Maryland - Paintings

Rene Genis (French 1922-2004) "Le Gilet Bleu” The Blue Jacket. Portrait of a young man in a blue jacket/sweater with an insignia on the breast and a blue ...

Rene Genis (French 1922-2004) “Pont Levis - Chenonceau” Draw Bridge at Chenonceau: a 16th-century castle built over the river “Le Cher,” approximately 100 miles south of Paris, Franc...

Positively Electric 9.0 x 12.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "New abstract painting by acclaimed artist, Vian Borchert, that delves into the d...

Rene Genis (French 1922-2004) Title illegibly written. "La Bienne" "Jura" (?) - Illegible - "The Property" in "Jura" Switzerland. Rolling hills on background, trees, glade and pond(?...

Rene Genis (French 1922-2004) "Pecheur Bord De Bienne, Jura" Fishing The Edge Of The Property, Jura, Switzerland. Rolling hills on background, trees, glade and pond(?) in foreground...

This is a lovely oil on board landscape by noted Midland, Texas artist Alpha Johnson Lanham. It is a view of old stone steps within a landscape. The painting is an essay in paint a...

ink & flashe on paper

Portal 23 #3 (2023) Acrylic, wax, and aluminum leaf on paper 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Work on paper / Texture / Silver / Blue / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

Yellow and Blue 24.0 x 36.0 x 1.5, 3.5 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstract expressionist textured painting with yellow and blue tones." About the Ar...

ink, acrylic & flashe on paper

oil on canvas

Electric Wind 9.0 x 12.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "New abstract painting by acclaimed artist, Vian Borchert, that delves into the dynamic...

ink & flashe on paper

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

Abstract painter Paul Heald was born in Michigan in 1936. He moved to the West Coast and died in Washington in 2014. His body of work focuses on line and form abstract painting, usu...

Abstracted garden scene. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Sig...

Portal 23 #4 (2023) Acrylic, wax, and aluminum leaf on paper. 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Silver/ Texture / Work on paper / Abstract / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

gouache & graphite on mylar

gouache & graphite on mylar

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Splish Splash, Original Contemporary Colorful Blue Abstract Painting 34" x 38" x 0.75" (HxWxD) Acrylic on Canvas 36" x 40" x 2" (HxWxD) Framed An explosive and colorful work by arti...

Brown Blue 8.0 x 10.0 x 0.5, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Abstract painting with blue and brown tones." About the Artist: Vian Borchert is an esta...

Cars heading in opposite directions at dusk. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

Acrylic painting on canvas & Poem, by Shannon Ewing 2023 36" X 48" Canvas "Justify the moment, Grieve the lost. Moments are thin, Line is lost". -Sha...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Sunrise On The Lake, Original Contemporary Bold Abstract Landscape Painting 48x48 (HxW), Acrylic Paint This large square format painting by artist Jen Sterling depicts a sky glowing...

"Proving or disproving the theory of multiverses by means of scientific experiment or observation is difficult for various reasons. But imagination has no such reservations and can e...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Light by the Cliff 24.0 x 24.0 x 1.5, 3.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Abstracted sunrise landscape and seascape painting depicting a light by a cliff ...

Be bold in a world you can’t stand 36â€

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Bio Matrix, Original Contemporary Mixed Media Abstract Square Polyptych 47" x 47" x .5" (HxWxD), Acrylic on Burlap and Japanese Paper A nine piece series of color studies and media ...

A fresh and expressive interpretation of a cluster of tulips :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

A spirited and lively interpretation of a cluster of tulips :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

A Landscape segmented by a color lattice. :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed:...

Two Happy Clouds 36.0 x 36.0 x 1.5, 3.5 lbs Acrylic Hand signed by artist Artist's Commentary: "Abstracted skyscape, cloudscape landscape depicting a vast sky with white clouds" ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Objects on a table with a window in the background :: Painting :: Fine Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes...

A grid-like matrix of gradients. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

Overcast 36.0 x 36.0 x 1.5, 3.5 lbs Acrylic Hand signed by artist Artist's Commentary: "Abstract seascape with blue and gray tones." About the Artist: Vian Borchert is an establ...

A flower pot in our garden. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

Mallards resting on a log on the C and O canal. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Y...

Still-life with lamp and table and other items. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Impressionistic cloudscape oil painting with a flock of birds :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Impressionistic landscape of rolling hills :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ::...

Realistic seascape :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Loca...