New Mexico - Mixed Media

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Toucan and Parrot Basket, yellow, cream, black, Tribal, Panama, Rainforest The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaan believe they emerged from the palm tree. They weave baskets from palm fiber and use natural dyes. The dyes are made from wood, plants, and earth. Achieving a particular color takes weeks. The rainforest baskets are of the highest quality to be found anywhere in the world. Comparable to the North American Pomo and Panamint baskets, widely considered the best weavers in the world. The Wounaan and Embera are the finest weavers working today. The area in which they live is extremely remote and dangerous to reach. From Panama City...

New Day by Troy Williams wood sculpture, female figure, Santa Fe artist cottonwood on steel pedestal, unique sculpture, light brown

Bernal Ghost by John Hogan mixed media monotype unique yellow brown blue green unique framed landscape print New Mexico landscape John Hogan A graduate of Northeast Louisiana State...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Edition of 8 Fixed is a series of photographs made by Rachel Phillips' alter-ego Madge Cameron: Until this project, Madge Cameron (b. 1935) had always seen photography as a sep...

Basket, Wounaan Tribe Panama Darien Rainforest, gold, black, red, white

Cottonwood in Jemez Canyon by John Hogan mixed media monotype, New Mexico unique framed mixed media mono print John Hogan A graduate of Northeast Louisiana State University with a b...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Night, purple, blue, black landscape painting, unique work on canvas

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Patty deGrandpre’s “Landlocked (Recreation)” is a 16.25 x 10.875 inch unique mixed media abstracted landscape print represented on Awagami Bamboo Japanese paper utilizing both print...

Texas Mesquite wood with steel base It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating f...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

tulip wood top, Steel base Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach t...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Deconstructed and cropped images of a picnic table, a lawn chair, flowers, and a pineapple upside cake are represented in Patty deGrandpre’s 12 x 12 inch contemporary mixed media monoprint titled “Picnic”. Hues of vivid red, yellow, blue, and black both contrast and compliment in this dynamic abstracted pictorial. Embracing both experimental printmaking and creative photography, applications of block printing ink and digital inkjet are skillfully multi layered onto Red River photo...

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

Patty deGrandpre’s “The Long Part of the Drive” is a predominately blue, yellow, and gold unique contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord...

Patty deGrandpre’s “The Beauty on the Way There” is a predominately turquoise blue, black, grey, and red contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord” block embracing creative photography, mixed media, and collage. Snapshots of a Western United States highway and it’s vast scenic surroundings are printed on Awagami Bamboo Japanese paper in both black and white as well as monochromatic red. The prints are cropped and combined with thoughtfully shaped monoprint fragments and collaged onto smooth fields of turquoise and grey hued water based block printing ink. The graphic design approach to this modern composition is appreciated as the viewer recognizes a glimpse through a car window of distant mountains and roadside terrain. A rectangular red and blue print reminiscent of vintage floral wallpaper...

Patty deGrandpre’s “Leave the Flowers by the Back Door” is a 16 x 13 inch mixed media unique print represented on 19 x 16 inch Awagami Bamboo paper embracing both traditional printma...

Patty deGrandpre’s “Life is Full” is a 11 x 14 inch predominately blue, white, and yellow mixed media unique inkjet print on Red River 60lb. Polar Matte Photo paper. 30 digital pictu...

Patty deGrandpre’s “Broken Television 12” is a unique abstract 4 x 7 inch inkjet print on 11 x 14 inch rag paper in delineated hues of blue with a pop of red that incorporates a pict...

This unframed, signed, limited edition pigment print by artist John Fincher exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 22"h...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Edition of 8 Fixed is a series of photographs made by Rachel Phillips' alter-ego Madge Cameron: Until this project, Madge Cameron (b. 1935) had always seen photography as a sep...

Edition of 8 Fixed is a series of photographs made by Rachel Phillips' alter-ego Madge Cameron: Until this project, Madge Cameron (b. 1935) had always seen photography as a sep...

Make me a willow cabin at your gate, and call upon my soul within the house. Twelfth Night, Shakespeare Certainly, home is a place. It is also a place of mind. For the spirit too, home offers familiarity and solace, shelter and rest. Yet a house is not for hiding from the world; it has windows, and doors to enter but also leave by. As a girl, I adored the Wind in the Willows where homes were in and of the landscape—built underground, along the riverbank, and in the woods. A place where you can be still, letting the world come to you, watching birds fly by. This series of photographs blends the domesticity of home with the joy of wilderness, the natural world. The paper houses are built from letters, postcards and envelopes saved through the decades in old shoeboxes by my grandparents and discovered in their attic a few years ago. The images are printed on old envelopes collected from around the world; artifacts from the last centuries. What did the envelopes contain? Where did they come from? In whose mailbox were they delivered? What stories do they tell? – Rachel Phillips Artwork is an Archival Pigment Print transfer on Antique Envelope...

This unframed, signed, limited edition pigment print by artist John Fincher exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 22"h...

Cropped and deconstructed images of a two typewriters, a fence, a distant suburban landscape, and the lower half of three mannequins donning flowered coats are represented on 14 x 11...