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Item Ships From: New York City
Original Graham Gallery poster, hand signed by sculptor Nancy Graves, Framed
By Nancy Graves
Located in New York, NY
Here's something nobody you know has - and good luck finding another hand signed by the artist anywhere else in the world Nancy Graves Original Graham Gallery poster (hand signed by ...
Category

1960s Abstract New York City - Animal Prints

Materials

Pencil, Lithograph, Offset

Wear Your Love Like Heaven
Located in New York, NY
Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...
Category

2010s Contemporary New York City - Animal Prints

Materials

Archival Pigment

"The Fish" Ida Ten Eyck O Keeffe, Trout, Black and White, Water, Animal Art
Located in New York, NY
Ida Ten Eyck O'Keeffe The Fish, 1935 Signed and dated in pencil lower right Monotype on paper Image 6 x 8 1/2 inches Exhibited Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...
Category

1930s American Modern New York City - Animal Prints

Materials

Paper, Monotype

So I lean back (Oo La La) Jim Dine lithograph and Ron Padgett poetry pink bird
By Jim Dine
Located in New York, NY
A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...
Category

1970s Pop Art New York City - Animal Prints

Materials

Lithograph

Trapped, American Realist Lithograph by Harry Schaare
By Harry Schaare
Located in Long Island City, NY
Harry Schaare, American (1922 - 2008) - Trapped, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), De...
Category

1980s American Realist New York City - Animal Prints

Materials

Lithograph

Le Cavalier, Colorful Horse Surrealist Screenprint by Guillaume Azoulay
By Guillaume Azoulay
Located in Long Island City, NY
Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Le Cavalier Year: 1987 Medium: Serigraph, signed and numbered in pencil Edition: 175 Size: 36.5 in. x 36.5 in. (92.71 cm x 92.71 cm)
Category

1980s Contemporary New York City - Animal Prints

Materials

Screen

El Ultimo Viaje Del Buque Fantasma, Lithograph by Wifredo Lam
By Wifredo Lam
Located in Long Island City, NY
El Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)
Category

1970s Surrealist New York City - Animal Prints

Materials

Lithograph

Llama Rama
By Amanda Pratt
Located in New York, NY
ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...
Category

2010s New York City - Animal Prints

Materials

Plexiglass, Photographic Paper

Duck out of Water, Mixed Media Print by Raymond Saunders
By Raymond Saunders
Located in Long Island City, NY
Artist: Raymond Jennings Saunders, American (1934 - ) Title: Duck Out of Water Year: 1975 Medium: Lithograph with Screenprint and Collage, signed and numbered in pencil Edition: 200...
Category

1970s Contemporary New York City - Animal Prints

Materials

Lithograph, Screen

Untitled Monotype of two cats (Two Kitties), Unique signed print, David Humphrey
By David Humphrey
Located in New York, NY
David Humphrey Two Kitties, 2003 Monotype Hand signed and dated by the artist on the lower right front 20 × 31 1/2 inches Unframed Published by, and acquired from Tamarind Institute ...
Category

Early 2000s Contemporary New York City - Animal Prints

Materials

Monotype

Seal Sailing to New York
By Hayley Sarno
Located in New York, NY
ABOUT THIS PIECE: I love walking through Central Park and to watch the seals play at the Zoo. I imagined a scene where one of the New York harbor seals is ...
Category

2010s New York City - Animal Prints

Materials

Plexiglass

William Wegman Whitney Museum 1992 announcement (Wegman Dog Walker)
By William Wegman
Located in NEW YORK, NY
William Wegman Whitney Museum 1992: Rare early 90s tri-fold card, published for Wegman's exhibition at the Whitney Musuem: January 24 - April 19, 1992. Front cover features Wegman's ...
Category

1990s Pop Art New York City - Animal Prints

Materials

Offset

Paradise, Garden of Eden, Lithograph on paper, Signed, titled #36/100, Unframed
Located in New York, NY
Helen Siegl Paradise, 1976 Lithograph on wove paper Pencil signed, dated and numbered 36/100 Unframed Provenance: Rodger LaPelle Galleries, PA depicts a scene reminiscent of the Gard...
Category

1970s Romantic New York City - Animal Prints

Materials

Lithograph

Two Tigers on Green, Op Art Screenprint by Victor Vasarely
By Victor Vasarely
Located in Long Island City, NY
Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Two Tigers on Green Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250, CL I...
Category

1980s Op Art New York City - Animal Prints

Materials

Screen

Centaure, Hommage à Picasso, Surrealist Lithograph by César Baldaccini
By César Baldaccini
Located in Long Island City, NY
Cesar Baldaccini, French (1921 - 1998) - Centaure, Hommage a Picasso, Year: 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 99/99, Size: 11.75 x 15.75 in. (29.8...
Category

1980s Surrealist New York City - Animal Prints

Materials

Lithograph

Mickey Silkscreen with Glitter, 2016
By Damien Hirst
Located in New York, NY
The ‘Mickey’ is of a matching set with ‘Mickey’ and ‘Minnie’ by Master Contemporary Artist, Damien Hirst. Created in 2016 as part of a limited edition series. Damien Hirst’s ‘Mickey’...
Category

Early 2000s Young British Artists (YBA) New York City - Animal Prints

Materials

Screen

"Amour from the Helene Portfolio" Lithograph by Andre Minaux
By Andre Minaux
Located in Long Island City, NY
Artist: Andre Minaux, French (1923 - 1986) Title: Amour from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19....
Category

1970s Cubist New York City - Animal Prints

Materials

Lithograph

Screech Owl, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Screech Owl, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: ...
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

Pheasant, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Pheasant, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 22 ...
Category

1980s American Realist New York City - Animal Prints

Materials

Lithograph

Tracey Emin, Limited Edition Docket the cat, Leather Purse, signed #40/100 w/bag
By Tracey Emin
Located in New York, NY
Tracey Emin Limited Edition Docket Purse, 2011 Leather purse with zipper with original price tag in Selfridges bag 3 3/5 × 3 3/5 × 3/10 inches Edition 40/100 Signed in plate, Bears T...
Category

2010s Contemporary New York City - Animal Prints

Materials

Leather, Mixed Media

Condor, Folk Art Screenprint by Victor Delfin
By Victor Delfin
Located in Long Island City, NY
This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...
Category

1980s Folk Art New York City - Animal Prints

Materials

Screen

Interloper, Sheesh Mahal, Udaipur City Palace, 2019
By Karen Knorr
Located in New York, NY
Listing includes framing with UV Plexi ($1,700 value), free shipping to the continental US and a 14-day return policy. Interloper (2019) by Karen Knorr. 31.5 x 39.5 inches, 34 x 4...
Category

2010s New York City - Animal Prints

Materials

Photographic Paper, Color, Archival Pigment

Alfred Bendiner, Horse Laugh, mid-century equine humor
By Alfred Bendiner
Located in New York, NY
Alfred Bendiner (1899-1964) was trained as an architect but worked as an artist throughout his career. He was a noted lithographer, as well an author, muralist, and caricaturist. The...
Category

Mid-20th Century American Modern New York City - Animal Prints

Materials

Crayon

Let s Move Em, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Let's Move 'Em, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18.5 x 27 inches, Siz...
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

Fred Nagler, (Cows in a Pasture)
By Fred Nagler
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...
Category

1920s Ashcan School New York City - Animal Prints

Materials

Etching

Tears unique signed monotype by renowned native American artist (Osage Indians)
Located in New York, NY
Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...
Category

2010s Contemporary New York City - Animal Prints

Materials

Monotype, Pencil, Graphite

North Over Hudson Bay, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - North Over Hudson Bay, Year: 1976, Medium: Lithograph, Signed in Pencil, Size: 22 in. x 26 in. (55.88 cm x 66.04 cm)
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

The Winds of Change, Villa Farnese, Caprarola, 2014
By Karen Knorr
Located in New York, NY
Listing includes free shipping, and a 14-day return policy. 24 x 30 inch archival pigment print Edition 4 of 5 Signed on artist certificate Also available in 3 other sizes. Arti...
Category

2010s New York City - Animal Prints

Materials

Photographic Paper, Color

Zephyr Bird, Framed Surrealist Lithograph by Joan Miro
By Joan Miró
Located in Long Island City, NY
An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris. Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Zephyr Bird...
Category

1950s Modern New York City - Animal Prints

Materials

Lithograph

Kenny Scharf, silkscreen on Fabriano paper Rare signed Printers Proof Rainforest
By Kenny Scharf
Located in New York, NY
Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...
Category

1990s Pop Art New York City - Animal Prints

Materials

Screen

The Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetry
By Jim Dine
Located in New York, NY
Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...
Category

1970s Pop Art New York City - Animal Prints

Materials

Lithograph

Thoroughbred, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Thoroughbred, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 18/500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Descrip...
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

Horseback Rider at the Great Pyramid of Giza, Surrealist Print
Located in New York, NY
Mystery Artist Untitled (Great Pyramid), c. late 20th/early 21st century Possibly C-Print or Lithograph? Sight: 9 1/2 x 9 1/2 in. Framed: 13 x 13 x 1 1/8 in. Signed lower left This...
Category

21st Century and Contemporary Surrealist New York City - Animal Prints

Materials

C Print

Meanwhile Back at the Ranch, American Western Art Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - Meanwhile Back at the Ranch, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 27.5 in. (53.3...
Category

1980s American Realist New York City - Animal Prints

Materials

Lithograph

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
By Frank Weston Benson
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

1920s Academic New York City - Animal Prints

Materials

Paper, Etching

How it all Began from the "After Noon" Portfolio, Lithograph by Richard Lindner
By Richard Lindner
Located in Long Island City, NY
Artist: Richard Lindner, German/American (1901 - 1978) Title: How it all Began from the "After Noon" Portfolio Year: 1969 Medium: Lithograph on Arches, signed and numbered in pencil ...
Category

1960s Pop Art New York City - Animal Prints

Materials

Lithograph

Trackers Moon, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Trackers Moon, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, Size: ...
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

Common or Arctic Puffin
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.
Category

1870s New York City - Animal Prints

Materials

Paper

Birds (Retouche), Modern Screenprint by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Birds (Retouche), Medium: Screenprint, Signed and Numbered in Pencil, Edition: 61/100, Size: 19 in. x 13 in. (48.26 cm x 33.02 cm)
Category

1980s Modern New York City - Animal Prints

Materials

Screen

Friendly Interruption, Portraits Lithograph by Gina Lombardi Bratter
Located in Long Island City, NY
Gina Lombardi Bratter, American - Friendly Interruption, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 3...
Category

1970s Modern New York City - Animal Prints

Materials

Lithograph

Exhibition at Brewster Gallery, Lithograph Poster after Alexander Calder
By Alexander Calder
Located in Long Island City, NY
After Alexander Calder, American (1898 - 1976) - Exhibition at Brewster Gallery. Year: circa 1975, Medium: Lithograph Poster, Size: 35 in. x 21.5 in. (88.9 cm x 54.61 cm)
Category

1980s Modern New York City - Animal Prints

Materials

Lithograph

Signor Sorriso
Located in New York, NY
ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...
Category

2010s New York City - Animal Prints

Materials

Photographic Paper

Casa Rosa
Located in New York, NY
ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...
Category

2010s New York City - Animal Prints

Materials

Photographic Paper

Cheval Noir, Modern Etching and Aquatint by Andre Francois
By André François
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval Noir, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size: 15.5 x ...
Category

1960s Modern New York City - Animal Prints

Materials

Etching, Aquatint

Deer, Folk art Acrylic and Watercolor Painting by Li Zhong-Liang
Located in Long Island City, NY
Li Zhong-Liang, Chinese (1944 - ) - Deer, Year: 1992, Medium: Acrylic, Watercolor on Laid Paper, signed and dated lower right, Size: 28.5 x 39 in. (72.39 x 99.06 cm)
Category

1990s Folk Art New York City - Animal Prints

Materials

Acrylic, Watercolor

The Five Greatest J Ever Rode
By Richard Stone Reeves
Located in New York, NY
This colorful lithograph By Reeves is in perfect condition and never was framed or hung before. It is hand signed and numbered 17/750. Richard Stone Reeves (November 6, 1919 – Octobe...
Category

1970s American Realist New York City - Animal Prints

Materials

Lithograph

Cheval jaune et bleu, Modern Etching and Aquatint by Andre Francois
By André François
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval jaune et bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size:...
Category

1960s Modern New York City - Animal Prints

Materials

Etching, Aquatint

Georgia
By Jill Greenberg
Located in New York, NY
Since the age of 10, Jill Greenberg has staged photographs and created characters using the media of drawing, painting, sculpture, film, and photography. She is known worldwide for her uniquely human animal portraits which intentionally anthropomorphize her subjects, as well as her infamous series “End...
Category

Early 2000s New York City - Animal Prints

Materials

Archival Pigment

Immagine Feroce by Enzo Cucchi, portfolio of mythological ocean scene drawings
By Enzo Cucchi
Located in New York, NY
Whimsical, mysterious seascapes, animals, and mythological figures weave throughout this expressive set of black and white Enzo Cucchi lithographs. The complete set of five lithograp...
Category

1980s Symbolist New York City - Animal Prints

Materials

Lithograph

I Love You, Impressionist Birds Silkscreen by Dody Muller
By Dody Muller
Located in Long Island City, NY
I Love You by Dody Müller, American Date: 1980 Screenprint, signed and numbered in pencil Edition of 250, AP Image Size: 22 x 22 inches Size: 28 in. x 26 in. (71.12 cm x 66.04 cm)
Category

1970s Contemporary New York City - Animal Prints

Materials

Screen

Tiger Breath, Seesh Mahal, Amer Fort, 2020
By Karen Knorr
Located in New York, NY
Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...
Category

2010s New York City - Animal Prints

Materials

Photographic Paper, Color, Archival Pigment

Rockwell Kent, Four Bookplates (on one sheet)
By Rockwell Kent
Located in New York, NY
Proof sheet with four wood engraved book plates by Rockwell Kent. Possibly for a book on this subject published in 1937. There are pencil numbers under each image that probably indic...
Category

Early 20th Century Art Deco New York City - Animal Prints

Materials

Woodcut

Flamingos Flock to the Trevi Fountain
By Hayley Sarno
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: The Trevi Fountain has so many romantic...
Category

2010s New York City - Animal Prints

Materials

Plexiglass

Downtown Lion (1st State), Pop Art Etching on paper unique signed Printers Proof
By Larry Rivers
Located in New York, NY
Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...
Category

1960s Pop Art New York City - Animal Prints

Materials

Etching

Green Jump, Surrealist Lithograph by Robert Beauchamp
By Robert Beauchamp
Located in Long Island City, NY
Robert Beauchamp, American (1923 - 1995) - Green Jump, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)
Category

1980s Surrealist New York City - Animal Prints

Materials

Lithograph

Endangered Series - Rhinoceros 1991- Serigraph
Located in Brooklyn, NY
Christine Kidder Griffin is an artist recognized for her vibrant serigraph posters, notably her 1991 "Endangered Series - Rhinoceros", published and distributed by Graphique de Franc...
Category

1990s Contemporary New York City - Animal Prints

Materials

Screen

Hippo, Surrealist Etching and Aquatint by Martin Barooshian
By Martin Barooshian
Located in Long Island City, NY
Martin Barooshian, American (1929 - 2022) - Hippo, Year: circa 1979, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 50/60, Image Size: 9.25 x 11....
Category

1970s Surrealist New York City - Animal Prints

Materials

Etching, Aquatint

Hare Ball
By Amanda Pratt
Located in New York, NY
ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...
Category

2010s New York City - Animal Prints

Materials

Plexiglass, Photographic Paper

Keith Haring Stedelijk Museum 1986 (Keith Haring Stedelijk Museum poster 1986)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustr...
Category

1980s Pop Art New York City - Animal Prints

Materials

Paper, Screen

Birds in Love, Folk Art Etching by Mireille Kramer
Located in Long Island City, NY
Mireille Kramer, Egyptian/American (1932 - ) - Birds in Love, Year: circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 14 x 17 inches, ...
Category

1980s Folk Art New York City - Animal Prints

Materials

Etching

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