Michigan - Bowls and Baskets

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A stunning vintage Murano art glass bowl. Freeform shape in clear and green glass with a gold speckled design. An earth-toned accent perfect for a modern designed space. From a priva...

New and hand made in Italy by Rina Menardi, this cup-form bowl or vase stands just under 11” tall and has a dark teal green glaze. Streamlined shape with thin, glazed porcelain walls...

Mid-Century Modern Pair of Alfredo Scciarotta Modernist silver mini bowls. Dimensions: 1: 4" diameter x 1"height 2: 4.25" diameter x 1.25"height.  

"Big Sky" is a striking raffia woven basket with feather accents, skillfully crafted by the acclaimed artist Katherine Westphal in 1994. This sign...

This stunning Ron Mynatt cobalt fluted signed art glass bowl is a beautiful piece of art. Made from hand-blown glass, this bowl has a gorgeous co...

The Frantisek Zemek blue and yellow abstract glass sculpture with dual bowls is a captivating masterpiece that harmoniously blends form and function. Etched signature on bottom. Hand...

A David Helm hand blown glass bowl. This wonderful glass bowl has been hand blown by glass artist David Helm. The details in this piece are absolutely stunning. The outside of the bo...

Turned biomorphic walnut bowl, Rude Osolnik Originals.

Three pieces of finely formed colored glass. Two are Swedish the pinched cylinder piece is Finnish. Tallest is 11" bulbous about 10 wide mouth vase 7.5...

Very nicely made and crafted boomerang or flying V-form hammered copper bowl.

Asymetrically shaped polished aluminum bowl on small walnut base . Interior has been powdercoated .

19th century monumental English harvest basket, great at the foot of a bed or amazing coffee table.

Diloirenzo carved tree trunk center bowl, great form and color, signed on bottom.