Manhattan - Art

This painting depicts an impressionistic Plein Air scene of Brunch in Soho Manhattan. The thick brush strokes and fun marks creates an atmosphere reminiscent of city life. There are ...

Henry Rayburn Finale, 1995 Acrylic and mixed media collage on paper Signed in graphite pencil on the front Unique Frame included Provenance: Irving, Texas Corporate Collection de-acc...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Scarce hand signed collectors item - makes a great gift. Framed and ready to hang with excellent provenance: Brice Marden Vintage 1976 Stedelijk Museum Color Correction print (Hand ...

Hand signed and dated on the front This gem of a work is a piece of Ab Ex history! This rare and poignant early work, was painted on the back of an invitation card to Natkin's histo...

The beach at Saint-Tropez, on the French Riviera, August 1971. Slim Aarons Saint-Tropez Beach 1971 C print (Printed later) Estate signature stamped and hand numbered edition of 150...

Gorgeous Antique Belle Epoque French ACADEMIC Sensual Nude by Jules F. Ballavoine (1855-1901). This is a large rare example by the artist, painted in the...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

Title: Bird Series - Sparrow Medium: Oil on canvas Size: 20 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Emilio Trad (Argentinian, b. 1953) Untitled (Church), 1978 Oil on board 18 1/4 x 14 in. Framed: 25 3/4 x 22 1/4 in. Signed lower left: Trad Signed and date...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed sig...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic display of love encapsulated in these miniature hearts, leaving us with impressions of color and impasto paint effortlessly. Create an installation to fill any space, they are perfect as a big group or just single. This painting is signed by the artist verso and it comes comes housed in a beautiful white floater frame...

"Sundown" by Kevin Barrett Hand Fabricated Bronze Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display. Wall Art, Wall Relief...

Robert Indiana 1, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fra...

Acrylic on canvas

Roy Lichtenstein (after) Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark Unsigned...

Larissa 1983 Inscribed, “Merry Christmas Trey” in ink, recto; Signed and dated in black ink, verso; Artist stamp in red ink, verso Gelatin silver print 3.75 x 4.5 inches, image 9 ...

1-2-3 Outside reproduces James Rosenquist’s 1963 oil painting of the same name, collected in the Spencer Museum of Art, The University of Kansas, Lawrence. Rosenquist sourced the ima...

Title: Spring Stream Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...

Mark di Suvero Project for Sculpture in Chalon-sur-Saône, 1992 Marker, Watercolor and Ink Wash on Paper. Hand signed and dated by artist on lower right front Uique Frame included: el...

Christopher Wool The Show is Over, 2000 Offset Lithograph poster 36 × 24 inches Limited Edition of approx 100 (unnumbered) Unframed This collectible offset lithograph poster was pu...

The primary subjects of my paintings are 21st century man's working monuments, which represent our culture's dedication to production and consumption. The essence of our way of life ...

Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Untitled (Two Men, Sitting and Standing) 2017 Signed and dated, l.r. Charcoal with red and white conté crayon on Rives BFK paper 30 x 21 inches (76.2 x 53.3 cm) $1,600 This work ...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals...

Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...

Title: Bird - Olive Green Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Syril Frank (American, 1929-2021) Untitled, 1963 Oil on canvas 50 1/4 x 48 x 3/4 in. Dated verso: June 1963 Provenance: Estate of the Artist Syril Harrie...

Nature, in a very broad sense, is my source of inspiration. In a non-intellectual way, I am translating and projecting thoughts, emotions and sensations, into a moment of meeting, w...

Andy Warhol Institute of Contemporary Art, Boston, 1966: Rare historic, original 1960s exhibition catalogue for Warhol's 2nd museum exhibition held at Boston's Institute of Contempor...

Isla Azul 1 40 x 63 inch Oil on Canvas

"In order to make a meaningful painting I have to establish form somewhere in the swirl of line, texture and color. I find it difficult to breathe new life into a brush stroke but ca...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. A playground of forms bursts across a cool turquoise field...

Artist: Dali, Salvador Title: The Cosmonaut Series: The Hippies Date: 1969 Medium: drypoint with added color Framed Dimensions: 34" x 28" Signature: Pencil signed Edition: II...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

This gorgeous offset lithograph poster was created on the occasion of the Eva Arnold exhibition, Marilyn Monroe: An Appreciation, at the famed Leo Castelli Gallery in 1987 - Castelli...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

"Captain's View" Abstract Metal Sculpture by Kevin Barrett Red industrial paint on aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Bernadette Peters Signed "Annie Get Your Gun" Tony Award Broadway Musical Al Hirschfeld (1999) Annie Get Your Gun Lithograph on heavy paper Sight: 21 1/2 x 16 inches Numbered V/L [?...

"Cherish" is a beautiful oil painting of pink cherry blossoms. The texture and color covers the entire 39x39 inch canvas in a stunning and saturated composition. The artist uses oil ...

Darren Almond 69th Parallel 2 2005 Gelatin silver print mounted on aluminum in artist's frame 37 x 47 inches; 94 x 120 cm Edition of 5 Signed in ink (verso) Available from Matthe...

Christopher lithograph 2017: A rare original hand-signed lithograph by Christopher Wool, letter-pressed on fine, textured matte paper. This work was included as part of a ‘Merde 3/4’...

Dorothy Varian (1895-1985) was based in New York City and Woodstock, NY. This is a courtroom scene that captures the intensity of the situation. It is s...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...

This photograph by Blake Little is offered by CLAMP in New York City. Endangered #2 1993 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 25) 14 x 14 i...

Paul Sietsema Folded Corner 2011 Lambda C-print 18 1/2 x 14 1/8 inches; 47 x 36 cm Edition of 25 Signed, dated, and numbered in ink (verso) Frame availab...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...

H 30.25 x W 26.75 x D 2 in. (framed) Signed lower right: “DYF” Dyf Archives ID No. 2063 Provenance Christie’s East, New York, Modern Paintings, Drawings Sculptures, November 1...

Untitled II (Oscillations) by Belén Ordovás Lladó 2023 Embroidered thread on canvas 39.4" x 51.2" Unique Available Shipping is not included. See our shipping policies. Please c...

This painting by Antoinette is from her 'Mini Series'. A stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The black background allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes with free fall paint dripping to add elegant accents. Art measures 8 x 8 inches Antoinette Ferwerda...

James Rosenquist Nails, from Monochromes at the New Gallery, 1975 Limited edition lithograph and offset lithograph (pencil signed and numbered) Signed and numbered 10/100 in graphite...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Martin Mull is a singular artist whose iconography directly translate the American culture.