Miami - More Art

ROBERT KENNETH WHITE – "RACING THE TEMPEST" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display DRAMATIC MARITIME SCENE BY ROBERT KENNETH WHITE In "Racing the Tempest," Ro...

Demetre Chiparus The Clown's Dream, ca. 1930 Bronze and marble 29 in Signed "Chiparus" and "J. Gazan" Provenance: Estate of Arlene Winnick, Beverly Hills, California.

This measures 41 inches in width and 75 inches in height to end of tassels without the tassels it is 57 inches in length This is a wool handmade weaving tapestry, The imagery seems i...

Manantial II. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós ex...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel plates and rods Stress Steel Sculpture, 1997, Hand signed and dated Oleg Sohanievich '97, Dimensions: 18 1/2" h., 21" ...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Corten steel, U-beams and rods Steel Stress Sculpture, 1994, Hand signed in Cyrillic and dated 94, Dimensions: 15" h., 16" w...

ROBERT KENNETH WHITE – "GIRL WITH RED HAIR" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT STUDY OF STRENGTH AND INTROSPECTION In this emotionally charged p...

R. Lalique Bulbes no 2, 1935 Molded, pressed, and opalescent white glass 3 x 8 in cod 3300

Girona. Original unique ceramic piece. La Bisbal d'Empordà, capital of the Baix Empordà region, is a town with a long pottery and pottery tradition for centuries, as well as one of t...

Bolero mallorquin. Original multiple ceramic piece Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista work. With different own...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Cor-ten steel Stress Sculpture #5, 1976 Hand signed and dated Oleg Sohanievich '76 Dimensions 9" h., 13" w., 27" d. Very he...

R. Lalique Camaret Vase (Quatre rangees de Poissins), 1928 Opalescent and colored blown molded white glass 7 in cod 1010

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

CHARLES LEVIER – UNTITLED [BOUQUET SUR TABLE ROUGE] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame ⚜ Provenance Label on Verso A VIBRANT MIDCENTURY FLORAL STILL LIFE...

ROBERT KENNETH WHITE – "PEACEFUL REFLECTION II" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display CLASSICAL GARDEN INTERIOR WITH MEDITERRANEAN LIGHT In Peaceful Reflecti...

STEPHEN STALLINGS – "MAY 1ST" ⚜ Mixed Media on Board ⚜ Hand Signed, Dated, and Titled Lower Right; Signed Verso ⚜ Conservation Frame DETAILED AMERICAN LANDSCAPE Painted in 1975, Ste...

ROBERT KENNETH WHITE – "CYPRESS LIGHT" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A GLOWING STUDY OF LIGHT AND NATURE In “Cypress Light” (2018), Robert Kenneth Wh...

ROBERT KENNETH WHITE – "BENEATH THE ORCHARD SKY" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A LUMINOUS LANDSCAPE OF COLOR AND STILLNESS In “Beneath the Orchard Sk...

CHARLES LEVIER – “LA NAPPE” Oil on Canvas ⚜ Signed Lower Right & Verso ⚜ Custom Conservation Frame A BRIGHTLY STAGED MIDCENTURY STILL LIFE BURSTING WITH COLOR & FORM “La Nappe” is a...

ROBERT KENNETH WHITE – "CYPRESS ROAD" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT PATH LEADING TO THE SEA A strikingly serene composition from Robert Kennet...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

ROBERT KENNETH WHITE – "CRYSTAL COAST" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right and Titled on Verso ⚜ Frameless Display A LUMINOUS COASTAL MASTERWORK In “Crystal Coast” (2018), Rob...

JOHANNES SCHIEFER – "LES FRUITES" Oil on Canvas ⚜ Signed Lower Left ⚜ Custom Conservation Frame A VIBRANT POST-IMPRESSIONIST STILL LIFE WITH MOUNTAIN LANDSCAPE BACKDROP In this rich...

ROBERT KENNETH WHITE – "STUDY OF 'STILL LIFE WITH CHINESE PEONIES AND MANDOLIN'" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MODERN TRIBUTE TO GAUGUIN’S FLORAL BOLDNE...

Majorca. Original unique ceramic piece Painter born in the town of Estellencs on the island of Mallorca, since his youth he dedicated himself to drawing and watercolor, later enterin...

RALPH ROSENBORG – "AMERICAN LANDSCAPE: MOUNTAIN, 1973" ⚜ Oil on Canvas ⚜ Hand Signed and Dated Lower Right and on Verso ⚜ Conservation Frame ABSTRACTED AMERICAN LANDSCAPE Painted in...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

ROBERT KENNETH WHITE – "DAUGHTER OF THE LIGHT" ⚜ Oil on Canvas ⚜ Hand Signed on Verso ⚜ Frameless Display A VISIONARY WORK OF SYMBOLISM AND LIGHT In “Daughter of the Light” (2015), ...

Robert Indiana The Love Ring. 1969. Multiple. Gold-plated ring. Diameter 2 cm. In an original box by Charles Revson, New York.

ROBERT KENNETH WHITE – "CLASSIC BEAUTY" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A MODERN HOMAGE TO TIMELESS ELEGANCE In “Classic Beauty” (2017), Robert Kenneth...

MARIANNE STIKAS – [WINGS] ⚜ Oil on Canvas with Gold Leaf ⚜ Hand Signed and Dated Verso (twice) ⚜ Frameless Display MONUMENTAL GOLD LEAF WINGS Painted in 1981, Marianne Stikas’ [Wing...

VERNON KERR – [EMPTY GLASS, FALLEN ROSE] Oil on Board ⚜ Hand Signed ⚜ Dated ⚜ Framed AN INTIMATE STILL LIFE WITH SYMBOLIC QUIETUDE This original 1966 oil on board by Vernon Kerr cap...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

RALPH ROSENBORG – "NIGHT MOUNTAIN LANDSCAPE, 1974" Oil on Canvas ⚜ Signed Lower Left and on Verso ⚜ Custom Conservation Frame A VIVID ABSTRACT VISION OF MOUNTAINOUS NIGHTSCAPE In "N...

R.Lalique Vase Penthievre (Fancy Fish) 1928 white blown-molded glass with patina and high color 10,5 x 10,5 in

ROBERT KENNETH WHITE – "WHERE THE SHADOWS BLOOM" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MEDITERRANEAN COURTYARD IN VIBRANT LIGHT Suffused with radiant hues and d...

ROBERT KENNETH WHITE – "TO THE BEACH AT DEL MAR" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display SUNLIT MOMENT IN SOUTHERN CALIFORNIA Inspired by a real-life encounter, Robert Kenneth White captures the quiet magnetism of a spontaneous moment on a sunlit road in Del Mar. The figure—draped in white and holding a woven beach bag...

ROBERT KENNETH WHITE – "FOUNTAIN VISITORS" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display HUMOR AND ELEGANCE IN A MEDITERRANEAN FOUNTAIN SCENE In Fountain Visitors, Robert Kenneth White brings humor, realism, and elegance together in a charming portrayal of pigeons interacting with a sculpted dog-head fountain. The composition highlights a vibrant turquoise pool contrasted by golden sunlit walls, while the birds add a lively, whimsical presence to the classical setting. White’s skilled rendering of reflected light and surface textures—carved stone, water, and feather—demonstrates his exceptional technical command. The clever detail of a bird drinking directly from the dog’s water spout adds personality to the scene and highlights the artist’s talent for visual storytelling. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for realism and architectural nuance ✓ Blends technical mastery with humor and narrative charm ✓ Features finely detailed animal forms, Mediterranean architecture, and luminous water ✓ Ideal for collectors of photorealism, animal art, or classical European imagery ARTWORK DETAILS: ▸ Title: "Fountain Visitors" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Hand signed lower left ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 22.125 x 30 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for his atmospheric landscapes, architectural studies, and expressive animal portraits. With a refined oil technique and a deep appreciation for light and form, White captures both the elegance and character of his subjects—often with a touch of narrative wit. Inspired by artists such as Andrew Wyeth, John Register...

Measurements when open: 15 3/4 x 71 in. / 40 x 180.3 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sec...

Measurements when open: 15 3/4 x 71 in. / 40 x 180.3 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sec...

Measurements when open: 14 x 212 in. / 35.6 x 538.5 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sect...

ROBERT KENNETH WHITE – "FIELDS OF EVENING LIGHT" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display ATMOSPHERIC SUNSET LANDSCAPE BY ROBERT KENNETH WHITE In Fields of Even...

ELLIE RILEY – "TACTILE VISIONS-BLUE" Acrylic & Stainless Steel on Canvas with Tinsel ⚜ Hand Signed, Dated & Titled Verso ⚜ Frameless Display DIMENSIONAL MIXED MEDIA WITH GEOMETRIC F...

ROBERT KENNETH WHITE – "CABIN IN THE PINES" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TWILIGHT FOREST RETREAT WITH WARM INTERIOR GLOW Set deep in the quiet of a moo...

ROBERT KENNETH WHITE – "SPRING GREENS" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display LUMINOUS FOREST STUDY IN EARLY SPRING LIGHT In Spring Greens, Robert Kenneth Whi...

ROBERT KENNETH WHITE – "SANCTUARY OF THE SEA" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MYTHIC SEASCAPE WITH FANTASTICAL ARCHITECTURE In Sanctuary of the Sea (2015), Robert Kenneth White presents a visionary coastal realm—part ancient city, part imagined utopia. Classical domes and soaring towers rise from lush hillsides and rugged cliffs, their golden light and crisp detailing reminiscent of both Mediterranean antiquity and high fantasy world-building. Rich sapphire waters lap against stone piers as a sailboat makes its way through the tranquil harbor, offering a sense of scale and serenity. Executed in oil with White’s signature attention to atmospheric color and architectural clarity, this large-format landscape blends historical evocation with imaginative escape. The composition feels cinematic and immersive, balancing realism with reverie—inviting comparisons to romantic illustrators like Maxfield Parrish, the architectural surrealism of Simon Stålenhag, or the coastal visions of classical landscape painters. WHY COLLECT THIS WORK? ✓ Dreamlike coastal cityscape rendered in luminous oil technique ✓ Large, immersive horizontal format ideal for major feature walls ✓ Evokes timeless architectural fantasy with painterly realism ✓ A standout for collectors of Maxfield Parrish, James Gurney, or Thomas Cole ARTWORK DETAILS: ▸ Title: "Sanctuary of the Sea" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2015 ▸ Signature: Hand signed on verso ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 19.75 x 39.5 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is known for his richly imagined compositions that merge classical realism with visionary storytelling. His works often blend architectural fantasy with mythic naturalism, drawing comparisons to the luminous worlds of Maxfield Parrish and the immersive landscapes of James Gurney, creator of Dinotopia. White’s painterly technique—marked by soft atmospheric transitions and crisp linearity—recalls Thomas Cole and J.M.W. Turner, while his symbolic, storybook environments resonate with fans of Roger Dean...

WILLIAM VERDULT – Untitled [VENETIAN REFLECTIONS] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A DREAMLIKE IMAGINING OF VENICE AT SUNSET [Venetian Reflections] sho...

ROBERT KENNETH WHITE – "ECHOES OF THE VIADUCT" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TURNER-INSPIRED LANDSCAPE WITH MODERN EXPRESSION A richly atmospheric lands...

ROBERT KENNETH WHITE – "SHUTTERS AND BLOSSOMS" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display SUNLIT ARCHITECTURAL STILL LIFE WITH FLORAL DETAIL In Shutters and Blossoms, Robert Kenneth White captures the poetic quiet of a Mediterranean-style window framed by flowering plants and rustic wooden shutters. Dappled sunlight falls across the textured stucco wall, while clusters of greenery and delicate blooms fill the scene with warmth and charm. Balancing architectural form with botanical detail, the composition offers a harmonious interplay of structure, light, and color. White’s expert handling of shadow and surface texture recalls the traditions of 20th-century realism, while evoking the inviting atmosphere of Southern Europe. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for his light-rich architectural scenes ✓ Inviting composition blending structure, foliage, and Mediterranean color ✓ Ideal for collectors of classical realism, garden themes, or romantic still life ✓ Rich scale and palette make this a stunning statement piece ARTWORK DETAILS: ▸ Title: "Shutters and Blossoms" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 36.375 x 30.125 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for luminous paintings that merge classical architecture with natural beauty. His work often centers on quiet vignettes—courtyards, coastal scenes, and sunlit façades—that celebrate light, form, and atmosphere. In Shutters and Blossoms, White echoes the influence of artists like John Register...

ROBERT KENNETH WHITE – "TRANQUILITY" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display ARCHITECTURAL GARDEN STUDY IN SUNLIT STILLNESS In Tranquility, Robert Kenneth White captures a moment of quiet illumination in a Mediterranean-style garden. A classical terracotta urn rests amid wildflowers and trimmed hedges, framed by palm fronds, stucco walls, and pale blue shutters. The painting balances bright floral textures with deep shadow, inviting viewers into a peaceful courtyard retreat. As the artist reflects, “This painting was inspired by the timeless beauty of southern France, and the wonderful homes that one finds there.” That inspiration shines through in both the subject and atmosphere—an evocation of warmth, elegance, and enduring charm. Known for his mastery of architectural scenes and natural light, White renders this composition with both structural clarity and painterly softness. The glowing focal point and contrasting cool shade exemplify his skill at evoking calm and stillness through light and design. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, acclaimed for garden courtyards and architectural realism ✓ Mediterranean palette with vibrant sunlight and lush foliage ✓ Ideal for collectors of classical realism, garden subjects, or decorative architectural studies ✓ Compact horizontal scale, perfect for home or hospitality interiors ARTWORK DETAILS: ▸ Title: "Tranquility" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2021 ▸ Signature: Hand signed lower left ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 18.125 x 30.125 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for his luminous courtyard scenes, tonal landscapes, and sunlit interiors. Drawing on the traditions of American and European realism, his work recalls the influence of artists like John Singer Sargent, Joaquín Sorolla, and John Register...

— CALIFORNIA COAST I — BY ROBERT K. WHITE (B. 1950) Original Oil on Canvas ⚜ Large Scale ⚜ Signed ⚜ Framed A DRAMATIC COASTAL MASTERPIECE This large-scale original oil painting by R...

ROBERT KENNETH WHITE – "MYSTIC FJORD" Oil on Canvas ⚜ Signed on Verso ⚜ Frameless Display AN EVOCATIVE STUDY OF LIGHT, FORM, AND COASTAL GRANDEUR In "Mystic Fjord", Robert Kenneth W...

ROBERT KENNETH WHITE – "KELLY SLATER" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT OF FOCUS, LEGACY, AND DEPTH Rendered with near-photographic precision, ...

R. Lalique Coquilles No. 2, 1924 Molded pressed opalescent white glass 10,5 in cod 3010

Rene Lalique (1860-1945) Chiens Cup, also called Grayhound Opalescent molded-pressed white glass 4 x 10 in Literature: Appears in the 1928 catalog. Deleted from the catalog in 1932 ...

Monumental Gale Émile Gale Vosguien Blue Line multilayer glass vase: blue, green, brown, and yellow 21 x 6 in Perfect condition

JOAQUIM NABUCO SURFBOARD, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 70 h. x...

Rene Lalique Bulbes no 2, 1935 Molded pressed and opalescent white glass 3 x 8 in cod 3300 V1

Rene Lalique Ajaccio Vase, 1938 Frosted Glass 8 x 6 in cod 10-914 on the Catalogue Raisonne