New Jersey - Photography

"Away From the Crowd" is one of 36 featured works which make up the series Above Beyond. This homage to New York City is an evocative tribute to Peter Liepke's ado...

"Men At Work" is one of 36 featured works which make up the series Above Beyond. This homage to New York City is an evocative tribute to Peter Liepke's adopted hom...

Brian Kosoff, an accomplished master of the photographic process, spent most of his life in photography and still considers himself a student of the medium. As a teenager, he was in...

Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, "Wh...

Composite photographs digital imaging Dye sublimation on aluminum panels Edition of 5 **Please note it takes about 6 weeks for delivery from purchase date**

Composite photographs digital imaging Dye sublimation on aluminum panels Edition of 5 **Please note it takes about 6 weeks for delivery from purchase date**

Holly Gordon is a noted Long Island photographer, who has pushed through the traditional boundaries of photography for more than two decades. Gordon is a pioneer of the process of ac...

51 x 63 inch type-c print, framed to 52 x 66 inches. Edition 7. Signed, titled, dated and editioned on label verso. Other sizes available - please inquire. In a persistent search fo...

Untitled 153 (Abstract photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

Untitled 153 (Abstract photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

Staged Photography by Jada Fabrizio Staged Photography, Landscape, Water, Environment, Skyscapes, Tsunami

Staged Photography by Jada Fabrizio Staged Photography, Landscape, Snowstorm, Winter, Wall Art, Home Decor, Animals, Earth Tones

51 x 63 inch type-c print, framed to 52 x 66 inches. Edition 7. Signed, titled, dated and editioned on label verso. Smaller sizes also available to order - please inquire. In a pers...

In past, many people who made cameraless photographs made them inside the controlled atmosphere of the darkroom. For the last 20 years, my cameraless pictures have been made directly...

The latticework of the bridge branches like a ominous web -- wires cross and intertwine, reflecting the sophisticated design of the people. Even from head-on, the countless angles pa...

This photo is of my friend who is turning 60 this year, on the morning of a training session for the Iron Man competition. A lifelong athlete, his ability, as all of ours, is mired b...

This photo is of my friend who is turning 60 this year, on the morning of a training session for the Iron Man competition. A lifelong athlete, his ability, as all of ours, is mired b...

Archival pigment print Size 18 x 24 inches Hahnemuhle Photo Rag Metallic 340 gsm Limited Edition out of 12 Signed and numbered Certificate of Authenticity included

Jim’s of Lambertville is proud to offer this artwork by: Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Jim’s of Lambertville is proud to offer this artwork. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum/Tyler School of Art) Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

33.5 x 33.5 inch archival pigment print, edition 8. Framed to the artist's specifications, to 34.5 x 34.5 inches Signed, titled, dated and editioned on frame label provided. In the ...

33.5 x 33.5 inch archival pigment print, edition 8. Framed to the artist's specifications, to 34.5 x 34.5 inches Signed, titled, dated and editioned on frame label verso. In the lat...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he discovered photography. In 1954 he moved to Little Italy on the lower east side of Manhattan, where his love affair with Italian culture began. The photographs expose Freed’s love of the Italian people. In photo after photo, the daily life, rituals and traditions of Italians are expertly frozen in time by the eye of such an accomplished photographer. The Italians finds scenes of weddings, birthdays and everyday life exposing their inner lives. His photographs illuminate an entire set of habits intertwined with tradition that are symbols of a broader culture and an entire country. Freed’s career began shortly after World War II with subjects as diverse as his travels. Freed first came to fame in the United States documenting...

5PTZ Boogie by street art photographer boogieREZ - REZ ONES, layered photography A layered portrait photograph of a graffiti writer (BOOGIErez aka Riiisa Boogie) standing perpendicu...

Split Toned and Tinted Silver Gelatin Contact Print

Split Toned and Tinted Silver Gelatin Contact Print

Split Toned and Tinted Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print Deep In A Dream: Sheep Meadow - Series

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Split Toned and Tinted Silver Gelatin Contact Print

Split Toned and Tinted Silver Gelatin Contact Print

Split Toned and Tinted Silver Gelatin Contact Print. Signed by Artist.

Signed, printed later.

Signed, printed later,before 2007

Signed, printed later but before 2007.

Printed, signed late 90's by George Tice.

Printed, signed late 90's by George Tice.

"No great artist ever sees things as they really are. If he did, he would cease to be an artist" Oscar Wilde This homage to New York City is an evocative tribute to Peter Liepke's adopted home town, the urban metropolis he came to from his native Minnesota. This is not just another group of photographs of obvious NYC landmarks...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

This photograph was taken on the set of 'Two for the Road'. Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, Th...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Carmel credit stamps on verso titled in ink by Adams on stamp. signed in ink on mount. Gallery 270 represents distinguished photographers of the 20th Century and the emergent photog...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.” Terry O’Neill is one of the world’s most collected photographers whose work hangs in national art galleries and private collections worldwide. For over six decades, he has photographed the front line of fame, from the greats of screen and stage to presidents, prime ministers and rock stars. Portrait of the band for the cover of their album 'Who Are You...