Milan Decorative Bowls

Made in Italy, 1950s. This trinket bowl is made in black and yellow sommerso etched glass, which has been hand-blown and hand-modeled. This vase is a vintage piece, therefore it mig...

Large Custom Rotating Black & White Refined Marble Nova Bowl L by Jacopo Simonetti Dimensions: Large version: Ø 34 x 10 cm (or Ø 13.4 x 3.9 in) with a rotating mechanism. Materials: ...

Made in Italy, 1960s. This vase is made in red, orange and yellow sommerso Murano glass, a beautiful combination that creates a flame effect. The external part is ribbed. It is a v...

Set of three solid larch wood bowls. Gorgeous proportions and patina

Made in Italy, 1970s. This bowl or vide-poche is made in Murano glass and features gold fleck inclusion. It may show slight traces of use since it's vintage, but it can be considere...

American antique ceramic glass ornamental aquarium Weller Loranger, early 1900s Ornamental ceramic aquarium and glass bowl. The main ceramic structure represents a kingfisher with ch...

Made in Italy, 1970s. The tag refers to La Rinascente, a historic luxury department store based in Piazza Duomo in Milan: the most important Italian architects and designers worked ...

Made in Italy, circa 1970s. A highly decorative royal blue glass and metal plated ice bucket or wine cooler or bowl in the manner of Mauro Manetti. It might show slight traces of us...

Sculptural Yellow Glass - Modern Ashtray - Murano Glass Mid-Century Modern decorative bowl / vide poche in yellow Murano glass, beautiful hue of color and timeless shape. Perfect fo...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Made in Italy, 1950s. This catchall / vide-poche / decorative plate is made in hand-enameled copper and features splendid colors It is a vintage piece, therefore it might show sligh...

Murano Glass - Table Decorative - Sculptural Accent Iridescent Uranium technique Many are the different types of glass created by master makers on the Venetian island of Murano. Fr...

Red enameled copper centerpiece bowl, made by Studio Del Campo in the 1960s Ø cm 25 h cm 5.5 Studio Del Campo is a historic Turin-based company specializing in the production of en...

Murano glass centerpiece by Barbini. Imposing thick glass lens shaped piece with hammered surface

The term "Murano glass" is used to address glass artifacts produced on the small island of Murano, just a mile away from Venice, Italy. This specific glass, whidely regarded as the f...

The Apollo sport ball is crafted with intricately woven leather strips, offering both durability and refined aesthetics. Designed to be deflated for easy transport, it serves as a ve...

Is a centerpiece, is a fruit holder, Is a single piece of glass, cast, hand embroidered, It's an invention, it's a sculpture, takes the light and...

Arne Bang for Royal Copenhagen, ribbed ceramic bowl, 1940s. An extraordinary example of Arne Bang's aesthetics, this ribbed stoneware bowl is the echelon of the Danish designer's wo...

Vintage Space Age vase/centerpiece, manufactured in stainless steel and clear thick glass. Its dimension make it perfect - as pictured - to be used as a fruit bowl. The metal is pr...

The term "Murano glass" is used to address glass artifacts produced on the small island of Murano, just a mile away from Venice, Italy. This specific glass, whidely regarded as the f...

Usa modern Centerpiece bowl mod. 8531 by Angelo Mangiarotti for Knoll, 1970s. Centerpiece bowl mod. 8531 in the shape of a cup with a round base, in gray marble. Produced by Knoll ...

"Strato due" Vase in Tuscan Alabaster by Andrea Grecucci Dimensions: 8.5 cm D x 18 cm H 3.35” D x 7.09” H Material: Alabaster from Volterra Italy. Designer: Andrea Grecucci "...

White onyx Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Onice Bianco Also Available: different marbles. The collection is a tribute to one of Italy’s great m...

Italian round agate stone soap dish or ashtray, 20th century Soap dish with a rounded base made from an agate stone. The edges are rough and irregular,...

Italian antique cup with glass hemisphere and decorated wood stem, early 1900s Wood and glass cup with a round base. The upper part is composed of a transparent glass hemisphere, ins...

Portafrutta in argento sbalzato con decoro raffigurante tralci di rose. Interno in vermeil. Marchi dell'argento e dell'argentiere incussi sul bordo esterno. Grammi 814.

The sphere of color (that's its name) is part of a collection called "Animal Instinct", it includes around 35 spheres like that collection made between 2007 and 2009 mixed techniqu...

20th century Italian Barovier & Toso circular filigree blown glass bowl containing Latino milk glass in spiral design white decoration. A highly decorative and elegant piece suitabl...

The “Pawn “Fruit Bowl from the "Kish o Mat" collection, designed by the artist Sara Khamisi is inspired by chess characters. Each ceramic in this collection tells a unique story. This fruit bowl features a minimalist and modern design that reflects the humble and foundational nature of the pawn chess piece. Handcrafted in Milan from slipcast ceramic, the vase has a smooth, matte white finish that enhances its sleek, contemporary aesthetic. Thanks to its handmade nature, each vase has slight imperfections, adding to its charm and authenticity. Drawing on her Persian heritage, the artist named the collection "Kish o Mat," the Persian term that inspired the word "Checkmate." This collection represents a modern interpretation of historic forms. Perfect for a centerpiece or bookshelf accent, it adds a touch of sophistication and artistic flair to any space. Order yours today and enhance your collection of...

The “Pawn “Fruit Bowl from the "Kish o Mat" collection, designed by the artist Sara Khamisi is inspired by chess characters. Each ceramic in this collection tells a unique story. This fruit bowl features a minimalist and modern design that reflects the humble and foundational nature of the pawn chess piece. Handcrafted in Milan from slipcast ceramic, the vase has a smooth, matte black finish that enhances its sleek, contemporary aesthetic. Thanks to its handmade nature, each vase has slight imperfections, adding to its charm and authenticity. Drawing on her Persian heritage, the artist named the collection "Kish o Mat," the Persian term that inspired the word "Checkmate." This collection represents a modern interpretation of historic forms. Perfect for a centerpiece or bookshelf accent, it adds a touch of sophistication and artistic flair to any space. Order yours today and enhance your collection of...

Senzafine Square Medium bowl, designed by Gaetano Pesce for Meritalia, Italy, 2000. Immerse yourself in the groundbreaking world of Gaetano Pesce with the exquisite "Senzafine" bowl...

Vintage Amber Clear Glass Tri-lobe Bowl Biomorphic-Shaped Amber BLENKO 1959. Fruit Bowl Art Glass Heavy and BeautifulFor how magical it might seem at first...

The value of change in a simple act, in stock. Karen Chekerdjian’s new creation puts design front and centre: from one foundation, multiple possibilities. An essential shape and clas...

This object is a piece of extreme quality and design made of murano glass by designer TYRA LUNDGREN for VENINI, a collector's item for a connoisseur.

Innovative design, fine craftsmanship and a strong artistic sense make this creation not only a bowl but a real artistic sculpture. The natural col...

Large ceramic sculpture by Alessio Tasca. The piece features an intriguing optical pattern. It can be placed on both vertical or horizontal positions.

Decò glass centerpiece plate, made in the 1930s Ø cm 31 h cm 7 The plate is in good conditions, only minor fading is present at the top, due to time. Additional pictures on request.

18th century Italian collectible antique painted majolica bowl, a large basin-shaped centerpiece, with vertical ribs, decorated with polychrome flowers. Small chips, felure and minor...

Large bowl in Nero Marquinia, Bianco Michelangelo, Arabescato Vagli Filo Rosso and Rosso Levanto marbles. Size: 22 x 12.7 cm, 8.6 x 5 in, smooth finishing. Commercial name: Gae L, M...

Large bowl in Black Marquinia, White Michelangelo, Arabescato Vagli Filo Rosso and Red Levanto marbles. Size: 22 x 12.7 cm, 8.6 x 5 in, smooth finishing. Commercial name: Gae L, Mast...

To make this bowl the crystal was curved, ground and polished by hand. Thanks to a particular grinding technique it was possible to create a geometric pattern made of hexagons and pe...

The original design of this unique bowl, its exquisite craftsmanship, and the use of fine crystal create a stunning object of functional decor that will not go unnoticed. Particularl...

This large bowl is a superb object of functional decor that will elegantly serve food at a modern table while adding a unique and mesmerizing decorative accent. Entirely made of bras...

Designed by Karim Rashid as a poetic ode to glass, this centerpiece is a stunning piece of functional decor that will be an elegant centerpiece both alone and with an overflowing arr...

Made in France, 1850 ca. This creamy white fruit bowl with coiled frame and handles with movable silvered rings is made in glazed and silvered ceramic. It features rich applied deco...

This object is a handmade artistic sculpture that can be used as a bowl, as a centerpiece or simply as it is to furnish any environment. This crystal has a high transparency aquamari...

Collection 2021 of artistic bowls by Ghirò Studio (Milan). Innovative design, fine craftsmanship and a strong artistic sense make this creation not only a bowl but a real artistic sculpture...

Ciotola realizzata curvando e incidendo a mano un cristallo extra-chiaro con uno spessore di 20 mm. Ogni incisione sormonta o viene sormontata da un'altra creando cosi disegno di lin...

This decorative bowl was entirely made by working the crystal by hand. Every step - bending, grinding, polishing - has been taken care of down to the smallest detail Initially the cr...

20 mm / 0.78'' thick aquamarine crystal bowl. Each step-bending, grinding, carving-was entirely done by hand. In addition to its original shape, this bowl owes its distinctiveness ma...

PAOLO DE POLI - Rame smaltato anni 50 di differenti colori firmati De POLI. QUANTITÀ: 7 MISURE: 1 - diametro 15 cm x altezza 2 mm. 2 - diametro 14 cm x altezza 2 mm. 4 - diametro. 9...

This object is a handmade artistic sculpture that can be used as a bowl, as a desk accessory, as a jewel case or simply as it is to furnish any env...

Each bowl have contemporary design ideal for giving an unmistakable style to any environment. The rounded triangle shape gives sobriety and elegance while the warm intense amber colo...

Each bowl have contemporary design ideal for giving an unmistakable style to any environment. The rounded triangle shape gives sobriety and elegance while the warm intense amber colo...

Made in Italy, 1970s. This is a great silver plated brass vide-poche in the shape of a shell. Its simple design was created by Lino Sabattini. This is a vintage piece, therefore it ...

Italian mid-century modern Sculptural ceramic centerpiece by Roberto Rigon 1960s Ceramic centerpiece painted in shades of brown and beige. From the round base, the centerpiece widens...

Burnished silver bucket finely worked by burin and embossed with gilded parts. Decoration with mythological figures and plant motifs around the ring handles. Under the base engraved ...

Made in Italy, 1950s. Made in purple Murano glass with gold leaf. This is a piece of the "porpora" serie by Ercole Barovier. It is a vintage piece, therefore it might show slight tr...

Murano Glass - Table Decorative - Sculptural Accent Many are the different types of glass created by master makers on the Venetian island of Murano. From air-thin vases to expressi...

Small Handcrafted Black & White Refined Marble Nova Bowl S by Jacopo Simonetti Dimensions: Small: Ø 17,5 x 6 cm (Ø 6.9 x 2.3 in) Materials: Bianco Michelangelo and Nero Marquinia mar...