Paintings in Milan

Italian liberty Canvas painting with flowers and butterfly in metal frame, 1970s Canvas painting depicting blue and pink colored flowers, in perfect Art Nouveau style. At the top of ...

Late 18th - early 19th century River Landscape Oil on canvas, 64 x 96 cm - with frame 77 x 10 cm The canvas in question is an example of Vedutist painting at the turn of the 18th an...

Marco De Gregorio (Resin, 1829 - 1876) Procession Oil on canvas, 53 x 44 cm Frame 55.5 x 46 cm The work can be attributed to the hand of Marco De Gregorio (1829-1876) painter born in Resina (now Herculaneum, in the province of Naples). He attended the Academy of Fine Arts in Naples where he was especially interested in historical painting. In 1858 he hosted the landscape painter Federico Rossano in his home in Portici and starting from 1863 the two painter friends, together with the young Apulian Giuseppe De Nittis and the Tuscan Adriano Cecioni, gave life to the artistic movement called Scuola di Resìna, to which various artists, including Raffaele Belliazzi, Alceste Campriani, Antonino Leto and Edoardo Dalbono. The motifs of the painting of the Resìna School were similar to those of the Tuscan school of Pergentina, to which Raffaello Sernesi, Giuseppe Abbati and Silvestro Lega...

Giacomo Francesco Cipper, known as il Todeschini (Feldkirch, July 15, 1664 - Milan, October 17, 1736) was an Austrian painter, active in Italy in the first half of the 18th century. ...

Modern Mixed technique painting with abstract style of a house, 1950-1990s Mixed technique painting with abstract style subject of a house in the middle of nature. The painting has a first metal frame, inserted in a white passepartout. Outer frame in silver wood. 1950-1990s. Signed lower right side. Very good conditions, the frame shows signs of ageing. Measurements in cm 33x5x39h This fantastic painting...

Painted painting by BOWES DAVID, Untitled from 1986. Details: Signature and year at upper left. Technique : drawing on Fabriano Watermark. His figures have a theatrical air, especially those with the appearance of Pierrot and Columbine and other Commedia dell'Arte characters. Consciously flirting with the decorative, Bowes often compresses the background and foreground, as in wallpaper, and there is a suggestion of fabric design in the way he repeats his patterns at intervals on the surface. In some images, patterns emerge. In others, the pattern overwhelms itself Provenance; Lucio Amelio Collection, Naples; Private collection. Slight defects. David Bowes...

'GESTO', quadro eseguito nel 1977, manifattura Italina. Il pittore con il gesto della pittura crea un'esaltazione grafica e metaforica alle azioni. Il quadro mostra la grande padrona...

Sienese school of the 17th century The rat of Proserpina Oil on canvas, 188 x 123 cm Depicted at the climax of the action, at the height of drama, is the scene of the Rape of Pros...

Painting created by artist BomberBax Inspired by BlockCain depicting the famous and iconic Packman game where he is allegorically painted eating (as in the game) an American dollar...

Lombard School, 17th century Christ child with globe within garland of flowers Oil on canvas, 72 x 61 cm Framed 90, 5 x 80 The present painting, framed by a sumptuous antique fr...

Circle of Antonio Amorosi (Comunanza, 1660 - Rome, 1738) Portrait of young people Oil on canvas, 87 x 67 cm The painting depicting this portrait was made by an artist activ...

Francesco Zucco (circa 1575-1627) Gentleman’s portrait Measures: Oil on canvas, cm 120 x 140 The painting analyzed here belongs to the pictorial production of Francesco Zucc...

Roman School, 17th century Angelica and Medoro engrave their names on the bark of a tree Oil on canvas, 65 x 48.5 cm The canvas depicts one of the most famous episodes of O...

Scuola emiliana, XVII secolo Rebecca al pozzo Olio su tela, cm 76 x 58 Giunta la morte della consorte Sara, Abramo decide di cercare moglie al figlio Isacco. Pertanto, manda il suo ...

Antonio Cifrondi (1665 - 1730), Attributed Man with stick - Saint Joseph Measures: Oil on canvas, Cm 115 x 79 - With frame, cm 139 x 103 This canvas is, for stylistic and c...

antico paesaggio - scuola romana - olio su tela - fine 18 secolo - dipinto antico paesaggio - scuola romana - olio su tela - fine 18 secolo - dipinto ...

17th century, Emilian school Rural landscape with gallant scenes Oil on canvas, 37 x 47.5 cm With frame 61 x 50.5 cm The bucolic amenity of the present is reflected in the joyful gallant scenes that dot its surface. The locus amoenus described reflects on the more traditional inflection of Arcadia, which in the literary transfiguration was the scenario par excellence of the most carefree pastoral life and out of this world; the painting is therefore a forerunner of what was professed by the actual poetic academy of Arcadia which was established in Rome in 1690, but enthusiastically testifies to the feverish invitations to its acceptance, then widespread in the most avant-garde cultural salons throughout Italy. First Theocritus and Virgil later had awakened with Idilli and Bucoliche that capacity typical of the natural world to allow an escape from reality; the contemplation of perfect natural fruits that followed would have evoked in the spirits of dreaming men back to origins. The bucolic landscape was able to positively give a rhythm to material life, and constituted the concretization of a place devoid of incivility and ugliness, where only dreams, wild music and homages to fruitful nature were allowed. In the present painting widespread figures of shepherd children trace the same intent to the sublimation of earthly life, gathered in pairs, while children on the model of the ancient cherubs cheer the field with flowers and petals. The games of these and the sweet affections of the other characters are rendered through liquid and vibrant brushstrokes, flickering with a white light that opposes the dark shadow of the undergrowth. In the distance, the sky tapers with a silvery and flat brushstroke, while the vertical development of the promoters with architectures helps to introject a bright beam of light into the grassy clearing. The foliage and the turf of the landscape piece are rendered through a digital brushstroke, betraying the Italian brand of the present, influenced at the same time by the seventeenth-century European influences that then conveyed to the capital. The evocative culture of the city attracted many artists from the city of Bologna, from the Italian north but also from the territories beyond the Alps, such as Claude Lorrain and Nicolas Poussin. The historical-artistic heritage of the Italian pastoral scenes was thus able to fill up with the more functional and particular formalisms of the charms coming from elsewhere, such as the expressive tremor of the present, similar to the contemporary French lexicon. The typological restitution from pastoral idyll, in accordance with the intrinsic stylistic qualities of the work, allows us to specify the solid belonging of the present to the Italian hand, similarly to what was then emerging in the pictorial sphere within the Emilian school. In this regard, we should recall the latent influences of two decisive foreign landscape painters who passed through the Emilian belt, such as Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665); before them, Giovanni Battista Viola...

Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793) Lying Female figure Oil on canvas, cm 46 x. 31 - With frame, cm 56 x 42 The present painting is connected by style and treated subject, in this case a young girl lying in an idyllic landscape, to the production of small pictures of pastoral subject of the Piedmontese painter Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793). Molinare was born in Caresana (Vercelli) on 19 July 1721 but after losing both his parents he moved to Turin. Here he became, from 1736, a pupil of the Academy of Drawing founded by the painter Claudio Francesco Beaumont (Turin, 4 July 1694 - Turin, 21 June 1766) where he remained as a pensioner until December 1755. Molinari was immediately engaged in the translation of the master’s sketches on cardboard used for the Regia manufacture of tapestries. His early success on the Turin art scene is confirmed by the fact that he joined the Compagnia di San Luca in 1756. In 1751 he married Margherita Peiroleri, whose brothers Pietro (engraver) and Nicolò (painter) also attended the school. Remained widower count two other marriages first with Lucrezia Elisabetta Burzio and then in 1770 with Domenica Maria Ferrero. On the death of the master in 1766 Molinari, considered by his contemporaries to be the most faithful interpreter of the master and for his elegant and Arcadian style, which clearly interprets the aesthetic taste of the court, was called to finish the works that remained unfinished, such as the altarpiece for the church of Santa Maria della Scala in Moncalieri depicting the Assumption venerated by Blessed Bernard of Baden and Saint Anthony. Molinari was also well praised by critics and Abbot Lanzi highlighted the quality of the production of historical and mythological subject for the rigorous post-marattesco classicism. In Turin he worked for Vittorio Amedeo III of Savoy as a portrait painter, executing for him eleven canvases (between 1774 and 1775), but, since 1745, he also supplied tapestry cartoons to the local Fabbrica, of which, in 1766, he became director. The production of paintings of sacred subjects is also lively, especially used in the decoration of the churches of the capital as the Assumption for the Hotel of Virtue and San Pietro Regalado and San Benedetto il Moro for Santa Maria degli Angeli ( Torino) He also painted tempera and oil cartoons for the same church, on the occasion of the beatification of Pacifico da San Severino (1787) and, for that of San Francesco di Paola, when Gaspare de Bono...

Francesco Fergola (Naples, 1801 - there, 1875) Pair of Views of Pompeii Tempera on paper, 33 x 48 cm Frame 49 x 64 cm The two views in question are signed by Francesco F...

Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...

Nineteenth century View from the spiers of the Milan Cathedral Watercolor on paper, 43 x 30 cm The watercolor in question depicts some ladies and gentlemen intent on enjoyi...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

Frederick T. Sibley (1837-1912) Winter scene in North Wales Measures: Pastel on wood, 122.5 x 81.5 cm Frame 151.5 x 111 cm Signed lower left...

Emilian school, 17th century Putto with rose Oil on canvas, 43.5 x 32 cm - with frame 45 x 32.5 cm The figure of the putto, when equipped with specific attributes, lends it...

18th century, Piedmontese, School Scene with spinner Measures: Oil on canvas, 50 x 60 cm Frame 70 x 80 cm.

Italian modern oil painting of a boat in gold wooden frame, 1978 Rectangular oil painting. The subject of the painting is a white boat on the shore with an oar on a pier. In a wooden...

Acrylic on canvas designed by Ugo La Pietra in 2004, Italy. Biography Ugo La Pietra born in Bussi sul Tirino, Pescara in 1938, Ugo la Pietra lives and works in Milan, where in 1964 ...

Ugo La Pietra, " Giardino Delle Delizie' " Acrylic on Canvas, 2018 Signed and dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Aut...

Emilian school, 18th century Pair of live natures with birds Oil on canvas, 28 x 30 cm Framed, 37 x 38.5 cm The northern Italian school of painting developed, as early as the 16t...

French School, 20th century Three brothers Pastel on paper, 77 x 108 cm Framed, 101 x 134 cm Signed and dated lower right "Ducreux 1903" The crayon in question depicts three chi...

Italian Artist - 50's Painting - Modern Italian Artwork Painting Gian Cesare Battaini the small canvas framed into the larger frame measure 20 cm x 15 cm Giancesare Battaini (Mila...

Canvas painting with geometric decoration in shades of red and yellow, 1962. measures: h 199x50 cm

bronzo ernesto treccani con autentica - xx secolo - treccani - certificato Descrizione : bronzo Ernesto treccani su tavola Origini : Italia Periodo di produzione : XX...

dipinto cirinna - raffigurazione di fanciulla - vintage - firmato - inizi xx s Descrizione : raffigurazione di fanciulla dormiente Origini : Italia Periodo di produzion...

Ugo La Pietra, "Territorialita'" acrylic on canvas, 2013 Signed and dated by artist on front and rear. Coded and archived by Ugo La Pietra archives. "Certificate of Authenticity" av...

Dipinto olio su tela - raffigurazione anziano con fiasco - antiques - vino Dipinto olio su tela - raffigurazione anziano con fiasco - antiques - vino Descrizione : Raffigura...

dipinto acquarello su carta raffigurazione di barca a vela artista francese - cornice oro zecchino Descrizione : bellissimo dipinto olio su cartoncino rappresentante una barca ...

Painting made with tempera colours, representing a child with dark, wavy hair and a rounded face. The colors are warm and the frame is made of wood, painted gold or brown and beige f...

Ugo La Pietra, "Genius Loci'" Acrylic on canvas, 2009 Signed and dated by Artist on front and rear. Coded and archived by Ugo La Pietra Archives. Certificate of authenticity ava...

Lombard painter of the late 18th/early 19th century (Raineri manner) " Frigate with dragonfly" tempera on canvas, 39.5x54 cm titled at the bottom

Lombard painter of the late 18th/early 19th century (Rainers' way) "Blue Heron of America, tempera on canvas, 39.5x54 cm; framed 45x59x2.5 cm titled at the bottom

Condizione Usato - Come nuovo dipinto raffigurazione volto maschile - uomo con baffi - L. Lanati - XX secolo Descrizione : dipinto raffigurazione ritratto maschile uomo con b...

Silkscreen on paper by Agenore Fabbri, 1971 Silkscreen created on a white paper background with a black figurative-abstract design. At the bottom right there is the signature, while ...

Accardi - Dipinto Fiori - Natura Morta - Painting - XX Secolo - Italia Descrizione : dipinto rappresentante un vaso di fiori dai colori pastello su sfondo grigio rappresentato dal noto pittore italiano...

Dipinto acquerello andreoli - scapigliatura lombarda - primi XX SECOLO Descrizione : DIPINTO DI ANDREOLI NOTO PITTORE DELLA SCAPIGLIATURA LOMBARDA RAPPRESENTANTE FANCIULLA ...

litografia ugo nespolo - tiratura 11/109 - XXsecolo - litografia Caratteristiche Artista: Ugo Nespolo (1941) Titolo opera: le vele Epoca: Contem...

Italian modern colored tempera work of art painted signed by G. Maffei, 1970s Abstract painting in tempera, painted with thick brushstroke with various colors, with chromed steel frame. Work signed by G. Maffei, around 1970. Good conditions. Measures in cm 54x4x54cm Beautiful painting, with large brushstrokes and numerous colors. The particularity of blue contrasts perfectly with the frame which makes this work of art even more important and unique. Dating back to the seventies, with this work you will feel like taking a leap...

antico dipinto - tempera acquerellata - paesaggio - paesaggio di lago Descrizione : dipinto di lago Origini : Italia Periodo di produzione : 19 secolo Raffiguraz...

Descrizione : dipinto firmato dal pittore Giuseppe galbiati rappresentante un pescatore a riva Origini : Italia Periodo di produzione : xx secolo ...

Dipinto Olio su Tavola Artista L.Bencini Descrizione: Dipinto olio su tavola del pittore italiano del XX secolo L.Bencini, il dipinto raffigura un...

Antonio Bertoli (active between 1829 - 1842) Portraits of women (2) Oil on canvas, 41.5 x 31 cm With frame 52 x 42.5 cm Signed below A. Bertoli The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary, In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...

Aldo Conti (Milan, 1890 - there, 1988). Porta Venezia Charcoal, pastel and white lead drawing on cardboard, 29 x 38 cm Signed and titled lower right.

Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity a...

Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2009 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity a...

dipinto olio su tela - innamorati - xx secolo - pittore anonimo Descrizione : dipinto sulle tonalità del grigio rappresentante due innamorati firmato pittore ignoto Ori...

raffigurazione astratta seconda metà XX secolo - pittore bolasso - olio su tela Descrizione : raffigurazione astratta olio su tela del pittore bollasso firmato in basso a sini...