussé Contemporary Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-hammering decorative rel...

A wonderful round tray with handles in done in the shape of bamboo - a lovely addition to any table or side table as a center piece or serving tray. Also a compliment to any bar for ...

A monumental terra cotta swan from Italy. The piece is a wonderful addition to the garden or lanai. Made of dense material and able to withstand the elements. Works well as a centerpiece as well. The 15"x15"x8deep vessel on top easily holds flower, plants or floating flowers - could also work to hold magazines or craft supplies...

A beautiful pair of quality bronze Dore Urns on Pedestals. The pair are in wonderful vintage condition. one small bend to the lip or edge of one - not greatly noticeable or offense...

Full moon jar Cream lacquer (60 coats) Copper base Hand repousse Each piece is individually crafted and is unique. Lacquer is a laborious and time-consuming process. After it...

This impressive polished brass jardiniere is a decorative vessel that bridges the late Victorian and early Edwardian periods, circa 1870–1910. Crafted in heavy solid brass, it is bot...

A monumental deconstructed ceramic male torso, signed by artist, 20th century. In tones of burnt pêche, apricot, and sienna, this stunning sculpture epitomizes cubism in three dimens...

Antique French gilt bronze inkwell on rouge marble stand. It is of superb quality and features a central figure of Diana The Huntress. Provenance: From the estate of Texas Oil...

This fantastic monumental cast iron rooster is very large and heavy. It was probably used in a store front as a trade sign or a garden element. The patina is amazing and in very good...

A clear or transparent Italian Murano Glass Bowl. A beautiful piece - in very good condition with no chips or cracks. The round bowl form has another asymmetrical inset in glass - ...

Arts and Craft Ebony bowl with porcupine quill and bone inlay. The bowl features a hand turned ebony body with inlaid quills around the top and sides of the bowl. The top has geometr...

18thc European Pantry Box With Lid in great condition.This is like a oversized pantry box or storage box with the original lid.

A brass letter opener in the shape of a sword. perfect for the desk or work station.

Introducing the exquisite Body Grid Sculpture by acclaimed artist Tanya Ragir, a captivating piece that effortlessly combines intricate design with cont...

Set of three handmade Mexican Boxes. Original paint wonderful landscape hand draw portraits on the boxes and great patina. Measures: Larger box - 10.75 x 8...

A very fine and palatial French 19th/20th century Christofle & Cie Louis XV style silvered figural centerpiece, fitted with an oval diamond-cut-glass center-dish, attributed to Bacca...

A beautiful and simply designed Hammered silver plate lidded box with rounded corners. A compliment to any space as a decorative item, storing everything from notes, to candy, and office or work space supplies... also a great place for 420. The box is large and in great condition. We have found the price guidance...

This is a striking vintage picture frame, crafted with a bold combination of twisted turquoise Murano glass and brass detailing. Its design reflects the luxurious craftsmanship and a...

A Tall Pair of Empire Revival Style Gilt-Metal Six-Light Candelabra, after a model by Pierre-Philippe Thomire (1751–1843). Each gilt-leaf finished candelabra with a fluted center ste...

This striking antique Hishey Jarrah–style zir jar stands approximately 26 inches tall and exemplifies traditional hand-built pottery techniques associated with utilitarian water and ...

Apple Sculpture Green Lacquer Antique Copper Stem Hand Repoussé Limited Edition Can be placed outdoors but copper stem would patina over time. Repoussé is the traditional art of han...

Organic modern Quadripod wood and glass coffee table. Sculptural natural bog wood base contrasting with the simple glass top (1/2 in. thickness).

Gem grade, Amethyst Geode Sculpture The amethyst geodes from Uruguay are mined from the same rock formation as their relatives just to the north across...

Great 19thc spong ware jello/cake bowl. A great baking or mold making designed bowl. Used for making gelatin or cakes with ruffled/rounded designs. Great condition. Wonderful age and...

Studio pottery bud vase by significant 20th Century ceramicists Otto and Vivika Heino. This rounded vase features an all over cream glaze with brown speckling and ribbed body texture...

Candelabra by Lars Bergsten, Gusum Metallslöjden, Sweden. A Modernist solid brass candelabra - clean lines, architectural - works well in any environment, from contemporary to more t...