Los Angeles - Floor Lamps

A rare and wonderful pair of Brass and Chrome Floor lamps. The star of the show is the polished brass tortoise / Turtle Shell Shade. The pair are definitely in the style of Tomma...

Vintage Global Views stainless steel multi-tier floor lamp, crafted in India in 2007, showcasing the brand’s signature blend of industrial modern styling with functional design. Cons...

Brutalist iron chain link floor lamp, made in 1950s France. Just over 5.5 feet tall. Extremely heavy and substantial lamp. Tripod base with rusti...

Floor Lamp by Tony Paul for The Elton Company. Designed and manufactured in the USA, in 1959. Multiple steel enameled rods form a cage-like floor lamp base. The top of the stand allo...

Tall Industrial surveyor tripod floor lamp. Dimensions listed are for the lamp and shade installed. Measures: Shade itself is 13.5 in. ...

Heavy duty industrial task floor lamp. Great for a loft. 13 in. diameter reflector.

This Articulated floor lamp designed by Hannes Wettstein for Belux is a beautiful example of 1980's post modern design. In excellent condition.

Tall Industrial surveyor tripod floor lamp. Dimensions listed are for the lamp and shade installed. Measures: Shade itself is 13.5 in. ...

Tall French Art Deco Chrome Floor Lamp

This is an amazing late 1970s floor lamp by Nova of California.

Mid Century Modern Carved Dragon White Lacquer Floor Lamp W Orange Shade. Shade measures 21” diameter x 16” high.

Multi-Directional Chrome Floor Lamp by Casella Lighting Crafted entirely out of metal. With adjustable height and dimmable light. Raises from 42” to 46” high. Metal honeycomb gri...

We have over 3000 antique sconces and over 1000 antique lights, if you need a specific pair of sconces or lights, use the "Contact Dealer" button to ask us, we might have it in our s...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

White standing floor lamp with white lacquered carved wood post similar to bobbin style furniture, and sporting a funky domed shade made with red and orange 70's FABric.-get it? FAB?...

The De-Lux series has remained only an idea of Gio Ponti, who in 1955 quickly but precisely sketched it on a notebook. In 2017, together with Gio Ponti Archives, TATO did a philologi...

Exceptional French 1940s wrought iron candelabra in the style of Gilbert Poillerat. Can be used as is or turned into a chic floor lamp.

Heavy duty industrial task floor lamp. Great for a loft. 13 in. diameter reflector.

The sculptural 'Cubyx' lamp is made of a jointed translucent onyx panel cube placed on a tripod base. The bulb is changed by lifting the top portion (3 jointed panels) of the cube. P...

Brass floor lamp for Casella, c.1970s, USA. The brass floor lamp features an oblong brass shade attached to a curved stem that offers dimmable focused task lighting and an adjustable...

Heavy duty industrial task floor lamp. Great for a loft. 13 in. diameter reflector.

Pair of IKEA "Fackla" floor lamps, Sweden, c.1980s. These petite torchères emit an uplight and feature white plastic bodies with gold plastic around the top opening of the lamp. The ...

Tall French Art Deco Chrome Floor Lamp

Matteo Thun & Andrea Lera 'WWF Tower' floor lamp by Bieffeplast, Padua.

In his final year as a Bauhaus student in Weimar, Gyula Pap helped out Georg Muche and the construction department by designing a floor lamp for their experimental house, “Am Horn”. The light source is a special design feature in its own right – an exposed incandescent light bulb with a mirrored dome, which had just been invented at the time. The rays of light are channelled downwards, making the light source appear dark. The light is absorbed and refracted by the etched pane of frosted glass in such a way that it appears to float like a shining layer above the thin, nickel-plated metal tube. This lamp was shown as an example of functional design in the Bauhaus Book...

The sculptural 'Cubyx' lamp is made of a jointed translucent onyx panel cube placed on a tripod base. The bulb is changed by lifting the top portion (3 jointed panels) of the cube. P...

"Coupe" 3321 floor lamp by Joe Colombo for Oluce. Current production. Lacquered metal base, chromium-plated stem. Special semi-cylindrical reflector, tilts and turns on a black plast...

The N10527 floor lamp designed in 1972 by Michel Mortier was published at the time by Verre Lumière. Disderot reissues this very contemporary model, with its aluminum base and opal g...

'Mira' Floor Lamp by Mario Arnaboldi for Programmaluce Italy. Designed and manufactured in Italy, in 1983. Mechanical post modern tube floor lamp...

Three-section, frosted glass, circular floor lamp.

White enamel uplight floor lamp for Flos. The modern lamp features a dome shade that directs light upwards and a round chrome foot pedal on/off switch on the newly wired black lamp c...

An elegant Italian floor lamp from the 1970s, combining refined materials and functional design. The lamp features a slim brass stem rising from a circular marble base, lending both ...

The Nile table lamp is a stunning addition to any luxury or modern home. With its elegant organic curve shape, it adds a touch of sophistication to any room. The lamp features an ivo...

In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Ba...

A sleek and refined Italian floor lamp in matte black enamel with a geometric, minimalist silhouette and highly functional design. The lamp features a right-angle arm with a rotating...

An Italian design masterpiece born from the pencil of the maestro Ignazio Gardella (1905-1999). Conceived in 1948 in a Milan in architectural and ideological turmoil, Alzabile (lit. ...

Commonly misattributed to Swiss architect and industrial designer Max Bill, this series of globe lamps - known as the “Figuration” line - were actually designed by Eva Renée Nele for...

An archetype of industrial craftsmanship. Strolling through Barcelona in the 1960s, designer Miguel Milá found an abandoned opal globe in front of a glass factory. He picked it up, and over the years, it became the heart of this large family. As its name suggests, Cesta (Spanish for “basket”), was designed to hold this fragile piece. Inspired by the traditional lanterns that light up homes along the coast, rural estates and open terraces, Cesta is one of the most iconic lamps created by Miguel Milá. This lamp object can be picked up and carried easily, ideal for both tabletops and floors. The opal glass shade is supported by a beautiful cherry wooden structure. It is produced manually by European craftsmen, using traditional steam bending techniques for the wood, which is delicately polished and sturdily put together. Despite its peculiarity (or rather because of it) the lamp’s design and function remain contemporary. The Cesta family is made up of the Cesta, Cestita, Cestita Batería, Cestita Alubat, Cesta Metálica, and Cestita Metálica table lamps, the Wally wall lamp, and the Globo Cesta and Globo Cestita...

Trípode humanizes neutral spaces with its colorful and functional sobriety. The shade is fondly hand-ribboned and its base could not be more stable. Switched on, it provides a charac...

1950's floor lamp by Rosemarie & Rico Baltensweiler, Switzerland. Very versatile lamp. Adjustments at 3 points, floor, mid lamp and at the shade.

White enamel floor lamp by Nessen Studios. The modern lamp features a cone shade that directs light upwards and an on/off switch at the bottom of the shade. Dimensions 11" diameter...

An intimate, classic Scandinavian design. Tapiovaara said that “it is impossible to create a new object without a point of reference—and nature is the best and closest manual for the...

This stunning floor lamp is a masterful combination of natural artistry and functional lighting, making it an exceptional statement piece for any contemporary or rustic-modern interi...

Reinterpreting traditional lamps. Jaume Sans was a renowned Catalan surrealist sculptor and painter. He was also a member of the artistic association ADLAN that included amongst its members Picasso, Dalí, Miró and Calder...

The Mid Century Italian Brass and Glass Floor Lamp from the 1960s is a sleek and sophisticated lighting fixture. Featuring a harmonious combination of brass and glass, this lamp exem...

Model No. 1502 Grasshopper floor lamp by J.J.M. Hoogervorst. Current production designed and manufactured in the Netherlands for Anvia. Enameled metal. Wired for U.S. standards. Floo...

Large G1 floor lamp by Pierre Guariche. Designed and manufactured in France. Enameled aluminum, metal, brass. Wired for U.S. standards. This is a current production of the magisteria...

Gio Ponti was a prolific artist whose work spanned many mediums. For the Triennale exhibition in 1957 the Milanese architect and designer built a prefabricated house and filled it wi...

The Italian Mid-Century Space Age Floor Lamp from the 1970s is a sleek and futuristic lighting fixture that embodies the artistic and technological spirit of the era. Characterized b...

We have over 3000 antique sconces and over 1000 antique lights, if you need a specific pair of sconces or lights, use the "Contact Dealer" button to ask us, we might have it in our s...

Sectional frosted glass floor lamp.

The Space Age Italian Organ Floor Lamp by Goffredo Reggiani, crafted in the 1970s, is a rare and highly collectible lighting masterpiece. Designed by the renowned Italian designer Go...

A beautiful pair of 19th Century Italian Venetian electrical torchères. Hand wrought iron, with bronze and gold gilding and a blackened finish. The shade is a pearly mica encased in...

New Italian floor lamp with 2 brass arms and black metal shades. Triangular carrera marble base Arms are fixed - Double cone shade can articulate Shades can be custom sprayed in...

This 1970s Italian floor lamp is a striking example of modernist design paired with thoughtful functionality. The elegant twin-post brass frame rises from a sculptural white marble b...

Adamas floor lamp by Emilie Lemardeley Dimensions: D 40 x H 160 cm Materials: Brass, glass Weight: 35 kg The ADAMAS lightings take their inspiration from Greek myth; the story ...

This large floor lamp is designed by René-Jean Caillette as an extension of the wall lamp B3, with a thin brass tube and round base in solid wood. Available in two sizes, this lamp i...

Arredoluce Floor Lamp Model "12707" by Angelo Lelii, Italy, 1950s. This elegant brass and glass floor lamp features a sculptural design with a curved base and frosted glass shade, of...

A amazing Memphis style lamp table by Daniela Puppa and Franco Raggi for Fontana Arte. Adjustable inclination stem, glass, opaline glass, metal. Mo...

Floor lamp giving direct light. Lacquered metal base, chromium-plated stem, adjustable reflector in lacquered aluminum. Current production originally designed by Joe Colombo for O-Lu...