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Item Ships From: Manhattan
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
JAMES MCNEILL WHISTLER (1834-1903)
Limehouse, from Notes
lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...
Category
1870s Impressionist Manhattan - Landscape Prints
Materials
Lithograph
Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category
1970s American Modern Manhattan - Landscape Prints
Materials
Lithograph
John W. Gregory, Approaching Night, Atwood Avenue, Provincetown, MA
By John W. Gregory
Located in New York, NY
Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
Leonard Pytlak, The Bin (Industrial Landscape)
By Leonard Pytlak
Located in New York, NY
This lithograph is signed and titled in pencil.
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
Some Los Angeles Apartments - True, Stated 1st Edition of only 700 Artist Book
By Ed Ruscha
Located in New York, NY
Ed Ruscha
Some Los Angeles Apartments (Unsigned), 1965
True First Edition Artist Book: Stated Limited Edition of only 700
7 × 5 1/2 inches
Unframed
A rare and elusive 1960s Artist Bo...
Category
1960s Pop Art Manhattan - Landscape Prints
Materials
Mixed Media, Lithograph, Offset
Michael Dal Cerro, End of the Line, 2020, Linocut, Urban Landscape, Modern Art
Located in Darien, CT
Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...
Category
2010s Op Art Manhattan - Landscape Prints
Materials
Ink, Archival Paper, Linocut
Donald Sułtan, Mimosa, September 29, 2021
By Donald Sultan
Located in New York, NY
MIMOSA, SEPT 29, 2021
2021
Silkscreen with enamel inks and flocking on Rising 4-ply museum board
42 x 42 inches (107 x 107 cm)
Edition of 40
Signed and numbered
DONALD SULTAN (b. 1...
Category
21st Century and Contemporary Contemporary Manhattan - Landscape Prints
Materials
Screen
Andy Goldsworthy, Unique, Signed Print for UK Royal Mail Christmas Stamp Series
By Andy Goldsworthy
Located in New York, NY
Andy Goldsworthy
Presentation print for Royal Mail Christmas Stamp Series, 2003
Color photogravure on handmade rag paper with deckled edges
15 × 20 1/4 inches
hand signed lower right...
Category
Early 2000s Contemporary Manhattan - Landscape Prints
Materials
Mixed Media, Handmade Paper, Pencil, Photogravure
Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category
1980s Naturalistic Manhattan - Landscape Prints
Materials
Lithograph
![Morning Walk. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-morning-walk-central-park-for-sale/a_3312/1584647925659/97561_master.jpg?width=240 "harold altman prints")
Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category
1960s American Modern Manhattan - Landscape Prints
Materials
Woodcut
Donald Baechler Blue Muffin 1999 (Donald Baechler prints)
By Donald Baechler
Located in NEW YORK, NY
Donald Baechler, Blue Muffin, 1999:
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Soft-ground etching and a...
Category
1990s Contemporary Manhattan - Landscape Prints
Materials
Etching, Aquatint, Lithograph, Screen
Brooklyn Bridge
By Bernard Buffet
Located in New York, NY
This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 58 in the catalogue of lithographs. The size is the registered paper size plus the frame.
Vol.1 Bernard Buffet lithographs...
Category
1960s French School Manhattan - Landscape Prints
Materials
Lithograph
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Manhattan - Landscape Prints
Materials
Drypoint, Etching
Allegro, Ukiyo-e landscape and sunset woodblock print, 2018
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Impressionist Manhattan - Landscape Prints
Materials
Woodcut
Estuary
By Richard Bosman
Located in New York, NY
Richard Bosman (b. 1944) is a painter and printmaker known for his woodcuts depicting turbulent seascapes. He studied at Bryam Shaw School of Painting and Drawing in London, The New ...
Category
Late 20th Century Modern Manhattan - Landscape Prints
Materials
Woodcut
Lunchtime on Broadway
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category
21st Century and Contemporary Contemporary Manhattan - Landscape Prints
Materials
Etching
Boat (study for estuary)
By Richard Bosman
Located in New York, NY
Richard Bosman (b. 1944) is a painter and printmaker known for his woodcuts depicting turbulent seascapes. He studied at Bryam Shaw School of Painting and Drawing in London, The New ...
Category
Late 20th Century Modern Manhattan - Landscape Prints
Materials
Woodcut
$480 Sale Price
40% Off
Sundays River Meet
By Zack Seckler
Located in New York, NY
Archival pigment print
Signed and numbered, verso
26.7 x 40 inches
(Edition of 10)
40 x 60 inches
(Edition of 5)
53.3 x 80 inches
(Edition of 3)
This artwork is offered by Clamp...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Archival Pigment
Raymond Pettibon
Illustration Without Tears
(vintage Raymond Pettibon poster)
By Raymond Pettibon
Located in NEW YORK, NY
Vintage Raymond Pettibon exhibition poster:
Raymond Pettibon 'Illustration Without Tears': Rare vintage Pettibon exhibit poster published by Regen Pr...
Category
1980s Pop Art Manhattan - Landscape Prints
Materials
Lithograph, Offset
Wild Coast III
By Zack Seckler
Located in New York, NY
Archival pigment print
Signed and numbered, verso
26.7 x 40 inches
(Edition of 10)
40 x 60 inches
(Edition of 5)
53.3 x 80 inches
(Edition of 3)
This artwork is offered by Clamp...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Archival Pigment
Alexander Calder Lithograph Derrière le miroir (Calder serpents)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1973 from Derrière le miroir:
Lithograph in colors; 15 x 22 inches.
Very good overall vintage condition; contains center fold-line as originally issue...
Category
1970s Pop Art Manhattan - Landscape Prints
Materials
Lithograph
La Casa Vivienda
By Emilio Sanchez
Located in New York, NY
“LA CASA VIVENDA”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1990s American Modern Manhattan - Landscape Prints
Materials
Lithograph
Art Card: The Gates (Hand signed by Christo and Jeanne-Claude) Framed provenance
By Christo
Located in New York, NY
Makes a wonderful gift!
Offset lithograph card (Hand signed Christo et Jeanne-Claude)
Christo's "The Gates" was one of the most popular and successful temporary public art installati...
Category
Early 2000s Pop Art Manhattan - Landscape Prints
Materials
Postcard
"Kiosk in Paris" British Linocut 1/50 European Modernism Swiss Vorticism Deco
By Lill Tschudi
Located in New York, NY
"Kiosk in Paris" British Linocut 1/50 European Modernism Swiss Vorticism Deco
Lill Tschudi (Swiss, 1911-2004)
Kiosk in Paris (Coppel LT 29)
Linocut...
Category
1930s Modern Manhattan - Landscape Prints
Materials
Linocut
Ross Bleckner, Water Lilies (C.M.)
By Ross Bleckner
Located in New York, NY
Ross Bleckner
THE WATER LILIES (C.M.)
Year: 2019
Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Size: 42 x 70 inches (107 x 178 cm)
Edition: 30
Price: $7,000
Also sold as a set with Floating Red
Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss.
Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle.
After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work.
Bleckner’s early 1980s Stripe...
Category
1990s Manhattan - Landscape Prints
Materials
Archival Pigment
Art Card: The Umbrellas Japan-USA Hand Signed by Christo
Jeanne-Claude, Framed
By Christo and Jeanne-Claude
Located in New York, NY
Christo and Jeanne-Claude
The Umbrellas Japan-USA Hand Signed by Christo
Jeanne-Claude
Offset lithograph card
Hand signed in orange crayon by Christo and Jeanne-Claude
Provenan...
Category
1990s Pop Art Manhattan - Landscape Prints
Materials
Postcard
Art Card: Reichstag at Night, Hand Signed by Christo and Jeanne-Claude, Framed
By Christo and Jeanne-Claude
Located in New York, NY
Art Card: Reichstag at Night (Berlin 1995: Der von Christo und Jeanne-Claude verhüllte Reichstag), Hand Signed by Christo and Jeanne-Claude, 1995
Offset lithograph card (Hand signed ...
Category
1990s Pop Art Manhattan - Landscape Prints
Materials
Postcard
Art Card: Reichstag Aerial View, Hand Signed by Christo and Jeanne-Claude Framed
By Christo and Jeanne-Claude
Located in New York, NY
Christo
Art Card: Reichstag Aerial View, Hand Signed by Christo and Jeanne-Claude, 1997
Offset lithograph card (HAND SIGNED) with provenance
Gorgeous aerial view of the Reichstag, ha...
Category
1990s Contemporary Manhattan - Landscape Prints
Materials
Postcard
Wolf Kahn - Hillside in Early Summer, print for the UN, Pencil Signed/N, Framed
By Wolf Kahn
Located in New York, NY
Wolf Kahn - Hillside in Early Summer, print for the United Nations (WFUNA)
Limited edition print commissioned by the World Federation of United Nations Associations (WFUNA)
Archival ...
Category
1990s Contemporary Manhattan - Landscape Prints
Materials
Archival Pigment
Bloom, spring day, green fields with trees, landscape diptych, monoprint
By Rachel Burgess
Located in New York, NY
Bloom (2017)
Rachel Burgess
Monoprint on two sheets of paper, 39 x 56 inches total
This work is framed.
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Monoprint
City of London Barbican Center print (HAND SIGNED by David Hockney) Rare poster
By David Hockney
Located in New York, NY
David Hockney
Offset lithograph poster
Hand signed in pencil by David Hockney on the front
The work depicted is "Detail of Cubistic Bar", 1980, crayon
Published by Petersburg Press, ...
Category
1980s Pop Art Manhattan - Landscape Prints
Materials
Lithograph, Offset
Art Card: Wolf Kahn, High Summer 1972 (Hand signed, dated and inscribed to Tom)
By Wolf Kahn
Located in New York, NY
Art Card: Wolf Kahn, High Summer 1972 (Hand signed, dated and inscribed)
Offset lithograph card 1972, ca. 1988
Hand signed, dated 2/96 and inscribed "For Tom" in black marker on the ...
Category
1970s Color-Field Manhattan - Landscape Prints
Materials
Postcard
Maldives 11 Limited Edition Print
By Zaria Forman
Located in New York, NY
ABOUT THIS PIECE: Continuing the story of polar melt, which is the main cause of rising seas, I followed the meltwater from the Arctic to the equator. I spent September 2013 in the M...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Blue, Ukiyo-e landscape woodcut print, 2014
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Woodcut
Gild the Lily II
By Carlos Rolón
Located in New York, NY
GILD THE LILY II
Year: 2017
Medium: Archival pigment inks on Crane, Museo Max, 365 gsm fine art paper
Size: 46 x 35 inches (117 x 89 cm)
Edition: 30
Price: $2,875
Also available in a suite of 2
Carlos Rolón...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Archival Pigment
D. Sidwell Feigin, Rain, Snow, and Time
Located in New York, NY
This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
Tiendelitas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez."
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1960s Modern Manhattan - Landscape Prints
Materials
Lithograph
Bob Stanley - Tree Branches, Etching on wove paper with deckled edges, Signed/N
By Bob Stanley
Located in New York, NY
Bob Stanley
Branches, 1976
Etching on wove paper with full margins and deckled edges
31 1/2 × 22 1/2 inches
Pencil signed, dated and numbered from the limited edition of 65, with Chi...
Category
1970s Pop Art Manhattan - Landscape Prints
Materials
Etching
Keiji Shinohara, Accelerondo, Ukiyo-e woodcut print landscape, 2005
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
21st Century and Contemporary Abstract Manhattan - Landscape Prints
Materials
Paper, Woodcut
$2,000 Sale Price
20% Off
On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222.
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s Impressionist Manhattan - Landscape Prints
Materials
Etching
Phalanx
By John Ross
Located in New York, NY
This collagraph was created circa 1973. It is signed, titled and inscribed "1/75" in pencil. The paper size is 22 x 30 1/2" with the printed image 18 7/8 x 27 3/4.&q...
Category
Late 20th Century Contemporary Manhattan - Landscape Prints
Materials
Intaglio
$1,500
L’Hiver a Paris ou La Neige a Paris
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Manhattan - Landscape Prints
Materials
Drypoint, Etching, Aquatint
Coin de Rue Dans Soho
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1947), Coin de Rue Dans Soho, woodcut, 1909, signed in pencil lower left and numbered (15/15) [also initials in the plate]. Reference: Sylvain Laboureur 64...
Category
Early 1900s Modern Manhattan - Landscape Prints
Materials
Woodcut
Michael Dal Cerro, Entryway, 2020, Linocut, Urban Landscape, Modern
Located in Darien, CT
Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...
Category
2010s Op Art Manhattan - Landscape Prints
Materials
Ink, Archival Paper, Linocut
Donald Baechler Sea World 1999 (Donald Baechler prints)
By Donald Baechler
Located in NEW YORK, NY
Donald Baechler, Sea World, 1999:
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Soft-ground etching and aqu...
Category
1990s Contemporary Manhattan - Landscape Prints
Materials
Etching, Aquatint, Lithograph, Screen
Opus 9, Abstract Sunset Landscape Woodcut Monoprint, 22 x 21 IN Framed
By Keiji Shinohara
Located in New York, NY
In his Ukiyo-e monotype, Opus 9, 2011, (12 x 11 in // framed size: 22 x 21 in.) Keiji Shinohara uses the tradition of landscape as a playground for his dialogue between eastern and w...
Category
Early 2000s Contemporary Manhattan - Landscape Prints
Materials
Monoprint, Woodcut, Archival Paper
Opus 22, Ukiyo-e monotype landscape print, 2011
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Monotype
$2,000 Sale Price
20% Off
General/The North Downs
Located in New York, NY
D. Legg.
General/The North Downs, Ca 1921 Color lithograph.
Designed posters for London Transport 1929.
No Biography available.: London Transport Museum Collectiom
Category
1920s Art Deco Manhattan - Landscape Prints
Materials
Lithograph
Old Putney Bridge
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Manhattan - Landscape Prints
Materials
Drypoint, Etching
Ross Bleckner, Floating Red
By Ross Bleckner
Located in New York, NY
Ross Bleckner
FLOATING RED
Year: 2019
Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Size: 42 x 70 inches (107 x 178 cm)
Edition: 30
Price: $7,000
Also sold as a set with Floating Red
Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss.
Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle.
After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work.
Bleckner’s early 1980s Stripe...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Archival Pigment
Night Sail/Shepherds Watch
By Gigi Mills
Located in New York, NY
Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Archival Ink, Giclée
The Departure of the Argonaut Francesco Clemente (bound book) Alberto Savinio
By Francesco Clemente
Located in New York, NY
The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...
Category
1980s Abstract Manhattan - Landscape Prints
Materials
Lithograph
Laburnums and Battersea
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Manhattan - Landscape Prints
Materials
Drypoint, Etching
Jungle Metropolis, an illustration by Guillaume Cornet white framed
By Guillaume Cornet
Located in Dallas, TX
This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials.
GUILLAUM...
Category
2010s Pop Art Manhattan - Landscape Prints
Materials
Watercolor, Pen, Permanent Marker
$5,600 Sale Price
20% Off
The original Whitney, Marcel Breuer Building (now Sotheby
s), Woodcut engraving
By Richard Haas
Located in New York, NY
Richard Haas
The Whitney (Marcel Breuer Building), 1979
Woodcut engraving
Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category
1970s Realist Manhattan - Landscape Prints
Materials
Engraving, Etching
Adolf Dehn, Commodore Peak, 1940-42, mid-century lithograph of Colorado mountain
By Adolf Dehn
Located in New York, NY
Adolf Dehn (1895-1968) was an American painter, printmaker and draftsman. A native of Waterville, Minnesota, he attended the Minneapolis School of Art where he met colleague Wanda Ga...
Category
1940s American Modern Manhattan - Landscape Prints
Materials
Lithograph
La Promenade Sur Le Port
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category
1930s Modern Manhattan - Landscape Prints
Materials
Engraving
Beach and Willows
By Frederick Garrison Hall
Located in New York, NY
Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...
Category
1920s American Realist Manhattan - Landscape Prints
Materials
Etching
Paysage au Buttes-Chaumont (2nd Planche), 1920-21
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting.
A fine, fresh and clear impression of this important cubist-influenced scene.
Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own.
Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category
1920s Cubist Manhattan - Landscape Prints
Materials
Engraving, Etching
Chemin De Fer Rhetique
By Emile Cardinaux
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp.
1913. Color lithograph
Cardinaux created an extensive work of different media, he illu...
Category
1910s Art Deco Manhattan - Landscape Prints
Materials
Lithograph
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