New York City - Figurative Prints

James Rosenquist, American (1933 - 2017) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Tim Engelland (American, 1950-2012) Untitled, 1999 Woodcut 11 x 8 1/2 in. Signed, numbered, and dated topt: T. Engelland, 9/200, 1996 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Shalom Moskovitz (Israel, 1895 - 1980) - Elijah Ascending to Heaven, Year: 1973, Medium: Screenprint, signed and numbered in pencil, and titled on verso, Edition: 143/300, Image Size...

John Boyd, Irish (1957 - ) - Raga, Medium: Screenprint, signed, titled and numbered in pencil, Edition: AP, Image Size: 13 x 23 inches, Size: 22.5 x 28.5 in. (57.15 x 72.39 cm)

Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 5PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image Siz...

Lissitzky, El, Kunstgewerbemuseum KGM - - USSR Russische Ausstellung 1929 (Zurich Museum of Design - USSR Exhibition). Reprint 1980 Offset, Photomontage. This is a reproduction of a very rare vintage...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Infamous art forger David Stein was implicated multiple times for selling faked works of art by renowned artists. In his later years, in order to avoid further lawsuits, he began tit...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Sunkist Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Size: 34 in. x 26 in. (86.36 cm x 66.04...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

Artist: Miguel Angel Rojas, Colombian (1946 - ) Title: Sin Titulo Year: 1992 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 4/150 Image...

Robin Morris, American (1953 - ) - Courthouse, Medium: Screenprint on Arches, signed and numbered in Crayon, artist blind stamp lower right, Edition: 160/200, Image Size: 28 x 39.75 ...

Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: War Baby Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Size: 39 in. x 26 in. (99.06 cm x 66.0...

Artist: Tom McGlynn, American & Emily Carter, American (1960 - ) Title: I Love NY from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Silkscreen, signed in pencil Image Siz...

Lucien Coutaud, French (1904 - 1977) - Ange se Promenant, Year: 1946, Medium: Etching, signed, dated and numbered in pencil, Edition: 6/10, Image Size: 8.75 x 5.5 inches, Size: 13 x...

"CONGREGATION OF WITS, Box Set of 1000 Prints", 2018, limited-edition collection of 1000 double-sided silkscreen prints – color image on one side, black text on other side – by Andrew Cornell Robinson. There are 3 box sets in custom-made red linen archival boxes with a gold stamped title. The prints are of various sizes, the box is 17.5x17.5". Note the double-sided printing – surfaces of text, surfaces of image. There are myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

Original color printed engraving, embellished by hand from "Anatomical Plates of the Human Body." Edinburgh: 1822-27. John Lizars was a professor of surgery at the Royal College of ...

Artist: Byron Browne (after), American (1907 - 1961) Title: Sousaphone Player in Marching Band Year: circa 1940 Medium: Collotype, signed in the plate Image Size: 26.5 x 20.5 in. (67...

Untitled - IX Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm) Frame Size: 21 x 18 inches

Lucien Coutaud, French (1904 - 1977) - Le Taureau Blanc V, Year: 1957, Medium: Etching, Image Size: 7.75 x 5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: From the coll...

Ira Moskowitz, Polish/American (1912 - 2001) - Psalm of Psalms, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 68/300, Image Size: 29.75 x 21.25 inch...

Muramasa Kudo, Japanese (1948 - ) - The Swing, Medium: Screenprint, signed and numbered in pencil lower right, Edition: 218/275, Image Size: 34.5 x 27 inches, Size: 41 x 33 in. (104....

Artist: Ralph Fasanella, American (1914 - 1997) Title: Family Supper Year: 1974 Medium: Screenprint on Arches Paper, signed in pencil Edition: 250, AP 25 Size: 41 in. x 31 in. (104.1...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, si...

With a title translating to "The Yellow Room", this print by José Luis Cuevas features several pained figures standing around, seemingly in wait. El Cuarto Amarillo José Luis Cuevas...

Original lithograph poster created for Marc Chagall's "Stained Glass Windows for the Cathedral of Metz" in Reims, France. Moses, Vitraux de la Cathédrale de Metz Marc Chagall (after...

Saul Steinberg (untitled) Chrysler Building Lithograph from Derrière le miroir: Lithograph in colors c.1970. 11 x 15 inches Very good overall vintage condition. Unsigned from an ed...

Archival pigment print Signed, titled, and dated in pencil, verso 4.875 x 4.875 inches, sheet 4.75 x 4.75 inches, image This artwork is offered by ClampArt, located in New York Cit...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Le Reve de Jacob Year: 1984 Medium: Etching with Carborundum, signed and numbered in pencil Edition: 65/75 Image: 27 x 22.5 inc...

Katsushika Hokusai (Japanese, 1760-1849), Three Hokusai Manga Woodblock Prints, 19th century, comprising: Mice Rolling Bales of Hay and figural vignettes, each from volume no.10, one...

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Juan Valle Alvarado Confesar para Maria Burga from the Intolerance Portfolio Year: 1989 Medium: Aquatint Etching, Signed and nu...

Livre Russe et Francais, J.Povolozky/Editeur & Cie, Ca 1922. Color lithograph, signed in the stone. Rare Vintage Poster. As a painter, Natalia Gontcharova was, together with her ...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 2. Year: 1948, Medium: Etching on MBM, Image Size: 10 x 7.75 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Referen...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Smoking Blonde Year: 1990 Medium: Screenprint, signed and numbered in pencil Edition: 65 Size: ...

Marc Chagall, Russian (1887 - 1985) - Gravure I from Poemes, Year: 1968, Medium: Woodcut, Size: 14.5 x 11.25 in. (36.83 x 28.58 cm), Printer: Atelier Lacouriere et Frelaut, Paris, P...

Artist: Eric Fischl, American (b. 1948) Title: Vincent: A Delirium Year: 1993 Medium: Collection of 6 Aquatints with prose by Frederic Tuten, lithograph inset into cover, signed and ...

Auguste Rodin, French (1840 - 1917) - Henri Becque, Year: 1885, Medium: Etching on Arches, initialed 'AR' in pencil lower right, Image Size: 5.75 x 7.5 inches, Size: 16.5 x 23 in. ...

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revillo...

Caricature etching by American artist Charles Bragg. A jury of different caricatures sits unamused before a smiling attorney. The Defense Rests Charles Bragg, American (1931–2017) ...

Artist: Charles Bragg, American (1931 - 2017) Title: Psychiatrist Medium: Etching, signed, numbered, and titled in pencil Edition: 300 Image Size: 6 x 9 inches Paper Size: 11 x 15 i...

Artist: Richard Lindner Title: Hit Year: 1971 Medium: Lithograph and Collage on Blue Rowlux, signed and numbered in pencil Edition: 175 Paper Size: 25 x 20 inches Produced and publi...

Joe Jones Fishing Village, 1949 Signed in pencil lower right margin Lithograph on wove paper Image 9 5/16 x 12 9/16 inches Sheet 12 x 15 15/16 inches From the edition of 250 The initial details of Jones' career are sparse, and this is intentional. The young artist was engaged in a process of self-reinvention, crafting a persona. When he submitted a work to the Sixteen Cities Exhibition at New York City's Museum of Modern Art in 1933, he briefly characterized himself: "Born St. Louis, 1909, self-taught. " Jones intentionally portrayed himself to the art community as an authentic working-class figure, backed by a compelling history. He was the youngest of five children in a family led by a one-armed house painter from St. Louis, a Welsh immigrant, and his German American spouse. At the age of ten, Jones found himself in a Missouri reformatory due to authorities' concerns over his graffiti activities. After completing elementary school, he traveled by freight car to California and back, even being arrested for vagrancy in Pueblo, Colorado. Returning to St. Louis, he attempted to settle down by working alongside his father. Yet, Jones felt a profound restlessness and was drawn toward a more elevated artistic pursuit in his late teenage years. He discovered a local collective of budding artists that formed St. Louis’s "Little Bohemia," sharing a studio and providing mutual support until he managed to secure his own modest workspace in a vacant garage. Jones’s initial creations comprised still lifes, landscapes, and poignant portraits of those close to him. These subjects were not only accessible but also budget-friendly, as hiring models was beyond his means. He depicted himself, his father, mother, and eventually, his wife. In December 1930, at the age of 21, Jones wed Freda Sies, a modern dancer and political activist who was four years older than him. By 1933, Jones had started gaining noteworthy local recognition through a solo exhibition at the Artists’ Guild of Saint Louis. Of the twenty-five paintings on display, one, titled River Front (private collection, previously with Hirschl and Adler Galleries), was selected to illustrate a feature article about his show in The Art Digest (February 15, 1933, p. 9). Shortly before this exhibition, a young surgeon named Dr. Robert Elman took an interest in Jones’s art, purchasing several pieces and forming a group of potential patrons committed to providing the emerging artist with a monthly stipend in exchange for art. This group was officially known as the "Co-operative Art Society," but it was informally dubbed the "Joe Jones Club. " Jones became an active participant in the St. Louis artistic scene, particularly within its bohemian segments. He embraced modernism and was a founding member of the "New Hat" movement in 1931, a playful rebellion against the conservative and traditional mainstream art establishment. The summer of 1933 marked a significant shift in Jones’s journey. Sponsored by a dedicated ally, Mrs. Elizabeth Green, Jones, along with Freda and Green, embarked on an eastward road trip. In Washington, D. C., they explored the Corcoran Gallery of Art, the Freer Gallery (part of the Smithsonian Institution), the Library of Congress, and Mount Vernon. Following this whirlwind of art and American culture, they made their way to New York, where they visited various museums and galleries, including a stop at The New School for Social Research, which featured notable contemporary murals by fellow Missourian Thomas Hart Benton and the politically active Mexican artist, José Clemente Orozco. From June through August, Jones and Freda resided in the artist colony of Provincetown, Massachusetts, later returning home via Detroit to see Diego Rivera’s Detroit Industry mural housed at the Detroit Institute of Fine Arts. While Elizabeth Green allegedly hoped that Jones would refine his artistic skills under the guidance of Charles Hawthorne or Richard Miller in Provincetown, Jones followed a different path. Rather than pursuing conservative mentors, he connected with an engaging network of leftist intellectuals, writers, and artists who dedicated their time to reading Marx and applying his theories to the American landscape. Jones's reaction to the traditional culture of New England was captured in his statement to a reporter from the St. Louis Post Dispatch: “Class consciousness . . . that’s what I got of my trip to New England. Those people [New Englanders] are like the Chinese—ancestor worshipers. They made me realize where I belong” (September 21, 1933). The stark social divisions he witnessed there prompted him to embrace his working-class identity even more fervently. Upon returning to St. Louis, he prominently identified himself as a Communist. This newfound political stance created friction with some of his local supporters. Many of his middle-class advocates withdrew their backing, likely influenced not only by Jones’s politics but also by his flamboyant and confrontational demeanor. In December 1933, Jones initiated a complimentary art class for unemployed individuals in the Old Courthouse of St. Louis, the same location where the Dred Scott case was deliberated and where slave auctions formerly took place. Concurrently, the St. Louis Art League was offering paid courses. Emphasizing the theme of social activism, with a studio adorned with Soviet artwork, Jones’s institution operated for just over a year before being removed from the courthouse by local officials. The school’s political focus and unconventional teaching practices, along with its inclusion of a significant number of African American students during a period marked by rigid racial segregation, certainly contributed to its challenges. Under Jones’s guidance, the class created a large chalk pastel mural on board, measuring 16 by 37 feet, titled Social Unrest in St. Louis. Mural painting posed no challenge for the former housepainter, who was adept at handling large wall surfaces. His first significant commission in St. Louis in late 1931 was a mural that celebrated the city’s industrial and commercial fortitude for the local radio station, KMOX. This mural, aimed at conveying optimism amid severe economic hardship, showcased St. Louis's strengths in a modernist approach. When Jones resumed mural work in late 1933, his worldview had evolved considerably. The mural produced for the school in the courthouse, conceived by Jones, featured scenes of modern St. Louis selected to highlight political messages. Jones had observed the technique of utilizing self-contained scenes to craft visual narratives in the murals he encountered in the East. More locally, this compositional strategy was commonly employed by the renowned Missouri artist...

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: El Sueno Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 25, 5 AP Size: 22 in. x...

The Tailor George Russin, American (1910–2010) Lithograph, signed and numbered in pencil Edition of 250 Size: 29 x 22 in. (73.66 x 55.88 cm)

Artist: Horst Antes, German (1936 - ) Title: Figure with Ladder Medium: Lithograph, signed and numbered in pencil Edition: 199/200 Image: 24 x 18.5 inches Size: 25.5 x 19.5 in. (64....

Artist: Joan Gardy Artigas, Spanish (1938 - ) Title: Untitled Year: circa 1960 Medium: Screenprint, Signed and numbered in pencil Edition: 72/75 Size: 24 in. x 17 in. (60.96 cm x 43...

Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

Artist: Lester Johnson, American (1919 - 2010) Title: New York Dancers (5) Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition:...

Aaron Bohrod City Park, Winter, circa 1945 Signed in pencil lower right margin Lithograph on wove paper Image 9 1/2 x 13 1/2 inches From the edition of 250 Aaron Bohrod's work has ...

Bath John Hardy, American (1923–2014) Date: circa 1976 Lithograph, Signed in Pencil Edition of 275 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Linda Stein, Flo Kennedy 406 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of love. Ea...

Linda Stein, Billie Jean King 382 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits...

Artist: Ben Shahn, American (1898 - 1969) Title: Screams of Women in Labor from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22...

Bar Scene David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 25.5 inches Size: 26 x 32.5 in. (66.04 x 82.55...

Artist: Georges Rouault Title: La Parade Year: circa 1925 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 15/25 Image: 12.5 x 1...

Caricature etching by American artist Charles Bragg. A group of jurors stares aimlessly around a courtroom. The Jury 2 Charles Bragg, American (1931–2017) Date: circa 1970 Etching, ...

Untitled Horst Antes, German (1936) Lithograph, signed and numbered in pencil Edition of 22/60 Size: 17 x 24 in. (43.18 x 60.96 cm)