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Item Ships From: Montreal
Glitch Bear (model)
By Brandon Vickerd
Located in Montreal, Quebec
Glitch Bear (model) is a preliminary model for a life size sculpture of a bear, that will appear distorted by a digital glitch, as if a corrupted digital image has willed itself into...
Category
2010s Contemporary Montreal - Sculptures
Materials
Bronze
signe émotionnel "égo"
By Eddy Firmin
Located in Montreal, Quebec
Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Canevas
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Montreal - Sculptures
Materials
Silicone, Mixed Media, Acrylic
Fuse 1
By Laurent Lamarche
Located in Montreal, Quebec
At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historicall...
Category
2010s Contemporary Montreal - Sculptures
Materials
Metal
La Pieta
By Jennifer Small
Located in Montreal, Quebec
For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea mar...
Category
2010s Contemporary Montreal - Sculptures
Materials
Leather, Porcelain, Wood
Lid #10
By Zeke Moores
Located in Montreal, Quebec
“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.”
-Jean Baudrillard, The System of Objects (1996)
The cliché that “one man’s trash...
Category
2010s Contemporary Montreal - Sculptures
Materials
Bronze
$6,000
Untitled (10 Charm Bracelet, Mixed)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silver
Untitled pendant (Fioricet)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silver
Chariot Burial
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Adaptation VII
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
My father came over from England
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Montreal - Sculptures
Materials
Plaster, Wood
Extrapolation 7
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Paint, Resin
Xenolith VIII
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Cityblock Level 1-6
By David Umemoto
Located in Montreal, Quebec
The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...
Category
2010s Contemporary Montreal - Sculptures
Materials
Concrete
Untitled
By Eddy Firmin
Located in Montreal, Quebec
Our histories are written in and on our bodies. Our identities are inseparable from our physical experiences, which are in turn shaped by genetic, cultural, and epigenetic heritages ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Untitled (diptych)
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Montreal - Sculptures
Materials
Metal
The suitor
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Unnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Interversion
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Wood
Garden Wall
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category
2010s Contemporary Montreal - Sculptures
Materials
Concrete, Metal
Adaptation I
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Pigment, Wood, Mixed Media
Grappling Hook
By Jennifer Small
Located in Montreal, Quebec
For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...
Category
2010s Contemporary Montreal - Sculptures
Materials
Steel
signe émotionnel "égo", numéro 3
By Eddy Firmin
Located in Montreal, Quebec
Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Colomb (bubblewrap)
By Brandon Vickerd
Located in Montreal, Quebec
I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrativ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Bronze
Happy Meal
By Zeke Moores
Located in Montreal, Quebec
Text by Michelle Cantin-Reid
The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original.
From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted.
These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...
Category
21st Century and Contemporary Post-Modern Montreal - Sculptures
Materials
Steel
Adaptation IX
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Accoutrements
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Untitled I
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Is This The Place I
ve Been Dreaming Of
By Heidi Spector
Located in Montreal, Quebec
Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Birch
Control of the Masses 20
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Big Hair Big Dreams
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Untitled (Branch)
By Karine Payette
Located in Montreal, Quebec
Karine Payette was born in 1983 in Montreal, Quebec, where she lives and works. Working primarily with sculpture and installation, she reproduces, for the most part, environments tha...
Category
2010s Contemporary Montreal - Sculptures
Materials
Metal
Adaptation VI
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
The Lovers
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Adaptation II
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Prendre soin II
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Photographic Paper
Control of the Masses 14
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Control of the Masses 16
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Control of the Masses 22
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Untitled pendant
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silver
Untitled (9 Charm Bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Montreal - Sculptures
Materials
Silver
Xenolith I
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Untitled (11 charm necklace)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Montreal - Sculptures
Materials
Silver
Extrapolation 6
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Xenolith II
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mixed Media
Mystérieuse pyramide
By Eric Lamontagne
Located in Montreal, Quebec
In recent years, Eric Lamontagne has been interested in questions like perception, illusion and our relation to the invisible, through the development of works that blur the boundari...
Category
2010s Contemporary Montreal - Sculptures
Materials
Mirror, Wood, Glue, Mixed Media
Untitled (8 Prozac bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
In the mid-1990s, Wolstenholme began casting anti-depressants and anti-anxiety medications, such as Zoloft, Paxil, Valium and Dexedrine, in sterling silver. These were made into pend...
Category
21st Century and Contemporary Contemporary Montreal - Sculptures
Materials
Gold
Untitled pendant (Prozac)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silver
Adaptation VIII
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Montreal - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Ecofact 2
By Laurent Lamarche
Located in Montreal, Quebec
When Laurent Lamarche reflects on the concept of origin, he thinks in terms of traces. His vision goes at once forward and backward, knitting together yesterday and tomorrow – thus e...
Category
2010s Abstract Montreal - Sculptures
Materials
Nylon
Engine with blue flowers
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Mélange with intake
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic, Fabric, Wood
V-eight
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic, Glass
Little four banger
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Ceramic
Julia
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Paint, Resin
Espalier: Candelabrum
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category
2010s Contemporary Montreal - Sculptures
Materials
Stone, Metal
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Montreal - Sculptures
Materials
Resin, Paint
Extrapolation 1
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Montreal - Sculptures
Materials
Paint, Resin
Extrapolation 2
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Montreal - Sculptures
Materials
Paint, Resin
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KAWS art toys have developed an avid audience in recent decades, and as in any robust collectible market, counterfeiters have followed the mania. Of course, you don’t have to worry about that on 1stDibs, where all our sellers are highly vetted.
A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light
At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.
These Soft Sculptures Are Childhood Imaginary Friends Come to Life
Miami artist and designer Gabriela Noelle’s fantastical creations appeal to the Peter Pan in all of us.