Malmo - Decorative Objects

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden, 1962. Excellent condition. Incised "Stig L" and Gustavsberg studio han...

A beautiful brass candle holder with amazing patina. Designed by Josef Frank in 1938 and made by Firma Svenskt Tenn, Stockholm, Sweden. Old production, this is made in the 1940s. G...

White melamine "Lampedusa" vase (Pencil Holder). Designed by Enzo Mari in 1967. Produced by Danese Milano in the late 60s. Great condition, only a few light scratches and a small di...

A beautiful double walled stoneware vase with amazing glaze. Made by renowned Swedish ceramist Kaj Fogelberg in his studio in Skåne, Sweden, 1990s. Excellent condition. Signed 'Foge...

White melamine "Lampedusa" vase (Pencil Holder). Designed by Enzo Mari in 1967. Produced by Danese Milano in the late 60s. Fair condition, a chip to the top rim and a small crack to...

Unique stoneware vase with amazing glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. No chips, cracks or crazing. Signed 'Stålhane', 'SWEDEN' a...

A beautiful, hand painted, porcelain art nouveau / jugend trinket box. Designed by Astrid Ewerlöf (1876-1927) for Rörstrand, Sweden, 1900-1910. Great condition. Stamped with makers...

A small, blue, lidded bowl with amazing lustre glaze and hand painted gold details. Swedish Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930. Great condition. Si...

A pair of beautiful, vintage solid brass & aluminium candlesticks. Made by an unknown designer in Denmark, 1960s. Great original condition with amazing patina. Some light scratches...

A beautiful Art Deco / Swedish Grace bronze candelstick with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Good condition, with some light scratches and wea...

A beautiful scallop shaped Art Deco / Scandinavian Modern bronze bowl with amazing patina. Designed by Niels Dam Ravn and made by Nordisk Malm in Denmark, 1930s. Great original co...

A beautiful stoneware vase with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1975. Excellent condition. Incised Yngve Blixt, Höganäs. Yngve Blix...

A large, light green lidded urn with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1928. Great cond...

Ceramic Vase by Stig Lindberg, 1958-1959 Additional Information: Material: Ceramic Style: Mid century, Scandinavia Produced by Gustavsberg in Sweden Dimensions (W x D x H): 24 x 23 ...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A pair of beautiful vintage brass trumpet candlesticks. Attributed to Jens H. Quistgaard, Denmark, 1960s. Great original condition with amazing patina. If you prefer them shiny you...

Beautiful and rare vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Carrara glazed stoneware. Excellent condition. Stamped 'Gustavsberg / KÅGE / CARRARA / Swe...

A large and elegant Dahl Jensen crackle glazed vase with hand painted flowers and gilded banding on rim and base. Designed by Jens Peter Dahl Jensen. Made in Copenhagen, Denmark, 193...

Rare glass vase designed by Kjell Blomberg. Produced by Gullaskruf in Sweden.

A brutalist stainless steel bowl with amazing relief decor. Made by Olav Joa Joff for Polaris Fabrikker, Sandnes, Norway. The series 'Steel Art' was in production 1972-1974. Great...

Rare plant stand designed by Uno & Östen Kristiansson. Produced by Luxus in Vittsjö, Sweden.

A large and beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only a few light scratches. Stamped 'BRONS' and mak...

Beautiful vase with blue glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition, some small metal marks. Impressed 'Rörstrand', 'LÖNEGREN' and 'HAN...

A pair of bronze Art Deco / Swedish Grace candlesticks with amazing patina. Designed by Carl-Einar Borgström and made by Ystad Metall / Brons, Sweden, 1930s. Great condition, onl...

A stunning stoneware vase with amazing sung glaze. Made by Gerd Bogelund for Royal Copenhagen, Denmark, 1950s. Great condition. Painted monogram signature "gb" and three waves for R...

A set of three beautiful yellow and brown stoneware miniature vases with amazing glaze. One of them is by Gunnar Nylund and two of them are by Carl Harry Stalhane for Rorstrand, Swe...

'Marselis' vase by Nils Thorsson (1898-1975) manufactured by Aluminia (later Royal Copenhagen) in Copenhagen, Denmark, 1950s. The pear-shaped faience vase features a maroon brown gl...

A beautiful Art Deco / Swedish Grace glass vase. Designed by Simon Gate and made by Orrefors, Sweden, 1930s. The model was shown for the first time at the 1930 Stockholm Exhibition. ...

A beautiful miniature stoneware vase with amazing glossy glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Great condition. Incise...

A stunning brutalist lidded bronze box with amazing patina. Designed by Kaj Blomqvist and made by Rakennusvaline, Finland, 1960s. Great condition.

Pair of large pewter candlesticks in amazing condition. Designed and made by Just Andersen, Denmark, 1920s. Great condition, only some light scratches. Stamped 'DENMARK', model n...

Elegant Royal Copenhagen crackle glazed lidded urn with gilded banding on rim and lidd. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in Denmark, 1961. Makers mar...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Good condition. Marked as second due to an irregularity in the glaze (from ...

A beautiful asymmetric stoneware bowl with amazing hand-painted decor. Designed by Danish artist Vilhelm Bjerke Petersen for Rorstrand, Sweden, 1950s. Great condition. No chips or c...

A beautiful stoneware art deco / Swedish grace bowl with amazing glaze. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Great condition. Incised with makers mark. Gunnar N...

Elegant Royal Copenhagen crackle glazed vase with gilded banding on neck and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made...

Extremely rare mid-century metal bowl by Ingo Maurer for his company Design M, Germany, 1970s. Excellent original condition. Original sticker. Ingo Maurer was born May 12, 1932 on...

A set of 3 beautiful art deco vases designed by Just Andersen in 1930s and produced by his own company in Denmark. Made from Disko metal (an alloy of different metals invented by Jus...

A beautiful Scandinavian Modern ceramic vase with amazing glaze. Designed by Eva Jancke-Björk for Bo Fajans, Sweden, 1940s. Excellent condition. Makers marks on base of vase. Eva...

Elegant large Royal Copenhagen crackle glazed candlesticks with gilded banding. For candles with diameter 3,0-3,2 cm (1.1 - 1.3 in.). Designed by THORKILD OLSEN (1890-1973) for ROYA...

A beautiful stoneware vase with amazing glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Great condition. Factory second (for no obvious reason). Signed 'CHS' and...

Beautiful vase with brown glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition. Impressed 'Rörstrand', 'LÖNEGREN' and 'HANDDREJAD'. Gertrud Löne...

Stunning and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Art Deco / Swedish Grace. Excellent condition. S...

Pair of Art Deco / Swedish Grace silverplate and bakelite candlesticks with amazing patina. Made by an unknown designer, Denmark, 1930s. Similar to 'Liljan' candelsticks by Ivar ...

A pair of rare and beautiful Art Deco / Swedish Grace bronze candelsticks with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Good condition, slightly skewed...

A pair of beautiful Art Deco candlesticks with amazing glaze. Made by Anna-Lisa Thomson for S:t Eriks Lervarufabriker in Sweden, 1930s. Great condition - no chips, cracks or crazing...

A beautiful earthenware vase with amazing glaze. Made by Arthur Percy for Upsala Ekeby in Sweden, 1941-1948. Great condition - no chips, cracks or crazing. Impressed with makers mar...

A beautiful Art Deco / Swedish Grace bronze dish with amazing patina. 'Vindarnas Lek' ('Play of the Winds') designed by famous Swedish sculptor Carl Milles and produced by GAB Gulds...

A stunning footed Art Deco vase with hand-painted gold foot. Made by Rosenthal, Germany in 1930s. Stamped with makers mark. Great condition.

Ceramic Vase in Hare Fur Glaze by Berndt Friberg, 1953 Additional Information: Material: Hare Fur Glaze, Ceramic Style: Mid century, Scandinavia Produ...

A beautiful art nouveau vase with amazing glaze. Made by Charles Gréber in his studio in Beauvais, France in early 20th Century. Great condition. Signed by the artist. Reputed ce...

A rare and beautiful art deco bronze bowl with amazing decor and patina. Made by Gross & Christensen in Denmark, 1930s. Great condition, only a few...

A rare and beautiful stoneware globe vase with amazing blue glaze. Made by Arthur Andersson for Wallakra, Sweden, 1950s Great condition. Signed 'AWA'. Arthur Andersson was one of...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Slightly askew. Incised signature "G.N." and makers mark, Rör...

Ceramic Bowl by Carl-Harry Stålhane, 1960's Additional Information: Material: Ceramic Style: Mid century, Scandinavian Produced by Rörstrand in Sweden Dimensions (W x D x H): 18.5 x...

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'CHS', 'ATELJÉ' and makers mark '...

Beautiful Art Deco /Swedish Grace vase with hand-painted decor. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition. Stamped 'Rörstrand' and 'HANDMÅLAD...

A rare and beautiful lidded stoneware bowl with amazing yellow hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Great c...

A beautiful stoneware art deco bowl with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

A beautiful 'Swedish Modern' stoneware vase with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Great condition. Stamped 'Gustavsberg / CARRARA' and ...