New York City - Figurative Prints

This elegant and authentic serigraph by the renowned Art Deco master Erté (Romain de Tirtoff), titled "Three Graces." This exceptional work comes from Erté’s celebrated series of cos...

Robert Indiana, After, American (1928 - 2018) - Ahava, Portfolio: Master American Contemporaries II, Year: 1995, Medium: Offset Lithograph with Poetry, Image Size: 7 x 7 inches...

Mireille Kramer, Egyptian/American (1932 - ) - African Dancers, Year: circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 14/300, Size: 17 x 14 in. (43.18 x 35...

LeRoy Neiman, American (1921 - 2012) - Springfield Museum of Fine Arts (Tennis), Year: 1974, Medium: Poster, Size: 24.5 in. x 34 in. (62.23 cm x 86.36 cm)

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

This vintage exhibition poster reproduces The Boy Hidden in an Egg by David Hockney from his Six Fairy Tales from the Brothers Grimm, 1969. A shirtless young man curls up inside a d...

Jim Dine Hearts (Hand Signed), 1983 Offset lithograph 28 × 22 inches Boldly signed in black marker on the front Unframed This vintage hand signed 1983 poster...

After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...

An impression of "Le Poisson Bleu" (The Blue Fish) from the Jacques Lassaigne book "Marc Chagall" with 15 unsigned lithographs. This is one lithograph of...

Michael Kagan (American, b. 1980), "Moonwalker", Screenprint in Colors on Magnani Incisioni, 2024, published by Brand X Editions, New York, signed in pencil and dated lower right, nu...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Although this work is titled Horses. It nice to think it could be (Horses in a Field in Woodstock, NY), but it was printed by Will Barnet at the Art Students League, about 1938, and Wilson, who visited Woodstock with Arnold Blanche...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...

A rare signed, original, artist's proof lithograph (épreuve d'artiste). Throughout his career, Chagall produced colored lithographs such as “La Tour Eiffel...

Claes Oldenburg Houseball with Fallen Toy Bear, 2013 Color lithograph on Japanese watercolor paper Hand signed and numbered 21/50 by Claes Oldenburg on the front 38 3/5 × 44 inches U...

KERRY JAMES MARSHALL Set of Six (Six) Scout Series Embroidered Patches, 2017 Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging. Large...

Linda Stein, Shirley Chisholm 763 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of love...

This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas' work is characterized by...

Artist: Ana Mercedes Hoyos, Colombian (b. 1942) Title: San Basillio II Year: 2005 Edition: 75 Medium: Lithograph, signed and numbered in pencil Size: 22 x 30 in. (55.88 x 76.2 cm)

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Jean Jansem, French (1920 - 2013) - Girl From Behind, Year: circa 1965, Medium: Lithograph, Size: 14.5 x 11 in. (36.83 x 27.94 cm), Frame Size: 21 x 17 inches

Red Grooms "Expedition" (aka "EAT", aka "Stockholm Print"), 1973 Silkscreen on 100% rag paper Pencil signed, dated and numbered recto (front); Stamped in black on verso "© Copyright ...

Keith Haring New York City 1989: RARE original 1989 Keith Haring designed Sound Factory Halloween invite featuring a dazzling array of Keith Haring Skeletons: “Keith Haring & Sound...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Peach Lily on Beige Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 40 x 29 inches Si...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

Richard Diebenkorn 1984 Olympic Lithograph (Hand signed deluxe limited edition w/Olympic Committee COA), 1982 Lithograph with offset lettering on 100% cotton Parsons Diploma Parchmen...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

Transhumante Fernando de Szyszlo, Peruvian (1925–2017) Aquatint Etching, signed and numbered in pencil Edition of 44/80 Size: 42.5 x 28 in. (107.95 x 71.12 cm)

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

Henri de Toulouse-Lautrec, After, French (1864 - 1901) - Reine de Joie, Year: 1982, Medium: Lithograph, numbered in pencil, Edition: 10/500, Size: 12 x 9 in. (30.48 x 22.86 cm), ...

John Pasche Rolling Stones American Tour, original 1972 poster, 1972 Original vintage offset lithograph poster (this is the original poster, not a reprint 35 1/2 × 25 inches Unframed...

Larry Rivers Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977 Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges Hand signed and inscr...

Artist: Raymond Loewy, American (1893 - 1986) Title: Hydrofoil Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 17 x 24 inches Size: 21 in. x 28 ...

Robin Morris, American (1953 - ) - Twins, Year: circa 1990, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 148/350, Image Size: 28 x 20 inches, Size: 29...

Ellsworth Kelly Handwritten, signed note on card to CBS cameraman and collector Dan Pope Ink on offset lithograph card Handwritten note signed and inscribed to Dan Pope. It reads, "D...

Printed by Petersburg Press for their exhibition of David Hockney prints and drawings at the 1981 Chicago Art Fair, this beautiful poster reproduces Hockney’s drawing Celia Wearing Checkered Sleeves, 1973...

Tracey Emin Hand Signed by Tracey Emin: Bazaar magazine homage to David Bowie, 2016 Glossy offset lithograph magazine (uniquely hand signed by Tracey Emin) Boldly signed in silver sh...

An impression from the book of Marc Chagall's (Russian, 1887-1985) lithographs. Published in 1960 by Éditions André Sauret, Monte-Carlo. From 1960 to 1974 Chagall produced 28 lithogr...

Kehinde Wiley Passing/Posing, Paintings Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfoli...

A moody evening in New York City. The buildings capture the quiet that New York sometimes achieves. Signed and dated in pencil.

Ron Kleemann, American (1937 - 2014) - Porsche, Year: 1980, Medium: Screenprint on Arches Paper, signed and numbered in pencil, Edition: 250, Size: 23.5 x 33 in. (59.69 x 83.82...

Created by Surrealist Fanny Brennan from 1992-96, Letting Off Steam is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the ...

"Olivia 2" by Alex Katz (2025) is a striking multicolored screen print on Museum quality fine art paper, signed and numbered in a limited edition of 50, showcasing Katz's iconic styl...

Artist: Salvador Dali Title: American Trotting Horses No. 2 Date: 1971 Portfolio: Currier & Ives as Interpreted by Salvador Dali Medium: Litho...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

Peter Max, German/American (1937 -) - Statue of Liberty, Year: circa 1986, Medium: Poster, Image Size: 30.5 x 15 inches, Frame Size: 44.25 x 28.25 inches

'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...

Printed in 1975, this poster features the encounter between an alluring woman dressed in red, and a man with his back to the viewer. The light of a streetlamp is beautifully imitated...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

Jacob Lawrence, American (1917 - 2000) - The 1920's, The Migrants Cast Their Ballots, Portfolio: Kent Bicentennial Portfolio, Year: 1975, Medium: Offset Lithograph, Image Size: 1...

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Linda Stein, Gloria 449 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits ser...

Giancarlo Impiglia, Italian/American (1940 - ) - The Big Band, Year: 1987, Medium: Screenprint, signed and numbered in pencil, Edition: 57/300, Size: 31 ...

Andre Masson, French (1896 - 1987) - Sun Figures from the Omaggio a Michelangelo Portfolio, Year: 1975, Medium: Offset Lithograph, signature in the printing, Image Size: 13 x 9 in...

This lithograph was created by American surreal-pop artist Mark Kostabi. Kostabi is most known for his paintings of faceless figures which often comment on contemporary political, so...

Biagio Civale, Italian/American (1936 - ) - Twenty Little Mexicans, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 96/199, Size: 27.5 x 19 in. (69.85 x 48.26 cm), Description: Across a four by five grid, Biagio Civale depicts a series of bright Pop Art-inspired images of Mexican children wearing ponchos, sombreros, and ruffled pants.

Andy Warhol Studies for a Boy Book 1956: A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon. Medium: Offset lithograph on wove paper. Framed in glass. Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm). Framed dimensions: 24h x 26w inches. Good overall vintage condition; fold-lines as originally issued; Unsigned from an edition of unknown. Rare. With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse. Provenance: The Andy Warhol Foundation for the Visual Arts, New York Susan Sheehan Gallery, New York Private Collection, New York Further Background: "In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum) Collections: The Art Institute of Chicago Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings. As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene. The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips) _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...