Los Angeles - Cabinets

This cabinet is a showstopper - 19th Century Italian Cabinet on Stand. Every inch is met with careful and beautiful architectural detailing. From the top on either side are two s...

Da tree trunk cabinet Antique copper Hand repoussé Elmwood Limited edition Customizable Repousse´ is the traditional art of hand-hammering ...

Elegant Louis XVI cherrywood secrétaire cabinet.

The sis the bottom piece of an early 20th c. bamboo and hinoki wood Japanese shop cabinet. Sliding doors. All original including interior shelf. Would be i...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

Bookcase by Borge Mogensen for Karl Andersson and Soner. Bookcase is in good restored condition - has a two inch scratch to the top but otherwise presents well & is structurally sound. Holds quite a lot of books...

Pleats design armoire. Hand repoussé copper Antique copper finish Wood interior Limited Edition Customizable Repoussé is the traditional art of...

Petit demilune cabinet with raised diamond door fronts, animal style feet and dental molding. Interior shelves. Can be made in any size and finish. Made in Los Angles by Dos Gallos S...

Mid-Century floating cabinet by Banz Bord. Wenge with white laminate door and interior in original condition with visible wear consistent with its age and use. Shown with matching Ba...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

Narrow Cabinet with Gobi Design Single Door with 4 shelves Antique Copper Hand Repousse Elmwood Lacquered Limited Edition Repousse´ is the traditional art of hand-hammerin...

A cabinet from George Nelson’s Thin Edge collection for Herman Miller modified by architect Craig Ellwood for one of his homes. The design features a slender rosewood case with four ...

Beautiful pair of nightstands designed by Jay Spectre in the late 1970s or early 1980s. The nightstands are freshly refinished in a high gloss black lacquered finish, the plinth base...

Stunning rosewood cabinet by Johannes Sorth for Bornholm c.1960s, Denmark. The upper section of the piece features an open shelf with tambour sliding doors below. Inside the doors ar...

Low cabinet with Amber Shargreen panels Amber cloisonné Elmwood Brass panel lining handmade Each piece is individually crafted and is unique. The cloisonné technique is an en...

Classic iron and glass vitrine from Argentina, made in the 1920s. Two doors open wide. 4 glass shelves. Glass on all sides. Mirrored bottom. Gorgeous display cabinet. Great vintage c...

This rustic painted cabinet is made from reclaimed heart pine with adjustable shelves and planked doors. Seen here in 18" x 60" x 90", however i...

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

Elegant Louis XVI cherrywood secrétaire cabinet.

Handsome pair of Dunbar nightstands. Original medium walnut finish with leather wrapped bases. Green Dunbar tag on inside drawer of each unit. One ni...

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

This two-door cabinet features a natural wood body topped with a refined plaster-treated surface that adds soft texture and visual interest. Inside, ample storage and integrated shel...

Elegant Louis XVI cherrywood secrétaire cabinet.

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Finely inlaid cabinet. Excellent condition.

The Noor nightstand is a one-of-a-kind piece designed specifically for modern and contemporary bedrooms. What sets it apart is the unique wave design on the nightstand, which adds a ...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Terrific illuminated bar with marble mosaic doors. The design was inspired by St.Marks Basilica Floor. Interior Led Lighting : 120 Volt

One of a kind piece. All hand-forged metal most beautifully suitable for an exterior logia piece and plants to interior. Piece is from Rome. All the glass is hand-blown to fit the ...

Custom midcentury style nightstands made in American walnut with three drawers. Made in Los Angeles by Adesso Imports. Can be done in different sizes and wood.

Handsome newly produced walnut bookcase, shelf or console. Waxed finish. Beautiful wood with great grain detail. Functional piece with three shelves. Great for the home or office.

This storage cabinet is custom made in Los Angeles. The solid walnut boards are cut to size and joined. The leather is cut to size and adhered to the wood top. The cabinet has two pu...

A beautiful and imposing French late 19th century buffet, the picture speak for it self, the patina and the details are much nicer in person ALL SALES ARE FINAL, STORE CREDIT OR ...

19th Century. French. Original marble tops. Bronze-mounted. Original hand painted scenes on doors. Mint condition.

This is a new work by Mattia Biagi Sculptural plaster bar created by a metal structure, plaster+ paper, with light inside.  

Italian 1960s rosewood cabinet by Stildomus for your dining room, living or bedroom. Great vintage piece that will wow your friends! Can't you hear'em now?.

18th c. Regence Period French Walnut two-Part Cabinet. The Cabinet is Very Finely Carved and has a Shell Motif.

The Railcar Media Cabinet is handmade locally in Los Angeles, California. A rustic, modern combination of industrial steel and reclaimed wood, this cabinet is able to seamlessly fit ...

Very unique display cabinet. Features 3 lighted display sections across the top & 2 cupboard doors on the base. Tessellated Horn, Tessellated Mother-of-Pearl, & Brass Inlay over Woo...

18th c. French Walnut Monumental Armoire with single drawer. This over-sized Armoire has it's original Hardware and finely carved panels.

18th century French walnut two-part cabinet. The cabinet is finely carved with two drawers and four doors.

The Mossam Media Cabinet is handmade locally in Los Angeles, California. The cabinet represents a celebration of the variance and unique character that reclaimed wood and other natur...

These marble-topped pedestals are inlaid on three sides. Each pedestal contains one full-length door with key. They act as cabinets with room for storage.