New Orleans

Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...

A fine carving of Kwan Yin (Guanyin) from a single branch of exceedingly rare angel skin coral. Kwan Yin is a Chinese Boddhisatva associated with compas...

Antique English Victorian Coromandel wood fitted traveler's box Compendium, Circa 1850-1860. Made by J.T. Needs, Late Bramah: Purveyor to Her Majesty, Prince Albert & the Royal Family.

Ludovic Alleaume 1859-1941 French Leda and the Swan Oil on canvas Signed (lower left) This spectacular circular composition by Ludovic Alleaume presents one of mythology's most e...

A striking trio of oceanic tones defines this exquisite lavalier by Cartier. Suspended from a white gold chain, the elegant pendant is formed by three lustrous pearls: a rich golden ...

This is a beautiful little console.

"I am a true Roman Emperor; I am of the best race of the Caesars—those who are founders." –Napoleon Bonaparte, 1812 Among the most iconic and celebrated figures in history, Napoleon...

Tavia Atelier Sterling Silver Bangle opens with hinge

Sterling Silver and Gold Partagás Cigar Box Bulgari Dated 1976 This exceptional Bulgari sterling silver and gold cigar box embodies the height of Italian luxury and craftsmanship. T...

This Tiffany Studios geometric leaded glass and bronze table lamp features the iconic Lotus Pagoda shade and its complementary original bronze base. The elegant form of the lotus-inspired shade combines with the beautiful green gradient of the glass tiles to display the unparalleled craftsmanship and innovation of Tiffany Studios. This statuesque lamp shows off the Tiffany hallmarks of nature-inspired aesthetics alongside a beautifully unified artistic form. While many Tiffany shades...

This pair of vases is made of exceptionally fine Porcelaine de Paris from the 18th century. The bronze mounts are covered in gold, and were 19th century additions. The porcelain itself is a phenomenal blue color with gold designs on it that looks magnificent. The vases each have a set of four portraits on them as well: two horizontal scenes on the front and back, with two vertical portraits above them on the front and back as well. The paintings on the front of each have people in them, whereas the ones on the back depict country scenes and buildings. The inscription under the lid of the vase reads "Offert par Le Duc de Richelieu a la Princess de Lomballe." The Duke of Richelieu who gave these vases was most likely Louis François Armand de...

Antique French rosewood and gold bronze writing desk or vanity, circa 1880-1890. 30" high to writing surface. 51" high to top of mirror This piece is all original to when we purcha...

10.5 x 16 inches - Edition 5 of 7 with 2 APs Additional framing $265. Shot in 2011 in Amsterdam Inspired by an anonymous artist of the Fontainebleau School’s Presumed Portrait of Gabrielle d’Estrées and Her Sister, the Duchess of Villars, circa 1594 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

8 bells and gongs, this is a magnificent clock in every aspect of its construction.

This lavish American tester bed exhibits superior craftsmanship and detail. The design is embellished with elaborate carvings on the headboard and sides. Th...

A monumental piece of history, this exquisite silver punch set was made for Czar Alexander III as a gift to British Captain Joseph Wiggins. Heavily decorated with rich engravings and proverbs in old Slavic lettering, this service is a grand symbol of celebration and a testament to the beauty of Russian Imperial silver. The punch set, a standalone treasure in its own right, was gifted by Czar Alexander III to Captain Wiggins in recognition of his pioneering expedition along the Enisei River. Driven by a desire to establish a sea route with Siberia, Captain Wiggins’ journey is notable for being the first successful endeavor by a British seaman in 300 years to extend commercial interests with the northern coasts of Russia. Even more notable is the presentation of this elaborate gift by the Russian government to a foreign national, particularly when the British government all but ignored Wiggins' efforts. In fact, the British government refused his modest request for surveying and observational instruments. Even so, the Czar was impressed, and chose to honor Wiggins with this exceptional punch service — as pictured and discussed in Henry Johnson’s book Captain Joseph Wiggins, written in 1907. The service was commissioned by the Czar from the House of Sazikov, the oldest silversmith and jewelry firm in Russia. Sazikov was established in 1793 by the merchant Pavel Sazikov, and became supplier to the Imperial Court in 1837. The firm, which maintained factories in Moscow and St. Petersburg, became renowned for its high quality silverware, silver sculptures, cloisonné enamels and statuettes with national motifs. The firm exhibited several cups and centerpieces at the Great Exhibition of 1851 in London, and from 1846, held the Imperial Warrant. The unique charm of this punch service lies not only in its craftsmanship and historical relevance, but also in the inclusion of old drinking...

This Tiffany Studios geometric leaded glass and bronze table lamp features the iconic Spider shade and its original complementary Mushroom bronze base. The unique form of the spider and web-inspired shade combines with the soft green and yellow gradient of the glass tiles to display the unparalleled craftsmanship and innovation of Tiffany Studios. This table lamp shows off the Tiffany hallmarks of nature-inspired aesthetics alongside a beautifully unified artistic form that nearly comes alive when the lamp is turned on. While many Tiffany shades...

Drape yourself in dazzling elegance. This exceptional 18K white gold estate diamond necklace is set with round cut diamonds that weigh approximately 3.37ct. The color of the diamon...

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

Provenance: Ex. Wykeham Galleries, Stockbridge, England Dennis Page was a polymath, creating the Esso "Tiger" campaigns that ran around the world as an advertising star, while using...

Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...

This antique three stone ring features a stunning vivid blue cushion cut sapphire weighing approximately 2.10 carats flanked by two old European cut diamonds which weigh approximatel...

This exquisite Tiffany & Co. watch pendant epitomizes the luxury of turn-of-the-century jewelry from this renowned maker. The distinctive bow design, crafted circa 1890, and the meti...

Antique 19th Century French Framed Oil on Canvas Painting Signed Adrien Moreau (1843-1906).

Raoul Dufy 1877-1953 French Chevaux de courses (Racing Horses) Signed and dated "Raoul Dufy 1929" (lower right) Watercolor and gouache on Arches paper Raoul Dufy's fascination wi...

This extremely rare, early Swiss automaton singing bird box by the famed Charles Bruguier is housed in a case enveloped in luxurious tortoiseshell. Ev...

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

Christian Hootsell was born in Mississippi and resides in Dallas, TX.  While touring museums early in life, Hootsell became fascinated with metal sculpture and was inspired by the wo...

This monumental American sterling silver flatware service by Gorham epitomizes the stately glamour of turn-of-the-century dining. A to...

This exquisite Art Deco period ring showcases a 9.50-carat Ceylon blue sapphire, celebrated for its deep, velvety blue hue, which is further accentuated by the absence of heat treatm...

Pair Antique French Exceptional 9-Light Louis XVI Ormolu and Baccarat Crystal Sconces, Circa 1880-1890.

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

Deborah Newman can paint just about anything, including stunning landscapes, and here she shows her chops with an animal whose essence is hard to captur...

A wonderful pair of 19th century Persian turquoise earrings with a snake and heart motif in their original box from a jeweller in Newcastle Upon Tyne. The Snake motif was extremely p...

Antique Iron Fireplace Tool Set with Figural Medieval Knight in Armor.

This remarkable openwork reliquary cross pendant by Mellerio dits Meller stands as a testament to the maison’s unparalleled craftsmanship and design legacy. Set with 36 hexagonal gar...

Classic Estate 1940's-1950s platinum bow brooch signed by Cartier, containing approximately 7 carats total weight of round brilliant and baguette cut diamonds.

This magnificent Italian 18th century cabinet is beautifully painted and comes to the store from Bologna. On the lower portion, the piece ...

A charming little pocket painted in a happy color.

Paul Villinski's "Chiaroscuro" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke...

Pristine and immense in its breadth, this 994-piece silver set, created by the renowned C.J. Vander of London, is in a class of its own. When silver was the coinage of Great Britain, silver flatware sets became affirmations of economic prosperity and affluence. Only the most prestigious families could afford a set of twelve place settings. This complete Vander service comprised of almost 1,000 grapevine pattern pieces, with service for 60 people for a seated meal and service for 82 people for a buffet, was a monumental commission. All of the pieces are held in a remarkable seven-drawer velvet inlaid mahogany case, emphasizing the grandeur of this exceptional set. Vander created silver masterpieces using the time-honored traditions, now incredibly rare. Known for their elaborate designs and intricate engravings, Vander was one of the last remaining English flatware makers to employ the age-old method of hand forging flatware, where each piece of silver starts out as an ingot and is formed by a silversmith using a Hammer. After the pieces were forged, they would be hammered flat, polished, chased and decorated, and then polished again, all by hand. Though time-consuming, such craftsmanship ensured a product that was superior in every possible way. It was this firm's steadfast commitment to quality that made them the favorite of both royalty and nobility alike throughout Europe. Over 117 pounds of weighable silver, this 994-piece set includes: 82 table forks 82 soup spoons 82 table knives with stainless steel blades 82 dessert forks 82 dessert spoons 82 dessert/cheese knives with stainless steel blades 82 tea spoons 60 fish forks 60 fish knives 60 coffee spoons 60 pastry forks 60 grapefruit spoons 60 butter knives 37 table serving spoon...

An impressive pair of antique diamond cluster earrings set in 14K gold. The old mine cut and old European cut diamonds total approximately 10 carats total weight. These are show st...

Antique French Baccarat crystal and gold bronze chandelier, Circa 1890.

This elegant and monumental Art Deco coffee and tea service was crafted by Crichton of London, one of the finest silversmiths of the early 20th century. This rare service is still in...

Estate French Empire Gold Bronze and Steel Chandelier, Circa 1950's.

A quintessential Victorian Bangle in 14K gold with natural pearls, this substantial piece won't escape notice. 1 1/4" wide, 6 1/2" inside circumference. Circa 1850-60.

Vintage celadon jade mounter in 14kt gold . The cross is reversible to lavender jade inset or fine carnelian on the other side. The pendant attached to vintage Italian coral strand...

Antique English burled walnut leather top desk, circa 1880.

A 3.02-carat oval brilliant-cut ruby exhibits a dramatic red hue in this classic ring. For centuries, the ruby has ranked among the most sought-after gemstones in the world, and this...

This exquisite writing desk is crafted of rich mahogany and features the straightforward design prevalent in England during the early 19th century. A luxurious leather-covered top pr...

A still life oil painting on board framed in distressed wood, signed Paul Petit 1885-1960

Antique French Gold Bronze & Opaline Glass Suspension Chandelier, Circa 1890.

Spider chic? Spiderman’s web? An amusing handmade 14kt. golden spiderweb with accompanying spider in opal, baroque pearl and solitary diamond. This was a very popular motif in the l...

Exuding the elegance of Art Nouveau design, this dinnerware service for 12 from Tiffany Studios is composed of pastel-hued, opalescent green ...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

A gorgeous early Hunt Slonem of birds in grisaille pallette titled "Hornbills"

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

Fairyland Lustre Torches and Tree Serpent Pillar Vase Wedgwood Circa 1925 This superb Wedgwood pillar vase is an extraordinary example of the company's magnificent Fairyland Lustre ...

These extravagant mother-of-pearl and diamond earrings bring an artful twist to the classic drop design. Free swinging articulation adds movement, while 7.65 carats of shining white ...

Antique cut crystal bowl with continental sterling silver mount, circa 1880-1890.