Mexico - Serveware, Ceramics, Silver and Glass

Copalera Decorative Piece by Omar Ortiz, 2021 Dimensions: H10 x D10cm Materials: Volcanic stone, black clay. It is a decorative piece that mixes black clay from Oaxaca and stone...

Vintage Set of 9 plates, never used with Rosenthal tag. Perfect condition. Very nice work amazing details in the texture. Rosenthal is a warranty of ...

Very elegant set of Bordeaux Wine Glasses. amazing condition, probably never used. Made by the top quality crystal manufacturer icon Lalique France. Signed.

A Sterling Silver bowl by Georg Jensen. The round bowl with flat surface, everted edge and ringed base is marked on the bottom with the post-4915 seal and numbered 430B. Weight: 431...

Very elegant set of Bordeaux Wine Glasses. amazing condition, probably never used. Made by the top quality crystal manufacturer icon Lalique France. Signed.

Very Rare piece. In excellent condition. No chips or marks. Signed.

Set of 5 Oceana Rouge Dinner Plates excellent condition.

Set of 6 - Bouton Rose Glasses made by world famous Crystal Manufacturer Daum France The base in the shape of rose petals, the leg simulating champagne bubbles. The base is in frost...

Very elegant set of 8 Bordeaux Wine Glasses. amazing condition, probably never used. Made by the top quality crystal manufacturer icon Lalique France. Signed.

Pavo Jug in Shiny Orange Glazed Ceramic by Eguiarte & Eguiarte Materials: Ceramic. Dimensions: D 26 x W 12,5 x H 20 cm. Available in different ceramic color options. The capacity of...

Pelota Pitcher in Matte Pink Glazed Ceramic by Eguiarte & Eguiarte Materials: Ceramic. Dimensions: D 23,5 x W 10 x H 25,5 cm. Available in different ceramic color options. The capac...

Hauri: In the Huichol Indian tradition, the “candle of life” that lights the luminous sky during the sacred pilgrimage to Wirikuta. A perfect handcrafted marble sphere, apparently a...

Set of Iza Mug by Rodrigo Lobato Yáñes Dimensions: H 4" x W 5.2" x D 5.2" Materials: Slip casting, glazing and single firing process Platalea studio was born out of a passion fo...

Carved Veneciano white marble cheese boards. Handmade in México by local craftsmen. Dimensions: Small: 34 D x 18 W x 2 H cm Large: 42 D x 22 W x 2 H cm. Production time: 6-8 week...

Acatl means "cane" in the Nahua language, the language of the Mexica people. Acatl is also the symbol that represents this element. In turn, this symbol has been used in sculptures a...

Acatl means "cane" in the Nahua language, the language of the Mexica people. Acatl is also the symbol that represents this element. In turn, this symbol has been used in sculptures a...

Acatl means "cane" in the Nahua language, the language of the Mexica people. Acatl is also the symbol that represents this element. In turn, this symbol has been used in sculptures a...

Acatl is a collection of Tumblers and liquor, Mezcal and Tequila glasses in 6 different colours. Produced in an artesanal way in Jalisco, Mexico using 100% recycled glass. The sh...

Acatl is a collection of Tumblers and liquor, Mezcal and Tequila glasses in 6 different colours. Produced in an artesanal way in Jalisco, Mexico using 100% recycled glass. The sh...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Set of 4 - Bouton rose wine glasses made by world famous Crystal Manufacturer Daum France The base in the shape of rose petals, the leg simulating champagne bubbles. The base is in f...

Set of 4 - Bouton rose wine glasses made by world famous Crystal Manufacturer Daum France The base in the shape of rose petals, the leg simulating champagne bubbles. The base is in f...

HALF MOON The Half Moon carafe is specially designed to contain Mezcal, Tequila or any other liquor. Its conical shape refers to the shape of the agave leaves while the upper part takes the semi-spherical shape of the cup traditionally used to drink mezcal. The head of the bottle also serves to contain two glasses of smaller diameters which can be used to serve the liquor or salt to accompany the drink. The cups can be accommodated in different positions depending on the use you want to give them. Our carafe collection is a tribute to the traditional pitchers cantaros or botellones of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as pottery centers. Originally these cantaros were used to store water in addition to keeping it a few degrees below room temperature, their low temperature cooking allows the jug to breathe water and this in contact with the outside air cools the jug and therefore the liquid inside. To avoid moisture stains on the surfaces where the jug is placed, a plate is placed. The jugs were usually decorated with paintings...

Circa 1970, We offer this beautiful Ceramic Stoneware Fruit Platter signed by G. Reni.

Oaxacan plates handmade tableware burnished barro negro de Oaxaca. The Loving collection* Wild clay from the mountains of Oaxaca becomes a polished matt piece for the contem...

Oaxacan plates handmade tableware burnished barro negro de Oaxaca. The Loving collection* Wild clay from the mountains of Oaxaca becomes a polished ...

The shape of this collection of glasses is manifested from the union of two elements. A cylindrical center and a kind of wavy ring that forms an X that in turn refers to the way t...

The shape of this collection of glasses is manifested from the union of two elements. A cylindrical center and a kind of wavy ring that forms an X that in...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as p...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as pottery centers. Originally these bottles were used to store water in addition to keeping it a few degrees below room temperature, their low temperature cooking allows the jug to breathe water and this in contact with the outside air cools the jug and therefore the liquid inside. To avoid moisture stains on the surfaces where the jug is placed, a plate is placed. The jugs were usually decorated with paintings...

Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed during the period of the conquest as pottery centers. Originally these bottles were used to store water in addition to keeping it a few degrees below room temperature, their low temperature cooking allows the jug to breathe water and this in contact with the outside air cools the jug and therefore the liquid inside. To avoid moisture stains on the surfaces where the jug is placed, a plate is placed. The jugs were usually decorated with paintings...

Very nice serving tray cutting board or cheese plater made in Mexico by the iconic designer Don Shoemaker. Very good original Condition.

Christofle France silver-plated bottle holder 'Gallia' by Lino Sabattini (1925-2016), Italian goldsmith and designer. 20th Century Grand French silver-plated -- FRENCH CLASSIC ART ...

A 1920's French purple pressed glass vase with triangular motiffs by Degué. The vase is signed on the lower section. David Guéron (1892 - 1950) is a Turkish-born entrepeneur of Spa...

Kazan Ashtray by Naibu Materials: Volcanic stone. Dimensions: D 15 x H 10 cm. Naibu We are a multidisciplinary studio founded by Mara Calderón de la Barca and Brenda Ochoa, based in...

Tributte platter by Rodrigo Lobato Yáñes. Dimensions: H 2.3'' x W 11.3'' x D 11.3" Materials: Slip casting, glazing and single firing process. Platalea studio was born out of a ...

Set of 11 Porcelain Rosenthal Classic Rose Dessert Plate. Perfect condition never used. Very nice proportions and decoration. Also with a very nice texture, please see photos.

Set of 12 Soup Plates by Rosenthal. Perfect condition. Never used. Very elegant.

Set of 5 Porcelain Christofle Oceana Rouge Soup Plates. Excellent condition. Very elegant.

Set of 4 Vintage Rosenthal Classic Rose Platters, never used still with the Rosenthal paper tag. Very elegant. Sizes: 38 x 26 cms 34 x 24 cms 29...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Ceramic 8 plate set with salt and pepper cart made in modern egg design by Lorenzo Lorenzzo Lorenzo's work alludes to his favourite meal, breakfast, creating a contemporary design f...

Arrebol Escalonado by Studioroca. Dimensions: 18 x 18 x 30.5 cm. Materials: volcanics rocks essential oils diffuser. Studioroca is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Set of mezcal vessel by Rodrigo Lobato Yáñes. Dimensions: H 5.2'' x W 3.6'' x D 3.6" Materials: Slip casting, glazing and single firing process. Pla...

Elegant black and white jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico while cre...

Enhance your space with this elegant ceramic egg plate by Mexican artist Lorenzo Lorenzzo. Handcrafted in San Miguel de Allende, Guanajuato, this versatile piece features a refined e...

Gota decorative piece by Omar Ortiz, 2021 Dimensions: H15 x D30cm. Materials: Volcanic stone, black clay. It is a decorative piece that mixes black clay from Oaxaca and stone fr...

Set of peel vessel by Rodrigo Lobato Yáñes. Dimensions: H 4.2'' x W 3.7'' x D 3.7". Materials: slip casting, glazing, and single firing process. Platalea studio was born out of ...

Chaos set of 4 by Andres Monnier Dimensions: Height: 10 - 20 cm, width: 5 - 8cm Materials: Nero marquina Piece inspired by Khaos, from Greek mythology. The personification of the vo...

Copalera No. 4 Incense Burner by Acoocooro Dimensions: Ø 16 x H 9.5 cm. Materials: Crema maya (Yucatán peninsula marble) incense burner and lid. Veining and mineral composition ma...

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

Silvia creates her own representation of the Mixe Blouse, very traditional garment of the Mixe Region, in Mexico. In the heart of the Sierra Norte Mountains in the state of Oaxac...

An important ceramic plate by Mexican artist Alejandro Colunga. Series 14 / 15. The plate is an assemble of different ceramic pieces depicting fish and a dog head. Signed and dated 1...

A Mexican high temperature vase by Alberto Díaz de Cossío. Manufactured at the Taller Experimental de Cerámica in Mexico City (Experimental Cera...

Reliquia by Ehécatl Moreno Handmade Dimensions: D 45 x W 45 x H 12 cm. Materials: Glass, steel. A glass platter modeled from thermoforming, it is a masterpiece of transparency and l...