Middle East - Furniture

The Art Nouveau sculptural pitcher by sculptor Charles Théodore Perron (1862-1934) is a testament to the elegance of Art Nouveau craftsmanship. Crafted in France around 1900's, this pewter showcases Perron's keen eye for detail and artistic flair. Showcasing semi- nude women figures inspired by naiads/mermaids giving a whimsical feel of lightness , a reclined lady at the neck of the pitcher serving as handle, and the neck with a face mask, alongside art nouveau organic motifs all in high relief. A true collector's piece, adding a touch of sophistication to any setting, inspired by the Art Nouveau Spirit . Charles Théodore Perron Charles Théodore Perron, born in Paris 10th on October 16, 1862 and died in Bourg-la-Reine on December 18, 1934, is a French sculptor. A student of Falguière, Roy and Louis-Auguste...

Asha II is a sculptural trio of candlesticks handcrafted in brushed brass, created to bring quiet ritual into contemporary interiors. Each piece rises in a distinct silhouette, drawi...

Design Title: "Interior Orange" Hand knotted from New Zealand wool with embossed features. Distinct geometrical shapes in warm colors. The forms are embossed to create a modern impression. Carpets CC...

A single seat pouf, compact, bright and cheeky. Perfect as an additional seat or as a footstool, this pouf is 100% handmade from UV protected acrylic. Us...

Decorative wall tapestry straight from the 1970s signed by Michele Cahard hand-woven in wool. It depicts a nature scene of birds flying towards the sunset and over a swamp with plant...

Design Title: "Interior Blue" This carpet is hand-knotted from 100% New Zealand wool in geometrical shapes. It has dark brown triangles that point into...

Sarkooh I is presence without noise. A pouf that embodies stillness, balance, and support, it’s a grounding element in any room—modest in scale but rich in detail. The name Sarkooh ...

"Nancy Daum's wall sconces epitomize the intersection of artistry and functionality, crafted with precision and attention to detail. Each sconce features a captivating glass shade w...

This sculpture by Salvatore Melani depicts a dynamic and muscular warrior in an intense battle-ready pose. The figure is lunging forward with one leg stretched out, while the other i...

Flowing Fragments Collection Sculptures, Side Table and Stool by Richard Yasmine Dimensions: W 42 x D 42 x H 42 cm Materials: Marble. Includes a side table element, suitable for i...

A subtle combination of different materials in a unique console / cabinet, inspired by "the City". Silver Leaf patina, metal, polished stainless steel and tinted glass.

Enigme is an Art Deco style figural table lamp featuring a seated nude holding a glass shade, signed by M. Le Verrier and marked with the foundry's imprint " Le Verrier Paris". The...

Charming pair of Art Deco table lamp, high quality molded glass panel (diameter 35 cm) with rare original floral motif design in relief included “Degué” signature on the glass, resti...

Design Title: "Sleepy Cat" This carpet is hand knotted in India from New Zealand wool and depicts a full frontal view of a cat, Made in a geometric interpretation. Its all designed...

folding chairs in solid ash. Chromed folding mechanism. Cane in good condition. Arca by Gigi Sabadin created in 1974 for Crassevig. Arca chair design by Gigi Sabadin in 1974. Crasse...

Design Title: "31st October Olive Green" "31st October" was made on ALL Saint's Day from a Halloween inspiration. as i love geometric design, its made in...

A stunning pair of Art Deco armchairs from France, dating to the 1930s. These chairs beautifully showcase the Streamline Moderne influence of the late Art Deco period with their grac...

Design Title: "Light Hole" Runner This Afghan carpet is hand knotted from hand spun and naturally dyed wool. It has a strong yellow color. The yellow is a...

This Wiebe chair is amazingly comfortable, with a discreet volume that in no way subtracts from the strength of the design. The Wiebe Armchair is not only comfortable, but also boas...

Colorful abstract mid-century tapestry having a blue background with beautiful explosion of colors, from the house of Chaudoir and designed by Artist Van No...

French Art Deco side chairs that perfectly capture the elegant and geometric aesthetic of the 1930s. These chairs feature a beautifully-grained walnut frame with clean, tapered legs ...

This collection comprises four Italian Cobra chairs, meticulously designed by Giotto Stoppino during the 1970s. Notable for their cantilevered design, these chairs showcase gracefull...

The table lamp features a beautifully sculpted double arm design rising from a streamlined base. The body and arms are crafted from nickeled bronze, which provides a substantial feel...

Three Pointed Arch Console by Richard Yasmine Dimensions: W 120 x D 34 x H 85 cm Materials: Marble. Richard Yasmine a Lebanese interior architect and product designer, filled with...

Design Title: "Power" This is a hand knotted carpet that talks about Power. There is always someone who has more power and want to show it to you. The big red circle symbolize pow...

The Rocket Chairs is an industrial desk chair that combines a solid steel frame with solid wooden feet, arched wooden back, wooden elbow support, and a shaped solid wood leather-upholstered padded seat, all supported on a hand bent solid steel frame. The Rocket chair can be height adjusted, the back can recline or be fixed as per the desire of the user. The chair also rests on all-time swivel axle. The Rocket chair is a comfortable, minimal retro futuristic desk...

Lotus unfolds like a poem in motion. A dining table that echoes purity resilience and quiet transformation drawn from the symbolism of its namesake flower. Its generous walnut frame...

Design Title: "Sisters" The 'Sisters' carpet takes inspiration from all the strong women that make their voices heard during 2018. The faces are made in...

This vase is a handcrafted ceramic piece featuring a dark glaze with a slightly textured, organic finish. Its elegant, elongated form is accentuated by two small looped handles near ...

Beautiful and rare pair of French Art Deco table lamp, both signed by Muller Freres Luneville on the top of the shade in clear frosted glass, with Geometric fruit design. Matching st...

A magnificent pair of Art Deco armchairs dating to the early 1930s. These chairs perfectly capture the geometric precision and understated luxury of the era, transitioning from the o...

Art Nouveau chandelier signed by Muller Frères Luneville, consisting of a central art glass bowl in blue and orange shade and three matching su...

Very rare and important Austrian silver, from its golden age of the late 19th century to the early 20th century, this Hanukah lamp is hand with chased dra...

Geomorphic chair by Christian Zahr Dimensions: W 38 x D 38 x H 80 cm Materials: Cement- Sand- Water- Time. Each piece is handmade. Geomorphic Ar...

The vase features an abstract and geometric design consisting of geometric lines and shapes, with the use of green, blue, orange, yellow pastel colors. The patterns are primarily com...

Pair of spectacular large antique Venetian mirrors. Mounted in wide rectangular frames with acid-etched floral motifs and blue-colored ov...

Beautiful decorative vintage tapestry signed by René Fumeron. Entitled “Allégorie en musique”. The tapestry exhibits subtle imperfections in certain areas...

This striking Art Deco chandelier by Muller Frères, circa 1930s, features five press molded frosted glass shades with geometric and stylized floral motifs arranged in a stepped forma...

Mushroom Side Table by Richard Yasmine Dimensions: D 50 x H 55 cm Materials: Marble. Richard Yasmine a Lebanese interior architect and product designer, filled with imagination us...

Modern Oak Wood Seating Cane Weaving Cross My Heart Loveseat Bench, Carla Baz Dimensions: W 160 X D 70 X H 82 CM Weight: 55 kg Material: French Oak, Ent...

A triangular-shaped golden element in polished brass. By Georges Amatoury Studio, 2010.

Vintage French Art Deco mantle clock set in marble and bronze. Arch shaped and includes two ornamental "tazzas", and a key, with beautiful...

Designed in 1972 by Italian duo Werther Toffoloni and Piero Palange for Germa, the ‘Hoop’ armchair showcases a striking geometric frame that enhances its sculptural presence. The str...

Original unrestored Bauhaus desk/table lamp by Helo Leuchten. Beautiful red exterior with brass accents. Can be delivered and wired for American or European use.

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

A large painting by Italian artist Giuseppe Mazzei, depicts muses Melpomene and Thalia with their classic attributes. Seated Melpomene holds a dagger kn...

Hug white chair by Rejo Studio Dimensions: D 115 x W 70 x H 70 cm Materials: Wooden structure, with Velvet or silk Also Available in different colours. We designed the chair to...

Bring timeless elegance and sensual form into your space with this striking Mid-Century sculpture by artist M. Bart. Made from solid glazed clay, this semi-abstract female nude exu...

Vintage Elegant wall mirror of french origin straight from the Art Deco period, made of nickel plated bronze. The frame holds a representation of a woman’s face at the bottom center ...

Pair of French Art Déco in clear frosted glass shades featuring delicate leaf motifs held by wrought iron frames. The glasses are press molded a technique that is no longer in produc...

A RARE SILVER SHMIROT KIDDUSH CUP. Galician, c. 1850. Among some Hassidic courts, it was a practice for the Rabbi to give a blessed silver coin to his Hassidim as an amulet. Such protection might be given for all manner of life events, from healing from an illness to success in travel and the amulet was carried on the body of the recipient. This custom was particularly popular among the Ryzhiner Hassidim and these coins were called "Shmirot". To such coins were attributed extraordinary power and value and they were treasured with great care and love. this cup is marked with polish loth 12 mark which indicate silver content of 75%. Size : Height 2.3 inch / 6 cm Width : 2 inch / 5 cm After the specific event for which they had originally be given, such a coin or coins were used in the making of other objects, which maintained the special aura of the Rabbi. Such a coin would be melted in other silver with the amuletic valued being spread evenly to all the silver. Then a ritual object would be fashioned by a silversmith and the special nature of the item would be inscribed on it, indicating in one of several ways that this object had been made from "Shmirot". this objects include Kiddish cups, a Havdalah tray, a Shabbat salt holder, a Chanukkah Menorah, a Torah crown etc. This object is a Kiddish cup fashioned from such silver. On this cup, the inscription indicating Shmirot is found in the abbreviation of the words "made from shmirot k (kodesh)' " (This is the cup of Shmirot). Such cups were used for blessing the wine so that each use renewed the power of protection granted by the Rabbi. This cup was used for the blessing over wine on Shabbat and holidays. Inscription: the other iconography on the cup is of a lion that represent Through the tribe of Judah, the lion symbol came to represent the blessing, majesty, and even divine protection of the Jews. The lion symbol continued to be used even after the destruction of Jerusalem, the capital of Judah's nation, and a unicorn or a re'em, also reëm (Hebrew: רְאֵם), is an animal mentioned nine times in the Hebrew Bible It has been translated as "unicorn" in the Latin Vulgate, King James Version, and in some Christian Bible translations as "oryx" (which was accepted as the referent in Modern Hebrew),[citation needed] "wild ox", "wild bull", "buffalo" or "rhinoceros". Rabbi Natan Slifkin has argued that the re'em was an aurochs, as has Isaac Asimov...

Max LE VERRIER creates his monkey with an umbrella, in front of the cages of the Jardin des Plantes in Paris. His model, a three-year-old chimpanzee, had the pretty name of BOUBOU. A great friendship was born between the monkey and the artist, passionate about animals... BOUBOU, held by the keeper outside the cage, agreed to pose in exchange for bananas. Every morning, he looked towards the entrance waiting for the one who was going to immortalize him in bronze... Max received a medal for this sculpture at the Salon des Humoristes in 1927. Accompanied by a certificate of authentication, it serves as a testament to its provenance and artistic significance, inviting viewers to appreciate its intricate details and embrace the essence of the Art Deco movement Known as "Pluie" : Rain and "Singe au Parapluie" : Monkey with Umbrella...

A French Art Deco table lamp by the French artist “Muller Frères” in great condition. The clear frosted molded glass shade, adorned with intricate floral and geometric polished motif...

Goofy Charm Bedside Table – Sculptural White Concrete by Mary-Lynn & Carlo Dimensions: H 50 x W 60 x D 50 cm Materials: concrete colored, foam polystyrene Finish: water, stains repel...

This Art Deco engraved wood panel features an elegantly stylized depiction of two leaping deer against a scenic backdrop of rolling clouds and lush foliage. The intricate design capt...

Lamp crafted from Art Deco era Limoges porcelain, featuring a depiction of an oriental couple in a style emblematic of the period's refined forms. The man, standing with his head in...

Mistral Writing Desk by Studio Bazazo Dimensions: D 65 x W 180 x H 75 cm. Materials: French oak, Alcantara, and steel. Light as a breeze with the force to shape landscapes, the “Mi...

Asymmetrically composed dining table from the Stratos line combining contrasting materials in a balanced way. Materials: Grey Tinted sycamore 100% gloss top, Black lacquer, poli...

This vintage Art Deco ceramic vase by Keramis, made in Belgium in the 1920s, features striking hand-painted floral motifs with vibrant bl...

The Nilo vase was originally designed by Ettore Sottsass in 1983 for Memphis Milano 1981-1988. Produced by Memphis in 2013-2014. A classic by Sottsass, the Nilo porcelain vase is par...